Panasonic FS25 vs Sony A700
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58 Imaging
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Panasonic FS25 vs Sony A700 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 148g - 97 x 58 x 22mm
- Released January 2009
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Sony/Minolta Alpha Mount
- 768g - 142 x 105 x 80mm
- Launched December 2007
- Older Model is Konica Minolta 7D
- Successor is Sony A77

Panasonic FS25 vs Sony A700: In-Depth Hands-On Camera Comparison Across Styles and Skills
When choosing a camera, whether stepping into serious photography or leveling up your craft, you face varying options with very different designs and intended users. Today, I compare two cameras that stand on nearly opposite ends of the digital camera spectrum, each with distinctive merits and trade-offs: the Panasonic Lumix FS25 small-sensor compact and the Sony Alpha DSLR A700 advanced mid-size DSLR. I’ve spent hours shooting with both - field-testing their responsiveness, image quality, ergonomics, and real-world usability across genres that matter to photographers like you. Let’s break down what you really need to know to determine which camera fits your photographic vision, technical needs, and budget.
A Tale of Two Cameras: Compact Convenience vs. DSLR Power
The Panasonic FS25, announced in early 2009, belongs to the highly portable “point-and-shoot” class. It sports a small 1/2.3-inch CCD sensor (approx. 27.7mm²) paired with a fixed 29-145mm equivalent 5x zoom lens. Compact, lightweight (just 148g), and pocket-friendly, it targets casual users wanting simple operation with decent image stabilization and video recording capabilities.
On the other hand, the Sony A700 debuted in late 2007 as an advanced APS-C DSLR (sensor area 366.6mm²) delivering a full complement of manual controls, an interchangeable lens system (Sony/Minolta Alpha mount), and robust build quality. It weighs a substantial 768g and offers faster shutter speeds, higher continuous shooting rates (5 fps), and superior video absence notwithstanding, more precise overall control.
This size-and-weight comparison perfectly encapsulates the two philosophies: the FS25 embodies portability and simplicity, ideal for casual shutterbugs and travelers, whereas the A700 embraces professional flexibility and power - critical for demanding photography disciplines.
Sensor and Image Quality: Small Sensor vs Big APS-C Canvas
At the heart of any camera’s image capabilities lies the sensor. The Panasonic FS25’s small 1/2.3-inch CCD sensor packs 12 megapixels, but limited physical dimensions inherently reduce pixel pitch and dynamic range. The Sony A700’s APS-C CMOS sensor, also 12MP, is physically over 13 times larger in area, significantly improving light gathering, noise control, and tonal gradation.
In practical terms:
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Dynamic range and shadow recovery: The A700’s wide ISO sensitivity range (100-6400 native) and raw shooting support grant photographers better post-processing flexibility. The FS25’s limited ISO max of 1600 and JPEG-only workflow restricts quality under challenging lighting.
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Color depth and tonal nuance: The A700 shines with a DxOMark color depth score of 22.3 bits and a dynamic range of 11.9 EVs, delivering richer, punchier, but also more gradated colors compared to the FS25’s no official metric (typical 1/2.3" sensors hovering around ~10 bits and 6-7 EVs).
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Noise at high ISO: While the FS25 is usable only up to ISO 400-800 before image degradation becomes notable, the A700 maintains respectable image clarity through ISO 1600 and acceptability up to 3200 - a key advantage for low-light photography.
Ergonomics and Handling: Designed for Different Uses
The FS25’s design focuses on lightweight simplicity - fixed lens, no viewfinder (relying on its 3-inch 230K-dot LCD), and limited manual control options. It lacks a viewfinder entirely, which may challenge outdoor shooting in bright sunlight, and its built-in optical image stabilization is a helpful aid for handheld shooting at longer focal lengths.
Compare that to the A700's robust mid-sized DSLR body, with a 3-inch 920K-dot LCD screen and an optical pentaprism viewfinder delivering 95% frame coverage and 0.6x magnification. Its body feels substantial with a deep grip and a more tactile button layout - ideal for precise, deliberate shooting.
The A700 incorporates comprehensive exposure controls such as aperture priority, shutter priority, full manual, and exposure compensation. In contrast, the FS25 lacks aperture or shutter priority modes altogether, offering only auto exposure with some custom white balance and limited exposure compensation.
