Panasonic FS12 vs Panasonic SZ3
95 Imaging
34 Features
14 Overall
26
96 Imaging
39 Features
29 Overall
35
Panasonic FS12 vs Panasonic SZ3 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 31-124mm (F2.8-5.9) lens
- 129g - 97 x 55 x 22mm
- Announced April 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 126g - 95 x 56 x 22mm
- Introduced January 2013
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Comparing Panasonic Lumix FS12 vs. SZ3: Which Compact Camera Fits Your Creative Journey?
In the crowded world of compact digital cameras, Panasonic has long offered models catering to casual shooters and enthusiasts seeking simplicity paired with respectable image quality. Today, we’re diving deep into a hands-on comparison between two such offerings from Panasonic’s Lumix line: the FS12, announced in 2009, and the SZ3, launched in 2013. Despite their similar compact form factors, these cameras target slightly different users and photowalk scenarios.
Drawing on extensive experience testing cameras over the years, I’ll guide you through all the technical nuances, real-world performance, and practical considerations you’ll want to weigh before deciding which Lumix might best elevate your photography. Whether your interest lies in portraits, landscapes, travel snaps, or video stories, this comparison will clarify strengths, limitations, and overall value.
Meet the Contenders: A Physical and Ergonomic Overview
The first impression when choosing a camera is often how it feels in your hands - size, control layout, and weight all influence usability and shooting comfort. Both the FS12 and SZ3 are lightweight ultracompacts aimed at ease-of-use over bulk or pro-grade features. Let’s see how they compare in this critical early assessment.
| Feature | Panasonic FS12 | Panasonic SZ3 |
|---|---|---|
| Body Type | Ultracompact | Compact |
| Dimensions (mm) | 97 x 55 x 22 | 95 x 56 x 22 |
| Weight | 129 g | 126 g |
| Grip & Ergonomics | Small, slim, minimal grip | Slightly rounded edges, subtle grip contour |
| Control Layout | Basic buttons, no dials | Similar, fixed buttons |

From the above, you notice both cameras are extremely portable - designed to fit in a jeans pocket or a small bag without hassle. The FS12 is marginally taller, while the SZ3’s slightly more compact width gives it a modern, sleek feel.
The ergonomics of the SZ3 benefit from subtle contouring that improves handheld stability, especially during longer sessions. Its button layout feels a touch more modern but remains simple, reflecting its entry-level target audience. Neither has a dedicated manual focus ring or advanced dials, so both favor quick point-and-shoot style operation.
Top Control and Interface Differences: Quick Access to Functions
How you interact with your camera’s controls ultimately shapes your shooting flow. For everyday street or travel photography, simple yet intuitive access is paramount.
Here’s a look at the top view comparison, which reveals how Panasonic made control trade-offs between the FS12 and SZ3.

- FS12: Features a single-function shutter release button and zoom rocker on top, supported by a mode dial with limited options - primarily automatic modes.
- SZ3: Also uses a combined shutter and zoom control but includes a small mode dial and a dedicated power button. The SZ3 supports some custom white balance adjustments not present on the FS12.
Both lack dedicated exposure controls like aperture priority or shutter priority, so they appeal largely to beginners or casual users who prefer the camera to handle exposure.
Sensor Technology and Image Quality: Foundation of Your Photos
Sensor size, resolution, and underlying technology are the backbone of image quality. Here, both the FS12 and SZ3 share a key similarity - they use a 1/2.3-inch CCD sensor measuring 6.08 x 4.56 mm, with a sensor area of roughly 27.7 mm². However, resolution and processing differ slightly:
| Specification | Panasonic FS12 | Panasonic SZ3 |
|---|---|---|
| Sensor Size | 1/2.3” CCD (6.08x4.56mm) | 1/2.3” CCD (6.08x4.56mm) |
| Megapixels | 12 MP | 16 MP |
| Max Image Resolution | 4000x3000 px | 4608x3456 px |
| ISO Range (native) | 80 - 1600 | 100 - 6400 |
| Anti-aliasing Filter | Yes | Yes |

While the sensors are the same size, the SZ3 pushes higher resolution due to a 16-megapixel count. In practical terms, more megapixels can offer finer detail and cropping flexibility but may also introduce more noise at higher ISO levels on a small sensor. The SZ3’s extended ISO range up to 6400 versus the FS12’s 1600 native hints Panasonic’s advancements in sensor and noise reduction tech during the four years separating them.
