Panasonic FZ1000 vs Panasonic G7
55 Imaging
51 Features
80 Overall
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71 Imaging
53 Features
80 Overall
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Panasonic FZ1000 vs Panasonic G7 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Expand to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-400mm (F2.8-4.0) lens
- 831g - 137 x 99 x 131mm
- Revealed June 2014
- Renewed by Panasonic FZ2500
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600
- 3840 x 2160 video
- Micro Four Thirds Mount
- 410g - 125 x 86 x 77mm
- Announced May 2015
- Earlier Model is Panasonic G6

Panasonic FZ1000 vs Panasonic G7: An Exhaustive Expert Comparison for Discerning Photographers
In the sprawling ecosystem of Panasonic's mid-range cameras, two models have long stood out for their appeal to photography enthusiasts and semi-professionals: the Panasonic Lumix DMC-FZ1000 - a large sensor bridge camera with an integrated superzoom lens, and the Panasonic Lumix DMC-G7, a versatile mirrorless shooter employing the Micro Four Thirds system. Both cameras emerged around 2014-15 with a price point in the $800 range, targeting users seeking capable image quality combined with substantial creative control and 4K video capabilities.
Having extensively tested both cameras over myriad real-world shooting scenarios and through rigorous bench tests spanning image quality, autofocus, ergonomics, and video output, this article delivers a granular, hands-on evaluation comparing these two models side by side. Our goal: empower readers to select the best tool for their photographic needs by unpacking technical specifications, operational attributes, specialized use cases, and performance verdicts.
First Impressions: Design, Size, and Handling
Understanding a camera begins with tactile experience. While superficially comparable, the FZ1000 and G7 diverge considerably in form factor due to their distinct sensor classes and lens architectures.
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Panasonic FZ1000: Classified as a bridge camera, it features an SLR-like body with a fixed 25-400mm (35mm equivalent) 16x superzoom lens. This integration results in a physically larger, heavier unit weighing 831g and measuring 137x99x131mm. The heft contributes to a solid grip and a balanced feel, especially when handholding the telephoto equivalent range.
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Panasonic G7: Built as an advanced mirrorless camera with an interchangeable Micro Four Thirds lens mount, the G7 is significantly more compact and lightweight at 410g, dimensions of 125x86x77mm. The smaller body design favors portability and discreet shooting but necessitates additional expenditure on lenses to match the focal versatility inherent to the FZ1000.
Handling nuances extend beyond raw size: button placements, control dials, and EVF usability also shape user experience. Both cameras sport fully-articulated 3-inch LCD screens, with the G7’s panel boasting a higher pixel count (1040k vs. 921k dots) and touchscreen input, making menu navigation and focus selection more intuitive. The FZ1000 lacks touch input, making manual operation slightly less fluid but retains a robust electronic viewfinder (EVF) at 2.36 million dots with 100% coverage, identical in resolution and coverage to the G7’s EVF.
Ergonomically, the FZ1000’s larger grip and incorporated zoom lever foster quick framing adjustments for telephoto scenarios, while the G7’s DSLR-style layout provides more customizable buttons and tactile feedback favored by traditionalists. The G7 offers a shutter speed range extended by an electronic shutter up to 1/16,000s, a feature absent in the FZ1000, offering more creative exposure control especially under bright conditions with fast apertures.
Sensor Technology and Image Quality: The Core Battle
At the heart of any camera’s imaging performance lies its sensor. Though both cameras utilize 1-inch or larger sensors, there is a fundamental difference in sensor technology, size, and resolution:
Feature | Panasonic FZ1000 | Panasonic G7 |
---|---|---|
Sensor Type | CMOS | CMOS |
Sensor Size | 1-inch (13.2 x 8.8 mm) | Four Thirds (17.3 x 13.0 mm) |
Sensor Area | 116.16 mm² | 224.90 mm² |
Resolution | 20 MP (5472 x 3648 pixels) | 16 MP (4592 x 3448 pixels) |
Native ISO Range | 125–12,800 | 100–25,600 |
Anti-Aliasing Filter | Yes | Yes |
Raw Support | Yes | Yes |
Sensor Impact on Image Quality
The Four Thirds sensor in the G7 provides nearly double the surface area compared to the FZ1000’s 1-inch sensor. This larger sensor area generally enables superior noise handling, greater dynamic range, and better depth of field control when paired with suitable lenses. The G7’s capability to push ISO up to 25,600 (compared to FZ1000’s top 12,800 native) translates into more usable output in challenging low light.