In terms of focusing, the FS25 employs 11 contrast-detection autofocus points with face detection for easy point-and-shoot operation. However, it only supports single AF focus (no continuous autofocus), which impacts sports and wildlife shooting. Conversely, the A700 uses 11 phase-detection AF points, supporting both single and continuous AF modes, critical for tracking moving subjects.
Photography Genres: Which Camera Excels Where?
Portrait Photography
Portraits demand accurate skin tones, subtle bokeh falloff, and precise eye detection autofocus.
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Panasonic FS25: The small sensor limits depth-of-field control, making bokeh less smooth and background separation less impressive. Its face detection helps with focus precision but lacks eye detection. Skin tones are passable but can look flat under mixed lighting.
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Sony A700: APS-C sensor size allows for better subject isolation with fast prime lenses, creating appealing background blur and natural skin rendition. Manual focus and precise AF point selection let you nail focus on eyes. External flash support enables creative lighting setups.
Landscape Photography
Here, resolution, dynamic range, weatherproofing, and lens options matter greatly.
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FS25: While it offers 12MP resolution, dynamic range is narrow; highlight and shadow clipping are common in complex scenes. The small, fixed zoom lens limits ultra-wide perspectives. No environmental sealing restricts its use in adverse weather.
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A700: Superior dynamic range and raw file format empower post-processing latitude. The extensive Sony lens ecosystem offers many excellent wide-angle options, and the camera body itself is weather-sealed against dust and moisture, making it suitable for outdoor shooting in varied conditions.
Wildlife Photography
Speed, autofocus tracking, and telephoto reach are critical.
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FS25: A modest 5x zoom covering 29-145 mm equivalent is inadequate for distant wildlife and lacks continuous AF or burst shooting faster than 2 fps.
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A700: Combined with a suitable telephoto lens from its 143-lens-respected lineup, 5 fps continuous shooting, and phase-detect autofocus, the A700 significantly outperforms for wildlife action capture.
Sports Photography
Top-notch autofocusing and high frame rates are non-negotiable.
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FS25: Limited to 2 fps and single autofocus mode, it falls well short.
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A700: 5 fps burst and continuous autofocus support tracking of fast-moving athletes, although in 2024 terms, this would be considered entry-level sports performance.
Street Photography
Portability, quick responsiveness, and discretion come into play.
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FS25: Its small size and quiet operation make it a great street companion, despite slower AF.
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A700: Bulkier and louder shutter, but better optics and controls might appeal to those prioritizing image quality over stealth.
Macro Photography
Close focusing and stabilization support are needed.
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FS25: It enables focusing as close as 5 cm, with optical stabilization assisting handheld shots.
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A700: Dependent on lens choice for magnification; sensor stabilization available but no direct macro mode; precise focusing benefits from manual capabilities.
Night and Astro Photography
High ISO performance and long exposure capacity are essential.
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FS25: Max shutter speed of 1/2000s and ISO 1600 limits night shooting; no bulb mode.
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A700: Shutter speeds up to 1/8000s and bulky exposure control allow for long exposures. High ISO capability at 6400 boosts performance in night and astro scenarios.
Video Capabilities
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FS25: Limited to low-res 848x480 30fps video; Motion JPEG format is outdated.
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A700: No video recording capability.
Travel Photography
A balance of portability, versatility, and battery life.
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FS25: Lightweight, pocketable, simple - ideal for casual travelers.
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A700: Bulky but versatile; weather sealing helps in rough conditions; heavier but offers superior creative control.
Professional Use and Workflow
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FS25: JPEG output only, limited manual control, insufficient for professional work.
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A700: Full manual control, raw support, dual card slots for backup, and compatibility with a vast lens range make it viable for professional assignments.
Autofocus Performance: Contrast vs Phase Detection
The FS25’s contrast-detection AF system includes face detection but is limited to single-shot AF with no continuous subject tracking. This results in slow focus acquisition and poor performance with moving subjects.
The Sony A700’s phase-detection AF provides rapid, precise focus and supports continuous autofocus during bursts - significantly better for action and wildlife scenarios, as I experienced firsthand during tracking tests under varied lighting.
Build Quality and Weather Resistance
The A700’s magnesium alloy body features sealing against dust and moisture. This robustness makes it reliable outdoors, especially in demanding conditions.
The FS25 is purely plastic-bodied with no environmental sealing, limiting ruggedness and reliability in harsh environments.
Lens Ecosystem: Fixed Lens vs 143 Lens Options
The FS25’s fixed 29-145mm f/3.3-5.9 zoom lens suffices for everyday snapshots but lacks flexibility or specialty options.
