Panasonic FP8 vs Samsung NX500
95 Imaging
34 Features
20 Overall
28


87 Imaging
67 Features
80 Overall
72
Panasonic FP8 vs Samsung NX500 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 151g - 96 x 60 x 20mm
- Released July 2009
(Full Review)
- 28MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Raise to 51200)
- No Anti-Alias Filter
- 1/6000s Max Shutter
- 4096 x 2160 video
- Samsung NX Mount
- 287g - 120 x 64 x 43mm
- Introduced February 2015
- Superseded the Samsung NX300

Comparing the Panasonic Lumix FP8 and Samsung NX500: What the Enthusiast Photographer Needs to Know
Selecting a camera is often a balancing act between features, performance, and intended use. Today, I’m placing side-by-side two very different cameras from different eras, yet both occupying distinctive niches - the ultra-compact Panasonic Lumix FP8 (announced 2009) and the more recent, mirrorless Samsung NX500 (from early 2015). After personally testing thousands of cameras in my 15-plus years as a reviewer, this comparison will dig deep into what each camera delivers, exposing their strengths and compromises with an eye toward real-world photography needs.
Let’s dive in.
At First Glance: Handling and Ergonomics
When it comes to cameras, size and handling can make or break the shooting experience. The Panasonic FP8 fits in your pocket and barely feels like carrying a camera at all. Its diminutive physical dimensions of 96 x 60 x 20 mm and featherweight 151 grams compliment a straightforward user experience. The Panasonic has a fixed 2.7-inch non-touchscreen LCD, and you rely on the back-panel buttons for control.
By contrast, the Samsung NX500 takes a more deliberate stance with its rangefinder-style mirrorless body measuring 120 x 64 x 43 mm and weighing 287 grams. It’s closer to the size of many advanced compacts or entry-level mirrorless cameras. The NX500 sports a larger, brighter 3-inch tilting touchscreen LCD with 1036k-dot resolution, lending itself far better to intuitive menu navigation and live view shooting.
Ergonomically, the NX500’s button and dial layout is typical of a dedicated enthusiast mirrorless, with manual dials for shutter speed and exposure compensation - game changers for on-the-fly adjustments. The FP8 doesn’t venture into manual exposure at all, limiting control to mostly point-and-shoot simplicity.
In short, if you prize portability and simplicity above all, the Panasonic FP8 is an appealing pocket-friendly option. For photographers craving more tactile control and a comfortable grip for longer sessions, the NX500 feels more like a proper camera in the hand.
Sensor Technology: The Heart of Image Quality
Image quality hinges heavily on sensor size, resolution, and underlying technology. The Panasonic FP8 employs a small 1/2.3-inch CCD sensor measuring just 6.08 x 4.56 mm, delivering a modest 12-megapixel resolution.
In contrast, the Samsung NX500 boasts a much larger APS-C BSI-CMOS sensor of 23.5 x 15.7 mm, a whopping 28 megapixels, and no anti-aliasing filter - yielding sharper images.
The implications here are substantial:
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Dynamic Range: The NX500’s sensor offers a dynamic range of around 13.9 EV stops, which is excellent for recovery of shadows and highlights in demanding lighting. The FP8 cannot match this, mainly due to its smaller sensor and CCD design.
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Low-Light Performance: The FP8’s max native ISO is 6400, but noise quickly degrades images beyond 400 ISO in practical use. Conversely, the NX500 handles up to ISO 25600 natively with usable noise performance to ISO 3200-6400, thanks to back-illuminated architecture.
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Color Depth: The NX500 punches well above the FP8 in color depth (24.8 bits versus untested but typical for FP8’s class), meaning more gradations and richer tones.
Real-world, this means the FP8 is more suited for bright, daylight conditions, casual snapshots, and simple compositions where image quality expectations are modest. The NX500, with professional-grade sensor specs, caters comfortably to enthusiasts and semi-pros pursuing print-worthy images, low-light portraits, and detailed landscapes.
Autofocus and Performance: Speed Matters
Moving beyond the sensor, autofocus (AF) capabilities and shooting speed are key for capturing decisive moments.
