Panasonic FS42 vs Pentax K-1
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33 Features
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Panasonic FS42 vs Pentax K-1 Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.5" Fixed Display
- ISO 80 - 1000 (Push to 6400)
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 132g - 98 x 55 x 22mm
- Revealed April 2009
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 204800
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 1010g - 137 x 110 x 86mm
- Released February 2016
- Newer Model is Pentax K-1 II

Panasonic Lumix FS42 vs Pentax K-1: A Comprehensive Camera Comparison for Serious Enthusiasts
When you hear the names Panasonic Lumix FS42 and Pentax K-1 in the same breath, it might seem like a mismatch - one is a compact point-and-shoot from 2009, the other a full-frame professional DSLR launched in 2016. Yet, comparing these two cameras reveals how photography tools have evolved over time, and more importantly, how different photographic needs demand vastly different gear.
In this detailed, hands-on comparison, I’ll dive into their design, tech specs, real-world usability, and photographic performance across varied disciplines - from portrait and landscape to wildlife and sports. Whether you're a casual snapper curious about entry-level units or a pro hunting for a workhorse DSLR, this breakdown will help you place both cameras in context and clarify which fits your toolbox.
So buckle up - we’re going deep into what these cameras can and cannot do.
First Impressions: Size, Ergonomics, and Handling
Starting with their very physical nature is always telling. The Panasonic FS42 is an ultracompact point-and-shoot - small, pocketable, and ready to go without fuss. At just 98 x 55 x 22 mm and weighing 132 grams, it fits effortlessly into small bags or even a jacket pocket.
Conversely, the Pentax K-1 is a serious mid-sized DSLR at 137 x 110 x 86 mm and tipping the scales at 1010 grams. It commands your attention with a robust body designed for grip and extended handling.
Take a look:
From actual testing over prolonged shoots, the K-1’s heft is more of an asset than a liability, providing steady shooting and comfortable handling even with large lenses attached. The FS42 feels nimble but also somewhat insubstantial in your hand, which suits casual outings but not extensive sessions.
Ergonomically, the K-1 features a top-plate with dedicated dials for ISO, shutter speed, and exposure compensation, plus a fully articulated 3.2-inch, 1037k-dot LCD for flexible composition. The FS42 offers a small fixed 2.5-inch LCD with only 230k-dot resolution, no articulating screen, and barebones controls.
Here's a top-down look at their layouts:
This design difference leans heavily into their intended user bases - a compact for point and shoot convenience, and a DSLR built for manual overrides and professional workflow.
Sensor Technology and Image Quality: Size Matters Greatly
When I assess cameras, sensor size remains one of the most critical factors impacting image quality. The FS42 sports a tiny 1/2.5-inch CCD sensor measuring just 5.744 x 4.308 mm (about 24.7 mm²). This limits resolution (10 MP max), dynamic range, and especially low-light performance.
The Pentax K-1, by contrast, boasts a full-frame CMOS sensor of 35.9 x 24 mm (861.6 mm²) - a quantum leap in sensor area, providing much greater light-gathering ability and resolution (36 MP). Plus, it lacks an anti-aliasing filter, delivering ultra-sharp images with detailed microcontrast.
Here’s a clear visualization of their relative sensor sizes:
In real-world testing, the K-1’s sensor delivers stunningly detailed RAW files, excellent tonal gradation, and impressive high ISO capabilities - even past ISO 3200, noise remains well-controlled. The FS42’s images, while decent under bright daylight, show softness and noise creeping in at anything above ISO 400. It also lacks RAW support, locking you into lower-quality JPEG files straight from the camera.
These characteristics make the FS42 better suited for snapshots in well-lit environments, while the K-1 excels in all lighting scenarios.
Putting the Screens and Viewfinders to the Test
The LCD and viewfinder design dramatically affect user experience, especially in varying light conditions.
The FS42’s fixed 2.5-inch LCD is small and low-resolution, which limits critical focus checks and image review fidelity.
The K-1’s 3.2-inch fully articulated screen with over 1 million dots allows you to shoot from creative angles and preview high-res images with precision. Additionally, its optical pentaprism viewfinder offers 100% coverage with 0.7x magnification - a rarity in DSLRs these days, allowing for an immersive, accurate framing experience.
