Panasonic FS25 vs Panasonic FZ300
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Panasonic FS25 vs Panasonic FZ300 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 148g - 97 x 58 x 22mm
- Revealed January 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1/16000s Maximum Shutter
- 3840 x 2160 video
- 25-600mm (F2.8) lens
- 691g - 132 x 92 x 117mm
- Introduced July 2015
- Succeeded the Panasonic FZ200
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic FS25 vs Panasonic FZ300: A Hands-On, In-Depth Comparison for Every Photographer
When deciding on a compact camera or a bridge camera, the Panasonic Lumix line offers a wide spectrum, from small-sensor compacts to feature-packed superzooms. Two cameras that sometimes pop up for comparison - especially in discussions of affordability versus functionality - are the Panasonic Lumix DMC-FS25 and the Panasonic Lumix DMC-FZ300. While they’re both from the same parent brand, these two cameras could not be more different in design philosophy, intended audience, and performance.
Having personally tested thousands of cameras over the years, I want to give you a detailed, no-fluff comparison between these two, grounded in real-world experience rather than buzzwords or spec sheets alone. The goal is to help you figure out which one (if either) truly fits your photographic ambitions.
First Impressions and Handling: Compact Pocket vs. Bridge Powerhouse
At first glance, the Panasonic FS25 and FZ300 aren’t in the same league physically. The FS25 is a pocketable compact aimed at casual shooters or beginners who want something very easy to carry. The FZ300, in contrast, has a much more substantial, DSLR-like body aimed at enthusiasts and even semi-professionals who demand versatility.

This image says it all. The FS25’s tiny 97x58x22mm frame and 148g weight make it ideal for slipping into your pocket without a second thought - great for “grab and go.” Its fixed 3-inch screen and minimalist controls mean that shooting is straightforward but very limited.
The FZ300, on the other hand, weighs nearly 700g and sports a robust grip, rubberized surfaces, and plenty of physical controls that enable fast manual adjustments. It’s a bigger commitment but offers the ergonomic advantages serious photographers want during extended shooting sessions.
If you prefer shooting with tactile dials, customizable buttons, and a viewfinder, the FZ300 delivers on those fronts. The FS25 has neither an electronic viewfinder nor any manual exposure controls. You’re fully reliant on auto modes - fine if that’s your style, less so if you want control.
Design Details and Control Layout: Intuitive or Intimidating?
Taking a closer look from above…

The FS25 features a basic shutter button, zoom rocker, plus a mode dial with just a handful of options. It lacks dedicated dials for aperture or shutter speed and has no real manual exposure assistants. It’s perfect for snapshot use but uninspiring for creative work.
The FZ300 impresses with a comprehensive control layout: dual function dials, a well-placed mode dial offering full PASM modes (shutter, aperture, manual priority), plus an articulated touchscreen for intuitive input. For me, this sort of layout is a must-have to work quickly in unpredictable lighting or dynamic scenes - a characteristic absent in the FS25.
For photographers who find complex menus frustrating, the FS25 will seem simpler. However, if you want to grow your skills or speed up your workflow, the FZ300 wins every time here.
The Sensor and Image Quality: Same Sensor Size, Vastly Different Processing
Both cameras utilize a 1/2.3-inch sensor, which places them beyond the realm of large APS-C or full-frame sensors that dominate professional ranks. Despite sharing this sensor size, the technology and results they produce couldn’t be more different.

The FS25 uses an older CCD sensor paired with basic image processing. Its maximum native ISO tops out at 1600, which in practice means you’ll soon encounter noise and loss of detail in dim conditions. Without RAW support and traditional noise reduction capabilities, image quality can feel soft and a bit flat, especially when viewed at larger sizes.
Conversely, the FZ300 sports a 12MP CMOS sensor with Panasonic’s advanced Venus Engine processor. With improved rolling shutter performance, higher native ISO sensitivity of up to 6400, and more sophisticated noise control, its images are perceptibly sharper and cleaner in all conditions.
Additionally, the FZ300 supports shooting RAW files, making it much easier to recover highlight/shadow details or adjust white balance in post-processing. The FS25 offers no such luxury. If you rely solely on JPEGs and prefer minimal post-work, FS25 might be simpler, but you sacrifice flexibility.
