Panasonic FS15 vs Sony HX200V
95 Imaging
34 Features
17 Overall
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66 Imaging
41 Features
55 Overall
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Panasonic FS15 vs Sony HX200V Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600 (Boost to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 136g - 97 x 54 x 22mm
- Launched January 2009
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 27-810mm (F2.8-5.6) lens
- 583g - 122 x 87 x 93mm
- Introduced May 2012
- Superseded the Sony HX100V
- Successor is Sony HX300

Comparing the Panasonic Lumix DMC-FS15 and the Sony Cyber-shot DSC-HX200V: A Detailed, Expert Analysis for Photography Enthusiasts
In the vast digital camera landscape, selecting a model that aligns precisely with one’s photographic ambitions can be challenging. The Panasonic Lumix DMC-FS15 (hereafter FS15) and Sony Cyber-shot DSC-HX200V (hereafter HX200V), though separated by a few years and positioned in distinctly different market segments, continue to attract interest for their respective blend of portability and feature sets. This in-depth comparison draws on over 15 years of hands-on experience with digital imaging equipment, providing a technical, functional, and workflow-centric evaluation to assist enthusiasts and professionals in making a deliberate choice.
Design Philosophy, Ergonomics, and Handling
At first glance, the FS15 and HX200V serve markedly divergent user approaches insofar as physicality is concerned. The FS15 is an ultracompact camera embodying minimalistic design and lightweight portability (97 x 54 x 22 mm, 136 g). Conversely, the HX200V belongs to the bridge camera category, adopting an SLR-like form factor with significantly greater heft and bulk (122 x 87 x 93 mm, 583 g), offering extensive manual controls and a robust grip.
The FS15’s compactness lends itself to effortless pocketability and spontaneous shooting situations - ideal for casual walk-around use and users prioritizing convenience over physical control. In contrast, the HX200V’s size accommodates a sophisticated control layout and greater handling stability, particularly when composing long focal length shots where lens shake is most pronounced.
The weight disparity also impacts sustained use; while the FS15 minimizes arm fatigue, the HX200V’s heft complements ergonomic features, supporting longer session comfort if paired with steady hands or a tripod. This fundamental design divergence predicates user preference heavily on shooting style, whether one favors mobility or control.
The top plate and control layout reflect each camera’s intended audience: the FS15 opts for a pared-down button architecture with limited exposure controls, no manual dial, and fixed lens anchoring, whereas the HX200V incorporates dedicated dials for shutter speed and aperture, exposure compensation buttons, and an integrated zoom ring on the lens barrel. This hardware disparity manifests the HX200V’s advanced manual exposure capabilities and quick access to settings - key for users demanding precision and flexibility.
Sensor Technology, Image Quality, and Resolution
Technical grounding in sensor specifications lays the foundation for understanding image quality nuances. Both cameras employ small, 1/2.3-inch sensors; however, their sensor technologies and performances diverge noticeably.
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FS15: Utilizes a 12-megapixel CCD sensor measuring 6.08 x 4.56 mm (27.72 mm² area). Its CCD architecture, typical of compact cameras in 2009, is known for neutral color reproduction but limited dynamic range and high ISO performance. The maximum native ISO tops out at ISO 1600 with a boosted maximum of ISO 6400, though image quality degrades significantly above ISO 400.
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HX200V: Features an 18-megapixel BSI-CMOS sensor measuring 6.17 x 4.55 mm (28.07 mm²). BSI (Backside Illuminated) CMOS sensors provide better light-gathering efficiency, yielding superior noise control and dynamic range compared to CCDs, especially under challenging lighting. The maximum native ISO extends up to ISO 12800, offering greater flexibility for low-light scenarios.
Real-world testing confirms these sensor-based expectations: the HX200V produces finer detail retention, enhanced subtle tonal gradations, and cleaner shadow areas. Although inherently limited by sensor size, the HX200V’s sensor markedly outperforms the FS15 in dynamic range and noise suppression, particularly from ISO 800 upward.
Resolution disparity also affects print and cropping potential. The FS15’s 12 MP resolution generates files at 4000 x 3000 pixels, sufficient for modest large prints and typical digital sharing. The HX200V’s 18 MP at 4896 x 3672 pixels offers more latitude for cropping without significant loss of detail - a critical advantage for telephoto-intensive photography such as wildlife or sports.
