Panasonic FZ300 vs Sony A700
59 Imaging
36 Features
73 Overall
50
58 Imaging
50 Features
58 Overall
53
Panasonic FZ300 vs Sony A700 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1/16000s Maximum Shutter
- 3840 x 2160 video
- 25-600mm (F2.8) lens
- 691g - 132 x 92 x 117mm
- Introduced July 2015
- Succeeded the Panasonic FZ200
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Sony/Minolta Alpha Mount
- 768g - 142 x 105 x 80mm
- Launched December 2007
- Superseded the Konica Minolta 7D
- Newer Model is Sony A77
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic FZ300 vs. Sony A700: A Detailed Camera Comparison Tailored for Enthusiasts and Professionals
Choosing your next camera is a pivotal decision in your photography journey. Whether you’re chasing sharp portraits, breathtaking landscapes, or fast-action moments, understanding the nuanced strengths and trade-offs between different models can save you time and money. In this article, we’ll dive deep into the Panasonic Lumix DMC-FZ300 and the Sony Alpha DSLR-A700, two cameras from different eras and categories that still attract passionate users today.
Leveraging years of hands-on testing with cameras spanning sensor tech, focus systems, and ergonomic design, I’ll help you uncover which model fits your creative workflow. Let’s get started!
First Impressions: Design, Ergonomics, and Handling
Your tactile experience with a camera often shapes your connection to the craft. The Panasonic FZ300 and Sony A700 represent different philosophies - bridge superzoom vs. traditional DSLR - each impacting size, weight, and controls.
| Feature | Panasonic FZ300 | Sony A700 |
|---|---|---|
| Body Type | SLR-like (bridge) | Mid-size DSLR |
| Dimensions (mm) | 132 × 92 × 117 | 142 × 105 × 80 |
| Weight (g) | 691 | 768 |
| Weather Sealing | Yes (dust & splash proof) | Yes (dust resistant) |
| Grip & Controls | Ergonomic custom buttons | DSLR-style grip, multiple controls |

The FZ300’s compact bridge design with integrated 24x zoom makes it an all-in-one camera that’s quick to grab and shoot. Its weight and size are reasonable for travel, and the fully articulated touchscreen LCD makes composing at tricky angles a breeze.
On the other hand, the Sony A700 feels sturdy and reassuring with its DSLR-style grip. At 768g, you get slightly heftier body presence, beneficial for balance with heavier lenses. Built-in weather sealing supports shooting in less-than-ideal environments.
The top control layout also differs significantly:

FZ300’s buttons are simplified, focused on ease and quick access suited for video and stills, including dedicated exposure modes and post-focus. The A700 features a more traditional DSLR layout with numerous dials and buttons for manual control enthusiasts.
Ergonomic takeaway: If you prefer an all-in-one compact package with modern touchscreen controls, the FZ300 shines. For tactile DSLR control with robust grip and traditional handling, the A700 is your ally.
Sensor Technology and Image Quality: Small Sensor Versus APS-C
This is where the two cameras diverge most technically. The Panasonic FZ300 employs a 1/2.3-inch (6.17 × 4.55 mm) 12MP CMOS sensor, while the Sony A700 houses a substantially larger APS-C 23.5 × 15.6 mm 12MP CMOS.

What does this mean in practice?
- Larger sensor (Sony A700) = Better light gathering, lower noise, improved dynamic range, and a shallower depth of field for creative effects.
- Smaller sensor (Panasonic FZ300) = More compact lens design, extensive zoom range, but image quality constrained by sensor size, especially in low light.
Technical insights:
- The Sony APS-C sensor delivers approximately 13 times larger sensor area than the Panasonic’s 1/2.3" sensor, which directly impacts dynamic range and noise handling.
- Tests show that Sony A700 scores well in color depth (22.3-bit) and dynamic range (~12 stops), producing richer images, particularly noticeable in highlights and shadows.
Resolution and File Output
- Both cameras offer 12MP resolution, adequate for prints up to 16x20 inches, but Sony’s larger pixel size favors detailed noise-free images.
- Raw support on both models allows for flexible post-processing.
Your takeaway: For studio, portrait, and landscape photographers demanding the best image quality, the Sony A700’s APS-C sensor dominates. If your priority is travel, all-in-one zoom convenience, or casual shooting, the FZ300 offers a compelling balance.