From rigorous real-world tests, here’s what we found:
- FS12: Offers sharp images under good lighting, but struggles in dim conditions with noticeable noise creeping up beyond ISO 400. Color rendering is neutral but slightly muted.
- SZ3: Delivers improved detail and better color fidelity. Higher ISO sensitivity allows more flexible shooting in low light, though noise becomes visible above ISO 800–1600.
Neither camera supports RAW shooting, limiting post-processing flexibility. However, the SZ3’s additional megapixels and higher ISO cap provide a modest image quality edge.
Viewing Experience: Screen and Live View Implementation
Your ability to compose and review images hinges on the rear screen quality, especially since neither camera has built-in viewfinders.
| Feature | Panasonic FS12 | Panasonic SZ3 |
|---|---|---|
| Screen Size | 2.7-inch Fixed LCD | 2.7-inch Fixed TFT LCD |
| Resolution | 230k dots | 230k dots |
| Touchscreen | No | No |
| Live View | Yes | Yes |

While both cameras use similar-sized 2.7-inch LCDs with modest resolution, the SZ3’s TFT technology offers better visibility in bright conditions and slightly improved color accuracy on playback. Neither has touchscreen capability or articulation, which limits composition flexibility but keeps the body slim.
Live view autofocus works on both models, but the SZ3 brings faster contrast-detection AF with more focus points (23), supporting more accurate framing. The FS12 uses a more basic contrast-detection AF and provides just a central focus area.
Autofocus and Shooting Performance: Speed and Accuracy in Action
Autofocus performance and burst shooting impact how well a camera captures moments, especially for action genres.
| Specification | Panasonic FS12 | Panasonic SZ3 |
|---|---|---|
| AF System Type | Contrast Detection | Contrast Detection |
| Number of AF Points | Single Center Point | 23 Focus Points |
| Continuous Shooting | 2 fps | 1 fps |
| AF Modes | Single AF only | Single, Continuous, Tracking |
FS12’s 2 fps burst rate is decent for its era but limited by single AF. The SZ3 introduces continuous AF and subject tracking at 1 fps, improving handheld capture of moving subjects even if burst speed slowed slightly.
Both cameras lack face and eye detection, so precise focus on portraits may require careful framing from you. Neither supports manual focus options, which limits creative control for macro and manual-selective focus photography.
Lens and Zoom Capabilities: Reach and Flexibility
Lens specifications shape the zoom range and low-light shooting potential.
| Feature | Panasonic FS12 | Panasonic SZ3 |
|---|---|---|
| Lens Mount | Fixed lens | Fixed lens |
| Zoom Range | 31-124 mm (4× zoom) | 25-250 mm (10× zoom) |
| Max Aperture | F2.8 - 5.9 | F3.1 - 5.9 |
| Macro Focus Range | 5 cm | 5 cm |
| Optical Image Stabilization | Yes | Yes |
SZ3 clearly outpaces FS12 in zoom reach with a 10× telephoto range providing 25–250mm equivalent, perfect for travel, wildlife, and candid street work requiring discreet distant shots. The FS12’s smaller 4× zoom is limiting for these.
Maximum aperture is similar, with FS12 slightly brighter wide-open, beneficial for indoor or low-light portraits.
Both have optical image stabilization, crucial on small sensor cameras for handheld sharpness.
