Panasonic FP8 vs Panasonic GH1
95 Imaging
34 Features
20 Overall
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81 Imaging
49 Features
57 Overall
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Panasonic FP8 vs Panasonic GH1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 151g - 96 x 60 x 20mm
- Introduced July 2009
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 1600 (Bump to 3200)
- 1920 x 1080 video
- Micro Four Thirds Mount
- 385g - 124 x 90 x 45mm
- Introduced July 2009
- Newer Model is Panasonic GH2

Panasonic Lumix DMC-FP8 vs. GH1: A Deep Dive Comparison for Photography Enthusiasts
Choosing the right camera can be a pivotal moment in your creative journey. Whether you're after a pocketable companion or a versatile powerhouse, understanding the nuances between models is critical. Today, we dissect two Panasonic cameras launched in mid-2009 - the Lumix DMC-FP8, an ultracompact point-and-shoot, and the Lumix DMC-GH1, an advanced mirrorless offering that set early standards for digital video and mirrorless stills alike.
Both cameras reflect Panasonic’s innovation at that time but cater to very different user needs and photographic ambitions. Through hands-on testing, technical analysis, and practical usage insights, we’ll guide you to the camera that suits your style, budget, and creative goals.
A Tale of Two Cameras: Size, Handling, and Design
Form factor influences everything from your shooting comfort to mobility. The FP8 is designed for ultra-portability, easily slipping into your pocket, while the GH1 embraces a traditional DSLR-style mirrorless design emphasizing control and flexibility.
Feature | Panasonic FP8 | Panasonic GH1 |
---|---|---|
Body Type | Ultracompact, pocketable | SLR-style mirrorless |
Dimensions (mm) | 96 x 60 x 20 | 124 x 90 x 45 |
Weight (grams) | 151 | 385 |
Grip | Minimal, compact shell | Pronounced grip for stability |
Control Layout | Limited buttons, fixed screen | Extensive physical dials and buttons |
What this means for you:
The FP8 is ideal for casual shooters prioritizing convenience and stealth, great for street photography or family snapshots. The GH1’s heft and ergonomics favor enthusiasts and pros seeking direct control over exposure and focusing, better for longer shoots or when pairing with interchangeable lenses.
Visual Command: Screen and Viewfinder Usability
A camera’s interface shapes how you frame shots and interact with settings. The FP8 sports a modest 2.7-inch fixed LCD with low resolution (230k dots), while the GH1 offers a 3-inch fully articulating screen at double the detail (460k dots) plus a high-coverage electronic viewfinder (EVF).
Feature | Panasonic FP8 | Panasonic GH1 |
---|---|---|
Screen Size | 2.7 inch | 3 inch |
Screen Type | Fixed | Fully articulating |
Resolution | 230k dots | 460k dots |
Viewfinder | None | Electronic, 100% coverage |
Touchscreen | No | No |
Practical takeaways:
The GH1’s articulating screen shines for shooting at angles - think low to the ground or above your head - ideal for macro and video work. The EVF offers eye-level framing with real-time exposure preview, indispensable in bright conditions. Meanwhile, the FP8’s smaller screen fits the compact ethos but can feel limiting for detailed composition and reviewing images.
Sensor, Image Quality, and Processing Power: The Heart of the Camera
Sensor size and technology critically impact image quality, low light capacity, and depth of field control. Panasonic’s FP8 uses a 1/2.3-inch CCD sensor, a common ultracompact format of the era, whereas the GH1 packs a much larger Four Thirds CMOS sensor.
Specification | Panasonic FP8 | Panasonic GH1 |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size | 1/2.3" (6.08 x 4.56mm) | Four Thirds (18.89 x 14.48mm) |
Sensor Area | 27.72 mm² | 273.53 mm² |
Resolution | 12 MP | 12 MP |
Max ISO | 6400 | 1600 native (3200 boosted) |
RAW Support | No | Yes |
In our real-world testing:
The sensor size difference is profound. The GH1’s larger sensor provides nearly ten times the surface area, translating into superior noise control and dynamic range. Images from GH1 are clearer, smoother, and offer better detail retention in shadows and highlights - critical for landscapes and portrait work. The FP8, while capable of good daylight and casual snapshots, struggles with noise beyond ISO 400, limiting its low-light usability.
Lens Systems: Fixed Convenience vs. Interchangeable Freedom
Lens versatility can define your shooting breadth. The FP8 has a fixed lens with 28-128mm equivalent zoom (4.6x) and a modest maximum aperture of f/3.3-5.9. Conversely, the GH1 uses the Micro Four Thirds mount, compatible with a vast ecosystem of over 100 lenses varying in focal lengths and brightness.
