Panasonic FP8 vs Panasonic GF8
95 Imaging
34 Features
20 Overall
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90 Imaging
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Panasonic FP8 vs Panasonic GF8 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 151g - 96 x 60 x 20mm
- Revealed July 2009
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Revealed February 2016
- Old Model is Panasonic GF7

Panasonic Lumix FP8 vs GF8: A Thorough Comparison for Photographers Seeking the Perfect Fit
Choosing a camera is a personal journey, often influenced by the genres you shoot, your workflow preferences, and how much tech you want to carry. Today, I’m diving deep into two distinct Panasonic offerings separated by several years and design philosophies: the compact, pocket-friendly Panasonic Lumix DMC-FP8 and the more ambitious, mirrorless Panasonic Lumix DMC-GF8. While they share a brand DNA, the FP8 and GF8 target very different users and shooting styles.
Having tested thousands of cameras over 15 years, I’m keen to unpack how these two stack up across photography disciplines, real-world ergonomics, and technical prowess. Let’s get started - and I’ll integrate key hands-on insights you won’t find in specs alone.
Pocket-Friendly Ultracompact vs. Entry-Level Mirrorless: A Size & Handling Perspective
Right out of the gate, the FP8’s ultracompact form factor dominates for sheer portability. At 96 x 60 x 20 mm and just 151g, this camera makes itself at home in the smallest pockets or purses. In contrast, the GF8 - a rangefinder-style mirrorless - nearly doubles the thickness and weight at 107 x 65 x 33 mm and 266g due to its larger sensor and interchangeable lens system.
Handling differs accordingly. The FP8 employs a minimalist design with limited manual controls, fitting the typical point-and-shoot mold. The GF8 offers a more substantial grip and better tactile feedback with a tiltable 3-inch touchscreen and versatile control layout. While neither offers a viewfinder, the GF8’s tilt screen is a boon for composing from tricky angles, especially for selfie-style portraits or street photography.
A closer look at the controls reveals the GF8’s thoughtful balance - physical buttons complement touchscreen input, with dedicated dial support for shutter and aperture priority modes. The FP8 relies heavily on a simple fixed 2.7-inch, low-res screen without touch, which can feel restrictive once you move beyond casual snapshots.
If ultimate portability is your non-negotiable, the FP8 wins handily. However, for more serious enthusiasts craving control and versatility without lugging around a DSLR, the GF8 strikes a better ergonomic balance.
A Giant Leap in Sensor Size & Image Quality
Sensor technology is a critical factor that often separates casual shooters from photographers who demand high image quality and flexibility. The FP8 sports a tiny 1/2.3" CCD sensor measuring 6.08 x 4.56 mm, totaling a diminutive 27.72 mm² area. Meanwhile, the GF8 packs a Four Thirds sensor (17.3 x 13 mm) - almost eight times the surface area!
Why does sensor size matter? Larger sensors typically yield better low-light performance, greater dynamic range, and more pleasing depth of field control. Although the FP8 offers 12 megapixels, its compact sensor struggles with noise at ISO settings above 400, limiting creative latitude in dim conditions.
The GF8, with 16 megapixels on a larger sensor, supports native ISOs from 200 up to 25,600 (expandable down to 100). That’s a significant advantage for shooting in low light or preserving highlight and shadow detail in landscapes.
Testing these under standard studio conditions and natural outdoor settings, I found the GF8 produces richer color rendition, smoother gradients, and more detailed images - especially noticeable when cropping or making large prints. The FP8’s JPG output is often softer due to its sensor and engine (Venus Engine V) constraints, with limited capability to shoot in raw formats.
For photographers focusing on quality and post-processing flexibility, the GF8 is the clear winner. The FP8’s sensor, while sufficient for quick travel snaps, simply can’t rival the GF8’s capacity for professional-grade results.
LCD Screens & User Interface: Viewing Your World
The on-camera interface is where your shooting experience comes alive. The FP8 has a fixed 2.7-inch screen with 230k dots resolution - serviceable but noticeably small, and it lacks touchscreen capabilities. This display can feel cramped if you're relying on it for detailed focusing or exposure checks.
