Panasonic FZ300 vs Panasonic G3
59 Imaging
37 Features
73 Overall
51


83 Imaging
51 Features
62 Overall
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Panasonic FZ300 vs Panasonic G3 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1/16000s Max Shutter
- 3840 x 2160 video
- 25-600mm (F2.8) lens
- 691g - 132 x 92 x 117mm
- Revealed July 2015
- Succeeded the Panasonic FZ200
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Introduced July 2011
- Old Model is Panasonic G2
- Refreshed by Panasonic G5

Panasonic FZ300 vs Panasonic G3: An In-Depth Comparison for Enthusiasts and Professionals
Selecting the right camera involves balancing image quality, system versatility, ergonomics, and specialized features aligned with your photographic pursuits. In this analysis, we rigorously compare the Panasonic Lumix DMC-FZ300 and the Panasonic Lumix DMC-G3, two cameras with distinctly different design philosophies and target users but overlapping appeal. Leveraging extensive hands-on testing experience and detailed technical examination, this article disentangles the practical performance, usability, and value of these models across major photographic disciplines, aiding serious buyers to make informed decisions.
Physical Design and Handling – Balancing Bulk and Control
At a glance, the Panasonic FZ300 and G3 differ significantly in form factor and handling dynamics.
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FZ300: A bridge camera with SLR-like body style, the FZ300 weighs 691g and measures approximately 132x92x117 mm, reflecting robust construction with environmental sealing for dust and moisture resistance. Its integrated 24x zoom lens (25-600mm equivalent) enables high telephoto reach without lens changes. The pronounced grip and button layout facilitate secure handling in varied conditions.
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G3: A much lighter mirrorless body at 336g and compact dimensions of 115x84x47 mm, designed for portability and easy system expansion. It uses the Micro Four Thirds mount, supporting a wide lens ecosystem. The G3 is not weather-sealed, limiting rugged usability, but its size makes it attractive for travel and casual shooting.
Both cameras feature fully articulated 3-inch LCD screens; however, the FZ300 screen boasts 1040K-dot resolution and touch capability. In contrast, the G3’s 460K-dot TFT screen offers a lower resolution but retains touch and articulation. The electronic viewfinders on both deliver a 1440-dot resolution with 100% coverage, though the G3 offers a modest magnification advantage (0.7x).
Ergonomically, the FZ300’s control layout favors photographers who prefer dedicated dials and buttons for quick setting changes - advantageous in dynamic shooting contexts. The G3 emphasizes compactness with pared-down controls, which may necessitate more reliance on menu navigation.
Sensor Technology and Image Quality – Size and Resolution Implications
The core of photographic output quality is sensor design. These models represent different sensor classes influencing resolution, noise profiles, and dynamic range.
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FZ300: Houses a small 1/2.3" CMOS sensor measuring 6.17x4.55 mm (28.07 mm²) with 12 MP resolution (4000x3000 pixels). This sensor size is typical of superzoom bridge cameras and imposes constraints on noise management and depth of field control due to smaller photosites. Nevertheless, Panasonic integrates the Venus Engine processor to optimize noise reduction and color reproduction.
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G3: Utilizes the larger Four Thirds sensor (17.3x13 mm, 224.9 mm²), offering substantially more surface area (~8x the size of the FZ300 sensor). With 16 MP resolution (4592x3448 pixels), the G3 delivers higher pixel density combined with significant light-gathering capabilities. This translates to superior dynamic range, color depth, and high ISO performance, attributes that advanced users value for professional workflows.
The sensor difference profoundly affects low-light usability, image tonality, and the ability to produce shallow depth of field effects that accentuate subject isolation.
Image Quality Testing Insights
Extensive lab and field tests reveal the following comparative image quality trends:
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Color Rendition and Depth: The G3’s larger sensor achieves higher DxO Mark color depth scores (21.0 vs. untested for FZ300) with richer tonal gradations ideal for portrait and landscape reproduction.
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Dynamic Range: The G3 excels with approximately 10.6 EV of dynamic range, proving its mettle in high-contrast scenes. The FZ300’s smaller chip limits it to a narrower dynamic range, potentially clipping highlights or burying shadows under challenging lighting.
