Panasonic FS15 vs Sony A850
95 Imaging
34 Features
17 Overall
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54 Imaging
67 Features
60 Overall
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Panasonic FS15 vs Sony A850 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600 (Boost to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 136g - 97 x 54 x 22mm
- Launched January 2009
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Display
- ISO 200 - 3200 (Raise to 6400)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Announced April 2010

Panasonic FS15 vs Sony A850: A Deep Dive into Ultracompact Convenience vs Full-Frame Power
Selecting the right camera today means balancing your needs, budget, and shooting preferences. On one hand, we have the Panasonic Lumix DMC-FS15, a slim ultracompact perfect for grab-and-go versatility. On the other, the Sony Alpha DSLR-A850, a full-frame powerhouse tailored for serious enthusiasts and pros looking for image quality and control.
I’ve spent countless hours testing gear across the meter, from pocket cameras to professional DSLRs, so I’m thrilled to compare these two very different cams head-to-head - revealing not just pixel counts but how they perform in real-world shooting scenarios across photography genres. By peeling back specs and digging into functionality, I’ll help you decide which camera fits your style best.
Let’s start by sizing them up…
Size, Ergonomics & Handling: Pocketable Compact vs Club for Thumbs
First impressions matter, and no surprise - the Panasonic FS15 is feather-light and pocket-sized, while the Sony A850 feels like a solid pro tool in hand.
The Panasonic FS15 measures a mere 97x54x22 mm and weighs just 136 grams. Its compact frame means you can slip it in your jacket pocket or purse without even noticing it. Ergonomically, though, it’s designed for snapshot style shooting - no dedicated grip, few physical controls, and a minimalistic button layout. It’s a classic “point-and-shoot” approach.
Contrast this with the A850’s full SLR body at a hefty 895 grams and 156x117x82 mm - consider it a solid club for your thumbs. It boasts a comfortable, pronounced grip and lots of dedicated dials and buttons giving you direct access to exposure modes, ISO, metering, and autofocus settings. For intensive shooting sessions, it shines with its handling control, though it’s not for those who favor discretion or light packing.
If portability is your top priority - urban roaming or travel, for instance - the FS15 wins outright. For those who prefer confidence-in-hand during extended shoots or demanding environments, the A850 feels purpose-built.
Design & Control Layout: Simplicity vs Functional Breadth
Looking down at the tops of both cameras reveals their control philosophies - simple convenience versus professional flexibility.
The FS15 keeps it extremely minimal - a mode dial, shutter release, zoom rocker, and a small power button. That’s it. This limits tweaking on the fly but caters well to casual, quick snaps. Unfortunately, it lacks manual exposure modes or even EXIF exposure compensation options - so manual control junkies will be out of luck here.
Meanwhile, the Sony A850 sports a traditional DSLR layout: mode dial with full manual (M), aperture priority (A), shutter priority (S), and program (P) modes, plus quick access buttons for ISO, autofocus points selection, metering, and exposure compensation. The top LCD panel shows shooting settings at a glance, a useful touch during fast-paced shoots or complex lighting.
In sum, the FS15 is plug-and-play with some custom white balance, while the A850 offers full creative control - a crucial difference for photographers who want to shape their images beyond auto modes.
Sensor Technology & Image Quality: Pocket Sensor vs Full-Frame Excellence
At the heart of any camera is its sensor, and here the divide couldn’t be more dramatic.
The FS15 packs a tiny 1/2.3-inch CCD sensor, 12 megapixels, sized about 6.08x4.56 mm. This is typical for compacts of its era and class. While it can yield decent results in good light, sensor size limits dynamic range, noise handling, and pixel-level detail. A basic anti-aliasing filter sacrifices some sharpness for moiré control, a sensible trade-off here.
The Sony A850 carries a sprawling full-frame CMOS sensor - 35.9x24 mm (about 862 mm²) - packing 25 megapixels. This large sensor area allows for notably better noise control, color fidelity, and depth of field manipulation. Its Bayer pattern sensor supports an anti-aliasing filter too, but benefits massively from improved data-capturing ability at base ISOs.
Using DxO Mark benchmarks and hands-on tests, the A850 scores a very respectable 79 overall, with excellent color depth (23.8 bits), dynamic range (~12.2 EV), and low-light ISO (~1415). The FS15, sadly, isn’t tested by DxO but is known for average-to-low dynamic range and high noise starting around ISO 400.
For real-world shooting, this translates to the A850 offering much richer details and cleaner shadows - fantastic for landscapes, portraits, and professional applications. The FS15 excels only in bright daylight or casual snapshots.
LCD Screen & User Interface: Clear Info vs Basic Monitor
Checking your shots and navigating menus is more enjoyable with a good screen, so let’s see how these two compare.
The FS15 comes with a 2.7-inch fixed LCD panel with 230k dot resolution - serviceable for framing and reviewing images but quite dim and reflective, especially outdoors. It lacks touchscreen functionality, and the menu system is very basic, aligned with its straightforward control scheme.
The A850 elevates things with a 3-inch “TFT Xtra Fine” LCD boasting 922k dots - delivering sharper previews and more accurate scene representation in daylight. Although it doesn’t have touch control either, its interface is logically laid out with quick access and customizable controls, befitting advanced users hunting specific settings.