Feature | Panasonic FP8 | Panasonic GH1 |
---|---|---|
Lens Type | Fixed zoom | Interchangeable Micro Four Thirds |
Focal Length Range | 28-128 mm equivalent | Depends on lens attached |
Max Aperture | f/3.3–5.9 | Variable, depending on lens |
Macro Focus Range | 5 cm | Lens-dependent |
Optical Stabilization | Yes (built-in) | No (depends on lens) |
What this means practically:
The FP8’s lens is a solid, straightforward tool for everyday shooting but limits creative control over depth of field and field of view. GH1 grants you the freedom to pick lenses optimized for specific genres - from fast primes for portraits to long telephotos for wildlife, or macro optics. And while the GH1 lacks in-body stabilization, many MFT lenses come with optical stabilization to compensate.
Autofocus and Shooting Performance
Focus accuracy and speed are pivotal for capturing decisive moments, especially in action or wildlife photography. The FP8 employs contrast-detection autofocus with 11 focus points but no tracking or face detection. The GH1 also relies on contrast detection but offers continuous autofocus and multi-area selection, supporting more advanced focusing techniques.
Feature | Panasonic FP8 | Panasonic GH1 |
---|---|---|
Autofocus Type | Contrast detection | Contrast detection |
Number of Focus Points | 11 | Multiple (auto-selected) |
Face Detection | No | No |
Continuous AF | No | Yes |
Burst Rate FPS | 2 | 3 |
Hands-on insights:
Under varied lighting and shooting conditions, the GH1 shows more reliable autofocus, especially with moving subjects due to continuous mode. The FP8 can feel sluggish locking focus in low light, increasing the risk of soft images. Burst shooting is slow on both but slightly better on GH1.
Exposure Flexibility and Manual Control
Exposure control is essential for photographers seeking creative freedom. The FP8 is designed for point-and-shoot simplicity - no shutter priority, aperture priority, or manual exposure modes - offering only automatic and limited white balance controls.
Conversely, the GH1 is a significant step up, providing:
- Manual, aperture priority, shutter priority, and program modes
- Exposure compensation
- Custom white balance presets
- Higher max shutter speed (1/4000s vs 1/1300s on FP8)
- External flash support with hot shoe
These features facilitate experimentation and precision in exposure, appealing to enthusiasts growing their technical skillsets.
Flash and Low Light Capabilities
Built-in flash on both cameras can handle casual fill lighting. FP8 has a flash range around 5.5 meters, while GH1’s more powerful unit reaches nearly double at 10.5 meters and supports external flash units. The GH1 also syncs at up to 1/160s, allowing for more creative flash work.
Low-light shooting is challenging on the FP8 due to sensor size and limited ISO performance. The GH1, while not a low-light specialist by today’s standards, offers cleaner images up to ISO 1600 and even ISO 3200 when boosted.
Video Features: From Basic Clips to Early HD Excellence
If video is part of your creative palette, the FP8 records simple HD clips at 720p/30fps using Motion JPEG, which leads to larger files and limited editing flexibility.
The GH1, a landmark camera for Panasonic, records full HD 1080p video at up to 60fps, employing efficient AVCHD compression for higher quality footage and better post-processing. It also includes a microphone input, a rare and valuable feature in 2009, enabling clearer audio for vlogging and professional videos.
Summary of video specs:
Feature | Panasonic FP8 | Panasonic GH1 |
---|---|---|
Max Resolution | 1280x720 (30fps) | 1920x1080 (up to 60fps) |
Video Format | Motion JPEG | AVCHD |
Microphone Input | No | Yes |
Headphone Output | No | No |
Battery Life and Storage - Practical Considerations
The FP8 lacks detailed battery life information but, given its ultracompact design, is likely less capable for extended shooting sessions. The GH1’s specified battery life is about 320 shots per charge, typical for mirrorless designs of its era.
Both cameras use SD/SDHC cards for storage with one slot each, a simple, reliable solution.
Durability and Weather Resistance
Neither model offers environmental sealing, waterproofing, shockproofing, or freezing resistance. For outdoor photographers working in tough conditions, additional weather protection or rugged camera bodies might be necessary.
Pricing and Overall Value Proposition
At launch, the FP8 was priced around $300, aiming at casual shooters desiring convenience at an affordable point. The GH1 carried a $950 premium, reflecting its advanced capabilities, interchangeable lenses, and superior image quality.
Your investment should align with how seriously you intend to pursue photography or videography and which features support that.
Real World Photography Use Cases and Genre Suitability
Photographers often prioritize cameras based on the genres they pursue. Let’s see how each fares across different types of photography.
