Panasonic FZ47 vs Samsung WB150F
68 Imaging
35 Features
45 Overall
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93 Imaging
37 Features
42 Overall
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Panasonic FZ47 vs Samsung WB150F Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Expand to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 498g - 120 x 80 x 92mm
- Introduced July 2011
- Additionally Known as Lumix DMC-FZ48
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-432mm (F3.2-5.8) lens
- 188g - 107 x 61 x 23mm
- Announced January 2012
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Panasonic FZ47 vs Samsung WB150F: A Hands-On, Head-to-Head Camera Shootout for Practical Photography
Choosing a camera in the crowded small-sensor superzoom category can be daunting - especially when models like the Panasonic Lumix FZ47 and the Samsung WB150F share a similar DNA but cater to subtly different needs. Having spent years testing bridges and compacts alike, I knew diving deep into these two would uncover nuances you won’t find in spec sheets alone.
In this article, I’ll walk you through a comprehensive, 2500-word comparison of these cameras, drawn from extensive hands-on experience, running them through a gamut of shooting genres - from portraits to wildlife to astro photography - and assessing technical chops, real-world practicality, and value for differing budgets and styles.
Let’s get into the nitty-gritty, starting with how they size up physically, then unpack sensor tech, autofocus, and beyond - so you can decide which one deserves a place in your gear bag.
The First Impression: Size, Build, and Handling
I always start evaluating cameras by feeling them in hand and shooting with them for a few days. Ergonomic comfort and control layout can make or break whether you'll enjoy using a camera long term. Thankfully, both cameras have thoughtful design cues tailored to their segment, but they differ a lot physically.

Panasonic FZ47: This model presents an SLR-like bridge design with robust grip clubs for thumbs and fingers, making it feel like a proper 'big camera' without the bulk. It weighs just under 500 grams, giving it a reassuring heft but remains manageable on extended hikes or day trips. The lens barrel is substantial due to its generous 25-600mm reach, and the fixed pop-up flash integrates smoothly on the body’s top.
Samsung WB150F: In contrast, the WB150F is closer to a compact form factor - significantly lighter at 188 grams and much thinner. It feels closer to a point-and-shoot in hand but compensates with a stylish finish and a fixed lens that doesn’t extend aggressively. This makes it ultra-portable, slipping comfortably into smaller bags or even jacket pockets without complaining.
So, if you prize portability and minimal intrusion on your X-Y plane, the WB150F is more travel-friendly. But if you crave something more camera-like in grip and tactile response (which I personally appreciate for stability), the FZ47 earns points.
Top Line Controls and User Interface: Clubbing Buttons or Touch Play?
Control layouts shape how quickly you can operate the camera without fumbling through menus, especially important for action or street photographers chasing moments.

The FZ47 embraces a DSLR-style approach - with dedicated dials for shutter priority and aperture priority modes, easy-to-reach exposure compensation buttons, and a mode dial that clicks with satisfying tactility. This setup facilitates quick manual adjustments and encourages learning beyond fully automatic modes.
Samsung’s WB150F, by design, leans compact, so it places fewer physical controls upfront. You get a mode dial, but no dedicated dials for aperture or shutter speed - all manual exposure settings funnel into touchscreen-driven menus (though the screen itself is not touch-enabled, so navigation is via a directional pad). Exposure compensation is available but nested.
For photographers who want to hunker down and master manual shooting, I found the Panasonic’s direct controls more inviting - more clubs for thumbs, as I like to say. The Samsung feels more like a casual shooter’s companion, focused on simplicity.
Sensor Technology: Under the Hood Image Quality Comparison
When it comes to image quality, the sensor is king. Both cameras use the common 1/2.3-inch CCD sensor type popular in their era, but the nuances in resolution, ISO performance, and noise handling are worth dissecting.

- Panasonic FZ47: 12 megapixels on a 6.08mm x 4.56mm sensor area, max native ISO 1600, with extension up to ISO 6400. Panasonic’s Venus Engine FHD processor, although aging, helps with noise reduction and color accuracy.
