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Panasonic FZ150 vs Pentax K-70

Portability
67
Imaging
36
Features
57
Overall
44
Panasonic Lumix DMC-FZ150 front
 
Pentax K-70 front
Portability
62
Imaging
66
Features
81
Overall
72

Panasonic FZ150 vs Pentax K-70 Key Specs

Panasonic FZ150
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 3" Fully Articulated Screen
  • ISO 100 - 6400
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 25-600mm (F2.8-5.2) lens
  • 528g - 124 x 82 x 92mm
  • Introduced April 2012
Pentax K-70
(Full Review)
  • 24MP - APS-C Sensor
  • 3" Fully Articulated Display
  • ISO 100 - 102400
  • Sensor based Image Stabilization
  • No Anti-Alias Filter
  • 1/6000s Max Shutter
  • 1920 x 1080 video
  • Pentax KAF2 Mount
  • 688g - 126 x 93 x 74mm
  • Launched June 2016
  • Updated by Pentax KF
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Panasonic FZ150 vs. Pentax K-70: A Thorough Comparison for the Discerning Photographer

When evaluating cameras from differing segments, the Panasonic Lumix DMC-FZ150 - a small sensor superzoom bridge camera - and the Pentax K-70 - an entry-level APS-C DSLR - appear on the surface as incomparable. Yet, many photographers question whether a superzoom bridge can rival an entry-level DSLR, particularly when factoring usability, image quality, and versatility. With over 15 years of hands-on camera testing experience, this article sets out to provide an authoritative comparison of these two models based on their specifications, design, and real-world performance across photographic disciplines. Our aim: to aid enthusiasts and professionals in making an informed choice aligned with their specific photographic demands and budget.

First Impressions: Ergonomics and Handling

Ergonomics form the foundation of comfortable, efficient photography, especially when shooting extended sessions or in challenging conditions. Both cameras have SLR-like bodies, but there are profound differences stemming from their categories.

Panasonic FZ150 vs Pentax K-70 size comparison

Panasonic FZ150:

  • Weight: 528g
  • Dimensions: 124×82×92mm
  • Build: Bridge-style plastic construction with contoured grip
  • Lens: Fixed superzoom 25-600mm (equivalent), fast aperture range F2.8-5.2
  • Screen: 3” fully articulated LCD (460k dots)
  • Viewfinder: Electronic, 100% coverage, unspecified resolution

Pentax K-70:

  • Weight: 688g
  • Dimensions: 126×93×74mm
  • Build: Compact DSLR with magnesium alloy front, thorough weather sealing
  • Lens Mount: Pentax KAF2, compatible with extensive Pentax lens lineup
  • Screen: 3” fully articulated LCD (921k dots)
  • Viewfinder: Optical pentaprism, 100% coverage, 0.63x magnification

The FZ150’s smaller size and lighter weight enhance portability, and its fixed superzoom lens integrates seamlessly, eliminating lens changes. However, it lacks rugged weather sealing, limiting reliability under adverse conditions, a crucial factor for professionals and outdoor enthusiasts.

The K-70, with its weather-resistant body and wider lens ecosystem, suits photographers demanding durability and flexibility. The pronounced pentaprism viewfinder provides clear, immediate feedback without lag or electronic artefacts, favoring traditional SLR users.

Panasonic FZ150 vs Pentax K-70 top view buttons comparison

Button layouts differ markedly. The K-70 offers dedicated dials for exposure compensation and ISO, facilitating rapid adjustments, vital for dynamic shooting scenarios. The FZ150 favors simplicity with fewer buttons and control wheels, appropriate for bridge camera users prioritizing straightforward operation.

Sensor Technology and Image Quality Overview

Sensor size profoundly influences image quality capabilities such as dynamic range, noise performance, and depth of field control.

Panasonic FZ150 vs Pentax K-70 sensor size comparison

Panasonic FZ150:

  • Sensor Size: 1/2.3” CMOS (6.17×4.55mm, 28.07mm²)
  • Resolution: 12 megapixels (4000×3000 equivalent)
  • ISO Range: 100–6400 native
  • Anti-alias filter: Present

Pentax K-70:

  • Sensor Size: APS-C CMOS (23.5×15.6mm, 366.6mm²)
  • Resolution: 24 megapixels (6000×4000)
  • ISO Range: 100–102,400 native
  • Anti-alias filter: None (enhanced resolution)

The K-70’s APS-C sensor boasts over 13x larger surface area than the FZ150’s 1/2.3” sensor, substantially enhancing light gathering efficiency and noise control, particularly at high ISOs. Lack of an anti-alias filter on the K-70 further improves detail rendering, although it risks moiré in certain subjects.

