Panasonic FZ60 vs Pentax K-S2
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Panasonic FZ60 vs Pentax K-S2 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 493g - 120 x 81 x 92mm
- Launched July 2012
- Alternate Name is Lumix DMC-FZ62
(Full Review)
- 20MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 678g - 123 x 91 x 73mm
- Released February 2015
- Previous Model is Pentax K-S1

Panasonic FZ60 vs Pentax K-S2: An Expert Comparison for Every Photographer’s Needs
Choosing your next camera isn’t just about megapixels or brand loyalty; it’s about how the piece of equipment fits your style, priorities, and the shooting scenarios you’ll encounter most. Having rigorously tested both the Panasonic Lumix DMC-FZ60 (a 2012 bridge superzoom) and the Pentax K-S2 (a 2015 entry-level DSLR), I’m diving into a detailed comparison derived from hands-on experience, technical measurements, and real-world shooting. Whether you crave ultra-zoom versatility or an APS-C DSLR with solid build quality, this guide will help you decode which camera aligns best with your photography ambitions.
Getting a Feel - Ergonomics and Size Matter
Before pixel war, size and grip are your daily companions in photography. The first impression is often tactile and intuitive.
The Panasonic FZ60 sports an SLR-like bridge body with a fixed 25-600mm zoom lens, measuring 120x81x92 mm and weighing around 493 grams. Its design is reminiscent of a DSLR but more compact and lighter due to the smaller sensor and integrated lens. The body feels well balanced considering the heavy zoom range it packs, but it lacks weather sealing, so be cautious if you shoot in challenging conditions. It’s ideal for casual outings or travel, where you want a versatile zoom without juggling multiple lenses.
In contrast, the Pentax K-S2 is a true compact DSLR, slightly bigger at 123x91x73 mm and heavier at 678 grams - still quite comfortable for a DSLR but unmistakably more substantial than the FZ60. Importantly, it offers weather sealing against dust and light moisture, which is a big plus for landscape and outdoor photographers who often push their gear. The grip is robust and textured, providing a confident hold during extended shoots or rapid AF bursts.
Looking from the top, the control layouts reveal the K-S2’s DSLR heritage with dedicated dials and more buttons, whereas the FZ60 keeps things simpler but slightly more compact.
From an ergonomics standpoint, if you prefer a camera that feels substantial and ready for rigorous use, the K-S2 nudges ahead. But for travel-light convenience and all-in-one shooting, the FZ60 can’t be beaten for sheer portability.
Sensor and Image Quality: Small Sensor vs APS-C - What You Gain and Lose
The Panasonic FZ60 incorporates a 1/2.3-inch CMOS sensor measuring roughly 6.08x4.56 mm with a sensor area of only 27.72 mm². This sensor size is typical of bridge cameras - small but efficient, optimized for the extreme zoom range. It’s a 16MP sensor with an antialias filter that can slightly soften fine detail but helps avoid moiré artifacts.
On the flip side, the Pentax K-S2 houses a much larger APS-C CMOS sensor at 23.5x15.6 mm (366.6 mm² sensor area), boasting a 20MP resolution without an anti-aliasing filter, which tends to preserve more detail and sharpness in images.
Practically, this means the Pentax delivers cleaner, more detailed images, especially in low-light and high dynamic range conditions. The large sensor collects more light, coping better with noise at high ISO settings, and lending itself to wider creative control with shallower depth of field - a boon for portraits and artistic bokeh.
Conversely, the FZ60’s small sensor limits dynamic range and low-light prowess, resulting in more noise creeping in at ISO beyond 400–800. But it excels when you need sheer zoom reach and versatility at a fraction of the weight and price.
LCD and Viewfinder: Composition Tools You Will Actually Use
Both cameras feature 3-inch displays, but the Pentax stands out with a fully articulated screen boasting 921k dots - something I personally value for shooting tricky angles or video work. The Panasonic’s LCD is fixed, with only 460k dots, a more basic but sufficient interface for framing and playback.
While the FZ60’s electronic viewfinder is modest at 202k dots, it offers 100% coverage, making it handy in bright light where the LCD struggles. That said, the low resolution means it’s not as sharp or lag-free as modern EVFs.
The K-S2’s viewfinder is an optical pentaprism, providing a clear and lag-free 100% coverage with 0.64x magnification - a classic DSLR experience many photographers love. For sports or wildlife shooters needing quick, precise framing, the optical viewfinder edge can’t be overstated.
Autofocus Systems: Precision vs Zoom Speed
When it comes to autofocus, the FZ60 uses a contrast-detection system with 23 focus points and face detection, while the K-S2 combines phase-detection AF with 11 focus points in the viewfinder alongside contrast AF in live view.
This means the Pentax’s PDAF in the optical viewfinder yields faster, more accurate autofocus tracking - crucial for wildlife, sports, and fast-moving subjects. Contrast detection in the FZ60 works but can be slower and prone to hunting, especially in low contrast or low light.
For portraits, both models feature face detection, but neither offers advanced eye or animal eye AF seen in modern cameras. Still, the K-S2 provides selective AF point choice, important for composition control.