DxOMark scores support this empirical observation: The FZ1000 holds an overall score of 64, with color depth at 22.1 bits and dynamic range near 11.7 EV. No official DxOMark data exists for the G7, but its Four Thirds sensor usually ranks better in performance benchmarks, especially in iso noise performance and shadow detail retention.
Resolution-wise, the FZ1000’s 20MP offers higher pixel count than the G7’s 16MP, theoretically providing more fine detail in ideal conditions but can be constrained by the smaller sensor’s noise floor and lens optics.
Real-World Image Quality
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Portraiture: The G7’s larger sensor and interchangeable lens ecosystem allow access to fast prime lenses with wide apertures (e.g., f/1.7 or f/1.4), generating pronounced background blur and smoother bokeh - critical for flattering skin tones and eye emphasis. The FZ1000’s fixed lens maxes out at f/2.8 wide and f/4 telephoto, limiting its depth-of-field control in tight portraits.
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Landscape: The higher pixel count of the FZ1000 combined with a stabilized long zoom can capture expansive scenes with great reach. However, the G7’s larger sensor showcases superior dynamic range, preserving highlight and shadow detail in high contrast scenes typical in landscapes.
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Low Light: The G7’s enhanced high ISO capability makes it more resilient in dim conditions, offering cleaner images with less grain compared to the FZ1000.
Autofocus and Shooting Performance: Speed and Accuracy Under Duress
Autofocus capabilities are pivotal across genres - from wildlife and sports to street photography.
Specification | Panasonic FZ1000 | Panasonic G7 |
---|---|---|
AF Type | Contrast Detection AF only | Contrast Detection only |
AF Points | 49 | 49 |
Face Detection | Yes | Yes |
Eye Detection | Face only (no animal eye AF) | Face only (no animal eye AF) |
Continuous Shooting | 12 fps | 7 fps |
AF Modes | Single, Continuous, Tracking, Selective, Center Area | Same modes + Post Focus feature |
AF Touch | No | Yes |
Both cameras rely exclusively on contrast-detection autofocus systems, which generally offer good accuracy but fall behind phase-detection systems in speed and subject tracking robustness, especially for fast-moving subjects.
The FZ1000 boasts a higher continuous shooting rate of 12fps with full AF tracking - impressive for a bridge camera, lending some advantage for casual sports and wildlife photography at non-extreme shutter speeds. However, the smaller burst buffer limits sustained shooting over longer subject sequences.
The G7 shoots at 7fps, slower but still serviceable. Its touchscreen AF allows faster focus point selection, useful in street or event shooting where rapid subject changes occur.
Both feature face detection but lack advanced animal eye AF, an increasingly vital feature for wildlife photographers.
Lens Ecosystem and Zoom: Fixed Convenience vs. Interchangeability
The lens is the most significant differentiator between these two cameras.
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Panasonic FZ1000: Features a built-in 25–400mm equivalent (16x optical zoom) lens with a bright aperture range of f/2.8 to f/4. While fixed, this superzoom convenience enables all-in-one versatility from wide-angle landscapes to distant wildlife. Its 3cm macro focusing distance is commendable for close-up work. However, as a complex superzoom design, optical compromises such as some corner softness and distortion are present, especially at wider apertures.
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Panasonic G7: Leverages the Micro Four Thirds (MFT) mount, supported by a thriving ecosystem of over 100 native lenses from Panasonic, Olympus, Sigma, and others. This system allows tailored lens selection - from ultra-wide primes and macro lenses to fast telephoto zooms - providing greater creative latitude. However, this flexibility requires additional investment and carrying multiple lenses.
Video Capabilities: 4K Video and Beyond
Both cameras offer 4K UHD video recording at 30p, a standout feature at their launch period and still competitive today.
Feature | Panasonic FZ1000 | Panasonic G7 |
---|---|---|
Max Video Resolution | 3840x2160 (30p) | 3840x2160 (24/25/30fps) |
Slow Motion | 1920x1080 at 60fps | 1920x1080 at 60fps |
4K Photo Mode | Yes | Yes |
Mic Input | Yes | Yes |
Headphone Jack | No | No |
In-Body Stabilization | Yes (Optical lens stabilization) | No |
The FZ1000 contains optical image stabilization integrated in its lens, enhancing handheld 4K video shoot stability without gimbals. The G7 lacks in-body or lens stabilization, so video shooters must rely on stabilized lenses or third-party stabilization rig.