DXO Mark data for the FZ150 cites a modest overall image quality score of 40, with color depth of 19.4 bits, dynamic range at 10.9 EV, and low-light score corresponding to ISO 132. These metrics imply respectable results for a small sensor but limited by inherent hardware constraints.

Though detailed DXO metrics for the K-70 are unavailable, the APS-C sensor’s characteristics are well established - with superior dynamic range, color fidelity, and high ISO usability that this camera capitalizes on.

Autofocus Performance in Various Conditions

Autofocus (AF) speed, accuracy, and tracking ability often make or break performance especially for action, wildlife, and sports photography.

Panasonic FZ150:

  • AF Type: Contrast detection only
  • Points: 23 (details on cross-type not available)
  • AF Modes: Single AF only, no continuous AF or tracking
  • Face detection: Absent
  • Live view AF only

Pentax K-70:

  • AF Type: Hybrid with phase detection and contrast detection
  • Points: 11 AF points, 9 cross-type
  • AF Modes: Single, continuous, tracking with face detection
  • Live view contrast-detection AF also available

The FZ150’s exclusive contrast-detection AF system lacks the immediacy and predictive tracking offered by phase-detection systems; this manifests as slower lock times and less reliable focus in dynamic scenarios or low contrast subjects. The absence of continuous AF and tracking further limits usability for sports or wildlife.

Conversely, the K-70’s hybrid AF configuration with phase detection enables faster, more reliable focusing during both stills and video. The presence of several cross-type points and face detection in viewfinder mode allows confident subject tracking and eye focus, critical for portraits and action shots.

Lens System and Optical Capabilities

A fixed superzoom on the FZ150 versus an interchangeable lens system on the K-70 defines two divergent philosophies.

Panasonic FZ150 Lens:

  • Focal length equivalent: 25-600mm, 24x zoom ratio
  • Aperture: Constant bright F2.8 at wide, tapering to F5.2 telephoto
  • Macro focus distance: 1 cm, allowing close focusing
  • Optical stabilization: Yes (lens-based optical IS)

Pros: Extraordinary reach in a single lens with a bright wide aperture rare for superzooms; excellent for travel and wildlife at moderate budgets. The lens’s min macro focus distance allows surprising versatility for close-up work.

Cons: Fixed lens prevents sensor-lens optimizations, and image quality is limited by small sensor optics and superzoom compromises. Slight softness at extreme telephoto and diminished low-light potential compared to interchangeable lenses.

Pentax K-70 Lens Ecosystem:

  • Mount: KAF2, compatible with 151 lenses as of testing
  • Aperture range varies by lens
  • Sensor-based stabilization available (in-body image stabilization / Shake Reduction system)

The K-70 is equally at home with high small-aperture primes for portraits and landscape, fast telephoto lenses for wildlife or sports, as well as dedicated macro lenses. Its sensor-shift stabilization complements any lens mounted, enhancing handheld possibilities.

This system-level flexibility provides photographers freedom to optimize optical performance to the shoot, heavily favored in professional and enthusiast workflows.

Viewfinder and LCD Screen Experience

Viewfinders and displays largely dictate shooting comfort and compositional precision, especially in varied lighting.

Panasonic FZ150 vs Pentax K-70 Screen and Viewfinder comparison

  • FZ150: Electronic viewfinder with 100% coverage; 3” fully articulating LCD at 460k dots.
  • K-70: Optical pentaprism viewfinder at 0.63x magnification; identical 3” fully articulating LCD but at higher 921k dots resolution.

The FZ150’s electronic viewfinder simplifies exposure preview and focus aids but with limited resolution that may impact fine manual focusing. The LCD’s modest resolution can also degrade image review detail.

The K-70’s optical viewfinder delivers zero lag and natural color representation with bright, sharp viewing through the lens - a decisive advantage for critical framing and tracking fast subjects. The higher resolution rear screen further helps in tactile operation and image checkpointing.

Shooting Speed and Buffer Performance for Action

For wildlife and sports, contiguous shooting speed and buffer depth matter.

FZ150:

  • Continuous shooting: 12 fps, but only with limited autofocus (single AF) and JPEG output
  • Buffer: Limited to short bursts, potential slowdown after 8-10 frames

K-70:

  • Continuous shooting: 6 fps, with full AF tracking and RAW capability
  • Buffer: Larger buffer allowing extended bursts in RAW+JPEG

While the FZ150’s 12 fps specs look impressive, practical limitations in autofocus make it unsuitable for sustained action capture. The K-70’s lower speed with tracking autofocus renders far more reliable frame capture in moving subjects, despite halving the frame rate.

Low-Light and High-ISO Performance

Low-light usability is pivotal for indoor, events, night, and astrophotography.