Conversely, the GF8 benefits from a 3-inch tilting touchscreen boasting over 1 million dots resolution. This screen is bright, responsive, and convenient for live view shooting or navigating menus.
Touch AF and touch shutter functionality offer intuitive controls that make focus selection and camera operation feel modern and fluid. The tilt mechanism not only assists low-angle and overhead shots but enhances video vlogging and selfie ventures - even if the GF8 doesn’t market itself as a “selfie camera” explicitly.
From my time shooting both in daylight and dim scenarios, the GF8’s display inspires confidence in your compositions and settings, whereas the FP8’s smaller, fixed screen leaves you squinting a bit more.
Autofocus & Burst Mode: Speed vs Simplicity
Autofocus is a pivotal feature, especially for genres demanding precision and speed like wildlife and sports. The FP8 uses simple contrast-detection AF over 11 points but lacks face or eye detection, continuous AF, or tracking. With a max continuous shooting speed of just 2 fps, it’s best suited for static subjects or casual shooting.
The GF8 steps this up dramatically, featuring 23 focus points with contrast detection, enhanced by face detection and continuous AF tracking modes. You get the flexibility to select single, continuous, or multi-area AF - great for unpredictable action or portraits.
Burst speeds on the GF8 reach approximately 5.8 fps, providing a much better chance at nailing fleeting moments - think shooting kids at play or bursts at sporting events. While it won't rival flagship pro cameras that break into double-digit frame rates, it’s a noticeable improvement over the FP8.
For wildlife shooters or fast-paced sports enthusiasts at entry-level, the GF8’s autofocus and frame rate will keep frustration at bay. The FP8 stays faithful to its leisure-snapshot roots, lagging behind on these specs.
Lens Ecosystems: Fixed Simplicity or Expansive Creativity?
One of the largest divides between these models is really the lenses. The FP8 has a built-in fixed zoom lens covering 28-128 mm (35mm format equivalent, with 4.6x zoom) and max aperture f/3.3-5.9.
This makes it a straightforward grab-and-go camera with no lens fuss. It’s decent for travel and everyday photography, but you’re locked into one optical perspective and aperture range.
The GF8 uses the Micro Four Thirds mount - one of the best-developed mirrorless lens systems with over 100 compatible lenses from Panasonic, Olympus, Sigma, and others.
This opens vast creative doors: you can pick wide-aperture primes for low light and portraits, super telephoto lenses for wildlife, macro optics for close-ups, and ultra-wide zooms for landscapes.
If you value optical versatility and crafting images with different lens “personalities,” the GF8 naturally wins. The FP8’s fixed lens suits those craving simplicity and space-saving but at a cost to creative options.
How Do These Cameras Perform in Different Photography Genres?
Let’s get into the nitty-gritty of how these two cameras fare across popular photographic disciplines.
Portrait Photography
Portraits demand accurate skin tones, bokeh, and especially dependable eye detection. The FP8’s fixed zoom lens and lack of any face or eye detection AF limit its capabilities here. Bokeh is minimal due to its relatively small sensor and slow lens (max f/3.3-5.9), delivering images that tend to be sharp but “flat” without discernible subject separation.
The GF8 shines brighter. It supports face detection AF and creates natural skin tones thanks to its larger sensor. Depth of field control is much improved, especially when paired with bright Micro Four Thirds primes - crucial for creamy backgrounds. Additionally, its autofocus reliability means catching sharp eyes with little frustration.
If portraits are your passion, the GF8 is the better choice - no contest.
Landscape Photography
With landscapes, dynamic range and resolution are king. While the FP8’s 12MP sensor delivers decent 4000x3000 images, the limited dynamic range and high noise at elevated ISOs constrain creativity, particularly in high-contrast scenes. Also, no weather sealing means worry on rugged outings.
The GF8’s 16MP sensor benefits from better dynamic range and higher ISO usability, allowing for more detailed shadows and highlights. The availability of wide-angle lenses and a high-res tilting screen helps in framing intricate compositions. However, it also lacks official weather sealing, which is typical at this price point.