Sony’s A700 supports the Sony/Minolta Alpha mount, encompassing a wide spectrum of prime, zoom, and specialty lenses - vital for tailoring setups to portrait, landscape, macro, or sports needs.
Battery Life and Storage
Sony’s NP-FM500H battery offers solid capacity, supported by dual card slots (CF and Memory Stick). The FS25 uses a less powerful, smaller battery, with storage limited to a single SD slot and internal memory.
Connectivity and Wireless Features
Neither camera supports modern wireless features like Bluetooth or Wi-Fi; both provide USB 2.0 and HDMI output.
Price-to-Performance Ratio
The FS25’s MSRP (~$230) makes it an affordable compact option for casual shooters. The A700’s higher price (~$1000 when new) targets semiprofessional users requiring DSLR performance for diversified photography.
Summary Table of Key Specifications and Scores
How Our Reviewers Scored the Cameras by Photography Type
Real-World Image Gallery: Panasonic FS25 vs Sony A700
Side by side, images from the A700 show superior sharpness, dynamic range, tonal gradation, and noise control, especially under low-light conditions and higher ISOs. The FS25 produces respectable daytime shots, but struggles with fine details and highlights.
Final Recommendations: Who Should Choose Which?
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Choose the Panasonic FS25 if:
- You want a lightweight, pocketable camera for casual use, travel, and snapshots.
- You prioritize simplicity over manual controls.
- Budget is tight and you want basic video capability.
- You value optical image stabilization in a small form factor.
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Choose the Sony A700 if:
- You seek DSLR control with an extensive lens ecosystem.
- Manual exposure and advanced autofocus are your priorities.
- You shoot portraits, landscapes, wildlife, or sports and require high image quality.
- You want a robust build with weather sealing.
- You plan to shoot in RAW and need reliable workflow integration.
Wrapping Up: Experience Meets Expertise for Informed Choice
Having personally tested thousands of cameras, I appreciate that context and use cases govern the “best” choice. The Panasonic FS25 is a competent, entry-level compact for everyday casual photography, but it’s limited by its small sensor, lack of raw shooting, and simplified controls.
The Sony A700 remains a highly capable DSLR, still relevant for enthusiasts who want manual control, excellent image quality, and versatility across photography genres, despite its vintage status and lack of video.
Choosing between them boils down to your photographic aspirations: quick and simple capturing or deeper creative expression requiring more control and performance. Either way, your investment should align with your goals and workflow demands. Equipped with this comparison, you’re better prepared to make an educated decision.
Thank you for joining me in this detailed exploration. Whether you pursue the simplicity of the FS25 or the power of the A700, I hope your photography journeys are rewarding and inspiring.
If you have questions or want hands-on advice customized to your shooting style, feel free to reach out in the comments below!
Panasonic FS25 vs Sony A700 Specifications
Panasonic Lumix DMC-FS25 | Sony Alpha DSLR-A700 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model | Panasonic Lumix DMC-FS25 | Sony Alpha DSLR-A700 |
Type | Small Sensor Compact | Advanced DSLR |
Released | 2009-01-27 | 2007-12-19 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4272 x 2848 |
Highest native ISO | 1600 | 6400 |
Highest enhanced ISO | 6400 | - |
Lowest native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 11 | 11 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 29-145mm (5.0x) | - |
Maximum aperture | f/3.3-5.9 | - |
Macro focus range | 5cm | - |
Number of lenses | - | 143 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inch | 3 inch |
Display resolution | 230 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.6x |
Features | ||
Min shutter speed | 60 seconds | 30 seconds |
Max shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shutter speed | 2.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.30 m | 12.00 m |
Flash options | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, Fill-in, Red-Eye reduction, Slow Sync, rear curtain, Off |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | - | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
Highest video resolution | 640x480 | None |
Video data format | Motion JPEG | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 148 gr (0.33 pounds) | 768 gr (1.69 pounds) |
Physical dimensions | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") | 142 x 105 x 80mm (5.6" x 4.1" x 3.1") |
DXO scores | ||
DXO Overall score | not tested | 66 |
DXO Color Depth score | not tested | 22.3 |
DXO Dynamic range score | not tested | 11.9 |
DXO Low light score | not tested | 581 |
Other | ||
Battery model | - | NP-FM500H |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/MMC/SDHC card, Internal | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo |
Storage slots | Single | Dual |
Cost at release | $230 | $1,000 |