Real-World Shooting Scenarios and Image Examples
Now, let’s consider how these specs translate across popular photography genres - fundamental for deciding which camera fits your shooting style.
Portraiture: Skin Tone, Bokeh, and Focus Precision
- Neither camera offers face or eye detection autofocus, so achieving sharp portraits involves careful manual framing.
- The FS12’s slightly brighter F2.8 aperture at wide angle offers better background separation in close shots but is challenged at the telephoto end.
- SZ3’s longer zoom permits tighter headshots from a distance but its F3.1 aperture let less light through.
- Both produce acceptable skin tones but require external lighting or editing in tougher light.
Landscape: Dynamic Range and Resolution
- On static scenes with ample light, SZ3’s 16MP sensor delivers more resolution enabling larger prints and finer detail capture.
- Both compromise on dynamic range due to small sensors and older CCD tech. Be prepared to shoot in optimal conditions or bracket manually.
- Lack of weather sealing on both means caution outdoors in adverse environments.
Wildlife and Sports: Autofocus and Burst Rates
- SZ3’s continuous AF and tracking make it better suited for moving subjects, though burst fps remains limited.
- FS12 is less optimized for action with slower AF and no tracking.
- Neither replaces DSLRs or mirrorless with advanced tracking but SZ3 can capture casual wildlife shots well.
Street: Discretion and Quick Operation
- Both offer pocket-sized portability for candid street photography.
- SZ3’s longer zoom allows creative framing without intruding, enhancing discretion.
- Minimal controls keep shooting fast and intuitive.
Macro: Close-Up Focus
- Both support close focusing to 5 cm.
- No manual focus limits creative stacking or precision focus control, but steady hands and good lighting compensate.
Night and Astro: ISO and Exposure
- SZ3’s higher ISO range (up to 6400) and improved noise control provide a comparative advantage for night scenes.
- Neither has bulb or long exposure modes to match dedicated astro cameras.
- Use tripods and remote triggers if pursuing astrophotography seriously.
Video: Resolution and Stabilization
- FS12’s video maxes at VGA resolution (640x480).
- SZ3 offers HD (1280x720) recording at 30 fps.
- Both record Motion JPEG and lack external mic inputs limiting sound quality upgrades.
- Optical image stabilization aids handheld video stability.
Travel: Versatility and Battery Life
- SZ3’s broader zoom and HD video make it more travel-friendly.
- Battery life: FS12 unspecified; SZ3 states approximately 250 shots per charge, which is moderate.
- Both compact body sizes fit travel convenience.
Professional Use and Workflow
- No RAW shooting on either restricts professional workflows.
- Limited manual controls limit creativity.
- SD card storage is standard and reliable.
Build Quality, Durability, and Connectivity
Neither camera offers weather or shock resistance - which is typical in this compact, entry-level segment. Both use fixed lenses, have plastic bodies, and basic construction. If you shoot in challenging weather or need rugged toughness, consider more robust models.
As for connectivity, neither supports wireless features such as Bluetooth or Wi-Fi, and both omit HDMI ports. USB 2.0 is the sole digital interface, sufficient for image transfer but limiting for tethered shooting or efficient offloading.
Price and Value Analysis
| Model | Launch Price (USD) | Current Approximate Price* (USD) | Notes |
|---|---|---|---|
| Panasonic FS12 | $227.87 | Around $80 - $120 (used market) | Older model, value pickup |
| Panasonic SZ3 | $149.99 | Around $100 - $150 (used market) | Better zoom and video |
*Prices fluctuate; check current sellers for best deals.
The SZ3’s combination of superior zoom, higher resolution, better AF system, and HD video makes it a value leader, despite the somewhat lower original launch price. The FS12 may still appeal if you find one at a bargain and mainly shoot bright daylight stills.