Autofocus: Speed, Accuracy, and Subject Tracking
Autofocus (AF) performance drives your ability to capture fleeting moments in wild wildlife or sports as well as nail eye focus for portraits.
| Feature | Panasonic FZ300 | Sony A700 |
|---|---|---|
| AF System Type | Contrast-detection | Phase-detection |
| Number of AF Points | 49 (contrast) | 11 (phase-detection) |
| AF Modes | Face Detection, Post Focus, Continuous AF | Selective, Multi-area, Center |
| AF Tracking | Yes | No |
| Eye/Animal Detection AF | Yes (Face only) | No |
| Live view AF | Yes | No |
The FZ300 uses an advanced contrast-detection system with 49 focus points, featuring face detection autofocus and continuous AF during video and burst shooting. Notably, it supports post-focus, allowing you to adjust focus points post-capture - an innovative feature great for macro and creative experimentation.
In contrast, the Sony A700 boasts a classic 11-point phase-detection AF system renowned for fast, reliable focus lock in DSLR use, but lacks face or continuous subject tracking and live view autofocus. For moving subjects in daylight, the A700 delivers dependable focus; however, it can struggle with continuous focusing on erratic subjects or video work.
Continuous Shooting and Burst Rates
- Panasonic FZ300 offers 12 fps, which is excellent for superzoom cameras.
- Sony A700 delivers 5 fps, a respectable rate for its generation but slower than the FZ300.
On the Screen: LCD and Viewfinder Experience
Your framing and reviewing experience heavily depends on display and viewfinder quality.
| Screen Feature | Panasonic FZ300 | Sony A700 |
|---|---|---|
| Screen Size | 3.0 inch, Fully Articulated, Touch | 3.0 inch, Fixed, No Touch |
| Resolution | 1040k dots | 920k dots |
| Viewfinder Type | Electronic Viewfinder (EVF) | Optical Pentaprism |
| Viewfinder Coverage | 100% | 95% |
| Viewfinder Magnification | 1440 dots | 0.6x |

- The FZ300’s fully articulated touchscreen greatly benefits vloggers and photographers working in challenging angles. The EVF offers real-time exposure preview and precise framing.
- The Sony A700’s optical viewfinder is bright and natural, preferred by traditionalists valuing minimal lag and battery efficiency.
If video work or live image review with touch convenience matters, Panasonic takes the lead here.
Versatility in Lenses and Zoom
The FZ300 contains a fixed 25-600 mm (35mm equivalent) F2.8 constant aperture lens, offering 24x optical zoom - ideal for travel, wildlife, and everyday shooting without carrying multiple lenses.
The Sony A700 uses the Sony Alpha mount, compatible with over 140 lenses, including high-performance primes and zooms, covering every focal length and specialty optics including macro and tilt-shift.
| Lens Ecosystem | Panasonic FZ300 | Sony A700 |
|---|---|---|
| Zoom Range | 25-600mm (fixed lens) | Depends on lens mounted |
| Max Aperture | Constant F2.8 | Variable by lens |
| Lens Options | Fixed Lens | 143 mount lenses |
| Macro Capabilities | 1 cm minimum focus | Depends on lens |
In practice:
- FZ300’s lens is a remarkable feat - constant F2.8 across extensive zoom makes it unique among superzooms, delivering sharp, low-light capable images without swapping lenses.
- Sony’s lens ecosystem allows tailoring to each photographic niche but requires additional investment and planning.
Imaging Disciplines: Who Excels Where?
Let’s break down how each camera serves various photography genres.
Portrait Photography
| Criteria | Panasonic FZ300 | Sony A700 |
|---|---|---|
| Skin tone rendering | Natural color, but sensor limits fine gradation | Smooth tonal gradation, richer color depth |
| Bokeh/Depth of Field | Limited due to small sensor | Stronger background blur |
| Eye Detection AF | Yes (Face detection only) | No face or eye detection |
Verdict: For natural-looking portraits with easy autofocus, the FZ300 offers convenience. However, for creamy bokeh and deeper tonal range, Sony’s APS-C sensor and larger lens aperture options provide more artistic control.
Landscape Photography
| Criteria | Panasonic FZ300 | Sony A700 |
|---|---|---|
| Resolution & Detail | Adequate 12MP, small sensor limits dynamic range | 12MP APS-C sensor with excellent dynamic range |
| Weather Sealing | Yes, dust and splash proof | Dust sealed, but not weatherproof |
| Wide-angle Capabilities | 25mm equivalent | Depends on lens, can be wider |
| RAW Support | Yes | Yes |
Verdict: For rugged fieldwork and extended zoom shots, the FZ300’s splash resistance and constant aperture give edge. For ultimate image quality and shadow recovery, A700 paired with quality wide-angle lenses shines.