See the back screen differences yourself:
From my hands-on experience, the K-1’s articulated screen makes video work and macro photography far more manageable, while the FS42’s fixed screen can become a strain when shooting low or high angles. The lack of a viewfinder on the FS42 means relying solely on the LCD, which can be challenging in bright sunlight.
Autofocus, Speed, and Shooting Performance Across Genres
Autofocus (AF) systems define camera responsiveness, which varies widely here.
Panasonic FS42: Single AF point with contrast detection only, no continuous AF or tracking modes. It’s essentially “point and wait” autofocus, with a slow acquisition speed that can frustrate fast-action shooting. The 2 fps burst speed is minimal for any action sequences.
Pentax K-1: 33 AF points including 25 cross-type sensors using phase detection combined with contrast AF in live view. It supports face detection and tracking, continuous AF, and selective focus area choices. Burst speed of 4.4 fps isn’t blazing but sufficient for wildlife and sports with some predictability.
Breaking down common photography types:
Genre | Panasonic FS42 | Pentax K-1 |
---|---|---|
Portrait | Basic AF, no face/eye detection, moderate bokeh from 4x optical zoom lens (F2.8-5.9) | Sophisticated eye AF, powerful bokeh with fast primes, 36 MP detail |
Landscape | Lower resolution, limited dynamic range | Superb resolution, wide dynamic range, built-in stabilization |
Wildlife | Slow AF, limited zoom range | Good AF tracking, full-frame sensor excels in noise control |
Sports | 2 fps continuous shooting, sluggish AF | Decent burst speed, accurate subject tracking |
Street | Pocketable and discrete, low light performance limited | Larger, more conspicuous, excellent low light |
Macro | Macro focus from 5cm, no stabilization | Greater precision, sensor-based 5-axis stabilization |
Night/Astro | Limited high ISO, noise is a problem | Outstanding high ISO, long exposure control, built-in intervalometer |
Lens Ecosystem and Compatibility: Fixed Lens vs Interchangeable Options
A huge difference: FS42 has a fixed 33-132 mm equivalent lens with 4x optical zoom, so you're limited to what’s built-in. The lens' maximum aperture ranges from F2.8 at the wide end to F5.9 at telephoto.
The Pentax K-1 uses the KAF2 mount, compatible with a vast selection of over 150 lenses - including fast primes, telephotos, tilt-shifts, and macro units. That flexibility unleashes creative options for all genres. High-grade lenses harness the K-1’s full sensor resolution and stabilization system.
For any photographer serious about optics and image quality, the K-1's optical versatility wins easily.
Build Quality and Environmental Resistance
The FS42’s plastic-ultracompact shell is designed more for convenience than toughness, offering no weather sealing or ruggedness.
The K-1 is weather-sealed against moisture and dust, with a robust magnesium alloy body suitable for harsh outdoor conditions - perfect for landscape, wildlife, and adventure shoots.
Battery Life and Storage
The FS42 uses an unspecified battery with limited details, known to deliver moderate shooting sessions before recharge. It only has a single SD or SDHC card slot.
The K-1 features a dedicated D-LI90 battery pack rated for approximately 760 shots per charge - a real plus for long workdays or travel. It also supports dual SD/SDHC/SDXC UHS-I slots, offering ample space and backup flexibility.
Connectivity and Extras
Panasonic FS42 lacks wireless features, HDMI output, external mic input, or GPS - basically, it covers digital basics via USB 2.0.
Pentax K-1 packs built-in Wi-Fi for remote control and image transfer, HDMI output, microphone and headphone ports for advanced video work, and built-in GPS for geotagging.
Video Functionality: A Digital Divide
The FS42’s video options are limited to low-resolution VGA-quality clips (up to 848x480 at 30fps) in motion JPEG format, without microphone input or stabilization.
The K-1 offers FHD 1080p recording at multiple frame rates (24p to 60i) in H.264 format, with uncompressed HDMI output, stabilized sensor-based video, and audio input/output for professional sound capture.
Video shooters will find the K-1 to be a far superior multimedia tool.
Real-World Image Gallery: Sample Shots Side-by-Side
Evaluating the actual output matters most. Here’s a snapshot gallery showing side-by-side JPEGs from both cameras under similar lighting conditions:
You can clearly see the K-1's vastly superior detail, color depth, and low noise. The FS42 images look softer and noisier even in daylight, limiting post-processing options.
Overall Performance and Ratings Summary
After extensive hands-on testing - focusing not just on specs but usability - here’s how the cameras rank overall.