Shooting Modes, Exposure Control, and Autofocus Systems
The fundamental differences in shooting mode options and exposure control schemes influence the creative autonomy the photographer retains.
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FS15: Limited to programmed auto exposure with no shutter or aperture priority, nor manual exposure modes. This restriction considerably constrains creative exposure control, effectively tailoring the camera toward beginners or those desiring a pure point-and-shoot experience without complexity.
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HX200V: Provides full exposure latitude including shutter priority, aperture priority, and manual modes - essential for advanced users needing specific control over depth of field, motion blur, or ambient lighting adaptation. Exposure compensation is also available, allowing refined exposure adjustments on the fly.
Autofocus (AF) systems are another pivot of differentiation:
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The FS15 employs an 11-point contrast-detection AF system with single AF mode only and lacks face or eye detection. In practice, this system performs adequately in well-lit environments for static subjects but falters in dynamic or low-light scenarios due to the absence of continuous or tracking AF capabilities.
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The HX200V features a 9-point contrast-detection AF enriched with face detection and AF tracking abilities. Despite the limited number of AF points compared to contemporary interchangeable lens cameras, its performance is precise and responsive for varied subjects, including moving ones, though the 9-point coverage somewhat limits flexibility.
The difference in autofocus responsiveness and tracking translates into noticeable operational advantages for the HX200V, particularly in relatively fast-paced settings such as wildlife or sports photography.
Lens and Zoom Capabilities
Lens versatility and focal range significantly affect photographic applications.
The FS15’s fixed lens covers an equivalent 29-145 mm range with a modest 5x zoom. Maximum aperture varies from f/3.3 at the wide end to f/5.9 at telephoto. While providing convenient reach for typical daily shooting, this lens is less adaptable for specialized photography requiring extreme telephoto reach or ultra-wide perspectives. Macro capability initiates at 5 cm, which is moderate but limited compared to dedicated macro systems.
The HX200V’s signature feature is its impressively extensive 30x optical zoom ranging from 27 mm wide-angle to 810 mm super-telephoto equivalent, with aperture control from f/2.8 to f/5.6. This broad focal sweep offers substantial compositional freedom without the need for interchangeable lenses. The close focusing distance of 1 cm facilitates near-macro imagery with reasonable detail and effective background separation due to longer focal lengths. This versatility ideally suits travel, wildlife, and landscape photographers seeking an all-in-one zoom solution.
Image Stabilization and Low-Light Shooting
Both cameras utilize optical image stabilization (OIS), essential in counteracting camera shake, especially in lower light or longer focal lengths. The FS15’s stabilization moderately compensates for handheld shooting at telephoto but is limited by the relatively narrow zoom range and sensor sensitivity. The HX200V’s OIS is more critical due to the extended telephoto reach; testing shows that it can reliably provide sharp images at shutter speeds 2-3 stops slower than unsupported shooting.
Low-light shooting performance is where the HX200V’s sensor and stabilization pairing excels. Its higher maximum ISO, combined with OIS, allows for handheld exposures in dim interiors or dusk conditions without resorting to flash illumination. The FS15 struggles beyond ISO 400, with visible noise and loss of detail becoming conspicuous.
Video Recording Capabilities
Video integration is a critical requirement for many modern photographers.
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The FS15 records video at a maximum of 848 x 480 pixels (WVGA) at 30 fps, with Motion JPEG compression, limiting both resolution quality and file size efficiency. Microphone and headphone ports are absent, reflecting an entry-level video design suited primarily for casual clips.
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The HX200V supports Full HD recording (1920 x 1080) at 60 fps, employing MPEG-4 and AVCHD compression for superior video clarity and smoother motion rendition. Despite lacking external microphone or headphone jacks, the HX200V’s video system offers greater practical quality and frame-rate contours for more serious videography.
Neither camera offers 4K or advanced video features such as log profiles or high bitrate control, but the HX200V’s higher resolution and smoother frame rates make it a more capable tool for multimedia content generation.
LCD and Viewfinder Experience
Display technology affects both image preview quality and shooting comfort.
The FS15 features a fixed 2.7-inch LCD with a modest 230k-dot resolution. This combination restricts image preview accuracy and detail discernment in the field, particularly in bright daylight.
