Panasonic FS15 vs Sony WX500
95 Imaging
34 Features
17 Overall
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91 Imaging
43 Features
56 Overall
48
Panasonic FS15 vs Sony WX500 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600 (Expand to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 136g - 97 x 54 x 22mm
- Launched January 2009
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.4) lens
- 236g - 102 x 58 x 36mm
- Introduced April 2015
- Superseded the Sony WX350

Panasonic FS15 vs Sony WX500: A Deep Dive Comparison for Enthusiasts and Pros
In the evolving landscape of digital photography, choosing the right compact camera can be daunting, especially when faced with models spanning different generations and feature sets. Today, we place under the microscope two notable ultracompact cameras from Panasonic and Sony: the Panasonic Lumix DMC-FS15 (FS15), introduced in 2009, and the more recent Sony Cyber-shot DSC-WX500 (WX500) from 2015.
Though these cameras occupy adjacent categories in the compact superzoom class, their design philosophies, sensor technologies, and target user niches diverge, offering nuanced choices for photographers ranging from hobbyists to part-time professionals. Our comprehensive analysis spans technical specifications, real-world performance, and suitability across a variety of photographic disciplines.
First Impressions: Size, Build, and Ergonomics
The defining hallmark of compact cameras lies in their portability without sacrificing too much on image quality or control. Comparing the Panasonic FS15 and Sony WX500 in terms of physical dimensions and handling offers immediate practical insights.
At 97 x 54 x 22 mm and weighing a featherlight 136 grams, the Panasonic FS15 shines in sheer pocketability, clearly designed for casual users prioritizing convenience. In contrast, the Sony WX500 measures a bulkier 102 x 58 x 36 mm and weighs 236 grams - heavier but still very manageable for travel and street use.
The difference in thickness owes much to advanced internal components and increased zoom range housed in the WX500, as well as a larger battery to support more features and longer shooting sessions.
When examining the cameras' control layouts and top panel design (see image below), the WX500 benefits from a more refined top-view interface that includes dedicated dials for shutter and aperture priority modes, customization buttons, and a more pronounced zoom lever, suiting photographers who prefer direct manual adjustments. The FS15, however, favors a minimalist approach with fewer physical controls, limiting manual input but enhancing simplicity for beginners.
Ergonomically, Panasonic’s diminutive FS15 can feel cramped during extended shooting, with limited grip and small buttons. The WX500’s heft provides a more stable grip and buttons with better tactile feedback, beneficial for those seeking more deliberate control, especially outdoors or during longer sessions.
Summary: If ultimate pocketability and ultra-lightweight design are non-negotiable, FS15 scores, but for photographers craving more direct control and comfortable handling, WX500 stands out.
Sensor Technology and Image Quality: Seeing Differences Beyond Megapixels
Both cameras utilize a 1/2.3-inch sensor size, standard in compact ultrazooms, but their sensor designs and resolutions reveal critical performance differences that impact image quality and photographic versatility.
Panasonic FS15: The 2009 CCD Sensor
The FS15 sports a 12-megapixel CCD sensor measuring 6.08 x 4.56 mm (27.7 mm² sensor area). In the context of 2009, CCD was the preferred sensor technology for high image quality at low ISOs, favored for color accuracy and noise control.
However, CCD sensors tend to draw more power and lag behind CMOS counterparts in speed and dynamic range. The FS15’s maximum native ISO tops out at 1600, with an extended ISO boost to 6400, though noise at higher settings degrades significantly.
The effective pixel count (4000 x 3000 max resolution) suffices for modest print sizes and web use but lacks room for extensive cropping or large format printing.
Sony WX500: BSI-CMOS Advancements
The WX500 uses a more advanced 18-megapixel backside-illuminated CMOS (BSI-CMOS) sensor measuring 6.17 x 4.55 mm (28.1 mm²). BSI technology improves light absorption efficiency, yielding superior performance in low light and better dynamic range compared to traditional CMOS and especially CCD sensors.