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ISO Performance: Testing highlights the G3 maintaining usable detail up to ISO 1600-3200, while the FZ300’s noise becomes evident beyond ISO 400-800. This has workflow implications in genres like indoor events and night photography.
Autofocus System and Shooting Responsiveness
Focusing performance deeply influences success across wildlife, sports, and street photography.
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FZ300: Equipped with 49 contrast-detection AF points, it lacks phase detection (PDAF) but compensates with fast continuous AF and tracking algorithms tailored to its sensor and processor. The camera supports continuous shooting at 12 fps, commendable for a bridge camera, contributing to capturing fast action.
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G3: Features 23 contrast-detection focus points, also without PDAF, but benefits from a larger sensor facilitating more precise AF calculation. It shoots at a modest 4 fps continuous burst, impacting action photography potential.
In practical use, the FZ300’s higher continuous speed favors sports and wildlife subjects at a distance; however, its AF may struggle subtly in low-light or low-contrast conditions due to the sensor size and contrast detection reliance. The G3, while slower, offers generally accurate focus with some lag in continuous modes.
Note: Neither camera supports advanced AI-based eye or animal eye AF, a limitation for portrait and wildlife shooters accustomed to contemporary focusing aids.
Lens Ecosystem Versus All-in-One Convenience
One decisive factor in choosing between these cameras is system expandability.
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FZ300: Features a sealed, integrated zoom lens (25–600mm equivalent) with a constant f/2.8 aperture, rare amongst superzoom cameras, providing low-light usability and attractive bokeh potential for a small-sensor bridge camera. The fixed lens negates the need (and flexibility) to swap optics but limits optical quality upgrades or specialty lenses for macro or ultra-wide primes.
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G3: Uses the Micro Four Thirds standard, with availability of over 100 lens options from Panasonic, Olympus, and third parties. This broad ecosystem includes fast primes, macro, ultra-wide, fisheye, and specialized telephoto lenses. Users can tailor their lens kits to genre demands, from portraiture to macro to landscape.
Thus, golfers should weigh the FZ300’s single-lens all-in-one convenience against the G3’s system flexibility, understanding that lens investment and portfolio growth potential significantly favor the G3.
Video Capabilities and Multimedia Utility
Contemporary users expect hybrid photo-video performance.
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FZ300: Provides robust video specs with UHD 4K recording (3840x2160 pixels) at 30/24 fps, plus Full HD up to 60 fps. It supports 4K Photo mode (extracting 8MP stills at 30fps) and has a microphone input for improved audio, though no headphone jack for monitoring.
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G3: Limited to Full HD video (1920x1080) at 60 fps maximum, lacking 4K support. It records in AVCHD and Motion JPEG formats but lacks microphone or headphone ports, constraining audio control.
For video-focused users, the FZ300’s advanced codec options, higher resolution, and audio input are significant advantages, especially for run-and-gun shooting and multimedia storytelling.
User Interface, Controls, and Usability Features
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FZ300: Offers an extensive button array with physical dials for aperture and shutter speed, eye-level EVF for monitoring, and a fully articulating 3" touchscreen with 1040K dots ensuring bright, crisp composition and menu navigation even in strong daylight. The camera supports Wi-Fi connectivity for image transfer and remote control, streamlining modern workflows.
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G3: Its interface features fewer physical controls and buttons, relying more on touchscreen interaction and menus, which may slow down access under time pressure. The lower-resolution screen can feel less precise when reviewing images. There is no wireless connectivity, imposing steps for image sharing or tethering.
Both models lack high-speed USB or advanced wireless standards (e.g., Bluetooth, NFC). Battery life favors the FZ300 (approx. 380 shots per charge) over the G3 (270 shots), enhancing utility in extended field use.
Performance Across Major Photography Genres
To provide thorough practical context, here is how these cameras perform across key applications:
Portrait Photography
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G3 excels with a larger sensor delivering better skin tone accuracy and gradation, and interchangeable lenses including sharp fast primes with wider apertures. Its depth-of-field control achieves smoother background separation.