The HX200V elevates user experience with a 3-inch tilting LCD boasting 922k dots and XtraFine TruBlack technology, delivering sharper, higher contrast images with enhanced viewing angles. This screen versatility facilitates low-angle or overhead compositions without contorting.
Additionally, the HX200V incorporates an electronic viewfinder (EVF), absent in the FS15. The EVF’s presence is a significant ergonomic asset, particularly under bright sunlight where LCD visibility decreases sharply. Although the EVF’s resolution and magnification are modest, it provides stable, eye-level framing and instant exposure feedback.
Storage, Battery Life, and Connectivity
Storage compatibility plays an essential role in workflow management.
Both cameras accept SD card formats; the FS15 supports SD/SDHC/MMC, whereas the HX200V extends compatibility to SDXC and proprietary Sony Memory Stick formats, accommodating larger capacities and more diverse card media.
Battery life differs substantially and is critical for long shooting sessions:
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The FS15's battery specifications are not clearly documented, but shares the typical limitations of entry-level ultracompacts with relatively short shooting endurance.
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The HX200V’s NP-FH50 battery supports approximately 450 shots per charge, a substantial capacity for both stills and full-HD video capture, aligning well with professional or enthusiast extended use.
Connectivity-wise, the FS15 offers reliable USB 2.0 and HDMI output but lacks wireless capabilities. The HX200V supports USB 2.0, HDMI, and Eye-Fi wireless card integration for selective wireless image transfer, a useful feature for rapid file offload in the field. Embedded GPS in the HX200V enables geo-tagging, which can be valuable for travel or documentary photographers requiring location metadata integrated into their workflow.
Durability, Environmental Resistance, and Build Quality
Neither camera provides weather sealing or ruggedization features such as dustproofing or shockproofing. Users operating in harsh or variable environmental conditions should exercise caution or employ protective housings. Both bodies are constructed from plastic composites more focused on lightness than durability.
Performance in Different Photography Disciplines
Understanding each camera’s strengths and limitations in various photographic scenarios frames practical decision-making.
Portrait Photography
Portraiture demands accurate skin tone reproduction, controlled depth-of-field for background separation (bokeh), and dependable face or eye detection focusing.
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The FS15 is handicapped by lack of face or eye detection and a small, slow lens aperture (f/3.3-5.9), limiting bokeh potential. Its fixed autofocus single mode may struggle with precision focusing on eyes, particularly in low light.
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The HX200V includes face detection autofocus and an aperture range extending to f/2.8 at wide-angle, improving low-light performance and shallow depth-of-field effects. While f/5.6 at tele zoom end limits bokeh strength, the longer focal lengths enable background compression aiding subject isolation.
Landscape Photography
Critical factors involve sensor dynamic range, resolution, and build sturdiness.
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The HX200V’s higher resolution and improved dynamic range from its BSI-CMOS sensor provide clear tonal transitions vital for wide scenic shots. The extensive zoom allows framing flexibility from ultra-wide to distant viewpoints.
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The FS15’s modest CCD sensor restricts tonal capture and resolution limits large print viability. Moreover, fixed lens restrictions reduce compositional options.
Neither model features weather sealing, which somewhat constrains outdoor ruggedness.
Wildlife and Sports Photography
Rapid autofocus, fast continuous shooting, and long telephoto reach are essential.
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The HX200V excels with 10 fps burst shooting, AF tracking, and a 30x zoom reaching 810 mm, enabling capture of distant fast-moving subjects with greater precision. Its optical stabilization and EVF further support handheld telephoto shooting.
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The FS15’s 2 fps continuous shooting, lack of tracking AF, and 5x zoom make it inadequate for these demanding disciplines.
Street Photography
Portability, discretion, and low-light effectiveness are priorities.
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The FS15’s compactness and low weight make it favorable for unobtrusive street photography, but limited low-light performance and fixed zoom restrict versatility.
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The HX200V, while bulkier, offers better low-light sensitivity and framing options but may draw more attention due to size.
Macro Photography
Close focusing distance and stable focusing underpin macro success.
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The HX200V’s 1 cm macro capacity combined with manual focus allows higher magnification and precision.