- Samsung WB150F: Slightly higher resolution at 14MP on a very close sensor footprint (6.17mm x 4.55mm), max ISO 3200 native, no extended ISO. The color fidelity is good, but noise creeps in earlier compared to modern standards.
From my lab tests and side-by-side shots under controlled lighting conditions, the FZ47’s images show a grittier but punchier look at lower ISOs, with less aggressive noise reduction retaining detail better. The WB150F prioritizes a cleaner look but at the expense of some detail softness.
Real-world shooting confirmed that the Panasonic’s sensor, paired with Venus engine processing, holds better dynamic range - key for landscapes and shadows outdoors - while the Samsung sensor is serviceable, especially in good lighting.
Back Screen and Live View: What You See Is What You Get?
The LCD screen is where you frame shots and interact with menus - its quality impacts usability massively.

Both cameras sport a 3-inch LCD at 460k dots (approximately). However, the Samsung WB150F uses a TFT LCD technique that, while vibrant, struggles under harsh daylight. The Panasonic opts for a fixed-type display with good anti-reflective coating that works better outdoors.
Neither has a touch interface, and only the Panasonic offers an electronic viewfinder (EVF) - an advantage for shooting in bright environments or when stability counts (like wildlife or sports).
In my experience, having the EVF on the FZ47 was a game-changer for steady framing during long telephoto shots. The Samsung forces you to rely solely on the LCD, which can be challenging in direct sunlight or quick action.
Autofocus Performance: Finding and Holding Focus in the Real World
AF is one of those features you only truly appreciate when it either works well or shines by its absence during crucial moments.
Both cameras use contrast-detection AF with face detection, but their burst and tracking capabilities differ.
- Panasonic FZ47: Offers continuous autofocus, 23 points (though cross-point details are unknown), center-weighted metering, plus face detection. Max burst at 4 fps.
- Samsung WB150F: Single-shot autofocus with face detection, some selective AF area modes, but no continuous AF. Faster burst at 10 fps but only in lower resolution or for a limited number of frames.
For shooting wildlife or sports, the FZ47’s continuous AF and more focus points give it an edge. I tested both on busy park scenes: the Panasonic tracked moving subjects with more consistency (ears and eyes staying sharp in many shots), while the Samsung occasionally hunted or missed focus under low contrast.
If your primary work involves stationary subjects or casual snaps, Samsung’s autofocus is acceptable.
Zoom and Lens Versatility: What’s in Your Reach?
Zoom capacity is often the deciding factor in superzooms; the greater the zoom range, the more flexible you can be without changing lenses (a boon when you’re traveling light).
- Panasonic FZ47: 25-600mm equivalent focal length, f/2.8-5.2 aperture range
- Samsung WB150F: 24-432mm equivalent focal length, f/3.2-5.8 aperture range
The Panasonic's 600mm max telephoto is a stellar advantage for wildlife and distant sports shots - some distance beyond the Samsung's reach.
The brighter maximum aperture on the wide end (f/2.8 vs f/3.2) also helps in dimmer conditions, allowing more light in and marginally faster shutter speeds.
I took both cameras on a birdwatching trail and could get tighter framing with the Panasonic’s zoom. The Samsung’s range was still respectable but didn’t quite pull in those far-away feathered friends as close. For macro work, Panasonic goes down to 1cm focus distance - extremely close - while Samsung requires 5cm, making the FZ47 better for extreme close-ups.
Burst Shooting, Shutter Speed Range, and Low-Light Performance
The Panasonic permits shutter speeds from 60 seconds to 1/2000s, while Samsung tops out similarly at 1/2000s but starts at 16 seconds minimum.
Burst rates favor the Samsung at 10 fps versus Panasonic’s 4 fps, but it’s important to consider buffer depth and resolution - the Panasonic maintains full res at burst, whereas Samsung employs reduced resolution for highest fps.
Low light (high ISO) shoots are an Achilles’ heel for both CCD sensor cameras, though Panasonic’s higher native ISO ceiling and brighter lens help.
In dim interiors and evening shooting - whether street photography or portraits - I’d pick the FZ47 for its relative noise control and more flexible shutter and aperture options.
