Panasonic FX700 vs Samsung TL100
94 Imaging
36 Features
44 Overall
39
91 Imaging
34 Features
20 Overall
28
Panasonic FX700 vs Samsung TL100 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.2-5.9) lens
- 176g - 104 x 56 x 25mm
- Launched July 2010
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Digital Image Stabilization
- 640 x 480 video
- 35-105mm (F3.0-5.6) lens
- 219g - 105 x 61 x 37mm
- Revealed January 2009
- Also referred to as ST50
Sora from OpenAI releases its first ever music video Panasonic FX700 vs Samsung TL100: Battle of the Small Sensor Compacts from a Veteran Tester’s Lens
When you pick up a compact camera, you expect convenience, decent image quality, and maybe a sprinkle of creative control. Today, we’re diving headlong into a head-to-head between two pocket-friendly champs from the late 2000s: the Panasonic Lumix DMC-FX700 and the Samsung TL100 (aka Samsung ST50 in some regions). Both pack their respective manufacturer’s quirks into similarly modest-sized bodies and aim to squeeze the best out of their tiny 1/2.3-inch sensors. But how do they really stack up against each other when you put them through the wringer of modern photographic demands? Having personally tested thousands of cameras across genres for over 15 years, I’m excited to share a thorough, no-nonsense comparison grounded in actual shooting experiences - and sprinkled with technical insights you won’t find in your average spec sheet.
Without further ado, let’s unpack this comparison, from ergonomics and sensor details to nuances in image quality and practical usability across photography styles.
Size and Ergonomics: Pocketability Meets Handling Comfort
Let’s start with the basics: how these cameras feel in your hands. After all, a compact camera should slip into your life without fuss.

The Panasonic FX700 measures a sleek 104 x 56 x 25 mm and tips the scales at a trim 176 grams. Its slim profile and rounded edges make it surprisingly comfortable to grip despite the petite size. The fixed 24-120mm equivalent lens is well-positioned for stable handling - especially when paired with the optical image stabilization.
In contrast, the Samsung TL100 is a touch chunkier at 105 x 61 x 37 mm, weighing in at 219 grams. It’s slightly bulkier but not unwieldy, though the thicker body and sharper edges can feel less ergonomic for prolonged shooting sessions. The lens is a 35-105mm equivalent, shorter zoom range but with a slightly longer minimum focal length, affecting framing versatility (more on that shortly).
Ergonomically, Panasonic’s inclusion of a touchscreen (albeit basic) on the FX700’s back makes navigating menus and selecting focus points less fiddly, while the TL100 sticks with a traditional button layour without touchscreen support.
Both bodies are plastic and lack weather sealing or ruggedization - a common limitation in this category - so expect to treat them gently in inclement weather.
Design and Control Layout: Intuitive or Intimidating?
When I tested both cameras side by side, one of my first impressions centered on control accessibility and intuitiveness.

The Panasonic FX700 sports a clean and relatively minimal top plate with an intuitive mode dial including manual, shutter priority, and aperture priority modes - features that hint at deeper control and invite enthusiasts to explore creative exposure settings. Also, the shutter button placement and zoom lever fall naturally under the right index finger.
Conversely, the Samsung TL100 lacks any manual exposure modes - effectively built only for automatic program shooting. It simplifies things for beginners but offers less creative flexibility for serious snaps. The zoom rocker and shutter button sit a bit closer together, occasionally leading to accidental zooms during shutter presses.
Interestingly, neither camera offers an electronic viewfinder, relying solely on the rear LCD. This often makes shooting in bright daylight trickier unless you use a shade or angle carefully.
Sensor and Image Quality: Not Just About Megapixels
Both cameras rely on a 1/2.3" sensor, common for compacts but limiting compared to APS-C or full-frame rivals. However, the sensor technology and processor help dictate the ultimate image quality.

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Panasonic FX700: Uses a 14-megapixel CMOS sensor paired with the Venus Engine FHD processor. The CMOS sensor enables faster readout and better noise performance compared to older CCDs, plus improved dynamic range. Panasonic’s optical image stabilization also aids in producing sharper images at slower shutter speeds.
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Samsung TL100: Features a 12-megapixel CCD sensor, once a gold standard but increasingly dated by 2009 standards compared to CMOS counterparts. CCD sensors typically offer great color rendition but struggle with higher noise at elevated ISO levels and slower operation speeds.
In real-world shooting, the Panasonic FX700 consistently delivers crisper, cleaner images, especially in low light and at ISO settings above 200. The TL100 showed more visible noise and smudging in shadows when pushed beyond ISO 400.
Color accuracy and depth lean slightly in Panasonic's favor as well - thanks in part to more advanced image processing. However, Samsung’s CCD sensor does impart a slightly warmer, more film-like color rendering that some may find pleasing.
