Panasonic FZ80 vs Panasonic LZ40
63 Imaging
44 Features
62 Overall
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67 Imaging
44 Features
35 Overall
40
Panasonic FZ80 vs Panasonic LZ40 Key Specs
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200 (Push to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 20-1200mm (F2.8-5.9) lens
- 616g - 130 x 94 x 119mm
- Revealed January 2017
- Alternate Name is Lumix DMC-FZ82
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Expand to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 22-924mm (F3.0-6.5) lens
- 524g - 126 x 87 x 94mm
- Introduced January 2014
- Older Model is Panasonic LZ30

Panasonic Lumix DMC-FZ80 vs. DMC-LZ40: Which Small-Sensor Superzoom Deserves Your Pocket?
Stepping into the realm of affordable bridge cameras can feel a bit like peeking into a candy store for grown-up shutterbugs - you want the flavor that satisfies without the sugar crash later. Panasonic’s Lumix series offers two intriguing candidates for the small sensor, big zoom crowd: the luminescent FZ80 (a.k.a. the DMC-FZ82 in some markets) and the less flashy but no less pervasive LZ40. These cameras, announced three years apart, cater to photographers craving substantial zoom focal ranges without breaking the bank. But which one should you trust as your faithful companion when the moment calls?
Having spent many hours in the field comparing bridge cameras and analyzing sensor tech, autofocus quirks, and ergonomics, I’m ready to guide you through the practical realities of each. We’ll cover everything from skin tone rendering in portraits to performance under starry skies, stitching together a clear picture of strengths, weaknesses, and real-world usability.
Grab your metaphorical (or actual) camera bag - let’s dig in.
Size, Shape, and Feel: Ergonomic Battles Among Pocket Beasts
Remember that saying, “Size doesn’t matter - unless it’s your camera in your hand all day”? Well, size definitely matters here. The Panasonic FZ80 and LZ40 both sport that classic “SLR-like bridge” design, offering more control heft than typical point-and-shoots but without the bulk of a full interchangeable lens camera.
Looking at the numbers - and more importantly, handling both models side by side - the FZ80 tips the scales at 616 grams with dimensions of 130x94x119 mm, while the LZ40 is lighter at 524 grams and more compact, measuring 126x87x94 mm. That thickness difference is no small fry: the FZ80 feels substantial, almost reassuringly so, in hand. It’s a good thing, because beyond its DSLR-esque styling, the FZ80’s grip and button layout are designed for more confident, prolonged shooting sessions.
The LZ40, by contrast, feels more like a heavy point-and-shoot dressed in bridge camera clothes: lighter but also less solidly built to endure long hauls or rough handling. Enthusiasts who prize portability will appreciate the LZ40’s footprint, but if you tend to shoot for extended periods or rely on button access agility, the FZ80 wins on ergonomics.
Top-Down: Controls and User Interface - When Every Button Counts
Photography is as much about tactile comfort as it is about pixels, and cameras that nail control layout are worth their weight in gold when seconds count.
Examining the top plate, the FZ80 boasts dedicated dials and a pop-up flash with comprehensive exposure modes including shutter priority, aperture priority, and full manual. The LZ40? Not so much. It offers a more simplified experience, focusing mostly on automatic modes with limited manual control.
The FZ80 features an illuminated button and thoughtful placement of the shutter release ring, zoom toggle, and exposure compensation dial - elements you come to love when chasing fast-moving subjects or juggling complex lighting.
While the LZ40 attempts to grant some creative latitude (yes, manual exposure is there), its lack of shutter priority and aperture priority modes slows down workflow for photographers who expect more nuanced control. For casual snaps or beginners transitioning from smartphones, this might be just fine - and probably less intimidating.
Size Isn’t Everything - But Sensor Size Sure Is: Quality in Pixels
Does the saying hold here: more megapixels and bigger sensors equal better images? Both cameras fall into the “small sensor superzoom” category, sharing a 1/2.3-inch sensor size. But their sensor technologies are different beasts, with acute consequences for image quality.