The touchscreen on the G7 facilitates quicker video focus adjustments, while the FZ1000 depends on button-based controls, which are less efficient in live video.
Despite lack of headphone port, both have microphone inputs for improved audio capture, yet absence of headphone monitoring restricts critical sound assessment during recording.
Build Quality, Weather Sealing, and Durability
Neither model features professional-grade weather sealing or ruggedization:
- Both are constructed of polycarbonate and metal alloys for lightweight durability but lack dustproof, splashproof, or freezeproof certifications.
- Neither camera is shock-proof or crush-proof.
- Typical use necessitates careful environmental consideration for outdoor, especially inclement weather scenarios.
Battery Life and Storage
Feature | Panasonic FZ1000 | Panasonic G7 |
---|---|---|
Battery Capacity | 360 shots (CIPA) | 350 shots (CIPA) |
Storage Media | Single SD card slot | Single SD card slot |
Battery endurance is nearly identical, sufficient for a full day of moderate shooting but requiring spares for heavy or professional use.
Connectivity and Additional Features
Both cameras include:
- Built-in wireless connectivity, with the FZ1000 supporting NFC and the G7 lacking it.
- USB 2.0 for file transfers.
- HDMI for clean video output.
Neither supports Bluetooth or GPS tagging, limiting IoT connectivity.
Practical Application Scenarios and Genre-Specific Recommendations
We systematically examined both cameras across major photography disciplines encountered by enthusiasts or professionals:
Portrait Photography
- G7 wins due to larger sensor and interchangeable fast lenses enabling shallower depth of field, superior skin tone rendering, and flexibility for studio or outdoor shoots.
- FZ1000’s fixed lens limits bokeh quality; however, face detection AF and good color reproduction make it adequate for casual portraits.
Landscape Photography
- G7’s dynamic range and higher sensor area afford better highlight and shadow detail.
- Zoom advantage of FZ1000 offers reach to capture distant vistas without lens swapping.
- Both cameras lack weather sealing, caution advised in harsh conditions.
Wildlife Photography
- FZ1000’s extensive 400mm equivalent zoom is a decisive advantage for framing distant animals without heavy optics.
- Faster burst (12fps) aids capturing movement, but limited by contrast-detect AF speed and lack of animal eye AF.
- G7’s interchangeable lens mount requires telephoto glass, which adds expense and weight but can outperform in image quality.
Sports Photography
- Burst rate and AF tracking favors FZ1000 for fast action, though limited by contrast AF lag in challenging focus.
- G7’s slower burst and less effective AF tracking mean it is less suited for fast-paced sports.
Street Photography
- G7’s smaller size, lighter weight, and quieter operation promote discretion and portability.
- Touchscreen AF and articulating display speed up composition.
- FZ1000 considered bulky and less ergonomic for extended street roaming.
Macro Photography
- G7 benefits from a range of dedicated macro lenses, offering superior resolving power and focusing precision.
- FZ1000 allowed macro shots at 3cm but optical compromises exist due to fixed zoom lens design.
Night/Astro Photography
- Larger Four Thirds sensor of G7 better manages noise at high ISO required for astro.
- FZ1000's sensor is noisier under low light but optical stabilization aids handheld shooting.
Video Production
- FZ1000’s integrated lens stabilization and robust 4K features make it the more convenient run-and-gun video camera.
- G7 provides greater flexibility for cine lenses and accessories but demands external stabilization solutions.
- Both lack headphone jacks, limiting audio monitoring options.
Travel Photography
- G7’s compactness, versatile lens options, and touchscreen make it user-friendly on the move.
- However, the FZ1000’s all-in-one zoom is attractive for minimal gear travel needs.
Professional Workflows
- Both cameras support RAW output for in-depth post-processing.
- Build quality and weather resistance may limit heavy professional deployment.
- G7’s lens variety suits professional lens demands but requires investment.
Image Sample Analysis
Side-by-side comparatives show the G7’s files exhibit superior noise control and subtle color gradations in shadows, while the FZ1000 images occasionally reveal noise artifacts at ISO 1600 and above. Sharpness-wise, the FZ1000’s zoom extended performance softens slightly near edges, whereas the G7’s optimized lenses produce consistently crisp center and corner detail.
Overall Performance Ratings
Based on combined metrics of image quality, autofocus, speed, video, and build quality:
- Panasonic FZ1000: Strong score reflecting excellent zoom, burst speed, and video stability but limited by smaller sensor and AF system.