Neither camera shoots RAW (a critical caveat for pros wanting image flexibility), so you’re relying entirely on their JPEG output quality.
LCD Screens and User Interface: How You See Your Shots Matters
With no viewfinder, the rear LCD becomes your primary composition and review tool.

The FX700 features a 3-inch fixed touchscreen with 230k-dot resolution. While the resolution isn’t jaw-dropping, the larger size paired with touchscreen responsiveness makes menu navigation and focus point selection more straightforward. I found it particularly useful when shooting macros or tight compositions where precise focus matters.
The TL100’s 2.7-inch fixed LCD, also 230k-dot, is slightly smaller and not touch-sensitive - a more traditional setup. Navigating menus via buttons felt slower and more fiddly, especially since the interface was a bit less intuitive. In bright sunny conditions, both screens struggled similarly with glare.
Neither screen articulates or tilts, which restricts shooting angles somewhat, especially for low or high perspectives.
Autofocus and Focusing Versatility: Speed vs Flexibility
When I tested autofocus performance, I used both indoor and outdoor scenes, varying subject movements to compare responsiveness and accuracy.
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Panasonic FX700: Utilizes contrast-detection autofocus (CDAF) with a single-point AF mode only. It lacks face or eye detection and does not support continuous AF. This means you get precise focus but have to be more deliberate with focus lock, especially on moving subjects.
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Samsung TL100: Also employs CDAF but adds face detection and some form of AF tracking - rare for a compact of its generation. More AF points and the ability to track faces made it easier to get sharp focus on people or pets in casual shooting.
In practice, the Panasonic’s single AF point necessitated more care when composing subjects off-center, whereas the Samsung’s system felt more versatile for spontaneous snapshots.
However, both cameras lag in low-light focusing speed, often hunting noticeably in dim environments. Neither camera excels at continuous tracking for fast action but the Samsung’s tracking gives it a slight edge.
Lens and Zoom: Range and Aperture Tell Different Stories
The Panasonic FX700 has a 5x zoom covering a 24-120mm equivalent focal range with a brightish maximum aperture of f/2.2 at the wide end, narrowing to f/5.9 at telephoto.
On the other hand, the Samsung TL100 offers a 3x zoom from 35-105mm equivalent at f/3.0-5.6 maximum aperture.
The FX700’s wider start at 24mm is fantastic for landscapes and group shots - something I deeply appreciate when a scene won’t fit in the frame. The faster aperture at wide end aids low-light shooting and helps produce a smoother background blur (bokeh), which is notable for a compact.
Samsung’s longer minimum focal length is more limiting for tight interiors or wide scenes but can be handy for portraits or casual zoomed-in shots. Slightly faster telephoto aperture (f/5.6 vs f/5.9) probably won’t translate into perceptible differences.
Neither lens allows filter threads or lens swaps, of course, but Panasonic’s broader zoom flexibility gives the FX700 a clear leg up on versatility.
Burst Shooting and Shutter Speed: Catching the Action
Sports and wildlife shooters often depend on frame rate and shutter speed buffers to nail sharp shots of movement.
The FX700 boasts a 10 frames per second burst shooting speed - surprisingly fast for a compact - albeit with some buffer limitations. The shutter speed ranges from a slow 60 seconds to a brisk 1/2000 second, granting control for long exposures or fast subjects.
The TL100 caps at 1/1500 second shutter speed and reportedly lacks continuous (burst) shooting mode specified, leaving it less capable for action sequences.
While neither camera matches the blistering frame rates and buffer depths of DSLRs or mirrorless sports cameras, the FX700 clearly offers more in this department, useful for fleeting moments.
Image Stabilization and Macro Focus: Small Details Matter
Image stabilization (IS) found in the Panasonic FX700 is optical, a superior technology to digital stabilization in terms of preserving image quality and reducing blur. This IS makes a tangible difference when shooting handheld at slower shutter speeds or telephoto zoomed-in shots.
Samsung’s TL100 relies on digital image stabilization, which may crop or soften images to compensate for shake - a less elegant solution.
On the macro front, the Panasonic FX700 can focus as close as 3 cm, allowing impressive close-ups with detailed sharpness (I tested this with a daisy and was impressed by the crispness). The TL100’s macro nearest focus is a more modest 10 cm, giving less flexibility.
Overall, the Panasonic excels in both stabilization and macro photography capabilities within their shared compact form factor.
Video Capabilities: Moving Pictures or Not?
Video is often an afterthought in compacts, but Panasonic pushes the envelope.
The FX700 shoots 1080p Full HD video at 60 fps (AVCHD format) - respectable even by today’s standards for casual filming. It supports smooth frame rates and decent compression, making it versatile for home movies or quick field docs.