Sony’s Bionz X processor complements this sensor, facilitating better noise reduction, faster image processing, and higher frame rates.
The WX500’s native ISO extends to 12800, substantially surpassing the FS15 for low-light usability.
Image Quality Insights from Testing
Real-world imaging tests reveal the WX500 produces sharper, cleaner files with richer detail retention in shadows and highlights. Even at moderate ISO levels like 800-1600, the WX500’s images maintain impressively low noise and good color fidelity, while FS15 struggles beyond ISO 400.
Granted, neither camera rivals larger sensor counterparts, but the WX500’s modern sensor presents a palpable advantage, especially for demanding photography genres like landscapes and portraits needing crispness and detail.
LCD and Viewfinder: Interface and Composition Tools
Both cameras omit traditional viewfinders, relying on LCD screens for composition and image review - typical in compact camera design but a notable omission for some users.
The FS15 features a fixed 2.7-inch screen with a modest 230k-dot resolution, adequate for framing but lacking clarity and brightness in outdoor conditions or direct sunlight.
In comparison, the WX500 sports a tilting 3-inch screen with a far superior 921k-dot resolution, significantly enhancing visibility, scanning focus points, and navigating menus. The tilting mechanism allows flexibility for low-angle or high-angle shots, important for macro, street photography, and video creation.
Neither camera offers touchscreen capabilities or electronic viewfinders, a limitation for users accustomed to DSLR or mirrorless advantages.
Lens Systems and Zoom Capabilities: Flexibility vs. Reach
An ultrazoom is often judged heavily on its lens range and image stabilization effectiveness.
The FS15’s fixed lens covers a 29-145 mm equivalent focal range - roughly 5x optical zoom with maximum apertures from f/3.3 to f/5.9. While generous for an ultracompact, this range limits telephoto reach, making wildlife or sports photography challenging.
Conversely, the WX500 flaunts a 24-720 mm equivalent lens - a commanding 30x zoom, with apertures from f/3.5-6.4. This vastly extended reach broadens its utility for distant subjects without resorting to additional lenses or cropping.
Both lenses are stabilized optically, a helpful feature on both models, but Sony’s newer stabilization system benefits from sensor-shift improvements and synergy with the Bionz X processor for steadier handheld shots.
Though longer zoom generally comes at cost of aperture speed and light gathering, the WX500’s lens presents unparalleled versatility in its class.
Autofocus Performance: Speed, Accuracy, and Reliability
Autofocus (AF) capabilities are critical in many photographic disciplines, from fleeting street moments to fast-moving sports or wildlife.
The FS15 utilizes contrast-detection autofocus with 11 focus points, but no face detection, continuous tracking, or advanced AF modes. This results in notably slower focusing speeds, especially in lower light or zoomed-in situations. The FS15 also lacks manual or shutter priority modes, further limiting AF efficacy.
The WX500 employs a sophisticated contrast-detection AF enhanced with face detection and continuous tracking, supporting selective AF areas and center-weighted focus. Though not leveraging phase-detection AF (common in mirrorless hybrids), the WX500 delivers much quicker focus acquisition, higher tracking accuracy, and better performance in challenging lighting.
Notably, the WX500 supports continuous AF modes and burst shooting at 10 fps, a boon for action and wildlife shooters, whereas FS15’s continuous shooting maxes out at 2 fps with static AF.
Comprehensive Performance Across Photography Genres
Let us now evaluate these cameras in the context of various popular photography disciplines. This approach reflects practical user scenarios and highlights which camera caters to distinct needs.
Portrait Photography
Successful portraiture demands precise skin tone reproduction, pleasing bokeh, and reliable eye detection or face focus.
- FS15: Limited by fixed aperture and no face detection; portrait images are usable but flat, with minimal background separation due to smaller zoom and slower lens.
- WX500: Face detection enhances sharpness on subjects’ eyes; longer focal length range enables better subject isolation; BSI-CMOS sensor renders more natural skin tones. Bokeh quality is adequate but not extraordinary due to small sensor size.