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FZ300, despite a smaller sensor, surprises with a constant f/2.8 lens for decent background blur at telephoto. Its 4K Photo mode is helpful for candid expressions. Skin tone rendering is acceptable but less nuanced.
Landscape Photography
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G3 dominates landscape with wider dynamic range capturing shadows and highlights, plus access to ultra-wide high-resolution primes.
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FZ300’s superzoom flexibility enables distant vistas but with less detail fidelity. The weather sealing is a notable advantage here, although the smaller sensor limits large prints or extensive cropping.
Wildlife and Sports Photography
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FZ300’s 12 fps burst and 24x zoom puts it ahead for casual wildlife and distant sports coverage, though AF may falter on erratic subjects.
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G3’s slower continuous rate and limited reach require lens investment but offer superior tracking accuracy once equipped with telephoto optics.
Street Photography
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G3’s compact size and lower weight favor inconspicuous shooting and quick framing.
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FZ300 is noticeably bulkier, which could draw attention, but its fast zoom enables framing flexibility from a distance.
Macro Photography
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G3 benefits from compatible dedicated macro lenses, offering high magnifications and precise manual focus aids.
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FZ300 supports close focus to 1 cm and features optical image stabilization, enabling handheld macro work with good sharpness, though magnification is less than MFT system lenses.
Night and Astro Photography
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G3’s superior high ISO and dynamic range make it the better choice for star fields and low-light scenes.
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FZ300 is handicapped by small sensor noise and less latitude but benefits from a fast lens for handheld night shots.
Video Use Cases
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The FZ300 is the stand-out performer with 4K capability, microphone input, and impressively stable handheld footage due to optical IS.
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The G3 is serviceable for casual Full HD, but lacks features needed for serious video professionals.
Travel Photography
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The G3’s lightweight system is ideal for travelers who prioritize compactness and lens selection.
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The FZ300 suits users who prefer a rugged, versatile all-in-one camera without lugging extra glass.
Professional Workflows
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G3’s raw file quality and system expandability align better with professional post-production demands.
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The FZ300, while providing raw output, trades off sensor fidelity and lens quality restricting some professional use cases.
Durability, Build Quality, and Weather Resistance
A significant operational difference is the FZ300’s rugged chassis with weather/dust sealing, enabling confident use in challenging outdoor environments without additional protective accessories.
The G3’s lightweight plastic body lacks environmental sealing, making it vulnerable in wet or dusty conditions. Handling precautions are recommended to prevent damage.
Connectivity and Storage Considerations
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FZ300: Includes built-in Wi-Fi for remote control and wireless image transfer, improving workflow efficiency. Its SD/SDHC/SDXC card slot accepts modern faster cards.
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G3: Omits wireless functions entirely, relying on cable-based transfers and manual card removal, which may impede speed for professional or rapid workflows.
Both cameras have a single SD card slot, no dual-slot backup.
Battery Life Comparison
The testing benchmark for battery endurance reveals:
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FZ300: Rated for approximately 380 shots per charge under CIPA standards, benefiting from a larger battery capacity and efficient Venus Engine processing.
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G3: Approximately 270 shots per charge, reflecting its earlier generation design and smaller battery.
While both require spares for intensive shooting days, the FZ300’s stamina is appreciably better.
Evaluated Strengths and Limitations Summary
Criterion | Panasonic FZ300 | Panasonic G3 |
---|---|---|
Sensor Size | 1/2.3" (small) | Four Thirds (larger) |
Resolution | 12 MP | 16 MP |
Lens Flexibility | Fixed 24x zoom f/2.8 | Interchangeable Micro Four Thirds |
AF Points | 49 (contrast detection) | 23 (contrast detection) |
Burst Shooting | 12 fps | 4 fps |
Video Resolution | 4K UHD (30fps) | Full HD (60fps) |
Weather Sealing | Yes | No |
Weight | 691g | 336g |
Battery Life | 380 shots | 270 shots |
Wireless Connectivity | Wi-Fi | None |
Price (approximate) | $598 | $500 |
Practical Recommendations Based on User Priorities
Choose the Panasonic FZ300 if:
- You require a rugged, weather-sealed camera suitable for outdoor, adventure, wildlife, and travel photography without swapping lenses.