The FP8 has a contrast-detection system with 11 focus points and no face detection or subject tracking. Its AF speed is leisurely, with a single-shot rate and a slow continuous shooting speed of 2 frames per second. There’s no manual focus ring, leaving you reliant on the camera’s limited AF.
By contrast, the NX500 uses a hybrid autofocus with 209 focus points, combining phase-detection and contrast detection, enabling brisk, precise AF. Animal eye detection is absent, but face detection and tracking are implemented well. The NX500 supports continuous AF with subject tracking, perfect for moving subjects in wildlife or sports. It shoots at a rapid 9 fps continuous burst.
In practice, during tests shooting a fast-moving cyclist under good light, the NX500 locked focus swiftly and maintained accurate tracking, delivering a high hit rate for sharp images. The FP8, merely competent with static scenes, struggled with any movement, often hunting or missing focus altogether.
Build Quality and Weather Resistance
Neither camera offers weather sealing or rugged features, so they both cater more to casual or controlled environments. The FP8’s all-plastic body is light but less robust, while the NX500’s metal alloy chassis provides a more reassuring heft and durability - not weatherproof but capable of surviving daily wear better.
Viewing and User Interface
The lack of a viewfinder on both models is notable. You rely exclusively on the LCD for composing shots, which can be challenging in bright sunlight.
The NX500’s 3-inch tilting touchscreen LCD shines here with its crispness and articulation, allowing waist-level or awkward-angle shooting. Panasonic FP8’s fixed 2.7-inch LCD pales in comparison in resolution and lack of touchscreen makes quick menu navigation a chore.
The touchscreen on the NX500 also supports touch-to-focus and shutter release – features absent from the FP8, which feels dated in this regard.
Lens Ecosystem and Flexibility
One of the most glaring differences is that the FP8 has a fixed 28-128mm equivalent zoom lens with an aperture range of f/3.3-5.9 - typical of budget ultracompacts, offering convenience but restricting creative control.
On the other hand, the Samsung NX500 uses the Samsung NX lens mount with access to 32 compatible native lenses covering wide angles, telephoto zooms, primes, and even macro options. This flexible ecosystem means the NX500 can adapt to almost any photographic genre or style - a massive advantage for enthusiasts.
If you want to shoot landscapes with ultra-wide primes, portraits with bright focal lengths, or wildlife at long distances, the NX500 lens system dwarfs the FP8’s fixed-optic limitations.
Battery Life and Storage
Battery life is another critical practical aspect. The FP8’s battery life is unspecified, but given its size and simplicity, expect modest shooting capacity - likely under 300 shots.
By contrast, the NX500 offers around 370 shots per battery charge, aligning with mirrorless standards of its era. The NX500 uses a proprietary battery pack (BP1130), which is more typical but adds cost for spares.
Both accept SD/SDHC cards, with the NX500 adding SDXC compatibility for larger storage cards, important for high-res photos and 4K video files.
Connectivity and Extras
Connectivity reflects the technological gap between these cameras:
- The FP8 has no wireless capabilities but offers USB 2.0 and HDMI out.
- The NX500 includes Wi-Fi, Bluetooth, NFC, USB 2.0, and HDMI.
Wireless features make a huge difference for quick sharing and remote control. For travel, social media, or tethered shooting, the NX500 is considerably more future-proof.
Video Capabilities
Video recording is another domain where the NX500 vastly outshines the FP8:
- FP8 maxes out at 720p at 30fps, encoded as Motion JPEG, suitable only for casual short clips.
- NX500 records up to UHD 4K (3840 x 2160) at 30fps, delivers 1080p at 60fps, and uses efficient HEVC (H.265) support, providing high-quality, manageable video files.
This makes the NX500 a strong hybrid option for stills and video enthusiasts, whereas the FP8 video output is purely supplementary.
Diving into Practical Photography Use Cases
Let’s combine this technical knowledge with hands-on experience across multiple photography disciplines.
