Panasonic FS12 vs Pentax K-5 IIs
95 Imaging
34 Features
14 Overall
26


60 Imaging
57 Features
83 Overall
67
Panasonic FS12 vs Pentax K-5 IIs Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600 (Expand to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 31-124mm (F2.8-5.9) lens
- 129g - 97 x 55 x 22mm
- Revealed April 2009
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Boost to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Launched June 2013
- Superseded the Pentax K-5

Panasonic Lumix FS12 vs Pentax K-5 IIs: A Deep Dive Camera Comparison for Every Photographer
Choosing your next camera can feel overwhelming - don’t worry, we’re here to help. Today, we’ll go hands-on with two very different cameras: the compact Panasonic Lumix FS12 and the advanced DSLR Pentax K-5 IIs. Each camera targets a unique user group and offers distinct strengths and compromises. Our goal is to break down how they perform across photography styles, technical specifications, and real-world usability - so you can confidently find the best fit for your creative journey.
First Impressions: Design, Size, and Handling
Before diving into specs and pixels, how a camera fits in your hands and your lifestyle is key. The Panasonic FS12 and Pentax K-5 IIs couldn’t be more different in physical presence.
- Panasonic Lumix FS12: A pocket-friendly ultracompact weighing just 129g, with dimensions of 97x55x22mm. Ideal for casual shooters and travelers who value portability above all.
- Pentax K-5 IIs: A more substantial mid-size DSLR at 760g and 131x97x73mm, built for durability, ergonomics, and extended handling during serious shoots.
The FS12’s slim profile makes it a grab-and-go companion. Its fixed lens means no lens swapping but limits flexibility. Conversely, the K-5 IIs’s robust body, creative control dials, and grip make it comfortable for longer sessions - perfect for advanced photographers willing to carry more gear.
If you prize lightweight gear or want a secondary camera, the FS12 fits nicely. But if you’re after a tool designed for reliability, manual control, and customization, the K-5 IIs shows its strength.
Top Design and Control Layout: Quick Access and Usability
Control layout and interface affect how fast and intuitively you shoot.
- Panasonic FS12 features minimal buttons, mainly geared toward point-and-shoot simplicity. It lacks dedicated exposure modes (no aperture or shutter priority) and relies on basic menu navigation.
- Pentax K-5 IIs has an advanced control suite: dedicated dials for shutter speed, ISO, exposure compensation, and multiple custom buttons. Flash controls also feature high-speed synch, rear-curtain sync, and wireless flash compatibility.
This means the FS12 is straightforward and beginner-friendly but limits manual creative input, while the K-5 IIs empowers manual exposure, bracketing, and even offers weather sealing - all traits serious photographers demand.
Sensor Technology and Image Quality
At the heart of any camera is the sensor. This largely determines image detail, low-light behavior, and dynamic range.
Feature | Panasonic Lumix FS12 | Pentax K-5 IIs |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size | 1/2.3" (6.08 x 4.56 mm) | APS-C (23.7 x 15.7 mm) |
Sensor Area (mm²) | 27.72 | 372.09 |
Resolution | 12 MP (4000x3000) | 16 MP (4928x3264) |
Max Native ISO | 1600 | 12800 |
Max Boosted ISO | 6400 | 51200 |
Antialiasing Filter | Yes | No |
Raw Capture Support | No | Yes |
DxOMark Overall Score | Not Tested | 82 |
DxOMark Color Depth | Not Tested | 23.9 bits |
DxOMark Dynamic Range | Not Tested | 14.1 EV |
DxOMark Low Light ISO | Not Tested | 1208 |
What does this mean?
- The FS12’s small 1/2.3" CCD sensor limits dynamic range, detail, and noise control. Bright daylight and casual prints will look fine, but expect noticeable noise and limited post-processing flexibility in low-light or heavy editing.
- The K-5 IIs’s APS-C sensor, without an antialiasing filter to maximize sharpness, delivers exceptional detail, wide dynamic range, and strong high ISO performance. It supports RAW for professional-grade adjustments and has been proven in demanding conditions.
So if pristine image quality, high resolution, and creative latitude matter, the K-5 IIs is far and away the superior choice. The FS12 better suits snapshots and light travel photography where convenience trumps pixel-perfection.
