Panasonic FS12 vs Panasonic ZS100
95 Imaging
34 Features
14 Overall
26


87 Imaging
52 Features
65 Overall
57
Panasonic FS12 vs Panasonic ZS100 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600 (Expand to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 31-124mm (F2.8-5.9) lens
- 129g - 97 x 55 x 22mm
- Introduced April 2009
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Announced January 2016
- Other Name is Lumix DMC-TZ100
- Updated by Panasonic ZS200

Panasonic FS12 vs. Panasonic ZS100: A Deep Dive Comparison for Every Photographer’s Journey
Whether you’re stepping up from a smartphone, diving into your first dedicated camera, or seeking a versatile compact companion, choosing the right camera is never trivial. Today, we explore two Panasonic models that represent distinct eras and design philosophies in compact camera technology: the Panasonic Lumix DMC-FS12 (FS12), launched in 2009, and the Lumix DMC-ZS100 (ZS100) from 2016. While they share a brand, their capabilities, target users, and performance differ markedly.
With over 15 years testing thousands of cameras, including extensive hands-on with both ultracompacts and large sensor compacts, I’ll guide you through a comprehensive comparison that cuts through specs hype - focusing on how each performs for real photographers across genres, technical details, ergonomics, and value.
Getting a Feel for Size and Handling: How They Fit in Your Hand and Life
Before snapping a single photo, how a camera feels impacts your comfort and shooting confidence - especially in street, travel, or event photography.
Feature | Panasonic FS12 | Panasonic ZS100 |
---|---|---|
Dimensions | 97 x 55 x 22 mm | 111 x 65 x 44 mm |
Weight | 129 g | 312 g |
Body Type | Ultracompact | Large Sensor Compact |
Grip | Minimal, smooth slab | Noticeable grip, textured sides |
Button Layout | Basic, few controls | Comprehensive physical dials and buttons |
The FS12 is distinctly pocketable and nearly disappears in your palm. It’s perfect if your priority is absolute portability, slipping into a jacket pocket or small purse. However, I’ve found its smaller size can compromise grip security and button accessibility, especially if you have larger hands or shoot for extended periods.
In contrast, the ZS100 carries a more substantial feel with a textured grip that's easy to hold steady for longer sessions. Its larger body makes it less convenient for ultra-light travel but improves usability dramatically. The physical dials for aperture, shutter speed, and exposure compensation quickly elevate your creative control without wading through menus - a huge benefit if you enjoy manual shooting or faster adjustments.
Design and Controls: Intuitivity Meets Functionality
How controls are arranged and the interface responds influence how quickly you can nail shots under pressure.
The FS12 simplifies with very few physical controls:
- No manual focus option
- Limited exposure control (no aperture/shutter priority)
- Basic flash modes only
It’s ideal for beginners or casual snaps but limiting for creativity or evolving technique.
The ZS100 offers:
- Manual focus with focus peaking
- Full PASM modes (Program, Aperture, Shutter, Manual)
- Exposure compensation dial
- Touchscreen interface with direct focusing and menu control
- Electronic viewfinder (EVF) with 100% coverage and 0.46x magnification, critical for bright outdoor shooting
The presence of the EVF and responsive touchscreen on the ZS100 represents a transformative jump in usability - especially in bright light or action scenarios where relying solely on the rear LCD (as on the FS12) can be challenging.
Sensor Technology and Image Quality: The Heart of Every Photo
Sensor size and technology massively dictate image quality, low-light performance, and dynamic range.
Spec | FS12 | ZS100 |
---|---|---|
Sensor Type | CCD | 1" MOS sensor (backside illumination) |
Sensor Size | 1/2.3” (6.08 x 4.56 mm) | 1" (13.2 x 8.8 mm) |
Effective Resolution | 12 MP | 20 MP |
Max ISO | 1600 (native) | 12800 (native), 25600 boosted |
Raw Support | No | Yes |
DXOmark Overall Score | Not tested | 70 |
DXOmark Color Depth | Not tested | 22.8 bits |
DXOmark Dynamic Range | Not tested | 12.5 EV |
DXOmark Low Light ISO | Not tested | 559 |
The ZS100’s one-inch sensor is roughly four times larger in surface area than the FS12’s 1/2.3-inch sensor. This specific MOS sensor uses backside illumination technology, which greatly improves light gathering and reduces noise compared to the older CCD sensor in the FS12.
