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Panasonic FS42 vs Pentax K-1

Portability
95
Imaging
33
Features
10
Overall
23
Panasonic Lumix DMC-FS42 front
 
Pentax K-1 front
Portability
55
Imaging
75
Features
82
Overall
77

Panasonic FS42 vs Pentax K-1 Key Specs

Panasonic FS42
(Full Review)
  • 10MP - 1/2.5" Sensor
  • 2.5" Fixed Display
  • ISO 80 - 1000 (Push to 6400)
  • 640 x 480 video
  • 33-132mm (F2.8-5.9) lens
  • 132g - 98 x 55 x 22mm
  • Revealed April 2009
Pentax K-1
(Full Review)
  • 36MP - Full frame Sensor
  • 3.2" Fully Articulated Display
  • ISO 100 - 204800
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 1/8000s Maximum Shutter
  • 1920 x 1080 video
  • Pentax KAF2 Mount
  • 1010g - 137 x 110 x 86mm
  • Released February 2016
  • Newer Model is Pentax K-1 II
Photography Glossary

Panasonic Lumix FS42 vs Pentax K-1: A Comprehensive Camera Comparison for Serious Enthusiasts

When you hear the names Panasonic Lumix FS42 and Pentax K-1 in the same breath, it might seem like a mismatch - one is a compact point-and-shoot from 2009, the other a full-frame professional DSLR launched in 2016. Yet, comparing these two cameras reveals how photography tools have evolved over time, and more importantly, how different photographic needs demand vastly different gear.

In this detailed, hands-on comparison, I’ll dive into their design, tech specs, real-world usability, and photographic performance across varied disciplines - from portrait and landscape to wildlife and sports. Whether you're a casual snapper curious about entry-level units or a pro hunting for a workhorse DSLR, this breakdown will help you place both cameras in context and clarify which fits your toolbox.

So buckle up - we’re going deep into what these cameras can and cannot do.

First Impressions: Size, Ergonomics, and Handling

Starting with their very physical nature is always telling. The Panasonic FS42 is an ultracompact point-and-shoot - small, pocketable, and ready to go without fuss. At just 98 x 55 x 22 mm and weighing 132 grams, it fits effortlessly into small bags or even a jacket pocket.

Conversely, the Pentax K-1 is a serious mid-sized DSLR at 137 x 110 x 86 mm and tipping the scales at 1010 grams. It commands your attention with a robust body designed for grip and extended handling.

Take a look:

Panasonic FS42 vs Pentax K-1 size comparison

From actual testing over prolonged shoots, the K-1’s heft is more of an asset than a liability, providing steady shooting and comfortable handling even with large lenses attached. The FS42 feels nimble but also somewhat insubstantial in your hand, which suits casual outings but not extensive sessions.

Ergonomically, the K-1 features a top-plate with dedicated dials for ISO, shutter speed, and exposure compensation, plus a fully articulated 3.2-inch, 1037k-dot LCD for flexible composition. The FS42 offers a small fixed 2.5-inch LCD with only 230k-dot resolution, no articulating screen, and barebones controls.

Here's a top-down look at their layouts:

Panasonic FS42 vs Pentax K-1 top view buttons comparison

This design difference leans heavily into their intended user bases - a compact for point and shoot convenience, and a DSLR built for manual overrides and professional workflow.

Sensor Technology and Image Quality: Size Matters Greatly

When I assess cameras, sensor size remains one of the most critical factors impacting image quality. The FS42 sports a tiny 1/2.5-inch CCD sensor measuring just 5.744 x 4.308 mm (about 24.7 mm²). This limits resolution (10 MP max), dynamic range, and especially low-light performance.

The Pentax K-1, by contrast, boasts a full-frame CMOS sensor of 35.9 x 24 mm (861.6 mm²) - a quantum leap in sensor area, providing much greater light-gathering ability and resolution (36 MP). Plus, it lacks an anti-aliasing filter, delivering ultra-sharp images with detailed microcontrast.

Here’s a clear visualization of their relative sensor sizes:

Panasonic FS42 vs Pentax K-1 sensor size comparison

In real-world testing, the K-1’s sensor delivers stunningly detailed RAW files, excellent tonal gradation, and impressive high ISO capabilities - even past ISO 3200, noise remains well-controlled. The FS42’s images, while decent under bright daylight, show softness and noise creeping in at anything above ISO 400. It also lacks RAW support, locking you into lower-quality JPEG files straight from the camera.

These characteristics make the FS42 better suited for snapshots in well-lit environments, while the K-1 excels in all lighting scenarios.

Putting the Screens and Viewfinders to the Test

The LCD and viewfinder design dramatically affect user experience, especially in varying light conditions.

The FS42’s fixed 2.5-inch LCD is small and low-resolution, which limits critical focus checks and image review fidelity.

The K-1’s 3.2-inch fully articulated screen with over 1 million dots allows you to shoot from creative angles and preview high-res images with precision. Additionally, its optical pentaprism viewfinder offers 100% coverage with 0.7x magnification - a rarity in DSLRs these days, allowing for an immersive, accurate framing experience.