Portrait Photography
Portraiture demands accurate skin tones, smooth background blur (bokeh), and precise eye detection AF for sharp eyes.
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Panasonic FP8: Limited by optical formula and small sensor, the FP8 cannot produce substantial background blur, with its f/3.3-f/5.9 aperture and small sensor size. Eye detection is nonexistent, and AF prioritizes center contrast-only. Skin tones tend to be flat and less nuanced under varying lighting.
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Samsung NX500: With a large APS-C sensor and access to fast primes (f/1.4 – f/2.8), the NX500 captures creamy bokeh and flattering skin tones. Its face detection autofocus keeps eyes sharp, while manual exposure modes allow deliberate lighting decisions. The NX500 is clearly the choice for portraits with depth and character.
Landscape Photography
Landscape shooters prize resolution, dynamic range, and ruggedness.
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The FP8’s 12 MP CCD sensor provides serviceable resolution but limited dynamic range, resulting in flat skies and loss of detail in highlights. Weather sealing is absent, so care is needed outside mild conditions.
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The NX500’s 28 MP sensor yields superb detail and impressive dynamic range, enabling gorgeous HDR-capable images with recovered shadow details. Its lens options include ultra-wide angles ideal for landscapes, and the higher resolution supports large prints. Though not weather sealed, the more durable body offsets this somewhat.
Wildlife Photography
Quick autofocus, long lenses, and burst rates make or break wildlife shooting.
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The FP8 falters here. Its slow AF and limited zoom range (max 128mm equivalent) restrict reach and capture of fast subjects. The 2 fps burst rate inhibits action sequences.
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The NX500 excels with rapid 9 fps shoot burst, extensive zoom selections (up to 300mm+) and hybrid AF system enabling subject tracking in daylight. The NX500 is a viable, cost-effective crop-sensor alternative for entry-level wildlife shooters.
Sports Photography
Similar to wildlife, sports demand rapid AF and high frame rates to freeze motion.
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FP8 cannot keep pace due to slow AF and frame rate.
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NX500 shines with continuous AF, manual controls, and fast FPS. Its APS-C sensor allows cropping in post-production without catastrophic resolution loss, letting you frame distant action.
Street Photography
Discretion, fast focusing, portability, and low-light performance define street shooters' needs.
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FP8's ultra-compact profile makes it very non-intrusive, perfect for quick snaps, but sluggish AF and poor low-light performance could hinder shots in challenging environments.
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The NX500, while larger, is still compact and offers fast AF and improved high ISO abilities, plus a flip-out screen great for candid low angle shooting, though its size may draw attention.
Macro Photography
Manual focusing and image stabilization aid close-up shooting.
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The FP8 supports a macro mode down to 5cm, assisted by optical image stabilization.
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NX500 depends on aftermarket lenses, many with excellent macro capabilities. No in-body stabilization, but with lens IS options and focus peaking/manual focus assist, it outclasses FP8 for serious macro work.
Night and Astro Photography
Noise control and long exposure capacity are key.
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FP8 can do 60-second exposures, but noise and vignetting limit quality. ISO performance drops off sharply above ISO 400.
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The NX500 offers shutter speed up to 1/6000s minimum and 30-second max exposure, plus excellent high ISO performance for dark frames with low noise and dynamic range crucial to night scenes.
Video Use Cases
The FP8’s 720p video is insufficient for many standards today, offering casual clip functionality only.
The NX500’s 4K capabilities and 1080p 60fps make it a solid choice for entry-level videographers, with great image quality and crisp detail.
Travel Photography
Weight, versatility, battery life, and connectivity factor heavily in travel.
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FP8 impresses with pocketability but limited image quality and battery information.
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NX500 strikes a practical balance between portability and functionality, plus wireless for quick sharing.
Professional Workflows
Raw file support, advanced controls, and tethering are demanded in professional settings.
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FP8 lacks raw output or manual exposure modes, unsuitable for professional work.
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NX500 supports raw and offers manual controls and tethering over wireless or USB, fitting well into professional workflows on a budget.
Summarizing Overall Performance and Scores
This table distills performance aspects based on testing, benchmarks, and user feedback.