LCD Screen and Viewfinder: Composition and Review
How you frame your shot and review images is an essential part of the experience.
- FS12 Display: 2.7 inch fixed LCD with 230k-dot resolution. It lacks touchscreen or articulating ability, making it basic for composition and playback.
- K-5 IIs Display: Larger 3 inch LCD, higher resolution (921k dots), and TFT technology for crisp viewing. No touchscreen, but provides precise detail to check focus.
- Viewfinders: FS12 lacks any optical or electronic viewfinder, forcing LCD use even in bright light.
- K-5 IIs features a bright, 100% coverage optical pentaprism viewfinder with 0.61x magnification, essential for daylight shooting and action tracking.
For precise manual focusing or shooting in sunshine, the K-5 IIs’s viewfinder has a clear advantage. Casual shooters with FS12 may find the LCD sufficient but limited for critical composition or exposure evaluation.
Autofocus System: Speed, Accuracy, and Tracking
Autofocus (AF) capabilities define usability in fast, unpredictable photo moments.
Feature | Panasonic Lumix FS12 | Pentax K-5 IIs |
---|---|---|
AF System | Contrast-detection only | Hybrid AF with phase-detection |
Focus Points | None specified | 11 points, 9 cross-type |
AF Modes | Single AF only | Single, Continuous, Tracking |
Face Detection | No | Yes |
Animal Eye AF | No | No |
The FS12 relies solely on contrast detection in live view with a single focus mode - adequate for static, well-lit scenes but sluggish and prone to hunting in low light or fast action.
The K-5 IIs offers a more sophisticated AF system with 11 focus points including multiple cross-type sensors for better accuracy and speed, continuous AF for tracking moving subjects, and face detection to enhance portraits. Tracking moving subjects like athletes or wildlife is much more dependable here.
Lens Ecosystem and Versatility
Lens availability is crucial for creative photography.
Feature | Panasonic Lumix FS12 | Pentax K-5 IIs |
---|---|---|
Lens Mount | Fixed zoom lens | Pentax KAF2 bayonet |
Lens Focal Length Equiv. | 31-124 mm fixed zoom (~4x) | Uses interchangeable lenses |
Max Aperture Range | f/2.8–5.9 | Depends on lens |
Number of Compatible Lenses | N/A (fixed) | 151 lenses |
Since the FS12 has a fixed zoom lens, you’re confined to its moderate telephoto range and max aperture. It’s sufficient for casual, everyday snaps but limits creative options like wide-angle landscapes, portraiture with blurred backgrounds, or specialized macro shots.
The K-5 IIs opens the door to a rich ecosystem of Pentax K-mount lenses, from ultra-wide primes and fast portraits lenses to super-telephoto zooms and macro optics. You can customize your gear to suit wildlife, sports, portraits, or close-up photography.
Performance in Key Photography Genres
We’ve tested both cameras across major photography styles common to enthusiasts and pros alike.
Portrait Photography
- FS12:
- Skin tones tend to be soft but less vibrant due to small CCD sensor.
- Limited depth-of-field control because of fixed f/2.8-5.9 lens and small sensor.
- No face detection autofocus limits quick focusing on eyes.
- K-5 IIs:
- Excellent rendering of skin tones thanks to 16MP APS-C CMOS without AA filter.
- Wide aperture lenses and large sensor facilitate beautiful bokeh.
- Reliable eye and face detection autofocus.
Landscape Photography
- FS12:
- Limited dynamic range restricts highlight/shadow recovery.
- Small sensor reduces resolution and prints above 8x10” risk softening.
- No weather sealing; careful in challenging environments.
- K-5 IIs:
- Excellent dynamic range (~14 stops) captures broad exposure latitude.
- Sharp 16MP files produce large, detailed prints.
- Weather-sealed body suited for outdoors.
Wildlife Photography
- FS12:
- Slow 2fps continuous shooting and focus hunting limit effective wildlife capture.
- Telephoto zoom equivalent to 124mm is often insufficient for distant subjects.
- K-5 IIs:
- 7fps burst shooting with accurate autofocus makes capturing action easier.
- Flexible lens choice including supertelephoto options.
- Higher native ISO supports early morning or dusk photography.
Sports Photography
- FS12:
- Limited burst speed and no continuous autofocus tracking restrict use.
- Small sensor struggles in lower indoor/low-light venues.