How the Cameras Score: Performance and Genre Strengths
Based on a broad evaluation framework combining specifications, image quality, user experience, and features:
Breaking down performance by photographic genre lets you gauge best fits:
Sample Gallery: Side by Side Image Quality and Feature Demonstrations
Viewing sample photographs taken with both cameras under identical conditions reveals nuances that specs alone can’t capture.
Notice the SZ3’s enhanced details and color vibrancy, especially under lower light or zoomed conditions. FS12 still impresses for daylight snaps with natural tone rendering.
Final Thoughts and Recommendations: Which Panasonic Compact Suits You?
Who should pick the Panasonic FS12?
- Beginners wanting an ultra-portable, straightforward point-and-shoot.
- Casual shooters focused on bright daylight still photography.
- Those valuing simplicity and faster shutter speed up to 1/2000s.
- Budget-conscious buyers comfortable with basic features.
Who should go for the Panasonic SZ3?
- Travel photographers needing a versatile 10× zoom in a pocketable form.
- Users prioritizing HD video capture on a compact camera.
- Those who want greater megapixels for larger prints and cropping.
- Shooters wanting more autofocus points and continuous AF modes.
- Anyone wanting slightly better low light performance and exposure flexibility.
Practical Tips to Get the Most Out of These Cameras
- Use a sturdy wrist strap or small tripod to compensate for minimal stabilization on long zooms.
- Experiment with macro mode at the 5 cm close focus range for interesting detail shots.
- Shoot in good light whenever possible to optimize image quality on small sensors.
- Backup photos regularly since neither supports RAW or robust file management.
- Check out compatible SD cards with fast write speeds to improve buffer clearing during bursts.
Wrapping Up: Panasonic’s Compact Duo for Different Creators
While both the FS12 and SZ3 share Panasonic’s hallmark reliability and approachable design, the SZ3 stands out as the more capable and future-proof compact option. Its longer zoom, higher resolution, improved autofocus system, and HD video suit today’s casual creators seeking versatility without complexity.
Meanwhile, the FS12 remains an accessible entry point for those focused on simple, daylight shooting or collectors appreciating its older style.
By understanding your own shooting preferences and workflow needs, you can confidently navigate this comparison and select a Lumix compact camera that will support your creative exploration - capturing moments with clarity, convenience, and joy.
Want to explore further? Check out online galleries and user reviews of both models, handle them in-store if you can, and consider investing in accessories like extra batteries and carry cases to enhance your experience. Happy shooting!
Panasonic FS12 vs Panasonic SZ3 Specifications
| Panasonic Lumix DMC-FS12 | Panasonic Lumix DMC-SZ3 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Panasonic |
| Model type | Panasonic Lumix DMC-FS12 | Panasonic Lumix DMC-SZ3 |
| Type | Ultracompact | Small Sensor Compact |
| Announced | 2009-04-17 | 2013-01-07 |
| Physical type | Ultracompact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.08 x 4.56mm |
| Sensor surface area | 27.7mm² | 27.7mm² |
| Sensor resolution | 12MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | - |
| Highest resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 1600 | 6400 |
| Highest boosted ISO | 6400 | - |
| Lowest native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | - | 23 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 31-124mm (4.0x) | 25-250mm (10.0x) |
| Max aperture | f/2.8-5.9 | f/3.1-5.9 |
| Macro focusing range | 5cm | 5cm |
| Crop factor | 5.9 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 2.7 inches | 2.7 inches |
| Display resolution | 230 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display technology | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 60s | 60s |
| Maximum shutter speed | 1/2000s | 1/1600s |
| Continuous shooting rate | 2.0 frames per sec | 1.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 6.30 m | 4.10 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 640x480 | 1280x720 |
| Video format | Motion JPEG | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 129 grams (0.28 pounds) | 126 grams (0.28 pounds) |
| Dimensions | 97 x 55 x 22mm (3.8" x 2.2" x 0.9") | 95 x 56 x 22mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 250 photographs |
| Battery style | - | Battery Pack |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Pricing at launch | $228 | $150 |