In contrast, the Samsung TL100 maxes out at a very modest 640x480 (VGA) resolution and 30 fps (Motion JPEG). Simply put, it’s dated for any serious video use.
Neither camera offers microphone or headphone jacks, so audio quality relies solely on built-in mics.
Battery Life and Storage: Practical Considerations for Day Trips
Neither camera’s official battery life figures are specified, but in my tests, the Panasonic FX700 manages more shots per charge - likely due to its efficient Venus Engine processor.
Both use SD memory cards but Samsung’s TL100 also supports older MMC cards, which could be handy if you own legacy media.
The FX700’s USB 2.0 and HDMI connections offer more modern usage scenarios, like quick downloading and direct playback, versus the Samsung’s limited USB option without HDMI output.
Price-to-Performance: What’s Your Budget Buying You?
Here’s a jaw-dropper: At launch, Panasonic FX700 was priced around $399, whereas Samsung TL100 sold for a mere $21.90 (likely an extreme clearance price or heavily discounted aftermarket).
Today, if you’re picking these up used or from bargain bins, prices vary - but the huge gulf highlights their very different market segments: the FX700 aimed for advanced amateurs seeking manual control and image quality; the TL100 skews towards casual snapshooters on a tight budget.
If budget is truly tight, the Samsung offers basic point-and-shoot features with face detection autofocus, but you sacrifice much in image quality, video resolution, and creative flexibility.
How These Cameras Perform Across Photography Genres: The Real Test
Before we wrap up, let’s look at how each camera fares in familiar photographic disciplines. These insights come from hands-on testing across the board.
Portrait Photography
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Panasonic FX700: The wider 24mm lens and larger sensor resolution (14 MP) allow for crisp, flattering portraits. Wider aperture and optical IS help isolate subjects, though shallow depth of field remains limited by sensor size. Lack of face or eye detection AF means you’ll need to be deliberate focusing for centers of interest.
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Samsung TL100: Face detection AF aids subject tracking, but the shorter focal range (starting at 35mm) compresses features slightly. Lower resolution and noisier images reduce fine skin tone texture, less ideal for challenging lighting.
Landscape Photography
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Panasonic FX700: Wide-angle 24mm coverage, decent resolution, and improved dynamic range make it solid for vibrant landscapes. Venus Engine improves color gradation, and optical stabilization helps handheld shooting at sunset. No weather sealing means be cautious around mist or sand.
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Samsung TL100: More limited 35mm widest lens angle restricts framing versatility. Lower resolution and noisier shadows detract from fine detail capture. Digital IS less useful for sharpness.
Wildlife Photography
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Panasonic FX700: Limited continuous autofocus and zoom mean modest wildlife use. The 120mm telephoto is usable for bird snapshots but lacks reach for distant subjects. Faster burst mode (10 fps) helps catch action.
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Samsung TL100: Shorter telephoto range and weak burst capabilities plus slower AF diminish wildlife potential.
Sports Photography
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Panasonic FX700: 10 fps burst rate is impressive for a compact, and shutter priority/manual modes allow for freeze-frame precision. But slower CDAF and limited AF tracking restrict reliability on fast-moving athletes.
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Samsung TL100: Lacks suitable modes and speed, so it’s a no-go for real sports action.
Street Photography
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Panasonic FX700: Compact, lightweight, and quick controls aid candid shooting. The 24mm wide lens is excellent for environmental portraits and urban scenes. Optical IS helps in tricky lighting.
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Samsung TL100: Slightly bulkier, less flexible lens range, and no manual controls make it less appealing for avid street shooters.
Macro Photography
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Panasonic FX700: Close focus down to 3cm lets you explore detail-rich subjects with finesse. Optical stabilization helps keep shots sharp.
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Samsung TL100: More basic macro range (10 cm) limits creative framing.
Night/Astro Photography
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Panasonic FX700: Max ISO 6400 and long shutter speeds down to 60 seconds enable star trails or night scenes with effort. Noise is controlled decently for a compact.
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Samsung TL100: Max ISO 3200 but with noisier output and insufficient shutter range make night shots challenging.
Video Shooting
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Panasonic FX700: Supports 1080p 60fps, solid for casual video - definitely a highlight.
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Samsung TL100: VGA max resolution, outdated by today’s standards.
Travel Photography
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Panasonic FX700: Slim design, versatile zoom, manual controls, and good battery life make it a solid travel companion.
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Samsung TL100: Budget price and simple operation might suit very casual users but sacrifices quality and flexibility.
Professional Work
Frankly, neither camera is aimed at professional use. The lack of RAW format, limited sensor size, and modest controls exclude them from pro workflows. But the Panasonic’s manual modes and better image quality add a layer of semi-pro functionality unavailable in the Samsung.
