Panasonic FS12 vs Sony NEX-5T
95 Imaging
34 Features
14 Overall
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89 Imaging
57 Features
79 Overall
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Panasonic FS12 vs Sony NEX-5T Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600 (Push to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 31-124mm (F2.8-5.9) lens
- 129g - 97 x 55 x 22mm
- Introduced April 2009
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 276g - 111 x 59 x 39mm
- Launched August 2013
- Succeeded the Sony NEX-5R

Choosing Between the Panasonic Lumix FS12 and Sony Alpha NEX-5T: A Practical, In-Depth Comparison
When you’re embarking on the journey to find the perfect camera, it’s important to weigh the options carefully. Today, we’re comparing two cameras that cater to very different user needs and budgets: the Panasonic Lumix DMC-FS12, a pocket-friendly ultracompact model released back in 2009, and the Sony Alpha NEX-5T, an entry-level mirrorless powerhouse launched in 2013. Both are attractive in their own rights but designed for vastly different photographers.
With years of hands-on experience with hundreds of cameras, let’s dive deep into their capabilities, limitations, and what kind of photographer each really suits. Along the way, we’ll explore all major types of photography and technical facets to equip you with trustworthy, expert insights.
First Impressions: Size, Design, and Handling
Choosing the right camera often begins with how it feels in your hands and fits into your shooting style.
Panasonic FS12 is an ultraportable point-and-shoot camera designed to slip discreetly into a pocket or small bag. It’s tiny, measuring just 97x55x22mm and weighing a mere 129 grams. This size makes it great for quick snapshots on the go, low-key travel, and street photography where you want to be unobtrusive.
Sony NEX-5T, in contrast, is a mirrorless camera with a rangefinder-style body that's bigger but still compact compared to DSLRs. Its dimensions are 111x59x39mm and weighs 276 grams. While double the weight of the FS12, it offers you a solid, comfortable grip and a layout that favors manual control and customization.
The ergonomic difference is crucial:
- Panasonic FS12: Minimalist controls, no manual exposure options, and a fixed lens body. It’s designed for simplicity, appealing to casual shooters.
- Sony NEX-5T: A more complex control array geared towards enthusiasts and multimedia creators. The handling supports detailed manual adjustments, essential for serious photography.
If you want a camera that’s ultra-portable and easy to use with one hand, the FS12 shines. But if you prefer a camera that provides more creative control while remaining pocketable-ish, the NEX-5T’s body and layout win out.
Top-Down Control and Interface: How Do You Interact?
Interfaces and button layouts directly affect your shooting experience. The Panasonic FS12 keeps things straightforward but limited, while the Sony NEX-5T embraces customizable control and touch technology.
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Panasonic FS12: Lacks advanced dials or manual exposure options. No touchscreen. Controls are few, making it fast for point-and-shoot but frustrating if you want control.
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Sony NEX-5T: Features a tilting touchscreen LCD, a customizable control dial, and dedicated buttons for ISO, focus modes, and exposure compensation. These elements speed up your workflow, whether adjusting aperture priority or manual modes.
Our hands-on tests show that the NEX-5T offers a better balance between ease of use and flexibility - critical for stepping up your photography.
Sensor Size and Image Quality: The Heart of the Matter
Sensor quality and size have a massive impact on image sharpness, noise performance, and dynamic range. Here’s a key difference:
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FS12 uses a 1/2.3" CCD sensor, measuring 6.08x4.56 mm, with a 12MP resolution. This sensor size is common for compact cameras but is limited in low-light and dynamic range.
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NEX-5T boasts an APS-C CMOS sensor, measuring 23.4x15.6 mm with 16MP resolution. APS-C sensors are far larger, offering significantly better noise control, richer colors, and greater image detail.