Photography Type | Panasonic FP8 | Panasonic GH1 |
---|---|---|
Portrait | Acceptable for casual portraits; limited bokeh control due to small sensor and slow lens | Excellent manual control and lens options yield beautiful skin tones and bokeh |
Landscape | Limited dynamic range; small sensor restricts detail | Superior dynamic range and resolution capture fine details and shadow nuance |
Wildlife | Slow AF and fixed lens limit usability | Interchangeable telephoto lenses and better AF make it suitable for wildlife shooters |
Sports | Low burst rate and AF speed hinder sports use | Better burst and continuous AF for moderate sports action |
Street | Compact size excels for stealth and portability | Larger footprint but superior control and image quality |
Macro | 5cm macro focus range included | Lens-dependent; capable with specialized macro lenses |
Night and Astro | Struggles beyond ISO 400; no RAW | Raw capture and larger sensor give much better low-light results |
Video | Basic HD video; no mic input | Advanced HD recording with microphone input |
Travel | Lightweight and pocketable | Versatile with batteries for longer use; heavier to carry |
Professional Work | Insufficient manual controls and no raw | Supports raw, manual modes, and professional workflows |
Evaluating Scores and Performance Metrics
While the FP8 was not tested by DxOMark, the GH1 holds these credible scores reflecting image quality advantages:
Score Category | GH1 Score |
---|---|
Overall | 64 |
Color Depth | 21.6 bits |
Dynamic Range | 11.6 stops |
Low Light ISO | 772 |
Genre-Specific Strengths Visualized
To encapsulate how these cameras align with photography disciplines, here is a performance breakdown:
Design Evolution: Top View and Control Layout
Exploring the physical controls gives insight into usability.
- The FP8 has minimal external controls, relying heavily on automatic modes and simple menus.
- The GH1’s dedicated dials for shutter speed, aperture, and exposure compensation empower manual creativity and rapid adjustments - a big plus for seasoned users.
Summary: Which Camera Should You Choose?
Panasonic Lumix DMC-FP8 - For the Casual Shooter and Minimalist
- Pros: Ultra-compact size, easy to use, good day-to-day snapshots, optical image stabilization, affordable price
- Cons: Small sensor limits image quality, no RAW, sluggish autofocus, fixed lens with limited aperture
Choose this if:
- You want a pocket-friendly camera for travel or everyday photography
- You don’t want to bother with manual settings or interchangeable lenses
- You shoot mostly in good light and prioritize portability over ultimate image quality
Panasonic Lumix DMC-GH1 - For the Enthusiast and Videographer
- Pros: Large Four Thirds sensor with RAW capture, interchangeable lenses, manual controls, articulating screen and EVF, full HD video with mic input
- Cons: Larger and heavier body, no in-body stabilization, higher price point
Choose this if:
- You seek serious image quality with creative flexibility
- Want to experiment with different lenses and advanced manual exposure modes
- Are interested in video production alongside stills
- Need a camera that can grow with your skills
Final Recommendations and Next Steps
The FP8 and GH1 serve distinct user segments, and your choice hinges on your photographic ambitions.
- If you’re just getting started, desire simplicity, and want a camera you won’t leave behind at home, try the FP8 or a modern ultracompact camera in its spirit.
- If you want to develop your technique, produce professional-quality photos and videos, and have access to an extensive lens selection, the GH1 remains a compelling option despite its age. Many used GH1 bodies remain affordable on the secondhand market and deliver value beyond their years.
Regardless of which you lean toward, take time to handle both cameras yourself, explore lenses if considering GH1, and evaluate your shooting style. Photography is a personal journey - discover the tools that inspire you to create.
Explore further:
- For GH1 users, check out native Micro Four Thirds lenses for macro and telephoto needs.
- FP8 owners might enjoy experiments with small external flashes or portable tripods to enhance image stability.
We hope this detailed comparison helps you navigate your next camera investment with confidence. Happy shooting!
Panasonic FP8 vs Panasonic GH1 Specifications
Panasonic Lumix DMC-FP8 | Panasonic Lumix DMC-GH1 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FP8 | Panasonic Lumix DMC-GH1 |
Category | Ultracompact | Advanced Mirrorless |
Introduced | 2009-07-27 | 2009-07-10 |
Body design | Ultracompact | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine V | Venus Engine HD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.08 x 4.56mm | 18.89 x 14.48mm |
Sensor surface area | 27.7mm² | 273.5mm² |
Sensor resolution | 12 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4000 x 3000 | 4000 x 3000 |
Max native ISO | 6400 | 1600 |
Max enhanced ISO | - | 3200 |
Lowest native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 11 | - |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 28-128mm (4.6x) | - |
Maximal aperture | f/3.3-5.9 | - |
Macro focus range | 5cm | - |
Total lenses | - | 107 |
Focal length multiplier | 5.9 | 1.9 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display size | 2.7" | 3" |
Resolution of display | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder coverage | - | 100 percent |
Features | ||
Min shutter speed | 60 secs | 60 secs |
Max shutter speed | 1/1300 secs | 1/4000 secs |
Continuous shutter speed | 2.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.50 m | 10.50 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash sync | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 151 gr (0.33 lbs) | 385 gr (0.85 lbs) |
Physical dimensions | 96 x 60 x 20mm (3.8" x 2.4" x 0.8") | 124 x 90 x 45mm (4.9" x 3.5" x 1.8") |
DXO scores | ||
DXO Overall score | not tested | 64 |
DXO Color Depth score | not tested | 21.6 |
DXO Dynamic range score | not tested | 11.6 |
DXO Low light score | not tested | 772 |
Other | ||
Battery life | - | 320 shots |
Style of battery | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC |
Storage slots | Single | Single |
Retail cost | $300 | $949 |