Panasonic FX90 vs Panasonic ZS15
95 Imaging
35 Features
34 Overall
34


92 Imaging
35 Features
37 Overall
35
Panasonic FX90 vs Panasonic ZS15 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.5-5.9) lens
- 149g - 102 x 56 x 22mm
- Introduced August 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 208g - 105 x 58 x 33mm
- Announced June 2012
- Alternative Name is Lumix DMC-TZ25
- Newer Model is Panasonic ZS20

Panasonic FX90 vs ZS15: Compact Camera Showdown for the Budget-Conscious Photographer
When it comes to stepping up your photography game without draining your wallet, compact cameras with superzoom capability have long been the go-to for travel, casual portraits, and everyday versatility. Today, I’m diving deep into a direct comparison of two Panasonic small-sensor compacts from the early 2010s - the Panasonic Lumix FX90 and the Lumix ZS15 (also known as the TZ25 internationally). Both target similar users in the sub-$300 price range, but their design philosophies and feature sets take very different paths.
Having tested hundreds of cameras in this niche, I’ll guide you through all the critical aspects you care about, from sensor details and autofocus systems to real-world photo and video results across varied photography genres. By the time you finish reading, you’ll know exactly which of these little shooters deserves space in your bag, and more importantly - why.
First Impressions and Handling: Compact vs. Chunkier Ergonomics
Right off the bat, the FX90 and ZS15 share the hallmark Panasonic compact body design, but their physical footprints tell a story about intended priorities. The FX90 is slimmer and lighter at 149 grams and 102x56x22 mm, great for scribbling down street photographs or slipping into a jacket pocket. The ZS15 weighs in noticeably heavier at 208 grams with bulkier dimensions (105x58x33 mm), owing mainly to its superzoom lens assembly.
For me, this size difference translates to a very different gripping experience. The ZS15’s thicker grip feels more secure in hand, less prone to accidental shakes - a phrase that’s music to any handheld shooter’s ears, especially for telephoto or macro work. The FX90’s minimalist frame keeps size-loving cheapskates happy but can feel a touch slippery without the use of an added camera grip or case.
Looking at the top view, the ZS15 outranks the FX90 in intuitive controls. It boasts manual exposure modes (shutter priority, aperture priority, manual), exposure compensation dial, and intuitive mode dials - features usually absent at this price tier. The FX90, by contrast, caters to straightforward auto-shooters with limited manual controls, rooted in simplicity but restrictive for creative enthusiasts wanting direct clubs for their thumbs.
In short:
- FX90: Compact, pocketable, beginner-focused, mostly automatic operation
- ZS15: Slightly bigger, better ergonomic grip, manual controls, more versatile in demanding situations
Sensor and Image Quality: Analog vs. Digital’s Dawn
Both cameras utilize a 1/2.3-inch sensor sensor, the industry-standard compact camera size, but differ in sensor technology and slight dimensional tweaks. The FX90 cycles on a CCD sensor, while the ZS15 boasts a CMOS sensor. CCDs, back in the day, were revered for slightly better color rendition and less noise at low ISOs, but they often faltered at higher ISOs and video capabilities. CMOS dominates modern compacts for power efficiency, faster readouts, and better high-ISO handling.
Resolution-wise, both sit at roughly 12 megapixels (4000x3000 pixels), sufficient for casual prints and screen sharing but not dedicated landscape wall art.
In practical hands-on shooting, this translates into:
- Dynamic Range: The CMOS sensor of the ZS15 managed to squeeze a slightly broader dynamic range during testing. Highlights retain more detail, shadows recover better in post, making it preferable for landscapes and varied lighting.
- Noise Performance: Expect noisy images at ISO 800 and above from both - common for 1/2.3” sensors - but the ZS15’s sensor technology yielded marginally cleaner images at ISO 400 and 800.
- Color Depth: Both produce good color depth at base ISO, but the FX90 has a more classic CCD "look" appreciated by some portrait fans who favor slightly warmer skin tones.
That said, considering both lack RAW support, your editing flexibility is inherently limited - especially if you lean towards professional post-processing.
Autofocus and Shooting Speed: Tracking Moving Targets
Both cameras rely entirely on contrast-detection autofocus systems - the cost-friendly autofocus type that sacrifices speed for accuracy under good light conditions. Neither supports phase detection, so expect hunting in low light or on tricky contrast patterns, which can frustrate wildlife and sports shooters.
- The FX90 offers 23 AF points and face detection is sadly missing, limiting portrait-focused precision.
- The ZS15 offers a similar number of AF points and adds center-weighted metering and spot metering options, aiding manual exposure control.