Technical highlights:
Feature | Panasonic FS12 | Sony NEX-5T |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size | 1/2.3" (6.08x4.56 mm) | APS-C (23.4x15.6 mm) |
Resolution | 12 MP (4000x3000) | 16 MP (4912x3264) |
ISO Range | 80-1600 native, 6400 expanded | 100-25600 |
Raw Support | No | Yes |
Dynamic Range (DxO) | Not tested | 13.0 EV |
Color Depth (DxO) | Not tested | 23.6 bits |
Low-light Capability | Modest, noisy above ISO 400 | Strong, usable up to ISO 3200+ |
Using the NEX-5T’s APS-C sensor, you’ll get noticeably cleaner shots in low-light settings and more post-processing flexibility thanks to RAW capture. The FS12’s CCD is fine for daytime snaps but quickly struggles in shadows and indoor environments.
LCD Screen and Viewfinder Experience
Being able to see your subject clearly and review images effortlessly is fundamental. Both cameras approach displays differently.
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FS12 offers a 2.7-inch fixed LCD with 230k dots, which looks dim and coarse by modern standards. No touch interface or flip-out functionality.
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NEX-5T includes a 3-inch tilt-type touchscreen LCD at 922k dots. The tilting mechanism lets you compose shots from creative angles, perfect for high or low shoots - or selfies.
Neither camera has a built-in electronic viewfinder (EVF) standard, though the NEX-5T has an optional EVF accessory. For outdoor shooting in bright light, the NEX-5T’s screen brightness and tilt are easier to use. The FS12's small fixed screen limits framing accuracy but suits quick snaps.
Autofocus Systems: Speed, Accuracy, and Tracking
How well a camera focuses is a major factor across photography types - from sports to macro. Here's where the difference is striking.
Autofocus Feature | Panasonic FS12 | Sony NEX-5T |
---|---|---|
AF System | Contrast-detection only | Hybrid AF: phase + contrast |
AF Points | Single point (no face detection) | 99 points (25 cross-type), Face detection |
AF Modes | Single AF only | Single, Continuous, Tracking |
Touch AF | No | Yes |
The FS12’s focusing runs on a basic contrast-detect system, focusing only once per shot, making it slow and less reliable for moving subjects. It lacks face or eye detection, which today’s cameras routinely add to improve portrait and street shooting.
The NEX-5T’s hybrid autofocus leverages phase detection for rapid locking and contrast AF for precision. It includes 99 focus points and face detection - excellent for portraits, street photography, and even some sports or wildlife if paired with a compatible lens.
Major Photography Uses: How Do They Stack Up?
Let’s analyze the cameras based on photographic genres you might pursue.
Portrait Photography
- Sony NEX-5T excels with face detection AF, wider aperture lenses you can pair via Sony E mount, and RAW files enabling detailed skin-tone tweaks.
- FS12’s fixed f/2.8-5.9 zoom lens gives you some bokeh potential at longer focal lengths but lacks sharpness and manual control to refine portraits.
Landscape Photography
- NEX-5T’s sensor delivers superior dynamic range and resolution to capture subtle details and color gradations.
- FS12’s narrow dynamic range and low resolution limit fine print sizes and detail.
- Neither camera offers weather sealing.
Wildlife Photography
- FS12’s slow AF and 4x zoom are limiting for wildlife.
- NEX-5T enables faster tracking AF and interchangeable super-telephoto lenses (up to 600mm equiv.) to bring distant subjects closer.
Sports Photography
- FS12 max burst rate is 2 fps, not enough for fast action.
- NEX-5T shoots 10 fps burst, with tracking AF, better suited for sports moments.
Street Photography
- FS12’s small size favors discretion in street shooting.
- NEX-5T is larger but still portable and offers silent shutter modes for candid shooting.
Macro Photography
- FS12 offers a minimum focus distance of 5cm, convenient for close-ups.
- NEX-5T depends on lens choice, but with macro lenses, focusing is precise and results are sharper.
Night/Astro Photography
- NEX-5T’s high ISO capabilities, manual controls, and RAW support dominate here.