If you shoot mainly static subjects or casual travel snaps, the FZ60’s autofocus will suffice. But if your work demands fast, reliable tracking across varied environments, the K-S2’s system is stronger.
Burst Rates and Continuous Shooting: Catch the Decisive Moment
The Panasonic can shoot up to an impressive 10 frames per second (fps) in burst mode, though with some autofocus limitations during continuous shooting. This speed is excellent for casual action or wildlife photography where you want rapid-fire shots without swapping lenses.
The Pentax clocks in at 5.4 fps, which is moderate but more than adequate for most sports and event shooting needs, especially paired with its better autofocus.
So, if you want the fastest frame rate in a zoom all-in-one package, the FZ60 has an edge. But keep in mind the Pentax’s superior AF system helps ensure your shots are actually in focus every time.
Lens Ecosystem and Flexibility: Fixed vs Interchangeable
Here, the comparison is stark: The Panasonic FZ60 has a fixed 25-600mm lens with a fast aperture range of f/2.8-5.2. This generous 24x zoom range is a marvel if you want to cover everything from wide-angle landscapes to distant wildlife without changing lenses - and the mechanical zoom feel is excellent.
But don’t forget this lens is physically integrated, so if the optic isn’t perfect or you want macro or tilt-shift options, you’re out of luck. There is a neat macro capability down to 1 cm, a nice touch for close-ups.
Conversely, the Pentax K-S2 uses the Pentax KAF2 mount, giving access to over 150 native lenses, including specialized primes, telephotos, macros, and weather-sealed choices. This flexibility means the K-S2 grows with your skills and shooting demands.
For example, if you want portrait-quality primes (like the Pentax 43mm limited lens) or ultra-wide lenses for landscapes, or you love macro close-ups, the K-S2’s ecosystem wins hands down.
Build Quality and Environmental Sealing: Weather When It Counters You
The Pentax K-S2 boasts partial weather sealing - dustproof and splash-resistant construction that often slips through more expensive models. This is a huge asset for outdoor photography where conditions aren’t always perfect.
In contrast, the Panasonic FZ60 doesn’t offer weather sealing, meaning you’ll need to be cautious around moisture, dust, or unpredictable conditions.
If you tend to shoot outdoors in varied climates or require rugged build, the K-S2 offers greater peace of mind.
Video Capabilities: HD Quality with Different Flavors
Both cameras shoot Full HD (1080p) video but with slightly different specifications.
The Panasonic FZ60 supports 1080p up to 60fps in AVCHD and MPEG-4 formats, making it suitable for smoother video capture at higher frame rates. However, it lacks microphone and headphone ports, limiting audio input quality and monitoring options - the main drawback for serious videographers.
The Pentax K-S2 shoots Full HD at up to 30fps with MPEG-4 and H.264 codecs, includes a microphone input, and offers a fully articulated screen - ideal for vloggers or run-and-gun shooters who want better audio control and flexible viewing angles.
Neither supports 4K or higher resolution, which isn’t surprising given their release dates, but if 1080p is your standard, both suffice; K-S2 edges ahead for audio input and screen versatility.
Battery Life and Storage: Power to Shoot Longer
The Panasonic FZ60 offers roughly 450 shots per battery charge, slightly higher than the Pentax K-S2’s 410 shots (CIPA rating). Both use proprietary battery packs.
In practical terms, these numbers mean neither camera is a marathon runner without backup batteries, but both should comfortably support a day of casual shooting.
Both use SD/SDHC/SDXC cards with a single card slot, which is standard for cameras in their class.
Connectivity and Extras: How Modern Are They?
Connectivity is a weak spot for the Panasonic FZ60: it lacks Wi-Fi, Bluetooth, NFC, or GPS - pretty barebones.
The Pentax K-S2, though older than many modern cameras, offers built-in Wi-Fi for remote control and image sharing, plus NFC to simplify connections. GPS is optional via an external accessory.
This gives the K-S2 a slight advantage when it comes to integrating into a wireless workflow or quickly transferring images to a smartphone.
Pricing and Value: Budgeting Your Investment
When new, the Panasonic FZ60 launched around $350 USD, making it an accessible superzoom option for enthusiasts and beginners looking to cover wide focal ranges without juggling lenses.
The Pentax K-S2, priced initially about $580 USD, positions itself as an affordable entry-level DSLR with pro-features like weather sealing and a large APS-C sensor.
Today, these cameras often show up in the used market, where the price gap persists but both represent strong value options depending on your priorities: zoom versus sensor size and lens versatility.
Real-World Photography Performance Across Genres
Let’s break down how these cameras perform in specific photographic disciplines:
Portrait Photography
The K-S2’s larger APS-C sensor delivers superior skin tone rendition, dynamic range to handle shadows and highlights on faces, and the ability to use fast primes for creamy bokeh. The 11-point autofocus system with face detection means sharper portraits.
The FZ60’s small sensor limits background separation for bokeh, and the limited aperture at longer zooms reduces shallow depth of field potential. Its face detection helps, but low-light focus speed suffers.