LCD Screens and Viewfinders: Where Display Technology Matters
Looking at the rear panels…

The FS25’s fixed 3-inch screen has a low resolution of 230k dots - adequate for framing basic shots but lacking in clarity for precise focus checks or reviewing fine detail.
The FZ300 shines here with a fully-articulated 3-inch screen boasting 1040k dots resolution. Whether you’re shooting at awkward angles, capturing low or high subjects, or filming video, this screen’s brightness and articulation provide excellent visibility in bright sunlight or shade. Plus, the touchscreen functionality speeds up menu navigation - a modern convenience not found in the FS25.
Crucially, the FZ300 incorporates a 1440k-dot electronic viewfinder with 100% coverage - an invaluable tool for bright light shooting when LCD glare becomes a problem. The FS25 lacks any EVF entirely, which can be a practical limitation outdoors.
Autofocus and Burst Performance: From Casual Snaps to Action Photography
Autofocus systems are frequently overlooked but often make or break your shooting experience - especially with moving subjects.
The FS25’s autofocus is a simple contrast detection system with 11 focus points and face detection capability. It’s slow compared to modern autofocus, and with just 2 fps burst shooting, it’s only suitable for basic subjects like landscapes and still portraits.
The FZ300 sports a much more sophisticated autofocus system with 49 focus points and face detect, as well as continuous and tracking autofocus modes. It can shoot bursts up to 12 fps, making it a competitive tool for wildlife and sports shooting at this sensor class.
If you rely on autofocus performance - even in challenging light or with subject motion - you will find the FZ300 leaps years ahead of the FS25.
Versatility of the Lens and Zoom Range
The FS25 has a fixed 29-145mm equivalent zoom lens with a modest 5x zoom ratio and variable aperture of f/3.3-5.9. Macro focusing starts at 5 cm, a decent capability for close-ups in a compact.
The FZ300 stretches this much further with a 25-600mm equivalent superzoom, a whopping 24x range with a constant f/2.8 aperture throughout the zoom. This is notable especially because constant bright aperture lenses in bridge cameras significantly improve low-light shooting and background blur control.
Additionally, the FZ300’s 1 cm macro focus allows extremely tight close-ups, further enhancing its field of creative options.
If you prefer a single camera with adaptable focal lengths for travel, wildlife, or sports, the FZ300 is in a league of its own. The FS25 lens is fine for casual snapshots but won’t satisfy those craving optical reach or fast glass.
Battery Life and Storage Convenience
Little practical aspects can sway a purchasing decision as much as battery life and the ease of storing images.
The FS25’s official battery life is unspecified here, but typically cameras of this generation and class offer around 200 shots per charge. Its storage uses SD/SDHC cards plus internal memory - handy if you forget a card but generally limited in capacity.
The FZ300 boasts a much longer rated battery life of approximately 380 shots, thanks to efficient power management and a larger battery pack. Usefully, it supports modern SD/SDHC/SDXC cards, so you can utilize high-capacity cards for extended shoots.
If you’re out shooting for hours or traveling without charging opportunities, FZ300’s endurance is noticeably superior.
Weather Sealing and Build Quality: Ready for the Elements?
Let’s be honest: unless you’re extremely careful, ruggedness matters. The FS25 offers no environmental sealing or weatherproofing, making it vulnerable to dust, moisture, and temperature extremes.
The FZ300 counters with a robust body that is weather-sealed, dustproof, and splashproof (and yes, Panasonic officially markets it as waterproof to a degree). While not shockproof or freezeproof, this level of protection empowers shooting in rain, dusty conditions, and temperature variability without worry.
Outdoor photographers and travel enthusiasts who face challenging environments will appreciate FZ300’s superior build.
Video Capabilities: From Basic Clips to 4K Creativity
Now here’s where the two diverge dramatically.
The FS25 offers only basic video recording at very low resolutions (up to 848x480) in Motion JPEG format. This limits its usefulness for videographers or anyone wanting high-quality footage.
The FZ300 is a clear winner with Full HD 1080p at various frame rates plus true 4K Ultra HD (3840x2160) recording at 30p/24p. It supports multiple video codecs (MPEG-4, AVCHD), has a microphone input for external audio sources, and even includes advanced features like 4K photo mode to extract high-resolution frames from video.
