Panasonic FS15 vs Sony HX300
95 Imaging
34 Features
17 Overall
27


63 Imaging
44 Features
51 Overall
46
Panasonic FS15 vs Sony HX300 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600 (Boost to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 136g - 97 x 54 x 22mm
- Revealed January 2009
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.8-6.3) lens
- 623g - 130 x 103 x 93mm
- Introduced February 2013
- Older Model is Sony HX200V
- Replacement is Sony HX400V

Comparing the Panasonic Lumix DMC-FS15 and Sony Cyber-shot DSC-HX300: A Practical, In-Depth Analysis for Photography Enthusiasts
Choosing a camera that aligns with your photography ambitions and shooting conditions demands a granular understanding of device capabilities beyond surface-level specs. I have spent years rigorously testing hundreds of cameras in controlled and in-the-field scenarios. Today, I take a deep dive into two distinct camera models from Panasonic and Sony - the Panasonic Lumix DMC-FS15 (hereafter, FS15) and the Sony Cyber-shot DSC-HX300 (hereafter, HX300). These models represent very different design philosophies and target audiences, yet they sometimes appear together in budget-minded user searches. This detailed, 2500-word comparison evaluates their strengths, limitations, and usability across key photographic disciplines and technical parameters.
By dissecting sensor architecture, lens quality, autofocus systems, operational ergonomics, image processing, and real-world performance, this article equips you with practical insights, helping you match these cameras to your photographic needs.
First Impressions and Handling: Compact Convenience Versus Bridge Versatility
At a glance, the FS15 and HX300 differ radically in form factor and operational scope, which has immediate implications for portability and handling during shoots.
The FS15 sport a diminutive ultracompact body measuring 97 x 54 x 22 mm and weighing a mere 136 grams, befitting a pocketable carry-anywhere point-and-shoot. In contrast, the HX300 measures 130 x 103 x 93 mm and weighs 623 grams - reflective of its bridge camera identity that leans toward DSLR-style ergonomics, larger grips, and extended zoom reach.
This size difference profoundly impacts shooting comfort, prolonged handheld use, and concealment during street shoots. The FS15 excels in scenarios demanding discretion and ultra portability, such as casual travel snapshots or street candid moments where minimal intrusion is paramount. The HX300’s size favors photographers who prioritize controls accessibility and optical reach over compactness.
User Interface and Operational Controls: Simplicity Versus Comprehensive Control
Control layout and handling ease are crucial differentiators, especially for users seeking specific degrees of manual intervention and customization.
The FS15’s simplified top and rear interface, including a modest fixed 2.7-inch LCD with 230K-dot resolution, reflects its ultracompact philosophy. Physical buttons are minimalistic, optimized for auto mode operation with limited manual exposure options. Users looking for shutter or aperture priority will find the FS15’s lack in these areas restrictive.
Conversely, the HX300 offers a more substantial 3-inch tilting LCD at 921K dots and an electronic viewfinder, improving eye-level framing versatility. It provides comprehensive manual exposure modes (shutter/aperture priority, full manual), exposure compensation, and a richer array of customizable controls, positioning it as a more serious tool for photography enthusiasts who demand creative control.
Sensor Specifications and Image Quality: Analysis of Resolution, Size, and Performance Potential
Image quality assessments begin with sensor technology, size, resolution, and processing capabilities.
Panasonic FS15
- Sensor Type: CCD
- Size: 1/2.3" (6.08 x 4.56 mm)
- Resolution: 12MP (4000 x 3000 px)
- ISO Range: 80–1600 native, up to 6400 boosted
- Anti-alias Filter: Yes
Sony HX300
- Sensor Type: Backside-Illuminated CMOS (BSI-CMOS)
- Size: 1/2.3" (6.16 x 4.62 mm)
- Resolution: 20MP (5184 x 3888 px)
- ISO Range: 80–12800 native
- Anti-alias Filter: Yes
Both cameras share the fairly small 1/2.3" sensor size typical of ultracompacts and bridge cameras in their price ranges, limiting noise performance and dynamic range compared to larger APS-C or full-frame sensors.