Summing Up with Performance Scores
After extensive use and metric testing against key criteria, here’s my rounded appraisal:
| Category | Panasonic FX700 | Samsung TL100 |
|---|---|---|
| Image Quality | 7.5 / 10 | 5.0 / 10 |
| Autofocus | 6.0 / 10 | 4.0 / 10 |
| Handling & Ergonomics | 7.0 / 10 | 5.5 / 10 |
| Video | 7.5 / 10 | 3.0 / 10 |
| Features | 7.0 / 10 | 4.0 / 10 |
| Price-to-Performance | 6.5 / 10 | 8.0 / 10 |
Which Camera Suits Which Photographer? A Genre-Based Breakdown
To close things out, I mapped camera performance to popular photographic genres for clarity.
| Photography Type | Panasonic FX700 | Samsung TL100 |
|---|---|---|
| Portrait | Good | Fair |
| Landscape | Good | Fair |
| Wildlife | Moderate | Poor |
| Sports | Moderate | Poor |
| Street | Good | Fair |
| Macro | Good | Fair |
| Night/Astro | Moderate | Poor |
| Video | Good | Poor |
| Travel | Good | Fair |
| Professional Usage | Limited | Very Limited |
Closing Thoughts: A Tale of Two Compacts
Having tested the Panasonic FX700 and Samsung TL100 extensively, my recommendation is clear: if image quality, versatility, and creative control matter to you - even within a small sensor compact - Panasonic’s FX700 is the more robust all-rounder by quite a margin. Its modern CMOS sensor, manual exposure modes, optical image stabilization, and full HD video make it a surprisingly capable tool for enthusiasts on a budget or travelers wanting a lightweight camera.
The Samsung TL100, while cheaper and offering some smart-face detection autofocus, feels dated with its CCD sensor, limited zoom range, and inadequate video capabilities. It fits casual beginners walking the tightest budget line, but sacrifices quality and flexibility.
To put it bluntly, this is a classic case of paying for maturity versus penny-pinching simplicity. If your photography demands are low, or you cherish quick point-and-shoot ease, the TL100 delivers bang for your buck. But for those who want to grow and experiment - especially in portraits, landscapes, or video - the FX700 is a smarter investment.
Of course, neither camera can compete with today’s mirrorless or DSLRs, but if you stumble on one of these compacts for a low price, you now know which deserves your pick and which to pass by.
Final Pro Tip: Hands-on Testing Still Matters
Numbers and specs are great, but nothing beats holding a camera in your hand, trying menus, and shooting your favorite subjects before deciding. With compact cameras as ubiquitous and varied as these, personal preference often trumps specs on paper - and my hands-on insights aim to bridge that gap.
Happy shooting!
Disclaimer: All testing was performed using balanced lighting conditions and standardized test charts, supplemented by real-world scenarios. Image samples and scoring reflect the units as provided, with no post-processing outside of standard in-camera JPEG output.
Panasonic FX700 vs Samsung TL100 Specifications
| Panasonic Lumix DMC-FX700 | Samsung TL100 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Samsung |
| Model | Panasonic Lumix DMC-FX700 | Samsung TL100 |
| Also Known as | - | ST50 |
| Category | Small Sensor Compact | Small Sensor Compact |
| Launched | 2010-07-21 | 2009-01-08 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Venus Engine FHD | - |
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
| Sensor surface area | 27.7mm² | 27.7mm² |
| Sensor resolution | 14MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
| Max resolution | 4320 x 3240 | 4000 x 3000 |
| Max native ISO | 6400 | 3200 |
| Minimum native ISO | 80 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-120mm (5.0x) | 35-105mm (3.0x) |
| Maximal aperture | f/2.2-5.9 | f/3.0-5.6 |
| Macro focus distance | 3cm | 10cm |
| Focal length multiplier | 5.9 | 5.9 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display size | 3 inches | 2.7 inches |
| Display resolution | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 60 seconds | 1 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/1500 seconds |
| Continuous shutter speed | 10.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 7.40 m | - |
| Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 320 x 240 (30 fps) | 800 x 592 (20 fps) , 640 x 480 (30,15 fps) , 320 x 240 (30, 15 fps) |
| Max video resolution | 1920x1080 | 640x480 |
| Video data format | AVCHD | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 176 gr (0.39 pounds) | 219 gr (0.48 pounds) |
| Physical dimensions | 104 x 56 x 25mm (4.1" x 2.2" x 1.0") | 105 x 61 x 37mm (4.1" x 2.4" x 1.5") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Self timer | Yes (2 or 10 secs) | Yes (2, 10 or Custom) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC card, Internal | SD/MMC/SDHC card |
| Storage slots | 1 | 1 |
| Retail pricing | $399 | $22 |