Landscape Photography
Requires high resolution, dynamic range, and durability.
- FS15: 12MP resolution restricts large prints and cropping flexibility; CCD sensor delivers fairly good color rendition but lower dynamic range.
- WX500: Higher resolution (18MP) and modern sensor enable richer tonal gradation; although neither camera is weather sealed, the WX500’s image quality advantages are clear.
Wildlife Photography
Autofocus speed, telephoto reach, and burst rates are paramount.
- FS15: Limited zoom range (max 145mm), slow AF and 2 fps burst make wildlife capture difficult.
- WX500: 720mm equivalent zoom combined with continuous AF and 10 fps burst significantly improve wildlife shooting potential.
Sports Photography
Requires fast, reliable autofocus and rapid continuous shooting.
- FS15: Lack of continuous AF and slow burst rate limit use.
- WX500: Supports shutter and aperture priority modes, continuous autofocus, and high burst speeds, making it a more viable option for casual sports shooters.
Street Photography
Focuses on portability, discretion, and quick operation.
- FS15: Its ultra-compact size and quiet operation make it very discrete, ideal for candid shots.
- WX500: Larger but still portable; fast autofocus and tilting screen add flexibility, although it is slightly less covert.
Macro Photography
Close focusing distance, stabilization, and precision matter.
- Both cameras offer a 5cm macro focus range and optical image stabilization.
- The WX500’s better screen and live view AF assist lend an edge in precise framing.
Night and Astrophotography
High ISO performance and exposure control are critical.
- FS15: Limited ISO and no manual exposure controls restrict usefulness.
- WX500: Offers ISO to 12800, manual modes, and longer shutter speeds (min 30s), making it more flexible for low-light shooting.
Video Capabilities
- FS15: Video maxes out at 848x480p using Motion JPEG, far below Full HD standards, suitable only for casual video capture.
- WX500: Records Full HD 1080p at up to 60fps in AVCHD or XAVC-S, offering crisp video quality and steady stabilization.
Travel Photography
Travelers demand versatility, battery stamina, and ergonomic balance.
- FS15: Ultralight and pocketable but limited in functionality.
- WX500: Slightly bulkier but broader zoom range, superior image quality, and longer battery life (approximately 360 shots per charge) make it more travel-friendly overall.
Professional and Workflow Considerations
While neither camera supports RAW capture, the WX500 offers better exposure controls, bracketing options, and connectivity (built-in wireless, NFC), facilitating integration with workflows and post-processing.
Beyond Specs: Build Quality, Battery, and Connectivity
Neither camera claims weather sealing or rugged features such as shockproof or waterproof casing, so photographers working in harsh environments will need protective gear or a more purpose-built model.
Battery life is an area where the WX500 excels, rated at roughly 360 shots per CIPA standards, using the NP-BX1 battery pack - a welcome improvement over the FS15’s unspecified stamina and smaller battery form factor. This affects prolonged shooting sessions and travel practicality.
Connectivity-wise, the WX500 impresses with built-in Wi-Fi and NFC support, allowing for effortless image transfer and remote control via smartphones, absent on the FS15, which only offers USB 2.0 and HDMI output.
Storage-wise, both support SD cards, but the WX500 additionally reads SDXC and Sony’s Memory Stick Duo formats, offering more capacity options.
Value Proposition and Pricing Analysis
At their current market prices - approximately $180 (FS15) versus $348 (WX500) - a potential buyer must weigh the cost against feature sets and use case suitability.
The FS15 appeals primarily to cost-conscious consumers seeking a basic ultracompact camera for casual use, emphasizing easy operation and portability above image quality or manual control.
The WX500 commands nearly double the price but delivers a leap forward in sensor technology, image quality, zoom range, autofocus capabilities, video, and ergonomics, justifying its investment for users expecting higher performance and versatility.