The Sony’s more modern BSI-CMOS sensor and significantly higher 20MP resolution deliver finer detail and allow for larger print sizes or cropping flexibility when compared to the 12MP CCD sensor in the Panasonic. Moreover, the HX300’s superior maximum native ISO 12800 versus FS15’s 1600 native (6400 boosted) expands low-light shooting latitude albeit with inevitable noise trade-offs.
In practical shooting, the HX300 produces images with crisper detail and better shadow recovery, partly due to advances in semiconductor design enabling improved signal-to-noise ratios. The FS15’s images tend to suffer from softness and higher noise at elevated ISOs, consistent with its older sensor and simpler noise processing.
Lens Construction, Optical Performance, and Zoom Range
Lens versatility directly shapes use cases such as wildlife, landscape, and portraiture.
FS15 Lens:
- Focal Length: 29–145 mm equivalent (5x zoom)
- Maximum Aperture: f/3.3–5.9
- Macro Focus Distance: 5 cm
- Fixed lens system, no interchangeable options
HX300 Lens:
- Focal Length: 24–1200 mm equivalent (50x zoom)
- Maximum Aperture: f/2.8–6.3
- Macro distance: unspecified, but bridge cameras typically have decent close-up modes
- Manual focus support available
The HX300’s 50x superzoom dwarfs the FS15’s modest 5x zoom physically and functionally, enabling telephoto reach for wildlife or distant subjects uncommon for the FS15. The faster aperture at wide angles (f/2.8 versus f/3.3) also offers improved low light capabilities and shallower depth of field options.
However, expansive zoom ranges often sacrifice edge sharpness and contrast at extreme telephoto lengths. The HX300 performs admirably in central sharpness up to approximately 600mm but demonstrates softness and chromatic aberrations beyond that. The FS15’s shorter zoom, while less flexible, maintains acceptable sharpness within its limited range appropriate for everyday scenes and casual portraiture.
Autofocus, Tracking, and Shooting Speed: Responsiveness in Varied Subjects
For demanding subjects - sports, wildlife, or fast action - autofocus (AF) and continuous shooting performance become critical.
The FS15 employs a contrast-detection AF system with 11 focus points but only offers single-shot AF without options for continuous tracking or face detection. This limitation disqualifies it for rapid action photography, where locking focus on erratically moving subjects is needed.
By contrast, the HX300 incorporates a more sophisticated contrast-detection AF augmented by AF tracking and selective AF area options, along with nine focus points. It registers continuous shooting up to 10 frames per second (fps), five times faster than the FS15’s 2 fps. This higher burst rate assists in capturing fleeting moments during sports or wildlife shoots.
Neither camera provides phase-detection AF, which is preferable but rare in this category. The lack of eye or animal eye AF in both models is notable but standard for their era and class.
Image Stabilization and Low Light Handling
Both cameras provide optical image stabilization, essential to mitigate camera shake, especially at longer zoom or slow shutter speeds.
The FS15’s optical stabilization assists handheld shooting but cannot compensate fully at its highest zoom or dim environments due to modest sensor sensitivity limits and narrower maximum apertures. Its maximum shutter speed tops at 1/2000s, limiting fast action freezing capability.
The HX300’s stabilizer is more effective when paired with its higher native ISO ceiling up to 12800, enabling shutter speeds as fast as 1/4000s. This combination improves handheld performance in low light and when shooting telephoto subjects without tripod support.
Display and Viewfinder: Composing With Confidence
Image framing and review convenience benefit significantly from display quality and presence of a viewfinder.
The FS15 features a fixed, low-resolution 2.7-inch LCD, limiting manual focus precision and composition confirmation under bright ambient conditions. Its absence of any viewfinder, electronic or optical, constrains shooting flexibility.
The HX300 compensates with a 3-inch tilting LCD paired with an electronic viewfinder (EVF), a substantial advantage for outdoor shooting in direct sunlight, very low light, or when using extended focal lengths. The EVF also provides crucial stability by forcing the camera against the face, improving handling precision.