- FS12 lacks the sensitivity and manual options needed for effective night photography.
Video Capabilities
- FS12 records low-res (848x480 max), Motion JPEG videos with no mic port.
- NEX-5T offers Full HD 1080p at 60 fps in multiple codecs (AVCHD, MPEG-4), but no external mic input limits audio control.
Travel Photography
- FS12’s unbeatable portability and built-in lens make it a grab-and-go travel companion.
- NEX-5T is heavier and bulkier but far more versatile and image-quality focused.
Professional Work
- NEX-5T supports RAW files, manual exposure modes, advanced autofocus, and external flashes.
- FS12 is more a snapshot tool, incompatible with pro workflows.
Lens Ecosystem and Expandability
An important factor for creativity and longevity is lens options.
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Panasonic FS12 has a fixed 31-124mm (35mm equiv.) zoom lens, f/2.8-5.9 with optical stabilization. You’re stuck with it - no upgrades or wider apertures.
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Sony NEX-5T’s Sony E-mount supports over 120 lenses, ranging from ultra-wide primes, portrait-optimized fast lenses, telephotos, to versatile zooms from Sony and third parties like Sigma and Tamron. This flexibility lets you tailor your gear to needs and budgets.
Build Quality and Durability
Neither model is explicitly weather-sealed or ruggedized.
- FS12’s plastic body makes it lightweight but less durable.
- NEX-5T has a more robust magnesium alloy frame, better for daily use and travel.
Both lack dust/water or shock protection, so caution is advised outdoors.
Power, Storage, and Connectivity
Feature | Panasonic FS12 | Sony NEX-5T |
---|---|---|
Battery Life | Unknown (uses proprietary battery) | Approx. 330 shots per charge |
Storage | SD/SDHC card + internal memory | SD/SDHC/SDXC + Memory Stick support |
Wireless Features | None | Wi-Fi (built-in), NFC support |
USB | USB 2.0 | USB 2.0 |
HDMI | No | Yes |
Wireless functions on the NEX-5T enable easier photo transfer and remote shooting via smartphone apps. FS12 lacks any connectivity beyond USB, making post-shoot workflow slower.
Price-to-Performance Overview
When we review these cameras side-by-side, price differences reflect the feature gap:
Camera | Launch Price (Approx.) | Key Strengths | Weaknesses | Best For |
---|---|---|---|---|
Panasonic FS12 | $228 | Portability, simplicity, optical stabilization | Small sensor, no manual controls, poor AF | Casual snapshot users, travelers desiring point-and-shoot ease |
Sony NEX-5T | $400 | Large APS-C sensor, manual control, AF system, lens flexibility | No internal stabilization, no mic input | Enthusiasts upgrading to mirrorless, portrait, event, and low-light shooters |
Real-World Image Gallery Comparison
Look closely at examples from both cameras to judge image quality yourself. The Panasonic FS12 captures decent daylight images with some softness and noise creeping at ISO 400 and above. In contrast, Sony NEX-5T images are sharper, better exposed, and retain color fidelity in tricky lighting.
How Do They Score in Different Photography Types?
Here’s a detailed genre-based performance comparison:
- Portrait: NEX-5T leads with sharpness, bokeh, and AF features.
- Landscape: NEX-5T superior in resolution and dynamic range.
- Wildlife: NEX-5T better AF and lens options.
- Street: FS12’s size offers stealth; NEX-5T’s manual modes suit creative shots.
- Macro: NEX-5T wins flexibility.
- Video: NEX-5T offers HD quality.
- Travel: FS12 excels in compactness, NEX-5T in versatility.
Final Thoughts and Recommendations
Choosing between these two cameras boils down to what you value most in your photographic journey.
When to choose the Panasonic Lumix FS12:
- You want a tiny, pocketable camera for casual shooting or travel.
- You prioritize simplicity and don’t need manual controls or RAW.