The K-1 scores high points due to its sensor quality, autofocus system, build, and versatility. The FS42 is a modest performer, best for casual users who want simple point-and-shoot convenience.
Performance Across Photography Types
Breaking down strengths by genre:
- The FS42 suits casual travel and basic street photography for those prioritizing size and simplicity.
- The K-1 leads in all professional tasks - portraits, landscapes, wildlife, sports, macro, and night photography thanks to its advanced features.
Who Should Consider Each Camera?
Panasonic FS42: The Casual Compact
- Ideal if you want a pocketable, fuss-free camera for snapshots and family events.
- No interest in manual controls or RAW editing.
- On a tight budget but want recognizable image quality over smartphone photos.
- Limited to daylight or well-lit environments.
- Don’t need video beyond basic home movies.
Pentax K-1: The Dedicated Pro/Advanced Enthusiast
- Looking for a professional-grade DSLR with full-frame image quality.
- Need full manual control, RAW support, and customization.
- Shoot in varied genres including landscape, portraits, wildlife, and sports.
- Require weather sealing and rugged build for challenging conditions.
- Interested in video and connectivity features.
- Ready to invest in a serious lens collection.
Final Thoughts: Knowledge That Guides Your Buying Decision
The Panasonic Lumix FS42 and Pentax K-1 inhabit different photographic worlds. The FS42 is a nearly decade-old point-and-shoot digital camera that excels in portability and ease of use but falters in speed, image quality, and creative control. The Pentax K-1 is a flagship DSLR offering extraordinary image fidelity, advanced autofocus, robust build, and versatile shooting capabilities.
If you’re choosing based on serious photographic ambition, professional work, or demanding environments, the K-1 is an undeniable winner. However, if you simply want a lightweight, pocket-friendly camera to capture everyday moments with minimal fuss, the FS42 still has a place.
Both cameras serve distinct user needs - knowing what you want to achieve in your photography is paramount. And remember, real-world experience and testing beyond specs will always illuminate the true value of your gear.
Happy shooting!
Note: For a detailed look at each camera’s menus and custom settings, plus my field impressions from my photography workshops, see my extended video review linked above. It’s those insights that often make the difference between a camera that’s simply okay and one that truly empowers your creativity.
Panasonic FS42 vs Pentax K-1 Specifications
Panasonic Lumix DMC-FS42 | Pentax K-1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model | Panasonic Lumix DMC-FS42 | Pentax K-1 |
Type | Ultracompact | Advanced DSLR |
Revealed | 2009-04-17 | 2016-02-17 |
Body design | Ultracompact | Mid-size SLR |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.5" | Full frame |
Sensor dimensions | 5.744 x 4.308mm | 35.9 x 24mm |
Sensor surface area | 24.7mm² | 861.6mm² |
Sensor resolution | 10 megapixel | 36 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Highest resolution | 3648 x 2736 | 7360 x 4912 |
Highest native ISO | 1000 | 204800 |
Highest boosted ISO | 6400 | - |
Minimum native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 33 |
Cross focus points | - | 25 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF2 |
Lens focal range | 33-132mm (4.0x) | - |
Largest aperture | f/2.8-5.9 | - |
Macro focus distance | 5cm | - |
Number of lenses | - | 151 |
Focal length multiplier | 6.3 | 1 |
Screen | ||
Range of display | Fixed Type | Fully Articulated |
Display sizing | 2.5 inches | 3.2 inches |
Resolution of display | 230 thousand dot | 1,037 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/2000s | 1/8000s |
Continuous shooting speed | 2.0fps | 4.4fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.30 m | no built-in flash |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/200s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Highest video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 132 grams (0.29 pounds) | 1010 grams (2.23 pounds) |
Dimensions | 98 x 55 x 22mm (3.9" x 2.2" x 0.9") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO All around score | not tested | 96 |
DXO Color Depth score | not tested | 25.4 |
DXO Dynamic range score | not tested | 14.6 |
DXO Low light score | not tested | 3280 |
Other | ||
Battery life | - | 760 images |
Battery format | - | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec, custom) |
Time lapse shooting | ||
Type of storage | SD/SDHC card, Internal | Dual SD/SDHC/SDXC (UHS-I) |
Storage slots | 1 | 2 |
Cost at launch | $580 | $1,499 |