- You need a powerful superzoom with a constant aperture to cover wide telephoto ranges and low-light scenarios.
- Video recording with 4K quality and microphone input is a priority.
- You desire faster burst rates for sports or action photography on a budget.
- Your workflow benefits from integrated wireless features for rapid image sharing.
Choose the Panasonic G3 if:
- Image quality with high detail, better color fidelity, and low-light performance is paramount.
- You aim for system versatility through the extensive Micro Four Thirds lens ecosystem, including specialty optics for portraits, macro, and landscapes.
- Portability, lightweight design, and discrete operation for street or travel photography are critical.
- You plan to engage in more controlled, studio or professional workflows that leverage raw files extensively.
- Budget constraints favor a lower upfront system cost, yet you want a stepping stone into mirrorless interchangeable lens systems.
Final Thoughts: Complementary Tools for Distinct Photographer Profiles
Neither the Panasonic FZ300 nor the G3 can be declared superior across the board. Instead, they serve different photographic ambitions and operational demands rooted in their core technologies.
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The FZ300 is a formidable, all-in-one superzoom shooter with rugged build and modern video features, suiting users desiring minimal gear without sacrificing focal range or professional usability outdoors.
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The G3 is a gateway into the world of mirrorless interchangeable lenses, offering larger sensor advantages ideal for image quality and creative expression across genres, especially where system growth and specialized lenses matter.
In the end, the choice hinges on balancing system flexibility against integrated convenience. This comparison, grounded in extensive testing and technical scrutiny, provides nuanced insights designed to support measured, experience-driven purchasing decisions.
About the Author
With over 15 years devoted to testing and reviewing camera equipment across all genres - from wildlife safaris to studio portraiture - I specialize in dissecting product performance grounded in rigorous, real-world evaluation. My technical analyses draw on thousands of hours behind the viewfinder, benchmarking image quality metrics, autofocus technology, and usability factors seeking to empower photographers in selecting gear matching their artistic vision and operational needs.
Panasonic FZ300 vs Panasonic G3 Specifications
Panasonic Lumix DMC-FZ300 | Panasonic Lumix DMC-G3 | |
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General Information | ||
Manufacturer | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FZ300 | Panasonic Lumix DMC-G3 |
Category | Small Sensor Superzoom | Entry-Level Mirrorless |
Revealed | 2015-07-16 | 2011-07-11 |
Body design | SLR-like (bridge) | SLR-style mirrorless |
Sensor Information | ||
Processor | Venus Engine | Venus Engine FHD |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor area | 28.1mm² | 224.9mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4000 x 3000 | 4592 x 3448 |
Max native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 160 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 49 | 23 |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 25-600mm (24.0x) | - |
Maximal aperture | f/2.8 | - |
Macro focus distance | 1cm | - |
Available lenses | - | 107 |
Crop factor | 5.8 | 2.1 |
Screen | ||
Range of screen | Fully Articulated | Fully Articulated |
Screen size | 3 inches | 3 inches |
Screen resolution | 1,040 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 1,440 thousand dot | 1,440 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/16000 seconds | 1/4000 seconds |
Continuous shutter speed | 12.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 8.80 m (at Auto ISO) | 11.00 m |
Flash settings | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash sync | - | 1/160 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p) | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) |
Max video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, AVCHD | AVCHD, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 691g (1.52 lb) | 336g (0.74 lb) |
Physical dimensions | 132 x 92 x 117mm (5.2" x 3.6" x 4.6") | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") |
DXO scores | ||
DXO Overall score | not tested | 56 |
DXO Color Depth score | not tested | 21.0 |
DXO Dynamic range score | not tested | 10.6 |
DXO Low light score | not tested | 667 |
Other | ||
Battery life | 380 pictures | 270 pictures |
Battery format | Battery Pack | Battery Pack |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC card | SD/SDHC/SDXC |
Storage slots | One | One |
Price at release | $598 | $500 |