If you’re after pure image quality and versatility for landscapes on a budget, the GF8 edges ahead, though neither device is designed for professional outdoor abuse without extra care.
Wildlife Photography
Wildlife demands rapid, accurate autofocus, decent burst rates, and often long reach telephoto lenses. Canon or Nikon DSLRs might be first thoughts, but how do these Panasonic models rank?
The FP8’s slow 2fps burst and contrast-only AF without tracking make it almost unsuitable for wildlife beyond static scenes or well-controlled zoo visits. The fixed zoom tops out at approximately 128 mm equivalent - a bit short for serious wildlife.
The GF8’s faster 5.8 fps continuous shooting, improved AF tracking, and compatibility with over 100 Micro Four Thirds lenses including telephotos, present a much more usable setup. The reach and autofocus allow better results, although it’s still entry-level gear relative to flagship wildlife setups.
Wildlife enthusiasts starting on a budget will appreciate the GF8, but experienced pros will look elsewhere.
Sports Photography
Very similar story to wildlife. The GF8’s continuous AF, slightly higher burst rate, and Lens availability make it a decent entry-point but it lacks refined phase-detection AF and the blazing fps of top-tier cameras essential for high-speed sports.
The FP8 simply can’t keep up.
Street Photography
Here the FP8’s small size and discretion become an asset. If handing your camera at a street festival or sneaking shots on the go is your gig, the FP8 is quiet, fast to ready, and pocketable.
The GF8, while still lightweight, is more conspicuous with its interchangeable lens silhouette and larger grip. While the tiltable touchscreen aids flexible framing, quick reaction shots can occasionally feel slowed by more menu navigation.
If you prefer an invisible shooting companion for street, the FP8 makes a strong case. For deliberate, creative framing with better image quality, the GF8 nudges forwards.
Macro Photography
Neither camera excels strongly here, but the FP8’s 5 cm macro focusing is serviceable for snapshots. The GF8 does not specify macro focusing distance but the benefit comes from interchangeable lenses specially designed for macro work.
For enthusiasts keen on macro, pairing the GF8 with dedicated macro lenses is the obvious route.
Night & Astrophotography
The FP8’s small sensor and high noise over ISO 400 limit night photography to mostly bright urban scenes using flash.
The GF8, with its larger sensor and 25600 max ISO, plus manual exposure modes including shutter and aperture priority, along with RAW support, offers significantly better potential for night and astrophotography. Although it doesn’t have specialized astro features, its low-light strengths and lens options make it the superior choice.
Video Capabilities
Video shooters will find the FP8 offering only HD 720p at 30fps in Motion JPEG - a dated compression format limiting quality and editing flexibility. No mic input, no 4K, and no advanced stabilization features mean it’s a casual video tool at best.
The GF8 provides Full HD 1080p video at up to 60fps in MPEG-4, AVCHD, and H.264 formats. While no 4K or external microphone inputs are present, you get decent video quality for social media and home movies, alongside built-in wireless connectivity for quick transfers.
Travel Photography
Given its slim dimensions and light weight, the FP8 is ideal for minimalist travelers prioritizing convenience over image quality.
The GF8 offers better image quality, control, and lens flexibility but weighs more and occupies more space. Battery life is moderate around 230 shots for the GF8 (FP8 battery life unspecified). If traveling light matters most, the FP8 wins on sheer convenience. If quality and versatility outweigh size, the GF8 is the better partner.
Professional Work & Workflow Integration
The FP8’s lack of RAW shooting, limited controls, and modest image quality prevent it from serious professional use.
The GF8 supports RAW format, has manual exposure modes, exposure bracketing, white balance bracketing, and touch-enabled AF - key features for workflow integration and professional reliability at entry-level prices.
Both lack weather sealing or robust build quality, so for rugged pro use, they fall short.
Build Quality, Weather Sealing & Durability
Neither model offers substantial weather sealing, shockproofing, or freezeproofing. Both are plastic-bodied with modest build quality designed more for casual shooting than professional abuse.
The GF8’s added heft suggests a more stable hand feel but also greater vulnerability to knocks without protective housing.
Connectivity: Walk Before You Run
The FP8 has no wireless connectivity at all, relying on USB 2.0 and HDMI output. In 2009, this was standard.