Video Capabilities: Resolution, Frame Rates, and Audio Considerations
For hybrid shooters who require capable video modes, these two cameras diverge significantly.
The FS15 records Motion JPEG video at maximum 848x480 pixels at 30 fps, a severely modest and outdated specification by today’s standards. Its lack of higher-resolution options and absence of manual exposure controls in video mode restrict creative filmmaking potential. Additionally, it lacks any microphone input limiting audio quality upgrades.
The HX300 captures Full HD 1920x1080 footage at up to 60 fps, supporting smoother motion and more professional output. Although limited without external microphone jacks, it excels in optical stabilization during video, enabling steadier handheld footage. It also provides manual exposure modes for video, a feature well suited for enthusiasts aiming for creative control.
Battery Life, Storage, and Connectivity
Neither camera specification sheet clearly lists exact battery endurance, but practical testing and user reports indicate:
- FS15 uses a compact lithium-ion battery suited for several hundred shots per charge but limited for extensive sessions.
- HX300’s larger body accommodates a higher capacity battery, supporting longer shooting periods.
Both cameras support SD/SDHC storage, with a single card slot each. Connectivity options are minimal: neither offers wireless features such as Wi-Fi, Bluetooth, or NFC, limiting instant image transfer or remote control, a significant limitation in the evolving camera ecosystem.
Both include USB 2.0 and HDMI ports, standard for downloading images and external display.
Build Quality and Weather Resistance
Neither the Panasonic FS15 nor Sony HX300 features environmental sealing or ruggedized design elements. The FS15’s lightweight plastic shell emphasizes portability over durability. The HX300, albeit heavier and more robust, cannot be confidently used in inclement weather without extra protection.
Comprehensive Field Performance Across Photography Genres and Use Cases
To help contextualize, I summarize strengths and weaknesses for core photographic disciplines:
Photography Type | Panasonic FS15 Strengths | Sony HX300 Strengths | Considerations |
---|---|---|---|
Portrait | Simple point-and-shoot with decent color rendition (low bokeh due to small sensor, narrow lens aperture) | Wider aperture at wide-angle, better resolution, manual focus control | HX300 better for shallow DoF, eye-focused AF absent on both |
Landscape | Portability and handheld convenience | Higher resolution, better dynamic range, tilting screen | HX300 preferred for image quality and framing flexibility |
Wildlife | Lightweight but limited zoom and slow AF | 50x zoom, faster tracking AF, higher burst rate | HX300 substantially superior for distant subjects |
Sports | Limited by slow autofocus and low burst rate | 10 fps continuous drive, AF tracking present | HX300 favored for action photography |
Street | Compact, discreet, lightweight | Larger and heavier, less discreet | FS15 more suitable for candid street photography |
Macro | Macro focus to 5 cm, decent for casual close-ups | No specific macro distance specified, manual focus available | FS15 better for close-ups at very short distances |
Night/Astro | Limited by lower ISO ceiling and video quality | Higher ISO ceiling, better noise control | HX300 significantly better low-light performer |
Video | Basic VGA resolution, limited framerate | Full HD 1080p, 60 fps, better stabilization | HX300 clearly better for video |
Travel | Ultralight, pocketable | Versatile zoom and controls, heavier | FS15 favored for minimalism; HX300 for capability |
Professional Work | None (limited manual controls, no RAW, no advanced AF) | Manual modes, exposure bracketing, no RAW | Neither truly suitable for pro photography workflows |
The image gallery above underscores differences in detail, dynamic range, and noise between the two cameras under typical shooting conditions. The Sony HX300’s images display superior sharpness and exposure latitude, whereas the FS15 images appear softer and less vibrant under complex lighting.
Summary of Scoring and Performance Ratings
To encapsulate this evaluation within measurable parameters, I applied standardized score assessments informed by my hands-on tests.
The Sony HX300 outperforms the Panasonic FS15 significantly in most technical and practical categories, including image quality, autofocus, shooting speed, and video capabilities.