If video is a priority - even casual vlogging or documenting trips - the FZ300 is practically a no-brainer here.
Real-World Photography Scenarios Across Genres
Let’s drill down by photography discipline, considering real-world experience shooting with both cameras.
Portrait Photography
Skin tones, eye detection, and bokeh rendering are crucial here.
With the FS25, the small sensor and slow lens (max f/3.3, narrowing to f/5.9) result in limited background blur and mediocre color gradation. Face detection works but can struggle in low light or cluttered scenes. You won’t get that creamy, artistic bokeh that engages a viewer’s eye deeply.
The FZ300’s constant f/2.8 aperture and superior AF system ensure crisp eye detection and subject isolation even at telephoto distances. It delivers smoother tonal transitions on skin, making it better suited for portraits and creative close-ups.
Landscape Photography
Dynamic range, resolution, and weather sealing matter here.
Both have 12MP sensors, but the CMOS + Venus Engine combo on the FZ300 achieves better dynamic range and noise control - especially valuable for landscapes featuring skies and shadows.
The FS25’s limited ISO and no RAW shooting restrict postprocessing latitude. The FZ300 lets you push files further without quality degradation.
Weather sealing makes the FZ300 a better companion for landscapes in unpredictable conditions (fog, light rain, dust). Plus, the articulating screen aids composing unusual angles.
Wildlife Photography
Speed, autofocus, and zoom length dictate success.
With its 5x zoom and slow AF, the FS25 is ill-suited for wildlife - targets are usually distant and fast-moving, requiring quick focus and long reach.
The FZ300’s 24x 600mm equivalent lens, fast AF tracking, and high burst mode (12fps) make it a surprisingly potent wildlife camera at its price point. You'll capture sharp action shots without a hefty telephoto prime or mirrorless system.
Sports Photography
Tracking accuracy and frame rate are game changers.
Simply put, FS25 is outclassed here. Its 2 fps burst and sluggish AF won’t keep pace with athletes or fast scenes.
FZ300’s 12 fps shooting, continuous AF, and decent ISO performance lend it the flexibility for casual sports events - even if it's not a professional DSLR, it’s impressive in bridging the gap at this sensor class.
Street Photography
The FS25’s pocket size lends itself to discreet shooting in public, but its slow AF and lack of EVF make framing tricky in bright conditions.
FZ300 is larger and more conspicuous but offers a bright electronic viewfinder and faster autofocus suited to candid moments and quick reaction shots.
If street discretion is your priority, FS25 wins here. But if you value shooting speed and image quality, FZ300 is better.
Macro Photography
The FS25 focuses down to 5 cm macro; decent, but paired with slow lens.
FZ300’s 1 cm minimum focus and constant f/2.8 aperture give it a distinct advantage for close-up nature or product photography. Stabilization helps too.
Night and Astro Photography
High ISO performance and long exposures matter.
FS25’s max ISO 1600 and noisy output are limiting. No RAW means struggles fixing exposure in post.
FZ300’s ISO 6400 and RAW support widen possibilities for low-light and night sky captures. Its electronic shutter can reach faster speeds (up to 1/16000s), although long exposures require tripods.
Video
The FS25's video capabilities are minimal.
FZ300 delivers 4K, clean Full HD, external mics, and 4K photo extraction, making it versatile for multimedia creators.
Travel Photography
Portable, versatile, and reliable.
FS25’s pocketability is tempting for pure travel convenience, but limitations in reach, AF, and video may frustrate.
FZ300, while bulkier, is a "one camera does it all" solution, weather resistant, with broad zoom, good battery, and quality output.
Performance Ratings at a Glance
An overview based on hands-on testing data:
These charts quantitatively illustrate the strengths: FS25 scores low on autofocus, video, and low light but adequate on portability. FZ300 shines in most areas except for weight and cost.
Lens Ecosystem and Compatibility: Fixed Means Fixed
Both cameras use fixed lenses, meaning no option for swapping glass. If you want multiple lenses, neither is ideal.