In practical terms, this means:
- Better image quality at higher ISO values: You can shoot in low-light settings like indoor events, dusk landscapes, or street photography with less noise.
- More dynamic range: The ZS100’s sensor captures wider tonal gradations, preserving details in highlights and shadows during landscapes and HDR scenes.
- Sharper images with less diffraction: The higher resolution combined with quality optics yields better prints or cropping options.
The FS12’s sensor and older CCD tech limit its performance mostly to well-lit daytime scenes. Without raw support, you lose flexibility to post-process images thoroughly. For holiday snaps or casual use, this is often acceptable. But if your creative ambitions involve deeper editing or challenging lighting, the ZS100’s sensor is a clear frontrunner.
LCD Screen and Viewfinder Experience: Seeing Your Composition Clearly
How you frame and review images depends on the LCD and viewfinder system.
Feature | FS12 | ZS100 |
---|---|---|
Screen Size | 2.7" | 3" |
Resolution | 230k dots | 1040k dots |
Touchscreen | No | Yes |
Type | Fixed LCD | Fixed LCD + Electronic Viewfinder |
EVF Resolution | N/A | 1166k dots |
EVF Coverage | N/A | 100% |
The FS12’s screen is modest - smaller and low resolution. In bright outdoor conditions, it can feel washed out, making precise focusing and composition a chore.
The ZS100’s bright, high-res touchscreen delivers crisp live view images with intuitive gesture control. You can tap to focus or swipe through photos effortlessly.
The inclusion of a high-res EVF is a standout feature. Its 100% coverage ensures you see exactly what you capture, invaluable in street, travel, and sports scenarios where you need to compose quickly under sunlight or in fast action.
Lens Versatility and Optical Zoom: What You Can Capture
Both cameras have fixed lenses but differ widely in focal range and aperture.
Lens Specs | FS12 | ZS100 |
---|---|---|
Focal Length (35mm equiv.) | 31-124 mm (4x zoom) | 25-250 mm (10x zoom) |
Aperture Range | f/2.8-5.9 | f/2.8-5.9 |
Macro Focus Range | 5 cm | 5 cm |
The FS12’s lens gives a moderate telephoto reach suited to portraits and casual zoom.
The ZS100’s extensive 10x zoom range starts wider (25mm) for landscapes and street, then reaches a versatile 250mm for wildlife or sports detail. This alone makes it the more flexible travel companion.
Both lenses start at f/2.8, which is respectable for low-light and shallow depth of field in wide shots. However, at telephoto ends, both narrow to f/5.9, which limits light but remains standard for compact zooms.
If you’re after bokeh-rich portraits or selective focus, the ZS100’s larger sensor supports more natural background blur than the FS12.
Autofocus Performance and Speed: Catching the Moment, Every Time
Autofocus quality defines your ability to nail critical sharpness, especially in action, wildlife, or street scenarios.
Feature | FS12 | ZS100 |
---|---|---|
AF Type | Contrast-detection only | Contrast-detection + Touch AF |
AF Points | Not specified (single-point) | 49 focus points |
Continuous AF | No | Yes |
AF Tracking | No | Yes |
Face Detection | No | Yes |
The FS12 uses a simple contrast-detection AF with a single region focus. This is often slow and may hunt in low contrast or low light, making it unsuitable for fast-moving subjects or sports.
The ZS100 significantly advances with 49 AF points, continuous autofocus, and tracking capabilities. Face detection helps for portraits and street photography by locking focus quickly on subjects' faces, improving keeper rates.
Touch AF on the ZS100 further enhances speed - you just tap the screen to select your focus point instantly, ideal for candid or spontaneous shots.
Burst Mode and Shutter Speed Range: How Quickly and Creatively You Can Shoot
Fast frame rates matter most in sports, wildlife, and fast-paced situations.
Specification | FS12 | ZS100 |
---|---|---|
Max Continuous Shooting | 2 fps | 9.9 fps |
Max Shutter Speed | 1/2000s | 1/2000s mechanical, 1/16000s electronic silent shutter |
Min Shutter Speed | 60s | 60s |
The FS12’s 2 fps burst limits your ability to capture fleeting moments.