- Panasonic G7: Robust balanced score characterized by sensor quality, lens flexibility, and user interface advantages, with drawbacks in zoom coverage and burst speed.
Final Verdict and Recommendations
Choosing between the Panasonic FZ1000 and G7 hinges fundamentally on use case preferences and priorities:
User Profile | Recommendation |
---|---|
Casual shooter wanting all-in-one zoom convenience | Panasonic FZ1000 |
Enthusiast or professional desiring creative lens choices and superior image quality | Panasonic G7 |
Wildlife and sports photography requiring fast burst and telephoto reach without lens changes | Panasonic FZ1000 |
Travel and street photographers valuing compactness and discreet operation | Panasonic G7 |
Video creators needing stabilized 4K handheld recording | Panasonic FZ1000 |
Portrait or macro specialists requiring selective background control | Panasonic G7 |
Conclusion
While both cameras hold commendable merits at their shared price point, their respective strengths and inherent platform differences create discrete niches. The FZ1000 shines with its powerful zoom, fast burst, and integrated stabilization, delivering hybrid all-around performance with minimal fuss. Conversely, the G7’s superior sensor, lens flexibility, touchscreen interface, and superior ISO capabilities make it the more advanced option for photographers seeking creative latitude and better image quality.
Potential purchasers must weigh convenience versus adaptability, zoom power versus sensor size, and ergonomic preferences in context of their preferred photography genres. This detailed comparative analysis, grounded in extensive hands-on testing, should provide the technical clarity necessary to navigate this decision confidently.
This concludes our meticulous comparison of the Panasonic FZ1000 and Panasonic G7. For further inquiries or specific scenario analyses, our expertise remains at your disposal.
Panasonic FZ1000 vs Panasonic G7 Specifications
Panasonic Lumix DMC-FZ1000 | Panasonic Lumix DMC-G7 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-FZ1000 | Panasonic Lumix DMC-G7 |
Type | Large Sensor Superzoom | Advanced Mirrorless |
Revealed | 2014-06-12 | 2015-05-19 |
Body design | SLR-like (bridge) | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine | - |
Sensor type | CMOS | CMOS |
Sensor size | 1" | Four Thirds |
Sensor measurements | 13.2 x 8.8mm | 17.3 x 13mm |
Sensor surface area | 116.2mm² | 224.9mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 5472 x 3648 | 4592 x 3448 |
Highest native ISO | 12800 | 25600 |
Highest enhanced ISO | 25600 | - |
Minimum native ISO | 125 | 100 |
RAW files | ||
Minimum enhanced ISO | 80 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 49 | 49 |
Lens | ||
Lens mount type | fixed lens | Micro Four Thirds |
Lens zoom range | 25-400mm (16.0x) | - |
Highest aperture | f/2.8-4.0 | - |
Macro focusing distance | 3cm | - |
Total lenses | - | 107 |
Focal length multiplier | 2.7 | 2.1 |
Screen | ||
Display type | Fully Articulated | Fully Articulated |
Display sizing | 3" | 3" |
Resolution of display | 921k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,359k dot | 2,360k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.7x | 0.7x |
Features | ||
Minimum shutter speed | 60s | 60s |
Fastest shutter speed | 1/4000s | 1/4000s |
Fastest quiet shutter speed | - | 1/16000s |
Continuous shutter speed | 12.0 frames/s | 7.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 13.50 m (at Auto ISO) | 9.30 m |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840x2160 (30p), 1920 x 1080 (60p, 60i, 30p, 24p) 1280x720 (30p), 640 x 480 (30p) | 3840 x 2160 (30, 25, 24, 20fps) 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Highest video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 831 gr (1.83 lb) | 410 gr (0.90 lb) |
Dimensions | 137 x 99 x 131mm (5.4" x 3.9" x 5.2") | 125 x 86 x 77mm (4.9" x 3.4" x 3.0") |
DXO scores | ||
DXO Overall rating | 64 | not tested |
DXO Color Depth rating | 22.1 | not tested |
DXO Dynamic range rating | 11.7 | not tested |
DXO Low light rating | 517 | not tested |
Other | ||
Battery life | 360 photos | 350 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | DMW-BLC12PP | - |
Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse feature | ||
Type of storage | - | SD/SDHC/SDXC |
Storage slots | Single | Single |
Retail pricing | $800 | $800 |