In burst shooting, the FX90 posts a better 4 fps continuous shooting rate versus the ZS15’s sluggish 2 fps, a curious but notable edge for action shots. However, the smaller buffer capacities and slower write speeds mean you won’t get a sports pro’s endless stream of frames.
In real-world wildlife or fast action photography (within compact camera constraints), both can be frustratingly slow for tracking erratic subjects. But the FX90’s faster frame rate slightly favors shutter-happy enthusiasts.
Lens and Zoom: Flexibility vs. Reach
The lens is where the two diverge wildly, shaping their ideal use cases:
Feature | Panasonic FX90 | Panasonic ZS15 |
---|---|---|
Focal Length | 24–120mm (5x zoom) | 24–384mm (16x superzoom) |
Aperture Range | f/2.5–5.9 | f/3.3–5.9 |
Macro Capability | Focuses down to 3cm | Focuses down to 3cm |
Stabilization | Optical Image Stabilization | Optical Image Stabilization |
The FX90 offers a bright f/2.5 aperture at wide angle, which favors low-light scenarios and shallow depth-of-field shots for portraits. Its 5x zoom is sufficient for everyday landscapes and casual telephoto.
The ZS15 impresses with a whopping 16x zoom extending to 384mm - a huge advantage for wildlife, travel, or anytime you can’t get physically close. The tradeoff is a darker maximum aperture of f/3.3 at wide - and still f/5.9 when zoomed all the way out - limiting low-light and bokeh potential noticeably.
For macro fans, both focusing at 3cm is solid for capturing fine detail on flowers or small subjects, but neither offers focus bracketing or stacking.
LCD and Viewfinder: Shooting Composition Tools
Neither camera offers any form of electronic or optical viewfinder - shooting relies solely on the 3-inch fixed TFT LCD screens, rated at 460k dots. The FX90 screen supports touch input, which is an advantage for faster tip-to-focus - useful in tricky framing or spontaneous street shooting.
The ZS15 lacks touchscreen but retains live view autofocus and the user interface is navigable with buttons and dials.
In bright outdoor conditions, both screens are somewhat reflective and average in brightness compared to modern standards. However, this was typical for cameras of this era and tier.
Video Capabilities: Full HD for Basic Storytelling
Both the FX90 and ZS15 can film in Full HD (1920x1080) at 60 and 30 fps, with additional HD resolutions available. Their codecs include MPEG-4 and AVCHD, standard formats for consumer editing software.
Neither supports 4K capture or advanced video features like microphone inputs or headphone jacks, limiting video shooter appeal.
Stabilization in both models is optical, which proves helpful for handheld video but cannot fully compensate for jitter during movement.
Battery Life and Storage: Shoot More, Worry Less
- The FX90’s rated battery life clocks around 200 shots per charge, whereas the ZS15 extends to 260 shots. This may seem underwhelming compared to today’s mirrorless or DSLRs, but you’re dealing with compact batteries in this category.
- Both accept SD/SDHC/SDXC cards and feature one card slot.
- Connectivity differs sharply: the FX90 includes built-in wireless connectivity (though Wi-Fi of its generation is limited in range and app support), while the ZS15 offers none.
Build Quality and Durability
Neither camera features weather sealing, dustproofing, or rugged protection. Both are solid plastic compacts designed for casual family, travel, and street shooters rather than professional fieldwork.
Real World Performance Across Photography Genres
To get an idea of how these cameras behave in the field, let’s break down their key strengths and weaknesses across popular photography styles.
Genre | Panasonic FX90 assessment | Panasonic ZS15 assessment |
---|---|---|
Portrait | Bright wide aperture aids skin tones and low light; no face detection limits eye AF precision | Longer zoom allows tight portraits from afar; slower lens and lack of face detect impact bokeh and sharpness |
Landscape | Sharp at wide angle, decent DR within sensor limits but limited zoom | Longer reach for distant landscapes; better DR preserved; slightly slower lens |
Wildlife | Zoom too short; faster burst mode aids capture of movement but lens limits reach | Great zoom length; slower burst and AF hinders fast subjects; good travel companion |
Sports | Faster burst but limited tracking; bright lens aids action in moderate light | Manual and exposure controls improve usability; slow fps limits action shots |
Street | Small, light, quick autofocus suited to candid moments | Larger size inhibits stealth; excellent zoom for diverse scenes |
Macro | 3cm close focusing great for detail shots; bright lens helps background separation | Similar macro range but slower aperture limits quality |
Night/Astro | Limited by sensor size and ISO; stabilized lens helps performance | CMOS sensor helps improve high ISO handling marginally; low noise benefit |
Video | Good full HD options with stabilization; touchscreen aids operation | Full HD with stabilized zoom; simple controls but no touch |
Travel | Very pocketable, wireless sharing a plus; shorter zoom limits versatility | More versatile zoom for landscapes and wildlife; longer battery life; larger body |
Professional Work | No RAW support, limited controls; beginner-friendly output | Better manual controls; still no RAW; more usable in controlled settings |
Sample Images and Output Quality
Here, side-by-side shots demonstrate each camera’s rendition:
- FX90’s images deliver vibrant, saturation-rich JPEGs with smooth out-of-focus backgrounds at wide aperture.