The GF8, released in 2016, includes built-in Wi-Fi and NFC for wireless image sharing - very useful for modern workflow or social media streaming.
Battery Life & Storage
Battery life in the GF8 rates around 230 shots per charge, typical for compact mirrorless cameras. The FP8’s battery life isn’t specified but given its simpler electronics and lack of heavy processing, expect shorter lifespan due to smaller battery capacity.
Both use single SD/SDHC cards, with the GF8 supporting SDXC too, allowing larger memory cards.
Real-World Image Samples
A side-by-side glance at images from both tells a profound story of sensor advantage and processing.
Notice the GF8’s superior color depth, dynamic range, and detail rendition, especially in shadows and skin tones, compared to the FP8’s noisier and generally flatter pictures.
Overall Performance Ratings & Genre Scores
My comprehensive testing and scoring across benchmarks reveal:
And by photographic type:
The GF8 consistently outperforms the FP8 in almost every category except size and discrete shooting for street.
Final Thoughts and Recommendations
Who Should Buy the Panasonic Lumix FP8?
The FP8 fits casual point-and-shoot users who prioritize pocketability, simple operation, and occasional travel pics. It’s a no-fuss camera tailored for users who want a tiny, affordable device with basic zoom and stabilization, but don’t demand high image quality or advanced controls.
Who Should Buy the Panasonic Lumix GF8?
When image quality, creative flexibility, and more professional control matter - all without stepping into full-size mirrorless or DSLR territory - the GF8 stands out as an excellent entry-level mirrorless option. It supports interchangeable lenses, offers richer imaging capabilities, more advanced autofocus, RAW shooting, and video options.
If you’re a traveler, budding portraitist, or enthusiast wanting a camera system to grow with your skills, the GF8 is the more compelling investment.
Is the Price Difference Justified?
At MSRP ~$300 for the FP8 and ~$550 for the GF8, the latter’s almost double price is justified by its vastly superior sensor, AF system, lens ecosystem, and video specs.
Wrapping Up
Panasonic’s FP8 and GF8 serve two distinct user bases. The FP8 is a compact snapshot companion while the GF8 is an accessible creative tool.
Having tested both extensively, I recommend weighing your priorities: if you want quality and versatility without sacrificing portability entirely, the GF8 won’t disappoint. If your rig must fit in smallest pockets and your expectations stay casual, the FP8 still holds nostalgic charm.
Photo lovers, remember: the best camera is one you enjoy carrying and shooting with. Choose the Lumix that fits your vision and style.
Dear reader, if you want me to test Panasonic’s newer models or compare these to rival brands, let me know. Meanwhile, happy shooting!
End of Article
Panasonic FP8 vs Panasonic GF8 Specifications
Panasonic Lumix DMC-FP8 | Panasonic Lumix DMC-GF8 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FP8 | Panasonic Lumix DMC-GF8 |
Category | Ultracompact | Entry-Level Mirrorless |
Revealed | 2009-07-27 | 2016-02-15 |
Physical type | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine V | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor surface area | 27.7mm² | 224.9mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 4592 x 3448 |
Maximum native ISO | 6400 | 25600 |
Min native ISO | 80 | 200 |
RAW files | ||
Min enhanced ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 11 | 23 |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 28-128mm (4.6x) | - |
Maximum aperture | f/3.3-5.9 | - |
Macro focus range | 5cm | - |
Total lenses | - | 107 |
Focal length multiplier | 5.9 | 2.1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 2.7" | 3" |
Screen resolution | 230k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60s | 60s |
Max shutter speed | 1/1300s | 1/500s |
Max silent shutter speed | - | 1/16000s |
Continuous shutter rate | 2.0 frames per second | 5.8 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.50 m | 5.60 m (at ISO 200) |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 151 gr (0.33 lb) | 266 gr (0.59 lb) |
Dimensions | 96 x 60 x 20mm (3.8" x 2.4" x 0.8") | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 230 shots |
Type of battery | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs, 3-shot/10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC card |
Card slots | 1 | 1 |
Pricing at release | $300 | $549 |