Wildlife Photography
| Criteria | Panasonic FZ300 | Sony A700 |
|---|---|---|
| Zoom Range | 25-600mm constant aperture lens | Dependent on telephoto lens |
| AF Speed and Tracking | Fast contrast AF, tracking yes | Phase AF fast but no tracking |
| Burst Rate | 12 fps | 5 fps |
Verdict: The FZ300’s high burst rate and versatile zoom make it a strong contender for casual wildlife shooters. Serious wildlife pros with telephoto lenses may still prefer the DSLR’s image quality and lens reach despite slower shooting speeds.
Sports Photography
- Sony A700’s phase AF and optical viewfinder help track athletes in daylight.
- Panasonic’s high burst rate helps capture rapid sequences but limited by smaller sensor noise at high ISOs.
Street Photography
- FZ300’s compact design, discrete EVF, and silent shooting modes enhance street candidness.
- A700 DSLR bulkier, louder shutter, less stealthy.
Macro & Close-Up
- Panasonic supports focusing down to 1 cm and post-focus shooting for focus stacking experiments.
- Sony macro effectiveness depends on lens choice but benefits from superior sensor quality.
Night and Astrophotography
- Larger sensor of Sony A700 coupled with better noise performance gives it clear advantage.
- Panasonic’s max ISO 6400 is usable but noise limits long exposure quality.
Video Capabilities
| Feature | Panasonic FZ300 | Sony A700 |
|---|---|---|
| 4K Video | Yes (3840 x 2160 @ 30p) | No video recording |
| Video Stabilization | Optical stabilization | Sensor-based in body |
| Microphone Port | Yes | No |
| Headphone Port | No | No |
| Touchscreen for video | Yes | No |
Takeaway: The FZ300 is a fully capable 4K video hybrid camera perfect for content creators and vloggers. Sony A700 lacks video capture altogether, marking it as stills-only.
Travel Photography and Portability
- FZ300’s integrated lens and splash-proof body make it travel-ready.
- Sony A700 requires lens changing and heavier gear but offers image quality advantages.
Professional Work and Workflow Integration
| Aspect | Panasonic FZ300 | Sony A700 |
|---|---|---|
| Reliability | Solid, splash proof | Robust DSLR build |
| RAW file support | Yes | Yes |
| File formats | RAW and JPEG | RAW and JPEG |
| Connectivity | Built-in WiFi | None |
| Storage | Single SD slot | Dual slots (CF and MS) |
Professional shooters needing tethering or dual card redundancy may prefer Sony’s system. Panasonic’s integrated WiFi supports remote capture and easy sharing.
Behind the Lens: Build Quality and Battery Life
| Feature | Panasonic FZ300 | Sony A700 |
|---|---|---|
| Weather Resistance | Dust and splash proof | Dust sealed, no waterproof |
| Battery Life (CIPA) | ~380 shots | ~500 shots (approximate) |
| Storage | 1x SD card slot | 2x card slots (CF + MS) |
The FZ300 excels in environmental sealing, good for outdoors. Sony’s battery life is decent for DSLR, enhanced by dual card slots for storage flexibility.
Connectivity and Extras
- Panasonic FZ300 includes built-in WiFi but lacks Bluetooth or NFC.
- Sony A700 has no wireless options.
- HDMI output available on both, useful for tethering/displays.
Price to Performance
Pricing (at market averages):
- Panasonic FZ300: Around $600 new (bridge design with extensive zoom and 4K video)
- Sony A700: Around $1000 (used/refurbished markets, DSLR body only)
The Panasonic FZ300 offers tremendous value for multifaceted creatives seeking strong video and photo performance in one compact package. The Sony A700 commands higher cost but yields superior photographic image quality and a professional lens ecosystem.
How Do They Score Across Photography Types?
- Portraits: Sony A700 ranks higher for bokeh and tonality.
- Landscapes: Sony’s dynamic range outperforms Panasonic.
- Wildlife: Panasonic’s zoom and burst rate leads casual users.
- Sports: Sony’s AF precision wins.
- Video: Panasonic clearly dominates.
- Street: Panasonic’s portability and stealth advantages.
- Macro: Panasonic’s close focusing and post-focus feature.
- Night/Astro: Sony’s low-light superiority.
- Travel: Panasonic’s lightweight all-in-one design.
- Pro use: Sony’s lens ecosystem and file management.
Sample Images Showcase
Seeing is believing. Here’s a gallery demonstrating both cameras in real-world scenarios:
Observe differences in dynamic range, noise levels, background blur, and color reproduction.
Final Thoughts and Recommendations
Panasonic Lumix FZ300 - The Enthusiast All-Rounder
-
Who should buy?