- ZS15’s shots show more detail in distant subjects thanks to the superzoom, with slightly cleaner shadows.
- Both stumble in low-light images past ISO 400 with grain and softness becoming evident.
Final Performance Ratings
Both cameras cluster similarly in overall compact category scores, with the ZS15 edging slightly ahead due to versatility, while FX90 shines in handling and speed.
Detailed Genre-Specific Ratings
These scores break down the nuances we discussed - a handy overview for those prioritizing certain photographic disciplines.
Pricing and Value Considerations
Currently, the Panasonic FX90 hovers around $227, with the ZS15 about $279. This price gap buys you:
- Considerably longer zoom reach and manual exposure options on the ZS15.
- More compact and lighter handling on the FX90, plus touch controls.
For budget-conscious buyers, the FX90 is without a doubt a strong choice for casual shooting and beginners who want simplicity combined with decent image quality and portability. Conversely, the ZS15 is a better fit for enthusiasts who want more creative control, zoom reach, and better exposure versatility despite the cost and size penalty.
Real-World Recommendations: Who Should Buy Which?
Choose the Panasonic FX90 if you:
- Prioritize pocketability for street, travel, and casual portraiture.
- Prefer faster continuous shooting with reliable autofocus in good light.
- Value touchscreen controls for quick operation.
- Shoot mostly JPEG and don’t crave manual exposure tweaks.
- Are price-sensitive and want a fun, easy-to-use compact.
Opt for the Panasonic ZS15 if you:
- Need superzoom range for travel, wildlife, or sports snapshots.
- Want manual exposure controls (including aperture & shutter priority).
- Don’t mind sacrificing some portability for more reach and flexibility.
- Desire longer battery life for extended outings.
- Appreciate slightly better dynamic range and CMOS sensor benefits.
Closing Thoughts
While their specification sheets may look similar at a quick glance, the Panasonic FX90 and ZS15 target distinct users with their varied form factors and feature focus. I’ve always believed that in compact camera shopping, clarity about your shooting needs defines happiness down the line.
If you are hunting an easy-to-carry, fast-shooting companion for everyday adventures with solid image output, the FX90’s silver, slim chassis is a trustworthy friend. On the flip side, the ZS15’s robust zoom and manual controls appeal to those ready to wrestle more technical control from their pocket beast - and willing to lug it comfortably in exchange for flexibility.
Neither camera is flawless, and both show their age with sensor limitations and modest low light abilities, but within their niche, they hold their ground well. Just don’t expect DSLR or mirrorless muscle from these seasoned but pocketable Panasonic compacts.
With that, I hope my hands-on experiences and in-depth comparisons illuminate the right choice for you. Happy shooting!
For full technical specs and image samples, check out the reference images sprinkled above to visualize the size, control layout, sensor design, screen interfaces, and real-world photos from both cameras side by side!
Panasonic FX90 vs Panasonic ZS15 Specifications
Panasonic Lumix DMC-FX90 | Panasonic Lumix DMC-ZS15 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-FX90 | Panasonic Lumix DMC-ZS15 |
Also called as | - | Lumix DMC-TZ25 |
Category | Small Sensor Compact | Small Sensor Superzoom |
Introduced | 2011-08-26 | 2012-06-29 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4000 x 3000 |
Highest native ISO | 6400 | 6400 |
Minimum native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 23 | 23 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-120mm (5.0x) | 24-384mm (16.0x) |
Largest aperture | f/2.5-5.9 | f/3.3-5.9 |
Macro focusing range | 3cm | 3cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 3" | 3" |
Resolution of screen | 460 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60 seconds | 15 seconds |
Max shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shutter speed | 4.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.90 m | 6.40 m |
Flash modes | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 149 grams (0.33 pounds) | 208 grams (0.46 pounds) |
Dimensions | 102 x 56 x 22mm (4.0" x 2.2" x 0.9") | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 200 photos | 260 photos |
Battery format | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Launch cost | $227 | $279 |