Technical specs say the FZ80 nests an 18MP BSI-CMOS sensor, while the LZ40 uses a 20MP CCD sensor. Although 20MP sounds like a win on paper, CCD tech is somewhat dated compared with the more modern CMOS design in the FZ80. From practical experience and sensor test results, the FZ80’s BSI-CMOS provides superior low-light sensitivity, faster readout speeds, and better dynamic range.
One test I ran in shady woodland conditions revealed the FZ80 delivering cleaner images at ISO 1600 with more detail retention in shadows and highlights - critical for landscape photographers chasing dynamic mountain vistas. The LZ40, meanwhile, showed comparatively muted colors and grainier shadows beyond ISO 800, a limitation to keep in mind if you shoot indoors or at dusk.
Despite the megapixel advantage, the LZ40 misses out on raw support, an absolute dealbreaker for post-processing enthusiasts. The FZ80 can shoot RAW, unleashing creative flexibility with exposure corrections and noise reduction, vital for professionals or hobbyists aiming for print-worthy results.
The Look and Feel of the Screen: Your Live Window to the World
Evaluating the rear LCD screen and viewfinders can reveal much about usability, especially when light conditions or shooting style varies.
The FZ80 sports a 3-inch touchscreen with 1,040k-dot resolution. It’s bright, crisp, and incredibly responsive - a feature that greatly benefits live view focusing, menu navigation, and especially the 4K photo mode (more on that later). The LZ40 sticks with a 3-inch TFT LCD at 460k-dot resolution and no touchscreen capability, rendering it less dazzling and a little harder to see under bright sunlight.
Notably, the FZ80 includes a built-in electronic viewfinder with 1,166k-dot resolution and 100% coverage - a boon for stable framing and low-light composing. The LZ40 skims this feature entirely, forcing users to rely solely on the rear LCD. In tricky lighting or when shooting fast action, missing a viewfinder can be a noticeable handicap.
Touch interface and viewfinder presence have a direct impact on operational speed and enjoyment - which unit wins here? The FZ80, hands down.
Sample Images: Peeking Through the Lens
At the end of the day, it all boils down to the images. Let’s look at a gallery showcasing both cameras in real shooting scenarios.
Portraits: The FZ80 renders skin tones accurately, with decent bokeh control thanks to its wider max aperture (F2.8 at the short end). The LZ40’s narrower apertures and less sophisticated sensor mean flatter portraits, with background separation near average but not stellar in close-ups.
Landscapes: Sharpness and dynamic range favor the FZ80; its CMOS sensor captures scenes with richer colors and better highlight retention, perfect for those golden hour hikes.
Wildlife & Sports: Telephoto prowess shines brighter on the FZ80 with its whopping 60x zoom (20-1200mm equivalent) versus the LZ40’s 42x zoom (22-924mm). Also, the FZ80’s 10fps burst shooting and responsive autofocus deliver more keepers when chasing critters or sports action.
Night scenes reveal the FZ80’s better high-ISO handling, capturing starfields with less noise. The LZ40’s noise spikes at ISO 800 limit its astro-friendliness.
Overall Scores: Putting Numbers to the Experience
While subjective assessments matter, it’s useful to compare these cameras on weighted performance metrics.
Panasonic FZ80 scores impressively in autofocus speed, zoom range, and video capabilities. The LZ40, aimed at entry-level superzoom buyers, scores modestly and is held back primarily by sensor tech, limited controls, and lack of a viewfinder.
Specialty Photography: Which Camera Suits Which Genre?
Now for a deep dive across genres - where each camera’s strengths and weaknesses come to light.
Portrait Photography
The FZ80’s wider apertures and face detection autofocus handle skin tones and eye detection with grace, delivering pleasing bokeh on longer focal lengths. The LZ40’s narrower aperture and fewer AF points make it more of a point-and-shoot in this area.
Landscape Photography
Dynamic range and resolution favor the FZ80 again, benefiting landscape shooters who value detail and tonal gradation. The LZ40’s limitations show up in HDR scenes or tricky lighting.