Video Capabilities: Stretching Beyond Stills
Both offer HD video but with marked differences.
- Panasonic FZ47: Full HD 1080p at 30 fps, AVCHD codec for better compression
- Samsung WB150F: 720p HD at 30 fps, MPEG-4 and H.264 formats
The Panasonic’s 1080p video output delivers clearer footage with finer detail. The wide zoom range adds framing versatility for video storytelling.
Neither camera has a microphone jack, headphone output, or advanced video controls - typical for budget-friendly superzooms. Both also lack in-body stabilization during video, although their optical image stabilization helps reduce shake somewhat during handheld clips.
For casual video and vlogging, Panasonic offers a bit more punch.
Connectivity and Storage: Sharing Made Simple (or Not)
Samsung WB150F boasts built-in wireless connectivity - a rare plus in this price-and-category bracket. This makes it easy to transfer photos wirelessly to smartphones or social media, great for quick sharing on trips or events.
Panasonic FZ47 lacks wireless or Bluetooth options, relying on USB and HDMI for connectivity.
Both use SD, SDHC, or SDXC cards in a single slot, but Panasonic offers slightly better battery life at 400 shots per charge compared to Samsung’s unspecified (though likely much lower given the battery size).
Durability and Weather Resistance: Will Your Camera Take a Hit?
Neither camera is weather-sealed or ruggedized for adverse conditions, which is typical for entry-to-mid level superzooms.
You should protect both from moisture and dust, but the Panasonic’s larger, more robust build and lens housing feel more capable of withstanding daily travel rigors.
Samsung’s lightweight design is more vulnerable to impacts or rough handling - something to keep in mind if you’re an outdoor adventurer prone to rough conditions.
Real-World Use Case Review Across Photography Genres
I often like to sum up how a camera performs in different photography scenarios - this helps you match a model to your shooting style.
| Genre | Panasonic FZ47 | Samsung WB150F |
|---|---|---|
| Portrait | Good skin tone rendering, subtle bokeh with long zoom, decent eye detection | Adequate but modest bokeh, basic face detection |
| Landscape | Superior dynamic range, higher detail resolution | Good, but slightly softer images |
| Wildlife | Fast AF tracking, extended telephoto reaches | Modest zoom, slower AF |
| Sports | Continuous AF, stable handling, slower burst | Faster burst but less accurate AF |
| Street | Bulkier, less discreet; EVF helpful in bright light | Compact, discrete, easily pocketable |
| Macro | Excellent close-focus (1cm), sharper detail | Less close (5cm), acceptable sharpness |
| Night/Astro | Longer shutter options, better ISO control | Limited shutter range, noisier images |
| Video | Full HD 1080p, better codec | HD 720p only, simpler codec |
| Travel | Heavier but versatile, stronger zoom | Ultra-light, easy-carry, wireless sharing |
| Professional Work | No RAW support limits post-processing | No RAW, limited controls |
Overall Ratings and Value Analysis
Bringing all the tests and observations together:
The Panasonic scores slightly higher on image quality, versatility, and manual controls. The Samsung appeals strongly to entry-level enthusiasts and those who want portability and wireless ease.
A price-value plot confirms these impressions:
- The FZ47’s $379 price tag earns strong value for its zoom reach and image quality.
- The WB150F, often found for around $230, offers budget-conscious shooters a decent all-rounder with better portability and connectivity.
Detailed Genre-Specific Insights
Let’s wrap our detailed hands-on with a look into which camera suits which photographic genre best:
-
Portrait Photography: FZ47’s better sensor rendering and face detection deliver more flattering results. Its ability to softly separate the subject from backgrounds thanks to lens aperture versatility comes through really well.
-
Landscape Photography: Panasonic’s greater dynamic range and resolution deliver more detailed and richer landscapes. The bigger EVF further aids composition outdoors.
-
Wildlife & Sports: The Panasonic’s longer zoom, continuous AF, and shutter flexibility make it the winner here, despite Samsung’s faster burst speed.
-
Street Photography & Travel: Samsung’s lightweight and low-profile design make it a more discreet street shooter and travel companion, especially for those prioritizing shareability due to built-in WiFi.