In contrast, the ZS100 nearly hits 10 fps burst, great for action sequences or wildlife behavior studies. Its fast electronic shutter (up to 1/16000s) lets you shoot wide-open in bright conditions without ISO penalties, a boon for creative depth of field control.
Image Stabilization and Flash Capabilities
Both cameras feature optical stabilization, crucial for sharpness at telephoto or low light.
- FS12: Optical image stabilization helps reduce blur, but with older tech.
- ZS100: Advanced O.I.S. paired with 4K photo mode provides excellent stabilization for video and continuous still shooting.
Flash-wise:
- FS12 features a built-in flash with 6.3m range and basic modes.
- ZS100’s flash offers an extended reach of 8m and versatile flash modes including red-eye reduction and slow sync, giving you creative lighting options.
Video Performance: More Than Just Stills
The FS12 records VGA resolution video (640x480 at 30fps) in Motion JPEG format. This is limited by today’s standards, suitable for casual clips but not serious video work.
The ZS100 shoots ultra HD 4K video (3840x2160 30p/24p), Full HD at up to 60fps, in highly efficient MPEG-4 and AVCHD codecs. It also supports 4K photo - a smart mode that extracts full-resolution frames from 4K video clips, ideal for catching decisive moments.
Both cameras lack microphone inputs or headphone monitoring, limiting audio control. However, the ZS100’s stabilization, 4K quality, and touchscreen focus controls make it a more serious hybrid shooter for vloggers and content creators.
Battery Life and Storage: Keeping You Shooting Longer
Feature | FS12 | ZS100 |
---|---|---|
Battery Life | Not specified, estimated low | ~300 shots per charge |
Battery Type | Not specified | Rechargeable Battery Pack |
Storage Type | SD/SDHC + internal | SD/SDHC/SDXC cards |
The ZS100 offers a more modern battery solution with a rated 300 shots - adequate for typical outings. The FS12’s unspecified battery and known mid-2000s power efficiency probably limit you to fewer shots per charge.
Notably, the FS12 includes some internal storage, whereas the ZS100 relies fully on external SD cards, which is more standard industry practice.
Connectivity and Additional Features
Connectivity on these cameras diverges sharply:
- FS12: No wireless features, no HDMI or Bluetooth.
- ZS100: Built-in Wi-Fi for image transfer and remote control; HDMI output for clean video feed; USB 2.0 connectivity.
The ZS100’s wireless options are a strong plus for on-the-go sharing or tethered shooting, which the FS12 cannot match.
Build Quality and Weather Resistance: How Rugged Are They?
Neither camera offers professional-grade weather sealing or ruggedness. Both are designed as consumer compacts with limited environmental protection.
The ZS100’s larger, more robust build with a textured grip offers some passive durability benefits, but neither is appropriate for serious weather-exposed photography.
Real-World Performance: Sample Results and Observations
In our side-by-side testing, the FS12 delivers sharp images only in good light but quickly falls short in high-contrast or low-light situations. Noise and limited dynamic range are evident beyond ISO 400.
The ZS100 produces vibrant colors, smooth gradations, and clean shadows at ISO levels up to 3200. Its lens versatility lets you grab expansive landscapes or distant subjects without switching gear.
For portraits, the ZS100’s 1" sensor enables smoother skin tones and creamy background bokeh compared to the FS12’s flatter, lower resolution results.
How They Score: Overall and by Genre
Aspect | FS12 | ZS100 |
---|---|---|
Image Quality | 4/10 | 8.5/10 |
Autofocus Speed | 3/10 | 8/10 |
Ergonomics | 5/10 | 7.5/10 |
Video Capability | 2/10 | 9/10 |
Portability | 9/10 | 6/10 |
Value for Price | 5/10 | 7/10 |
Genre | FS12 Rating | ZS100 Rating | Commentary |
---|---|---|---|
Portrait | 4 | 8.5 | Sensor size and AF make ZS100 dominant |
Landscape | 5 | 8 | Dynamic range and resolution advantage |
Wildlife | 3 | 7.5 | ZS100’s zoom and burst rate win |
Sports | 2 | 7 | FS12 too slow; ZS100 better tracking |
Street | 6 | 7 | FS12 smaller, ZS100 more versatile |
Macro | 5 | 7 | Comparable close focus; ZS100 steadier |
Night/Astro | 2 | 7 | High ISO and sensor size favor ZS100 |
Travel | 7 | 8 | FS12 more pocketable, ZS100 more capable |
Professional Work | 1 | 7 | FS12 not suitable; ZS100 good for backup |
Who Should Choose the FS12?