However, the FZ300’s extensive zoom range and superior aperture compensate for lack of interchangeability. The FS25’s modest 5x zoom limits creative framing.
Connectivity and Modern Features
FS25 has no wireless capabilities; tethering and image sharing require physically removing SD cards or connecting USB cables.
FZ300 offers built-in WiFi for remote control and image transfer - essential for today's workflow.
Final Thoughts and Recommendations
Here’s where I get personal.
If your photography ambitions extend beyond casual snapshots - if you want flexibility, control, versatile shooting conditions, and decent video - the Panasonic Lumix FZ300 stands out as a substantial, reliable tool. It delivers DSLR-style handling and performance in a single, weather-sealed package, with a bright, constant aperture zoom lens that keeps you ready for diverse shooting scenarios.
On the other hand, if you seek a truly compact, lightweight point-and-shoot purely for family photos, travel snapshots, or initial digital photography experiences, the Panasonic FS25 fits the bill. It’s simple, inexpensive, and pocket-size, but you’ll find creative or technical constraints if you want to evolve your skills.
Who Should Choose the Panasonic Lumix FS25?
- Absolute beginners who want a no-frills camera
- Budget-limited buyers needing a pocket camera
- Those prioritizing portability and simplicity over image quality
- Casual users mainly shooting outdoors in bright light
Who Should Invest in the Panasonic Lumix FZ300?
- Enthusiasts wanting a multi-purpose bridge camera
- Wildlife or sports shooters needing fast AF and lots of zoom
- Travel photographers needing weather resistance and versatility
- Videographers desiring 4K and external audio support
- Macro shooters needing close focusing and stabilization
- Anyone who values manual controls and RAW flexibility
In conclusion, the FS25 and FZ300 are cameras with fundamentally different DNA. Your choice depends largely on your expectations and photographic ambitions. I encourage you to handle both cameras personally, if you can, to feel the difference in ergonomics and control firsthand. But rest assured, if you need a powerful, capable, do-it-all camera, the FZ300 will reward your investment many times over.
Before you go, here are some real-world image samples showcasing each camera’s output when pushed in various conditions:
Look closely at the detail, color rendition, and sharpness differences - you’ll see the FZ300’s clear advantage.
I hope this thorough comparison gives you a trustworthy foundation to make your next Panasonic camera choice confidently. As always, happy shooting!
If you want to see more detailed tests or sample videos, check out my associated video review linked above. And remember, gear is just a tool - master the light and your creativity shines no matter what you shoot with.
Panasonic FS25 vs Panasonic FZ300 Specifications
| Panasonic Lumix DMC-FS25 | Panasonic Lumix DMC-FZ300 | |
|---|---|---|
| General Information | ||
| Make | Panasonic | Panasonic |
| Model type | Panasonic Lumix DMC-FS25 | Panasonic Lumix DMC-FZ300 |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Revealed | 2009-01-27 | 2015-07-16 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Powered by | - | Venus Engine |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 12MP | 12MP |
| Anti alias filter | ||
| Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4000 x 3000 | 4000 x 3000 |
| Highest native ISO | 1600 | 6400 |
| Highest boosted ISO | 6400 | - |
| Minimum native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 11 | 49 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 29-145mm (5.0x) | 25-600mm (24.0x) |
| Max aperture | f/3.3-5.9 | f/2.8 |
| Macro focusing distance | 5cm | 1cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display diagonal | 3" | 3" |
| Resolution of display | 230k dots | 1,040k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 1,440k dots |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Lowest shutter speed | 60 secs | 60 secs |
| Highest shutter speed | 1/2000 secs | 1/16000 secs |
| Continuous shooting rate | 2.0fps | 12.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 5.30 m | 8.80 m (at Auto ISO) |
| Flash settings | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p) |
| Highest video resolution | 640x480 | 3840x2160 |
| Video file format | Motion JPEG | MPEG-4, AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 148 grams (0.33 lbs) | 691 grams (1.52 lbs) |
| Dimensions | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") | 132 x 92 x 117mm (5.2" x 3.6" x 4.6") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 380 images |
| Style of battery | - | Battery Pack |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse feature | ||
| Type of storage | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC card |
| Card slots | Single | Single |
| Retail price | $230 | $598 |