This genre-specific analysis clarifies where each camera excels or lags, reinforcing that while the FS15 remains a pocket-friendly snapper for casual, daylight use, the HX300 offers a toolkit better aligned with serious enthusiast needs.
Final Recommendations: Who Should Consider Each Camera?
Choose the Panasonic Lumix DMC-FS15 if:
- Absolute portability and minimalism rank highest; you want a light, easy-to-carry camera that fits in a shirt pocket.
- Your photography is mostly daylight casual snapshots with infrequent need for manual control.
- You have a strict budget constraint under $200 and desire a straightforward, reliable compact without a learning curve.
- You prioritize sheer simplicity over creative flexibility or image quality nuances.
Choose the Sony Cyber-shot DSC-HX300 if:
- You seek an all-in-one superzoom bridge camera capable of capturing distant subjects like wildlife or sports.
- Manual exposure control, higher resolution files, and Full HD video are essential.
- You want a camera capable of manual focusing precision and faster, more accurate autofocus tracking.
- Portability is flexible in exchange for extended zoom and comprehensive operational control.
- Your shooting encompasses a diversity of photographic genres from landscapes to telephoto wildlife.
- Price flexibility near $350 USD makes the improved performance justifiable.
Closing Thoughts: An Experienced Eye on Choosing Between the FS15 and HX300
The Panasonic FS15 and Sony HX300 cater to divergent shooter profiles - ultracompact casual and bridge-camera enthusiast, respectively. While sharing sensor size constraints, the Sony utilizes a newer sensor design, advanced autofocus, and vastly superior zoom and controls to deliver tangible gains across the board.
From a professional viewpoint, neither camera suffices for demanding creative or technical work requiring RAW capture, top-tier autofocus, or weather sealing, but the HX300 can fill serious enthusiast roles on a budget.
Pragmatically, those who prioritize discretionary, pocket-friendly snapshots may still find value in the Panasonic FS15’s simplicity. Conversely, photographers pursuing creative control, telephoto reach, or video functionality will find the Sony HX300 a substantially more competent partner.
By acknowledging these practical tradeoffs clarified through technical dissection and hands-on testing, you can confidently align your purchase to realistic expectations, shooting ambitions, and everyday photographic challenges.
This comparison has aimed to combine industry expertise, technical rigor, and practical usability assessments to support your discerning camera choice. For more detailed field tests or lens compatibility notes, feel free to consult specialized lens reviews and firmware update histories that can further refine the utility of either camera post-purchase.
Thank you for trusting this comprehensive analysis as part of your photographic gear decision journey.
Panasonic FS15 vs Sony HX300 Specifications
Panasonic Lumix DMC-FS15 | Sony Cyber-shot DSC-HX300 | |
---|---|---|
General Information | ||
Make | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FS15 | Sony Cyber-shot DSC-HX300 |
Class | Ultracompact | Small Sensor Superzoom |
Revealed | 2009-01-16 | 2013-02-20 |
Physical type | Ultracompact | SLR-like (bridge) |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.16 x 4.62mm |
Sensor area | 27.7mm² | 28.5mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | - |
Full resolution | 4000 x 3000 | 5184 x 3888 |
Max native ISO | 1600 | 12800 |
Max boosted ISO | 6400 | - |
Lowest native ISO | 80 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 11 | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 29-145mm (5.0x) | 24-1200mm (50.0x) |
Largest aperture | f/3.3-5.9 | f/2.8-6.3 |
Macro focusing distance | 5cm | - |
Crop factor | 5.9 | 5.8 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 2.7 inch | 3 inch |
Resolution of screen | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | 2.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash modes | Auto, Auto Red-eye Reduction, Forced On, Forced Off | - |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 50 fps) |
Max video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 136 grams (0.30 pounds) | 623 grams (1.37 pounds) |
Physical dimensions | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") | 130 x 103 x 93mm (5.1" x 4.1" x 3.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Self timer | Yes (2 or 10 sec) | - |
Time lapse feature | ||
Type of storage | SD/MMC/SDHC card, Internal | - |
Card slots | Single | Single |
Launch pricing | $180 | $339 |