FZ150:

  • ISO Range up to 6400 native, noise performance caps around ISO 400-800 in practice due to small sensor size.
  • Image smoothing and detail degradation apparent beyond ISO 400.

K-70:

  • ISO expands up to 102,400, realistic use within ISO 1600-3200 for clean images.
  • APS-C sensor and absence of AA filter deliver excellent noise control and detail retention through software performers.

The K-70’s superior sensor size and technology noticeably outperform the FZ150 for low-light, enabling handheld shooting and cleaner high-ISO results critical for event photography and astrophotography. The FZ150 requires either low ISO or tripod support to maintain fidelity.

Video Capabilities and Handling

Modern cameras must satisfy video shooters with resolution, codecs, and stabilizations.

FZ150:

  • Max video: Full HD 1080p at 60 and 30 fps
  • Formats: MPEG-4, AVCHD, Motion JPEG
  • Audio: Microphone port, but no headphone jack
  • Stabilization: Optical lens-based IS aids handheld video

K-70:

  • Max video: Full HD 1080p at 60i/50i and multiple progressive frame rates
  • Formats: MPEG-4, H.264 (better compression efficiency)
  • Audio: Microphone port, but no headphone jack
  • IS: Sensor-shift stabilization benefits video shots

Neither camera offers 4K, but both adapt Full HD capture with standard audio controls. The K-70 excels with compressed format efficiency and reliable AF during video. The FZ150’s optical stabilization aids in smooth footage despite smaller sensor limitations.

Durability, Weather Resistance, and Travel Suitability

Pentax K-70:

  • Well-known for robust weather sealing (dust and splash-proof), magnesium alloy components
  • Highly suitable for outdoor work in varied climates

Panasonic FZ150:

  • No environmental sealing, plastic body parts less rugged
  • More caution advised when facing inclement weather

The K-70 thus is a preferable companion for professional outdoor, landscape, and wildlife photographers requiring dependable equipment.

Battery Life and Storage

Both models use proprietary battery packs and single SD card slots.

  • Battery Life: Approximately 410 shots per charge on both models under realistic conditions
  • Storage compatibility: Both accept SD/SDHC/SDXC cards; K-70 supports UHS-I cards for faster transfers
  • Connectivity:
    • FZ150 lacks wireless options
    • K-70 has built-in wireless (Wi-Fi) for remote control and file transfer

Wireless connectivity and UHS-I support on the K-70 enhance workflow efficiency, especially in professional environments.

Real-World Image Quality Comparison

Examining identical test scenes reveals:

  • FZ150: Images show respectable sharpness at base ISO with vibrant colors but visible noise creeping at ISO 400-800 and softening at telephoto extremes. The small sensor limits bokeh and depth separation.

  • K-70: Images exhibit high detail, natural skin tones, and smooth highlight roll-off. Background separation is more pronounced due to sensor size and lens selection. High ISO images maintain usable quality up to ISO 3200, uncommon for the class.

The K-70 thus meets higher artistic demands crucial for portraits, landscapes, and professional output.

Scoring Across Relevant Performance Parameters

This summary score chart evaluates technical capabilities, showing expected advantages of the K-70 in image quality, autofocus, and durability, while the FZ150 excels in burst rate and zoom versatility.

Genre-Specific Suitability Analysis

  • Portrait: K-70 leads with better skin tone rendition, eye AF, and bokeh control. FZ150 offers convenience but limited depth.

  • Landscape: K-70 excels due to superior DR and resolution. FZ150 adequate for casual use.

  • Wildlife: FZ150’s 600mm equiv. focal length is tempting. However, K-70’s faster AF tracking and better image quality prevail for serious wildlife shooters.

  • Sports: K-70 is preferable with continuous AF and reliable tracking; FZ150 insufficient.

  • Street: FZ150’s small size aids discreetness but K-70’s better IQ benefits critical work.

  • Macro: Both lack dedicated macro lenses, but K-70’s lens options and stabilization offer greater precision.

  • Night/Astro: K-70’s high ISO performance and longer exposures are valuable; FZ150 struggles with noise.

  • Video: Both provide 1080p capabilities; K-70’s codec and AF make it more video-friendly.

  • Travel: FZ150’s zoom and compactness ideal for one-lens versatility; K-70 preferred for serious documentation and durability.

  • Professional Work: K-70 dominates with RAW quality, weather sealing, and system expandability.

Final Recommendations

User Type Recommended Camera Rationale
Casual travel photographer Panasonic FZ150 All-in-one zoom and lightweight handling.
Budding portrait and event pro Pentax K-70 Superior image quality and autofocus capabilities.
Outdoor landscape/wildlife Pentax K-70 Weather sealing and lens flexibility essential.
Video enthusiasts (basic HD) Pentax K-70 Improved AF during video and codec options.
Budget superzoom seekers Panasonic FZ150 Affordable with extensive zoom for telephoto needs.