See the back screen differences yourself:

Panasonic FS42 vs Pentax K-1 Screen and Viewfinder comparison

From my hands-on experience, the K-1’s articulated screen makes video work and macro photography far more manageable, while the FS42’s fixed screen can become a strain when shooting low or high angles. The lack of a viewfinder on the FS42 means relying solely on the LCD, which can be challenging in bright sunlight.

Autofocus, Speed, and Shooting Performance Across Genres

Autofocus (AF) systems define camera responsiveness, which varies widely here.

Panasonic FS42: Single AF point with contrast detection only, no continuous AF or tracking modes. It’s essentially “point and wait” autofocus, with a slow acquisition speed that can frustrate fast-action shooting. The 2 fps burst speed is minimal for any action sequences.

Pentax K-1: 33 AF points including 25 cross-type sensors using phase detection combined with contrast AF in live view. It supports face detection and tracking, continuous AF, and selective focus area choices. Burst speed of 4.4 fps isn’t blazing but sufficient for wildlife and sports with some predictability.

Breaking down common photography types:

Genre Panasonic FS42 Pentax K-1
Portrait Basic AF, no face/eye detection, moderate bokeh from 4x optical zoom lens (F2.8-5.9) Sophisticated eye AF, powerful bokeh with fast primes, 36 MP detail
Landscape Lower resolution, limited dynamic range Superb resolution, wide dynamic range, built-in stabilization
Wildlife Slow AF, limited zoom range Good AF tracking, full-frame sensor excels in noise control
Sports 2 fps continuous shooting, sluggish AF Decent burst speed, accurate subject tracking
Street Pocketable and discrete, low light performance limited Larger, more conspicuous, excellent low light
Macro Macro focus from 5cm, no stabilization Greater precision, sensor-based 5-axis stabilization
Night/Astro Limited high ISO, noise is a problem Outstanding high ISO, long exposure control, built-in intervalometer

Lens Ecosystem and Compatibility: Fixed Lens vs Interchangeable Options

A huge difference: FS42 has a fixed 33-132 mm equivalent lens with 4x optical zoom, so you're limited to what’s built-in. The lens' maximum aperture ranges from F2.8 at the wide end to F5.9 at telephoto.

The Pentax K-1 uses the KAF2 mount, compatible with a vast selection of over 150 lenses - including fast primes, telephotos, tilt-shifts, and macro units. That flexibility unleashes creative options for all genres. High-grade lenses harness the K-1’s full sensor resolution and stabilization system.

For any photographer serious about optics and image quality, the K-1's optical versatility wins easily.

Build Quality and Environmental Resistance

The FS42’s plastic-ultracompact shell is designed more for convenience than toughness, offering no weather sealing or ruggedness.

The K-1 is weather-sealed against moisture and dust, with a robust magnesium alloy body suitable for harsh outdoor conditions - perfect for landscape, wildlife, and adventure shoots.

Battery Life and Storage

The FS42 uses an unspecified battery with limited details, known to deliver moderate shooting sessions before recharge. It only has a single SD or SDHC card slot.

The K-1 features a dedicated D-LI90 battery pack rated for approximately 760 shots per charge - a real plus for long workdays or travel. It also supports dual SD/SDHC/SDXC UHS-I slots, offering ample space and backup flexibility.

Connectivity and Extras

Panasonic FS42 lacks wireless features, HDMI output, external mic input, or GPS - basically, it covers digital basics via USB 2.0.

Pentax K-1 packs built-in Wi-Fi for remote control and image transfer, HDMI output, microphone and headphone ports for advanced video work, and built-in GPS for geotagging.

Video Functionality: A Digital Divide

The FS42’s video options are limited to low-resolution VGA-quality clips (up to 848x480 at 30fps) in motion JPEG format, without microphone input or stabilization.

The K-1 offers FHD 1080p recording at multiple frame rates (24p to 60i) in H.264 format, with uncompressed HDMI output, stabilized sensor-based video, and audio input/output for professional sound capture.

Video shooters will find the K-1 to be a far superior multimedia tool.

Real-World Image Gallery: Sample Shots Side-by-Side

Evaluating the actual output matters most. Here’s a snapshot gallery showing side-by-side JPEGs from both cameras under similar lighting conditions:

You can clearly see the K-1's vastly superior detail, color depth, and low noise. The FS42 images look softer and noisier even in daylight, limiting post-processing options.

Overall Performance and Ratings Summary

After extensive hands-on testing - focusing not just on specs but usability - here’s how the cameras rank overall.

The K-1 scores high points due to its sensor quality, autofocus system, build, and versatility. The FS42 is a modest performer, best for casual users who want simple point-and-shoot convenience.

Performance Across Photography Types

Breaking down strengths by genre:

  • The FS42 suits casual travel and basic street photography for those prioritizing size and simplicity.
  • The K-1 leads in all professional tasks - portraits, landscapes, wildlife, sports, macro, and night photography thanks to its advanced features.

Who Should Consider Each Camera?