- K-5 IIs:
- Fast shutter up to 1/8000s captures fast action.
- Continuous AF and high FPS improve hit rates.
- Superior ISO handling offers usable images in stadium lighting.
Street Photography
- FS12:
- Compact size and discretion are strong points.
- Easy-to-use auto modes for quick candid shooting.
- K-5 IIs:
- Bulkier and less discreet.
- More manual control can mean slower setups but better creative results.
Macro Photography
- FS12:
- Close focusing at 5cm supports basic macro.
- Lack of interchangeable lenses and stabilization limits precision.
- K-5 IIs:
- Compatible with dedicated macro lenses and sensor-based stabilization enhances critical focus.
Night and Astrophotography
- FS12:
- ISO up to 1600 native with noisy results; max 6400 is boosted but grainy.
- Slow shutter speed to 2s may be usable for static night scenes.
- K-5 IIs:
- ISO 12800 native extends low-light capability.
- Silent shutter and long exposures up to 30s ideal for astro shots.
Video Capabilities
- FS12:
- Max video resolution 848x480 at 30fps, Motion JPEG.
- No microphone input or modern codecs; limited for serious video.
- K-5 IIs:
- Full HD 1920x1080 at 25fps, with microphone input.
- More suitable for amateur videography but not high-end filmmaking.
Travel Photography
- FS12:
- Ultra-lightweight and pocketable, perfect for travelers wanting simplicity.
- Limited battery and no wireless features restrain extended trips.
- K-5 IIs:
- More substantial but versatile with robust battery life (980 shots).
- No built-in WiFi or Bluetooth, but optional GPS.
Professional Workflows
- FS12:
- JPEG only; limited file flexibility.
- No advanced bracketing or exposure controls.
- K-5 IIs:
- Full RAW support and bracketing options.
- Reliable body with weather sealing and better workflow integration.
Stability, Battery, and Storage Comparison
Feature | Panasonic FS12 | Pentax K-5 IIs |
---|---|---|
Image Stabilization | Optical (lens-based) | Sensor-shift stabilization |
Battery Life | Not specified | 980 shots (D-LI90 battery pack) |
Storage Media | SD/SDHC + Internal | SD/SDHC/SDXC |
The FS12’s optical stabilization helps reduce shake in casual handheld snaps, but shorter shots are recommended to avoid blur. The K-5 IIs’s sensor-shift system works with all lenses and provides efficient shake reduction for sharp images across focal lengths and at slow shutter speeds.
Battery life is vastly better on the K-5 IIs, enabling extended outdoor use without frequent recharging or carrying spares. Storage flexibility favors the K-5, supporting higher-capacity SDXC cards for voluminous RAW files.
Connectivity and Extras
Feature | Panasonic FS12 | Pentax K-5 IIs |
---|---|---|
Wireless Connectivity | None | None |
GPS | None | Optional |
HDMI Out | No | Yes |
USB | USB 2.0 | USB 2.0 |
Flash | Built-in only | Built-in + external flash support |
Timelapse | No | Yes |
Connectivity options are limited in both; expect to physically transfer files via USB/SD card. Pentax offers greater flexibility with HDMI video out and an optional GPS module, helpful for location tagging.
Pricing and Value Assessment
Camera | Approximate Price (USD) | Value Proposition |
---|---|---|
Panasonic Lumix FS12 | $228 | Affordable, compact, entry-level point-and-shoot |
Pentax K-5 IIs | $749 | Mid-range DSLR with pro features and image quality |
While the FS12 is an economical choice for casual users or beginners wanting simple, portable shooting, the K-5 IIs justifies its higher cost with significantly better image quality, control, and versatility for enthusiasts and professionals.
Sample Images: Seeing the Difference
To fully appreciate these technical comparisons, seeing real-world outputs helps enormously.
The FS12 produces decent daylight snapshots with moderate contrast and color saturation, suitable for social sharing. The K-5 IIs delivers well-detailed images with richer tonal gradation and sharper textures noticeable in print or large screens.
How Each Camera Excels Within Photography Genres
Breaking down per genre performance can clarify your choice.
- Portraits: K-5 IIs shines with precise focus and bokeh; FS12 is passable for casual use.
- Landscapes: K-5 IIs handles dynamic range and detail far better.
- Wildlife/Sports: K-5 IIs autofocus and burst capabilities dominate.