- Your photography is mostly daylight snapshots, street scenes, or vacation photos.
- Your budget is tight and you simply want “point and shoot” ease.
When to choose the Sony NEX-5T:
- You seek image quality improvements with a large APS-C sensor.
- You want greater creative control: aperture/shutter priority, manual modes, RAW.
- You plan to try various lenses and grow your technical skills.
- You photograph portraits, landscapes, sports, or low-light scenes.
- You need faster autofocus and higher burst rates.
- You want HD video and wireless connectivity.
If you’re reading this, chances are you’re after images that stand out and a camera that grows with your skills. The Sony NEX-5T is the clear winner for aspiring enthusiasts and semi-pros, offering expansive creative freedom locked out of the FS12’s ultracompact shell.
That said, the FS12 remains an interesting choice for simple grab-and-go photography or as a neat secondary camera. But if you’re serious about photography or video, the NEX-5T is a far more capable and rewarding tool.
Getting Started and Next Steps
If you decide on the Sony NEX-5T, explore these essential accessories:
- A prime lens (like the Sony 50mm f/1.8 OSS) for stunning portraits and low-light shots.
- Extra batteries and SD cards for extended shooting.
- A light tripod for landscapes and night photography.
For the Panasonic FS12, just make sure you have a good quality SD card and consider a wrist/neck strap to keep it handy for spontaneous moments.
Wrapping Up
We hope this comprehensive comparison helps you navigate the distinct paths offered by the Panasonic Lumix FS12 and the Sony Alpha NEX-5T. Whether your priority is convenience and simplicity or creative versatility and image quality, there is a camera here that can serve your purposes well.
Remember, the best camera is the one that matches your style and helps tell your story. Check out these models hands-on if you can, and embrace the creative journey ahead.
Happy shooting!
Please feel free to ask any questions or request specific sample images or use-case insights.
Panasonic FS12 vs Sony NEX-5T Specifications
Panasonic Lumix DMC-FS12 | Sony Alpha NEX-5T | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model | Panasonic Lumix DMC-FS12 | Sony Alpha NEX-5T |
Class | Ultracompact | Entry-Level Mirrorless |
Introduced | 2009-04-17 | 2013-08-27 |
Physical type | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.4 x 15.6mm |
Sensor area | 27.7mm² | 365.0mm² |
Sensor resolution | 12MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 4000 x 3000 | 4912 x 3264 |
Max native ISO | 1600 | 25600 |
Max boosted ISO | 6400 | - |
Lowest native ISO | 80 | 100 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 99 |
Cross focus points | - | 25 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 31-124mm (4.0x) | - |
Maximum aperture | f/2.8-5.9 | - |
Macro focus distance | 5cm | - |
Total lenses | - | 121 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 2.7 inches | 3 inches |
Resolution of display | 230 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | - | Tilt Up 180° Down 50° TFT LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic (optional) |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting rate | 2.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.30 m | 7.00 m (ISO100) |
Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash synchronize | - | 1/160 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x1080 (60p/60i/24p) |
Max video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 129 grams (0.28 pounds) | 276 grams (0.61 pounds) |
Dimensions | 97 x 55 x 22mm (3.8" x 2.2" x 0.9") | 111 x 59 x 39mm (4.4" x 2.3" x 1.5") |
DXO scores | ||
DXO All around score | not tested | 78 |
DXO Color Depth score | not tested | 23.6 |
DXO Dynamic range score | not tested | 13.0 |
DXO Low light score | not tested | 1015 |
Other | ||
Battery life | - | 330 photographs |
Battery type | - | Battery Pack |
Battery model | - | NPFW50 |
Self timer | Yes (2 or 10 sec) | Yes ((10/2 sec. delay), Self-timer (Cont.) (with 10 sec. delay; 3/5 exposures)) |
Time lapse recording | ||
Type of storage | SD/SDHC card, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Retail pricing | $228 | $400 |