-
Macro and Night Shots: The FZ47’s closer minimum focusing distance and longer exposure capabilities give it the edge for creative macro and astro photography.
-
Video: Panasonic takes this by a mile with 1080p quality and AVCHD recording.
Final Verdict: Which Camera Deserves a Place in Your Bag?
If you’re a photography enthusiast or professional looking for a versatile superzoom bridge camera with manual controls, better image quality, and longer reach - and you don’t mind a slightly chunkier build - the Panasonic Lumix FZ47 emerges as a clear choice. Its reliability across genres, coupled with an intuitive manual experience (which I personally enjoyed), makes it a long-term keeper at a decent price.
On the other hand, for casual shooters, travel bloggers, or those who prize lightness and wireless convenience above all else - the Samsung WB150F makes plenty of sense. If you’re a cheapskate looking for a straightforward “grab and share” camera that fits in your pocket and won’t intimidate, this camera has your name on it.
Pros & Cons Snapshot
| Panasonic FZ47 | Samsung WB150F |
|---|---|
| Pros: | Pros: |
| - Extended 600mm zoom | - Lightweight, compact |
| - Full HD 1080p video | - Built-in WiFi for sharing |
| - EVF for bright-light shooting | - Faster burst shooting |
| - Better dynamic range | - Easy, point-and-shoot usability |
| - Closer macro focus (1cm) | |
| Cons: | Cons: |
| - Heavier, less pocketable | - Shorter zoom (432mm max) |
| - No wireless connectivity | - Lower resolution video (720p) |
| - No RAW support, CCD sensor limitations | - No EVF, less manual control |
| - Shorter shutter range |
In summary, I recommend the Panasonic FZ47 for photographers who want a capable, manual-friendly bridge camera with extended reach and solid image quality at a modest investment. The Samsung WB150F suits travelers and casual users seeking a lightweight, easy-sharing compact superzoom.
Feel free to revisit the detailed genre scores and sample images above to fine-tune your choice.
Happy shooting, and as always, remember - the “best” camera is the one that feels right in your hands and inspires you to capture moments, not just specs!
About the Author
With over 15 years of hands-on experience testing hundreds of cameras - from compact point-and-shoots to professional DSLRs and mirrorless systems - I’ve come to understand what matters most: real-world usability balanced with solid technical performance. This comparison is grounded in rigorous testing and practical use, aimed at guiding passionate photographers toward informed, confident gear decisions.
If you have questions or want specific advice, drop me a line!
Article Images Used:




Panasonic FZ47 vs Samsung WB150F Specifications
| Panasonic Lumix DMC-FZ47 | Samsung WB150F | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Samsung |
| Model type | Panasonic Lumix DMC-FZ47 | Samsung WB150F |
| Also called as | Lumix DMC-FZ48 | - |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2011-07-21 | 2012-01-09 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Processor Chip | Venus Engine FHD | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 12MP | 14MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 1600 | 3200 |
| Highest boosted ISO | 6400 | - |
| Lowest native ISO | 100 | 80 |
| RAW images | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 23 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-600mm (24.0x) | 24-432mm (18.0x) |
| Maximum aperture | f/2.8-5.2 | f/3.2-5.8 |
| Macro focusing range | 1cm | 5cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3" | 3" |
| Resolution of screen | 460 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder coverage | 100% | - |
| Features | ||
| Lowest shutter speed | 60s | 16s |
| Highest shutter speed | 1/2000s | 1/2000s |
| Continuous shooting rate | 4.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 9.50 m | 3.50 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Highest flash synchronize | 1/2000s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video file format | AVCHD | MPEG-4, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 498g (1.10 lbs) | 188g (0.41 lbs) |
| Physical dimensions | 120 x 80 x 92mm (4.7" x 3.1" x 3.6") | 107 x 61 x 23mm (4.2" x 2.4" x 0.9") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 400 images | - |
| Form of battery | Battery Pack | - |
| Battery ID | - | SLB-10A |
| Self timer | Yes (2 or 10 sec, 10 sec (3 pictures)) | Yes |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Price at launch | $379 | $230 |