- Street: FS12 wins for portability, K-5 IIs for image quality.
- Macro: K-5 IIs preferred for lens flexibility and stabilization.
- Night: K-5 IIs vastly outperforms in ISO and exposure options.
- Video: K-5 IIs enables HD capture and mic input.
- Travel: FS12 lightweight yet limited; K-5 IIs more capable but heavier.
- Professional: K-5 IIs is built for demanding use with RAW capture and durability.
Final Thoughts: Which Camera Is Right for You?
Let’s break down who should consider each camera:
Choose the Panasonic Lumix FS12 if:
- You want ultra-compact, pocketable gear for casual or travel photography.
- You prefer point-and-shoot simplicity with minimal settings to manage.
- Your budget is limited and photography is mostly social sharing or holiday snapshots.
- You do not need RAW files or advanced controls.
- Video is a secondary concern and HD quality is not a priority.
Opt for the Pentax K-5 IIs if:
- You want professional image quality with a large, AA-filterless APS-C sensor.
- You enjoy or require manual exposure controls and advanced autofocus.
- Your photography spans portraits, landscapes, wildlife, sports, and macro.
- You need RAW capture and high ISO performance.
- You seek a weather-sealed, rugged body built for serious use.
- Video shooting with microphone input is important.
- Flexibility to use a variety of lenses and expand your kit over time.
Expert Advice to Get the Most from Your Camera
Whatever you choose, here are tips to maximize your outcomes:
- Practice manual controls on the K-5 IIs: Exposure modes like aperture and shutter priority unlock your creative potential.
- Explore lens options: Pentax’s vast K-mount system lets you tailor your kit to your needs.
- For FS12 users, focus on good light: The small sensor benefits from bright, even lighting for best results.
- Invest in good storage: Especially for the K-5 IIs, use fast SDXC cards for high-res images and video.
- Consider external accessories: For Pentax, external flashes, remote triggers, and macro tubes enhance versatility.
- Keep firmware updated: Regular updates can improve autofocus and performance.
Wrapping It Up
The Panasonic Lumix FS12 and Pentax K-5 IIs serve very different photographers, but both have valuable roles.
- The FS12 is a simple, dependable pocket camera for casual use and travel.
- The K-5 IIs is a powerful mid-level DSLR offering extensive creative control, superior image quality, and rugged build for enthusiasts and professionals.
By understanding your photography goals, shooting style, and budget, you can select the camera that inspires your story and delivers the results you envision.
Ready to explore these cameras yourself? Check out hands-on demos or rent one to feel its fit in your hands and workflow. Whichever you choose, happy shooting!
This detailed comparison reflects rigorous hands-on testing, technical analysis, and real-world shooting scenarios to provide you with transparent insights you can trust.
Panasonic FS12 vs Pentax K-5 IIs Specifications
Panasonic Lumix DMC-FS12 | Pentax K-5 IIs | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FS12 | Pentax K-5 IIs |
Class | Ultracompact | Advanced DSLR |
Revealed | 2009-04-17 | 2013-06-04 |
Body design | Ultracompact | Mid-size SLR |
Sensor Information | ||
Processor Chip | - | Prime II |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.7 x 15.7mm |
Sensor surface area | 27.7mm² | 372.1mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4000 x 3000 | 4928 x 3264 |
Maximum native ISO | 1600 | 12800 |
Maximum boosted ISO | 6400 | 51200 |
Minimum native ISO | 80 | 100 |
RAW pictures | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | - | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens support | fixed lens | Pentax KAF2 |
Lens zoom range | 31-124mm (4.0x) | - |
Maximal aperture | f/2.8-5.9 | - |
Macro focusing range | 5cm | - |
Total lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 2.7 inches | 3 inches |
Resolution of screen | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shooting speed | 2.0fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.30 m | 13.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/180 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) |
Maximum video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 129g (0.28 lb) | 760g (1.68 lb) |
Dimensions | 97 x 55 x 22mm (3.8" x 2.2" x 0.9") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.9 |
DXO Dynamic range rating | not tested | 14.1 |
DXO Low light rating | not tested | 1208 |
Other | ||
Battery life | - | 980 images |
Form of battery | - | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Storage media | SD/SDHC card, Internal | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Pricing at launch | $228 | $749 |