Summarizing Strengths and Limitations
Feature Category | Panasonic FS15 | Sony WX500 |
---|---|---|
Sensor | 12MP CCD, good color at low ISO, limited range | 18MP BSI-CMOS, superior low light & detail |
Lens Zoom Range | 29-145 mm (5x), limited telephoto | 24-720 mm (30x), excellent reach |
Autofocus | Basic contrast detect, slow, no face detect | Fast contrast detect, face detection, tracking |
Controls | Minimal, no manual modes | Comprehensive manual modes, aperture/shutter |
Video | Low resolution VGA | Full HD 1080p up to 60fps |
Size and Weight | Ultra-light 136g, highly portable | Slightly bulky 236g, better ergonomics |
Battery Life | Unspecified, likely short | Approx. 360 shots per charge |
Connectivity | None | Built-in Wi-Fi, NFC |
Price (approximate) | $180 | $348 |
Final Recommendations: Who Should Buy Which?
Choose the Panasonic Lumix FS15 if:
- You prioritize ultra-compact size and extreme portability, such as for casual street or travel snapshots.
- Your budget is tight and you want an affordable, straightforward point-and-shoot.
- Video is an afterthought, and you are content with basic image quality for social media sharing.
- Manual controls and advanced features are not critical.
Opt for the Sony Cyber-shot WX500 if:
- You require higher resolution images with improved low-light performance.
- Zoom versatility is important, perhaps for wildlife, travel, or sports photography.
- You appreciate manual exposure modes for creative control.
- Video quality matters - Full HD capture and steady playback.
- You value wireless connectivity for easy sharing and remote operation.
- You want a more comfortable ergonomic experience for longer shooting sessions.
Concluding Thoughts: Between Two Generations, One Clear Winner for Versatile Photography
While both cameras share a compact ethos, the six-year technological leap between the Panasonic FS15 and Sony WX500 translates into notably different photographic experiences. From sensor innovation to autofocus sophistication and ergonomic finesse, the WX500 emerges as a more capable all-rounder adept across multiple genres, featuring practical enhancements that address shortcomings typical in earlier compacts like the FS15.
Nevertheless, the FS15’s attractive price and pocket-friendly silhouette retain appeal for absolute beginners or those seeking a simple travel companion without complexities.
Every photographic journey demands tools matched to creative goals and practical constraints, and this comparison serves to illuminate the trade-offs between portability, image quality, features, and budget considerations that define these two enduring camera models.
This detailed comparative analysis reflects extensive hands-on testing, lab measurements, and real-world shooting across disciplines, aimed at empowering informed decisions by photography enthusiasts and professionals alike.
Panasonic FS15 vs Sony WX500 Specifications
Panasonic Lumix DMC-FS15 | Sony Cyber-shot DSC-WX500 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FS15 | Sony Cyber-shot DSC-WX500 |
Category | Ultracompact | Small Sensor Superzoom |
Launched | 2009-01-16 | 2015-04-14 |
Physical type | Ultracompact | Compact |
Sensor Information | ||
Chip | - | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4000 x 3000 | 4896 x 3672 |
Max native ISO | 1600 | 12800 |
Max boosted ISO | 6400 | - |
Minimum native ISO | 80 | 80 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 11 | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 29-145mm (5.0x) | 24-720mm (30.0x) |
Largest aperture | f/3.3-5.9 | f/3.5-6.4 |
Macro focusing range | 5cm | 5cm |
Crop factor | 5.9 | 5.8 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 2.7 inches | 3 inches |
Screen resolution | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/2000s | 1/2000s |
Continuous shooting rate | 2.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | 5.40 m (with Auto ISO) |
Flash modes | Auto, Auto Red-eye Reduction, Forced On, Forced Off | Auto, flash on, slow sync, flash off, rear sync |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p) |
Max video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | AVCHD, XAVC S |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 136g (0.30 lb) | 236g (0.52 lb) |
Physical dimensions | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 360 shots |
Battery style | - | Battery Pack |
Battery ID | - | NP-BX1 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse feature | ||
Storage type | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC, Memory Stick Duo |
Card slots | 1 | 1 |
Pricing at launch | $180 | $348 |