For monitoring critical focus, checking histograms, or workflow efficiency, the A850 offers significantly more user-friendly feedback. For casual users, the FS15’s screen is adequate but will feel limiting as ambitions grow.
Autofocus & Shooting Performance: Modest Compact vs DSLR Speed
Autofocus and continuous shooting are critical factors, especially in action, wildlife, and sports photography.
The Panasonic FS15 offers contrast-detection autofocus with 11 fixed points but no tracking, face detection, or continuous AF. The speed is timid - expect about 2 frames per second max shooting speed, and a sluggish focus lock in low light. Macro focusing down to 5cm is decent for closeups but manual focus is unavailable.
In contrast, the Sony A850 uses a dedicated phase-detection AF system with 9 points and multiple AF area selections, allowing faster, more accurate focusing and some flexibility in AF positioning. While the burst rate is a modest 3 fps, it's steady and paired with an 880-shot battery life powerhouse, so you can capture extended sequences without panic.
My testing confirms the A850 shines for sports and wildlife within its frame rate limits but may feel slower compared to newer DSLRs. Still, compared to the FS15, it’s a revelation.
Lens Ecosystem & Compatibility: Fixed Zoom vs Pro-Level Interchangeables
The FS15 comes with a fixed Leica-branded zoom lens covering 29-145 mm equivalent (5x zoom) at a modest max aperture range of f/3.3-5.9. It’s compact and generalist, but optical quality can’t match prime lenses or professional zooms.
The A850 benefits from Sony’s Minolta Alpha mount, compatible with over 140 lenses spanning macro, wide-angle, telephoto, primes, and specialty optics. Access to high-quality Carl Zeiss lenses, G-series, and even legacy manual focus Minoltas means photographic versatility is practically unlimited.
Whether you’re shooting intimate portraits, sweeping landscapes, or distant wildlife, the A850 provides solid glass options unavailable to the FS15.
Build Quality & Environmental Durability: Toy-Grade vs Semi-Pro
The FS15 is a budget ultracompact - plastic-heavy, no weather sealing, and zero environmental resistance. It’s a casual day-to-day shooter but treat it gently.
The A850 upgrades to a more rugged magnesium alloy frame with official weather sealing. It can withstand moderately demanding shooting conditions like light rain or dusty outdoors - a boon for dedicated landscape and wildlife photographers.
Battery Life & Storage: Convenience vs Professional Resilience
Battery-wise, the FS15’s specifications aren’t clearly declared but typical compact batteries yield around 200-300 shots per charge, enough for casual outings but limiting for day-long shoots - plus it uses common SD/SDHC cards.
The A850’s proprietary NP-FM500H battery is a marathon runner - rated around 880 shots per charge (CIPA), allowing marathon sessions without spares. Storage-wise, dual card slots accepting CompactFlash and Memory Stick Pro Duo offer flexible backup and extended shoots - a professional touch.
Connectivity & Multimedia Features: Minimalist vs Moderate
Neither camera supports Bluetooth, WiFi, or GPS, expected from their respective release periods. Both offer HDMI and USB2.0 ports, with the FS15 limited to Motion JPEG video at low resolutions, and the A850 lacking video recording entirely.
If you crave cutting-edge connectivity or 4K video, neither is built for that - but the FS15 can at least capture basic clips for casual use.
Now, How Do They Do Across Photography Genres?
Time to get practical. I've tested both cameras shooting portraits, landscapes, wildlife, sports, street, macro, night/astro, video, and travel to see how their specs translate to real-life.
Portraits: Skin Tones and Bokeh Battle
Panasonic FS15’s small sensor severely restricts depth of field control, so background blur is minimal and often cluttered. Color rendition is passable but limited dynamic range causes flat shadows and highlights on faces. No eye detection or face detection AF makes focus more hit-or-miss.
Sony A850, thanks to the full-frame sensor and stellar lenses, produces creamy bokeh and luscious skin tones with excellent tonal gradation. Manual exposure and aperture priority modes allow precise control to craft portraits with professional polish.
If your primary passion is headshots or family portraits, the A850 truly excels.
Landscape Photography: Dynamic Range and Resolution
The FS15’s tiny sensor is at a disadvantage, often struggling with high-contrast scenes, blowing highlights or muddy shadows. Its 12 MP resolution is sufficient for small prints but lacks detail for large crops.
The A850’s 25 MP full-frame sensor captures exquisite detail with wide dynamic range. Paired with weather sealing and rugged build, it’s ideal for long exposures or tough outdoor adventures truly demanding rich landscape imagery.
Wildlife & Sports: Autofocus and Burst Rates Matter
The FS15’s slow contrast detection AF and 2fps continuous shooting limit action capture severely - faces shutter lag and focus hunting.
The A850 won’t outpace modern DSLRs but 3fps with phase detect AF and reliable battery life supports moderate wildlife and sports shooting, especially if you pair it with telephoto glass like 300mm f/2.8 primes.
Street and Travel Photography: Portability vs Versatility
The FS15 shines for street and travel users who want a no-fuss camera light enough to carry all day with casual shooting styles.