- Photo/video hybrid shooters seeking 4K capability and unique tilt/swivel touchscreen.
- Travel and casual wildlife photographers wanting a fixed lens solution with a powerful zoom.
- Street and macro enthusiasts benefiting from silent shooting and post-focus features.
-
Strengths:
- Constant F2.8 aperture across 600mm zoom.
- Rugged splash-proof design.
- Fast burst shooting (12 fps).
- 4K video and advanced AF features.
-
Limitations:
- Smaller sensor means diminished image quality at high ISO/low light.
- Limited artistic lens control (fixed lens).
Sony Alpha DSLR A700 - The Classic DSLR Performer
-
Who should buy?
- Photographers prioritizing image quality and lens flexibility.
- Portrait and landscape users who want rich color depth and dynamic range.
- DSLR users who want reliable phase-detection AF in a mid-size body.
-
Strengths:
- Large APS-C sensor with better low-light and tonal control.
- Access to a mature lens ecosystem (143+ lenses).
- Optical pentaprism viewfinder.
- Dual card slots for professional workflow.
-
Limitations:
- No video support.
- Bulkier and requires lens investment.
- No modern touchscreen or WiFi connectivity.
Closing Advice
Both cameras cater to distinct needs. If you prioritize versatility, portability, and video, the Panasonic FZ300 invites you to explore creativity without lugging multiple lenses. If supreme image quality and optical control matter most, the Sony A700 offers an enduring DSLR experience worth investing in.
We suggest you try handling both cameras in person if possible. Feel the grip, test autofocus, and imagine how each complements your shooting style.
Remember - choosing a camera is about aligning technology with your unique vision. Whether you pick the all-in-one Panasonic FZ300 or the classic Sony A700, both are gateways to capturing your world beautifully.
Happy shooting!
Explore these models further, check out lens options for the Sony, and find the right accessories to elevate your craft.
Panasonic FZ300 vs Sony A700 Specifications
| Panasonic Lumix DMC-FZ300 | Sony Alpha DSLR-A700 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-FZ300 | Sony Alpha DSLR-A700 |
| Type | Small Sensor Superzoom | Advanced DSLR |
| Introduced | 2015-07-16 | 2007-12-19 |
| Physical type | SLR-like (bridge) | Mid-size SLR |
| Sensor Information | ||
| Processor | Venus Engine | - |
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
| Sensor surface area | 28.1mm² | 366.6mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Max resolution | 4000 x 3000 | 4272 x 2848 |
| Max native ISO | 6400 | 6400 |
| Lowest native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 49 | 11 |
| Lens | ||
| Lens mount type | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 25-600mm (24.0x) | - |
| Highest aperture | f/2.8 | - |
| Macro focusing range | 1cm | - |
| Available lenses | - | 143 |
| Focal length multiplier | 5.8 | 1.5 |
| Screen | ||
| Type of display | Fully Articulated | Fixed Type |
| Display size | 3 inch | 3 inch |
| Display resolution | 1,040k dots | 920k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Optical (pentaprism) |
| Viewfinder resolution | 1,440k dots | - |
| Viewfinder coverage | 100 percent | 95 percent |
| Viewfinder magnification | - | 0.6x |
| Features | ||
| Minimum shutter speed | 60 seconds | 30 seconds |
| Fastest shutter speed | 1/16000 seconds | 1/8000 seconds |
| Continuous shutter rate | 12.0 frames/s | 5.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 8.80 m (at Auto ISO) | 12.00 m |
| Flash modes | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off | Auto, Fill-in, Red-Eye reduction, Slow Sync, rear curtain, Off |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Fastest flash synchronize | - | 1/250 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p) | - |
| Max video resolution | 3840x2160 | None |
| Video format | MPEG-4, AVCHD | - |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 691 grams (1.52 lbs) | 768 grams (1.69 lbs) |
| Dimensions | 132 x 92 x 117mm (5.2" x 3.6" x 4.6") | 142 x 105 x 80mm (5.6" x 4.1" x 3.1") |
| DXO scores | ||
| DXO Overall rating | not tested | 66 |
| DXO Color Depth rating | not tested | 22.3 |
| DXO Dynamic range rating | not tested | 11.9 |
| DXO Low light rating | not tested | 581 |
| Other | ||
| Battery life | 380 images | - |
| Battery style | Battery Pack | - |
| Battery ID | - | NP-FM500H |
| Self timer | Yes | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC card | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo |
| Card slots | 1 | 2 |
| Retail pricing | $598 | $1,000 |