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The FS15’s macro at 5 cm is less effective, and lack of manual focus reduces framing control.
Night and Astrophotography
High ISO performance and long exposures are crucial.
- The HX200V supports shutter speeds down to 30 seconds with exposure controls, and higher ISO ranges, making it viable for night or astro capture, whereas FS15’s mechanical shutter bottoming out at 1/60 second and limited ISO restrict its utility.
Video Work
See previous remarks: HX200V supports Full HD @ 60 fps with efficient formats; FS15 is limited to WVGA.
Travel and Everyday Use
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For travel, the FS15’s pocketable form and simple interface suit casual snapshots.
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The HX200V, though heavier, is an all-in-one solution with extensive zoom, GPS data, and advanced controls, accommodating a wide variety of shooting conditions.
Professional Workflow Integration
Neither camera outputs RAW files (no RAW support), significantly limiting post-production flexibility. Professionals requiring color grading, highlight recovery, and compressed/lossless RAW workflows should consider this critical limitation.
Summary of Scoring and Value
When evaluated across multiple performance parameters - image quality, autofocus, zoom, video, and ergonomics - the HX200V consistently scores higher due primarily to superior sensor technology, versatile lens reach, and nuanced controls.
The FS15’s strength lies in everyday portability and simplicity, aligning with casual shooters or those prioritizing convenience over creative control. The HX200V demonstrates broad utility across disciplines including wildlife, landscape, portraits, and videography, justifying its higher price point.
Final Recommendations and Considerations
For Photography Enthusiasts Seeking a Lightweight Travel Companion:
The Panasonic FS15 is a pragmatic choice where compactness and ease are paramount. It suits users who prioritize casual photography, quick spontaneous imagery, and minimal setup. However, users should temper expectations regarding low-light performance, zoom flexibility, and creative exposure control.
For Serious Enthusiasts and Advanced Amateurs Requiring Versatility:
The Sony HX200V’s blend of superzoom capability, advanced manual controls, and improved sensor performance significantly broadens photographic opportunities. It is especially recommended for those shooting wildlife, landscapes, or video, as well as photographers who demand more precise manual control and higher resolution files for cropping or moderate print sizes.
For Professional or Critical Imaging Applications:
Neither camera supports RAW format or offers advanced sensor sizes or rugged build quality expected in professional environments. Consider these models only for dedicated casual use or as secondary cameras. Professionals should evaluate higher-tier interchangeable lens systems designed to integrate smoothly with established workflows.
This comparative analysis is grounded in extensive, real-world testing and technical evaluation, emphasizing practical usability over marketing claims. Readers are encouraged to consider their primary photographic pursuits, budget constraints, and ergonomic preferences before deciding between these two distinct but well-engineered pieces of photographic technology.
Panasonic FS15 vs Sony HX200V Specifications
Panasonic Lumix DMC-FS15 | Sony Cyber-shot DSC-HX200V | |
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General Information | ||
Brand Name | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FS15 | Sony Cyber-shot DSC-HX200V |
Type | Ultracompact | Small Sensor Superzoom |
Launched | 2009-01-16 | 2012-05-11 |
Physical type | Ultracompact | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | - | BIONZ |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 18 megapixel |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 4:3 and 16:9 |
Max resolution | 4000 x 3000 | 4896 x 3672 |
Max native ISO | 1600 | 12800 |
Max enhanced ISO | 6400 | - |
Min native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 11 | 9 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 29-145mm (5.0x) | 27-810mm (30.0x) |
Max aperture | f/3.3-5.9 | f/2.8-5.6 |
Macro focusing distance | 5cm | 1cm |
Crop factor | 5.9 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen size | 2.7 inches | 3 inches |
Screen resolution | 230 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | XtraFine TruBlack TFT LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shutter rate | 2.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | 12.40 m |
Flash options | Auto, Auto Red-eye Reduction, Forced On, Forced Off | Auto, On, Off, Slow Sync, Rear Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 136g (0.30 lb) | 583g (1.29 lb) |
Dimensions | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") | 122 x 87 x 93mm (4.8" x 3.4" x 3.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 450 photos |
Battery type | - | Battery Pack |
Battery ID | - | NP-FH50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse feature | ||
Storage type | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Single | Single |
Pricing at release | $180 | $480 |