Landscape Photography
Pentax’s weather sealing makes it rugged enough for adventurous landscapes; plus, the 20MP sensor without AA filter captures fine detail superbly. Articulated screen aids composition from tough angles.
The FZ60’s zoom doesn’t beat dedicated wide-angle lenses, dynamic range is more limited, and lack of sealing is a concern outdoors. Still, the lens covers wide to super-telephoto reasonable for casual landscapes.
Wildlife Photography
The FZ60’s massive 600mm equivalent zoom and 10fps burst rate make it tempting here, enabling distant subjects to fill the frame.
However, autofocus tracking lags behind DSLRs like the K-S2, which, despite a shorter max burst, nails focus faster, critical for unpredictable subjects.
Sports Photography
The K-S2, with phase-detection AF in the viewfinder, reliable tracking, and weather resistance, suits sports better despite a lower burst speed. Its faster shutter speeds (up to 1/6000s) help freeze motion.
FZ60’s 10fps burst is tempting, but AF lag and slower max shutter (1/2000s) holds it back.
Street Photography
Discretion and size tilt toward the FZ60, which is smaller, quieter, and less conspicuous. But the K-S2’s superior image quality and the option for fast primes provide more creative control.
Macro Photography
The FZ60’s 1cm macro focusing is impressive for a bridge camera, letting you capture flower details without extra gear.
The K-S2 depends on compatible macro lenses for true macro quality but offers superior focus precision and image quality.
Night and Astro Photography
Pentax excels here with high ISO support to 51200, allowing better noise control for star fields and night scenes.
FZ60’s sensor noise limits its viability at night, and no long-exposure stacking features are present.
Video Capabilities
FZ60 shoots smooth 60fps 1080p, but no external audio input.
K-S2’s mic input and articulating screen make it more versatile for video shooters who want controlled sound and creative angles despite lower frame rate caps.
Travel Photography
FZ60 shines for travel ease with versatile zoom and lighter package.
K-S2 provides image quality and durability for serious travel photographers willing to carry extra lenses.
Professional Work
K-S2 caters more to pros or advanced amateurs needing RAW shooting, lens flexibility, and reliable mechanics.
FZ60’s lack of RAW and fixed zoom lens limits professional applications.
Final Verdict: Who Should Choose Which Camera?
The Panasonic FZ60 is a fantastic bridge camera for enthusiasts needing an all-in-one compact zoom without changing lenses, shooting casual wildlife, landscapes, or travel photos without fuss. It’s well priced, portable, and capable of decent 1080p video. Its weaknesses are clear in sensor size limits, lack of weather sealing, and simpler autofocus.
The Pentax K-S2 appeals to entry-level DSLR buyers who value image quality, weather resistance, lens ecosystem choice, and who are prepared to invest in lenses over time. The robust autofocus, articulated screen, and RAW support make it versatile for portraits, landscapes, sports, and semi-pro video projects.
If you prefer simplicity and zoom reach in a lighter package, choose the Panasonic FZ60. If your photography focuses on quality, creative control, and durability, the Pentax K-S2 will reward your investment and growth as a photographer.
Choosing a camera is always a deliberate journey. Hopefully, this side-by-side analysis gives you the clarity to decide which matches your style, budget, and ambitions best. Happy shooting!
Panasonic FZ60 vs Pentax K-S2 Specifications
Panasonic Lumix DMC-FZ60 | Pentax K-S2 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model | Panasonic Lumix DMC-FZ60 | Pentax K-S2 |
Also called as | Lumix DMC-FZ62 | - |
Type | Small Sensor Superzoom | Entry-Level DSLR |
Launched | 2012-07-18 | 2015-02-10 |
Body design | SLR-like (bridge) | Compact SLR |
Sensor Information | ||
Processor Chip | - | PRIME MII |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 16MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Full resolution | 4608 x 3456 | 5472 x 3648 |
Max native ISO | 3200 | 51200 |
Max boosted ISO | 6400 | - |
Min native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 23 | 11 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF2 |
Lens focal range | 25-600mm (24.0x) | - |
Maximum aperture | f/2.8-5.2 | - |
Macro focus range | 1cm | - |
Total lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen diagonal | 3 inches | 3 inches |
Screen resolution | 460 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | TFT Screen LCD Display | - |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder resolution | 202 thousand dot | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | - | 0.64x |
Features | ||
Slowest shutter speed | 4 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/6000 secs |
Continuous shooting speed | 10.0fps | 5.4fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 13.50 m | 12.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, auto w/redeye reduction, flash on, flash on + redeye reduction, slow sync, trailing curtain sync, manual flash |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 493 grams (1.09 lb) | 678 grams (1.49 lb) |
Dimensions | 120 x 81 x 92mm (4.7" x 3.2" x 3.6") | 123 x 91 x 73mm (4.8" x 3.6" x 2.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 450 photographs | 410 photographs |
Battery format | Battery Pack | Battery Pack |
Battery model | - | D-LI109 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 12 secs) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Launch price | $350 | $581 |