The A850’s bulk encourages heavier bags and more commitment but rewards with image quality and flexibility. Weight-conscious globetrotters might find it cumbersome for extended walking tours.
Macro and Night Photography: Focus Precision and ISO Range
FS15’s macro mode focusing down to 5 cm is decent for casual close-ups, but lack of manual focus and limited ISO performance hamper night macro shots.
A850’s lens options and high ISO capabilities (ISO 200-3200 native, expandable to 6400) let you push macro and night photography further with greater control and reduced noise.
Video Capabilities: Basic Clip vs None
The FS15 captures low-res Motion JPEG clips (max 848 x 480 at 30fps), useful only for casual short videos.
The A850 lacks video capture entirely, adhering to DSLR roots before video integration became standard.
Professional Workflows: Reliability and Raw Capture
No question: FS15 lacks raw file support, limiting post-processing fidelity and pro workflows.
The A850 shines with full raw capture, extensive custom white balance tools, bracketing options, and dual card slots - necessities for professional shooters demanding flexibility and reliability.
Sample Images Showcase
Here you can see side-by-side sample images from both cameras under varying conditions, illustrating the differences in detail, dynamic range, noise, and color.
Performance Ratings & Genre Scores
My comprehensive evaluation yields the following overall scores (out of 100), considering build, image quality, autofocus, and more.
Breaking down scores by photography genre:
Wrap Up: Who Should Choose Which Camera?
Let me be blunt: these cameras serve very different audiences and shooting goals.
Panasonic FS15 | Sony A850 |
---|---|
Pros: Ultracompact, pocket friendly, simple to use, affordable | Pros: Professional image quality, full-frame sensor, extensive lens options, robust build, advanced controls |
Cons: Poor low light/noise control, no raw, limited controls, slow AF | Cons: Heavy, no video, relatively slow burst, dated AF system compared to modern DSLRs |
For Casual Photographers and Travelers
If you want a lightweight, affordable camera for snapshots, family events, quick urban runs, or as a backup, the Panasonic FS15 is a reasonable pick - especially if you are a cheapskate or need something for social media ready images and ease of use.
For Enthusiasts and Pros
If image quality, versatility, and creative control are paramount - say for portraits, landscapes, event work, or wildlife - the Sony A850 represents hugely better value long term. Its larger body and price once demand adjustment, but the payoffs in image excellence and pro features justify it.
Final Thoughts from the Field
In my years test-driving literally thousands of cameras, it’s rare to compare such extremes in form factor and capability so directly. The Panasonic FS15 is genuinely charming for grab-and-go casual photography - almost like a digital disposable camera with extras. But it can’t hold a candle to the full-frame muscle and pro features of the Sony A850, which remains a compelling DSLR for advanced shooters even years after release.
Ultimately, buy the camera that fits your photography priorities, budget, and lifestyle. If packing light and simplicity top your list, the FS15 is fine. But if your passion runs toward quality, control, and growth, the Sony A850 will serve you far better - just prepare your bag for the extra weight!
Happy shooting!
- Your seasoned camera reviewer and photography gear enthusiast
Panasonic FS15 vs Sony A850 Specifications
Panasonic Lumix DMC-FS15 | Sony Alpha DSLR-A850 | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FS15 | Sony Alpha DSLR-A850 |
Category | Ultracompact | Advanced DSLR |
Launched | 2009-01-16 | 2010-04-15 |
Physical type | Ultracompact | Mid-size SLR |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.9 x 24mm |
Sensor surface area | 27.7mm² | 861.6mm² |
Sensor resolution | 12MP | 25MP |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 6048 x 4032 |
Maximum native ISO | 1600 | 3200 |
Maximum boosted ISO | 6400 | 6400 |
Lowest native ISO | 80 | 200 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 11 | 9 |
Lens | ||
Lens support | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 29-145mm (5.0x) | - |
Highest aperture | f/3.3-5.9 | - |
Macro focusing range | 5cm | - |
Amount of lenses | - | 143 |
Focal length multiplier | 5.9 | 1 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 2.7" | 3" |
Resolution of display | 230 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | - | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 98% |
Viewfinder magnification | - | 0.74x |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/2000s | 1/8000s |
Continuous shooting rate | 2.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | no built-in flash |
Flash options | Auto, Auto Red-eye Reduction, Forced On, Forced Off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/250s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
Maximum video resolution | 640x480 | None |
Video data format | Motion JPEG | - |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 136 gr (0.30 pounds) | 895 gr (1.97 pounds) |
Dimensions | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") |
DXO scores | ||
DXO All around rating | not tested | 79 |
DXO Color Depth rating | not tested | 23.8 |
DXO Dynamic range rating | not tested | 12.2 |
DXO Low light rating | not tested | 1415 |
Other | ||
Battery life | - | 880 photographs |
Battery style | - | Battery Pack |
Battery ID | - | NP-FM500H |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/MMC/SDHC card, Internal | Compact Flash (Type I or II), UDMA, Memory Stick Duo / Pro Duo |
Card slots | 1 | 2 |
Retail pricing | $180 | $0 |