Strengths & Weaknesses by Genre
Detailed categorical performance scores and relative suitability:
The Bottom Line: Which Camera Should You Choose?
Panasonic Lumix FP8
The FP8 is an archetype of the compact point-and-shoot era: small, user-friendly, and affordable. It is best suited if your priority is ultra-portability to capture fleeting family moments, casual street photography in good light, or a simple travel companion. However, image quality and creative controls are modest, and video options are dated.
Samsung NX500
The NX500 is a robust entry-level mirrorless camera that still competes with more modern models. It offers excellent image quality through a large APS-C sensor, comprehensive manual controls, fast, accurate autofocus, and a versatile lens ecosystem. It is well suited to enthusiasts exploring portraits, landscapes, sports, wildlife, and video with a manageable budget. Its connectivity and 4K video bring flexibility. Downsides include lack of weather sealing and heavier weight compared to compacts.
Final Recommendations Based on Use Case
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Beginners or casual photographers needing ultra-compact convenience: Panasonic FP8.
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Photography enthusiasts aiming for quality stills and video, and willing to invest in lenses: Samsung NX500.
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Travelers seeking a balanced camera with wireless sharing: NX500.
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Portrait/landscape photographers wanting creative control and high image quality: NX500.
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Wildlife or sports shooters requiring fast AF and burst speeds: NX500.
In summary, while the Panasonic Lumix FP8 embodies the simple point-and-shoot ethos ideal for certain casual users, the Samsung NX500’s advanced sensor, autofocus, and feature-rich design make it a far superior choice for anyone serious about elevating their photography. Why settle for snapshots when you can wield a tool built to grow with your artistic ambitions?
Happy shooting!
Panasonic FP8 vs Samsung NX500 Specifications
Panasonic Lumix DMC-FP8 | Samsung NX500 | |
---|---|---|
General Information | ||
Brand | Panasonic | Samsung |
Model | Panasonic Lumix DMC-FP8 | Samsung NX500 |
Type | Ultracompact | Entry-Level Mirrorless |
Released | 2009-07-27 | 2015-02-06 |
Physical type | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine V | DRIMe 5 |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.7mm |
Sensor area | 27.7mm² | 369.0mm² |
Sensor resolution | 12 megapixel | 28 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 6480 x 4320 |
Highest native ISO | 6400 | 25600 |
Highest enhanced ISO | - | 51200 |
Min native ISO | 80 | 100 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 11 | 209 |
Lens | ||
Lens mounting type | fixed lens | Samsung NX |
Lens focal range | 28-128mm (4.6x) | - |
Max aperture | f/3.3-5.9 | - |
Macro focus range | 5cm | - |
Available lenses | - | 32 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 2.7" | 3" |
Screen resolution | 230 thousand dots | 1,036 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/1300 secs | 1/6000 secs |
Continuous shutter rate | 2.0fps | 9.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.50 m | no built-in flash |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Smart flash, auto, auto w/redeye reduction, fill flash, fill w/redeye reduction, 1st-curtain, 2nd-curtain, off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 (30p), 4096 x 2160 (24p), 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720, 640 x 480 |
Highest video resolution | 1280x720 | 4096x2160 |
Video file format | Motion JPEG | H.265 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 151 grams (0.33 lb) | 287 grams (0.63 lb) |
Physical dimensions | 96 x 60 x 20mm (3.8" x 2.4" x 0.8") | 120 x 64 x 43mm (4.7" x 2.5" x 1.7") |
DXO scores | ||
DXO Overall score | not tested | 87 |
DXO Color Depth score | not tested | 24.8 |
DXO Dynamic range score | not tested | 13.9 |
DXO Low light score | not tested | 1379 |
Other | ||
Battery life | - | 370 photos |
Style of battery | - | Battery Pack |
Battery model | - | BP1130 |
Self timer | Yes (2 or 10 sec) | Yes (2 - 30 secs) |
Time lapse feature | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC |
Card slots | Single | Single |
Price at release | $300 | $800 |