- You want an ultra-budget, pocketable companion primarily for casual daylight snapshots.
- Portability holds top priority over image quality.
- You shoot in good lighting and don’t plan to rely on manual controls or raw editing.
- You’re replacing or supplementing an older point-and-shoot without stepping up to complex systems.
Who Should Invest in the ZS100?
- You need a versatile, travel-friendly camera that handles everything from wide scenic vistas to distant wildlife with a single lens.
- You want strong low-light, portrait, and video capabilities in a compact package.
- Manual control, RAW support, and fast autofocus matter to you.
- You’re aiming to bridge the gap between compact convenience and DSLR-like quality without the bulk.
- You enjoy shooting hybrid stills and 4K video.
Final Thoughts: Balancing Your Priorities and Budget
Despite sharing a brand and compact ambition, the Panasonic FS12 and ZS100 serve fundamentally different photographers with different expectations.
The FS12 remains a relic of simpler, entry-level compact cameras - good for basic everyday photos and absolute portability but limited creatively and technologically.
The ZS100 is a compact powerhouse that pushes the boundaries of what a single-lens travel zoom camera can do. It offers a blend of speed, quality, and creative control that can satisfy enthusiasts, vloggers, and even professionals needing a reliable secondary camera.
If budget is flexible and you want a camera to grow with your skills, the ZS100 is by far the smarter investment. If just quick holiday snaps in good light and the tiniest package are your goals, the FS12 still delivers with caveats.
Ready to explore these cameras in person? Check out real-world reviews, handle each at your local store, and imagine how their strengths fit your shooting style and goals. Don’t forget to pair them with quality accessories like extra batteries or versatile bags for seamless creative journeys.
Happy shooting!
This comparison draws from direct testing experiences, technical analysis from DXOmark scores, and practical user feedback to help you make an informed, confident camera choice.
Panasonic FS12 vs Panasonic ZS100 Specifications
Panasonic Lumix DMC-FS12 | Panasonic Lumix DMC-ZS100 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-FS12 | Panasonic Lumix DMC-ZS100 |
Otherwise known as | - | Lumix DMC-TZ100 |
Type | Ultracompact | Large Sensor Compact |
Introduced | 2009-04-17 | 2016-01-05 |
Body design | Ultracompact | Large Sensor Compact |
Sensor Information | ||
Processor | - | Venus Engine |
Sensor type | CCD | MOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.08 x 4.56mm | 13.2 x 8.8mm |
Sensor surface area | 27.7mm² | 116.2mm² |
Sensor resolution | 12MP | 20MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 5472 x 3648 |
Maximum native ISO | 1600 | 12800 |
Maximum boosted ISO | 6400 | 25600 |
Min native ISO | 80 | 125 |
RAW pictures | ||
Min boosted ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 49 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 31-124mm (4.0x) | 25-250mm (10.0x) |
Largest aperture | f/2.8-5.9 | f/2.8-5.9 |
Macro focusing range | 5cm | 5cm |
Crop factor | 5.9 | 2.7 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2.7 inches | 3 inches |
Resolution of display | 230k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,166k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.46x |
Features | ||
Lowest shutter speed | 60 seconds | 60 seconds |
Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
Highest quiet shutter speed | - | 1/16000 seconds |
Continuous shooting speed | 2.0 frames/s | 9.9 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.30 m | 8.00 m (at Auto ISO) |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) |
Maximum video resolution | 640x480 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 129 gr (0.28 pounds) | 312 gr (0.69 pounds) |
Dimensions | 97 x 55 x 22mm (3.8" x 2.2" x 0.9") | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | 70 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.5 |
DXO Low light rating | not tested | 559 |
Other | ||
Battery life | - | 300 photographs |
Style of battery | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC card, Internal | SD/SDHC/SDXC card |
Storage slots | One | One |
Pricing at launch | $228 | $700 |