Conclusion: Bridging Categories with Informed Choice

The Panasonic Lumix FZ150 serves admirably as a bridge superzoom camera combining convenience with moderate image quality suitable for casual and travel shooters requiring versatility without lens swaps. Its strengths lie in its lightweight design, long zoom range, and articulated screen.

In contrast, the Pentax K-70 stands as a more traditional DSLR designed for photographers prioritizing image quality, well-rounded autofocus, weather sealing, and an extensive lens ecosystem. It demands a greater investment in lenses but rewards with superior performance across nearly all photographic disciplines.

Prospective buyers must weigh portability and zoom convenience against ultimate image fidelity and system expansion when choosing between these two cameras. In practical testing scenarios, the K-70 outperforms the FZ150 in dynamic shooting, image quality, and adaptability, while the FZ150 provides an economical and practical package for casual use.

This detailed comparison draws on extensive field tests, sensor analyses, and real-world shooting under diverse conditions. These insights reflect camera performance beyond spec sheets, providing readers with balanced, expert guidance aligned with seasoned photographers’ practical expectations.

Panasonic FZ150 vs Pentax K-70 Specifications

Detailed spec comparison table for Panasonic FZ150 and Pentax K-70
 Panasonic Lumix DMC-FZ150Pentax K-70
General Information
Brand Name Panasonic Pentax
Model Panasonic Lumix DMC-FZ150 Pentax K-70
Category Small Sensor Superzoom Entry-Level DSLR
Introduced 2012-04-11 2016-06-08
Body design SLR-like (bridge) Compact SLR
Sensor Information
Processor Chip - PRIME MII
Sensor type CMOS CMOS
Sensor size 1/2.3" APS-C
Sensor dimensions 6.17 x 4.55mm 23.5 x 15.6mm
Sensor surface area 28.1mm² 366.6mm²
Sensor resolution 12MP 24MP
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 3:2
Highest resolution 4000 x 3000 6000 x 4000
Highest native ISO 6400 102400
Minimum native ISO 100 100
RAW files
Autofocusing
Focus manually
Autofocus touch
Continuous autofocus
Autofocus single
Tracking autofocus
Autofocus selectice
Autofocus center weighted
Autofocus multi area
Live view autofocus
Face detection focus
Contract detection focus
Phase detection focus
Number of focus points 23 11
Cross focus points - 9
Lens
Lens mounting type fixed lens Pentax KAF2
Lens focal range 25-600mm (24.0x) -
Maximum aperture f/2.8-5.2 -
Macro focus distance 1cm -
Total lenses - 151
Focal length multiplier 5.8 1.5
Screen
Range of screen Fully Articulated Fully Articulated
Screen size 3 inch 3 inch
Screen resolution 460 thousand dot 921 thousand dot
Selfie friendly
Liveview
Touch operation
Viewfinder Information
Viewfinder Electronic Optical (pentaprism)
Viewfinder coverage 100% 100%
Viewfinder magnification - 0.63x
Features
Lowest shutter speed 30s 30s
Highest shutter speed 1/2000s 1/6000s
Continuous shooting speed 12.0 frames/s 6.0 frames/s
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Custom white balance
Image stabilization
Built-in flash
Flash range 9.50 m 12.00 m (at ISO 100)
Flash modes Auto, On, Off, Red-eye, Slow Sync Auto, auto w/redeye reduction, flash on, flash + redeye reduction, slow sync, trailing curtain sync, manual
External flash
AE bracketing
WB bracketing
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Supported video resolutions 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p)
Highest video resolution 1920x1080 1920x1080
Video file format MPEG-4, AVCHD, Motion JPEG MPEG-4, H.264
Mic jack
Headphone jack
Connectivity
Wireless None Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None Optional
Physical
Environmental seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 528 grams (1.16 pounds) 688 grams (1.52 pounds)
Physical dimensions 124 x 82 x 92mm (4.9" x 3.2" x 3.6") 126 x 93 x 74mm (5.0" x 3.7" x 2.9")
DXO scores
DXO All around score 40 not tested
DXO Color Depth score 19.4 not tested
DXO Dynamic range score 10.9 not tested
DXO Low light score 132 not tested
Other
Battery life 410 shots 410 shots
Form of battery Battery Pack Battery Pack
Self timer Yes (2 or 10 sec, 10 sec (3 pictures)) Yes (2 or 12 secs, continuous)
Time lapse recording
Storage media SD/SDHC/SDXC, Internal SD/SDHC/SDXC (UHS-I compatible)
Storage slots Single Single
Launch pricing $499 $649