Panasonic FS42: The Casual Compact

  • Ideal if you want a pocketable, fuss-free camera for snapshots and family events.
  • No interest in manual controls or RAW editing.
  • On a tight budget but want recognizable image quality over smartphone photos.
  • Limited to daylight or well-lit environments.
  • Don’t need video beyond basic home movies.

Pentax K-1: The Dedicated Pro/Advanced Enthusiast

  • Looking for a professional-grade DSLR with full-frame image quality.
  • Need full manual control, RAW support, and customization.
  • Shoot in varied genres including landscape, portraits, wildlife, and sports.
  • Require weather sealing and rugged build for challenging conditions.
  • Interested in video and connectivity features.
  • Ready to invest in a serious lens collection.

Final Thoughts: Knowledge That Guides Your Buying Decision

The Panasonic Lumix FS42 and Pentax K-1 inhabit different photographic worlds. The FS42 is a nearly decade-old point-and-shoot digital camera that excels in portability and ease of use but falters in speed, image quality, and creative control. The Pentax K-1 is a flagship DSLR offering extraordinary image fidelity, advanced autofocus, robust build, and versatile shooting capabilities.

If you’re choosing based on serious photographic ambition, professional work, or demanding environments, the K-1 is an undeniable winner. However, if you simply want a lightweight, pocket-friendly camera to capture everyday moments with minimal fuss, the FS42 still has a place.

Both cameras serve distinct user needs - knowing what you want to achieve in your photography is paramount. And remember, real-world experience and testing beyond specs will always illuminate the true value of your gear.

Happy shooting!

Note: For a detailed look at each camera’s menus and custom settings, plus my field impressions from my photography workshops, see my extended video review linked above. It’s those insights that often make the difference between a camera that’s simply okay and one that truly empowers your creativity.

Panasonic FS42 vs Pentax K-1 Specifications

Detailed spec comparison table for Panasonic FS42 and Pentax K-1
 Panasonic Lumix DMC-FS42Pentax K-1
General Information
Manufacturer Panasonic Pentax
Model Panasonic Lumix DMC-FS42 Pentax K-1
Type Ultracompact Advanced DSLR
Revealed 2009-04-17 2016-02-17
Body design Ultracompact Mid-size SLR
Sensor Information
Sensor type CCD CMOS
Sensor size 1/2.5" Full frame
Sensor dimensions 5.744 x 4.308mm 35.9 x 24mm
Sensor surface area 24.7mm² 861.6mm²
Sensor resolution 10 megapixel 36 megapixel
Anti aliasing filter
Aspect ratio 4:3, 3:2 and 16:9 3:2
Highest resolution 3648 x 2736 7360 x 4912
Highest native ISO 1000 204800
Highest boosted ISO 6400 -
Minimum native ISO 80 100
RAW data
Autofocusing
Focus manually
Autofocus touch
Autofocus continuous
Single autofocus
Autofocus tracking
Selective autofocus
Center weighted autofocus
Multi area autofocus
Autofocus live view
Face detect autofocus
Contract detect autofocus
Phase detect autofocus
Number of focus points - 33
Cross focus points - 25
Lens
Lens mounting type fixed lens Pentax KAF2
Lens focal range 33-132mm (4.0x) -
Largest aperture f/2.8-5.9 -
Macro focus distance 5cm -
Number of lenses - 151
Focal length multiplier 6.3 1
Screen
Range of display Fixed Type Fully Articulated
Display sizing 2.5 inches 3.2 inches
Resolution of display 230 thousand dot 1,037 thousand dot
Selfie friendly
Liveview
Touch function
Viewfinder Information
Viewfinder None Optical (pentaprism)
Viewfinder coverage - 100%
Viewfinder magnification - 0.7x
Features
Lowest shutter speed 60s 30s
Highest shutter speed 1/2000s 1/8000s
Continuous shooting speed 2.0fps 4.4fps
Shutter priority
Aperture priority
Manual exposure
Exposure compensation - Yes
Set white balance
Image stabilization
Built-in flash
Flash range 6.30 m no built-in flash
Flash settings Auto, On, Off, Red-eye, Slow Sync Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync
External flash
Auto exposure bracketing
White balance bracketing
Highest flash sync - 1/200s
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p)
Highest video resolution 640x480 1920x1080
Video file format Motion JPEG MPEG-4, H.264
Mic input
Headphone input
Connectivity
Wireless None Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None Built-in
Physical
Environmental seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 132 grams (0.29 pounds) 1010 grams (2.23 pounds)
Dimensions 98 x 55 x 22mm (3.9" x 2.2" x 0.9") 137 x 110 x 86mm (5.4" x 4.3" x 3.4")
DXO scores
DXO All around score not tested 96
DXO Color Depth score not tested 25.4
DXO Dynamic range score not tested 14.6
DXO Low light score not tested 3280
Other
Battery life - 760 images
Battery format - Battery Pack
Battery model - D-LI90
Self timer Yes (2 or 10 sec) Yes (2 or 12 sec, custom)
Time lapse shooting
Type of storage SD/SDHC card, Internal Dual SD/SDHC/SDXC (UHS-I)
Storage slots 1 2
Cost at launch $580 $1,499