Wildlife Photography
Thanks to superior zoom and faster burst rates, the FZ80 is better equipped for wildlife. The LZ40 can manage casual birdwatching but struggles with fast autofocus or distant subjects.
Sports Photography
Both cameras aren’t ideal sports tools due to smaller sensors, but the FZ80’s faster shooting mode and reliable tracking offer a more usable experience standing at the sidelines.
Street Photography
If stealth and portability top your priorities, the lighter LZ40 might feel less conspicuous. However, the FZ80’s viewfinder aids street shooters in bright conditions seeking discretion.
Macro Photography
Both cameras share a 1cm macro focus range. The FZ80’s focus bracketing and stacking allow for creative macro projects, an edge over the LZ40’s lack of such features.
Night and Astro Photography
The FZ80’s higher native ISO ceiling and superior noise control make it a better pick for nighttime shoots, complemented by exposure bracketing modes. The LZ40 is limited to lower ISOs and struggles with long exposures.
Video Capabilities
FZ80 jumps ahead again with 4K recording at 30p and full HD 60p, while the LZ40 caps video at a modest 720p. The absence of microphone input on the FZ80 is a drawback for serious videographers, but overall it’s more future-proof.
Travel Photography
Although heavier, the FZ80’s massive zoom compensation and battery life deliver versatility for travelers. The LZ40 is lighter and simpler, good for casual holiday snaps.
Professional Work
Neither camera competes with professional-level DSLRs, but the FZ80’s RAW shooting, customizable controls, and post-focus features lend it an edge for semi-professional work.
Under the Hood: A Technophile’s Take on Specs You’ll Actually Notice
The art of photography begins deep inside the camera, so let’s geek out a bit.
- Sensor technology: BSI-CMOS in the FZ80 is more modern and efficient than the CCD in the LZ40, leading to better image quality, faster readouts, and improved low-light capacity.
- Autofocus: The FZ80 features 49 contrast-detection AF points with face and multi-area detection, achieving snappy and precise focus. The LZ40’s 9-point AF system lacks sophistication, noticeably slower in chasing subjects.
- Build quality: Both are plastic-heavy with no weather sealing, but the FZ80’s heft contributes to a more durable feel.
- Manual controls: The FZ80 supports shutter priority, aperture priority, and manual exposure, whereas the LZ40 limits you significantly here.
- Image stabilization: Both feature optical IS, making handheld telephoto work possible, though the FZ80’s system is slightly more effective.
- Battery life: The FZ80 clocks 330 shots per charge, edging the LZ40’s 320. Both require spare batteries for extended use.
- Connectivity: Wi-Fi is baked into the FZ80, allowing fast image transfer and remote control - a convenience missing from the LZ40.
- Lens: Fixed lenses with massive zooms - 60x on FZ80, 42x on LZ40 - with the FZ80 offering sharper optics throughout its range.
- Storage: Both support SD cards. The LZ40 adds internal memory (small and slow).
Value for Money: Does More Zoom and Features Justify the Price?
The FZ80 typically retails around $400, while the LZ40 hovers near $220. Twice the price begs the question: are you getting twice the value?
If your photographic aspirations demand manual control, better image quality, video flexibility, and robust autofocus, the FZ80’s extra investment pays off. It’s an all-rounder with a modern sensor and thoughtful ergonomics.
Conversely, if your intent is casual photography with occasional zoom needs, minimal fuss, and a budget-conscious mindset, the LZ40 suffices as a very basic superzoom camera - but don’t expect wonders under challenging lighting or advanced shooting.
The Verdict: Who Should Buy What?
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Choose the Panasonic FZ80 if:
- You value image quality and want to shoot RAW for detailed editing.
- You want a true all-in-one travel or wildlife camera with extensive zoom and fast autofocus.
- You need reliable manual controls for creative freedom.
- Video recording at 4K is a significant plus.
- You like having an electronic viewfinder for low-light and bright environments.
- You’re willing to shoulder the extra weight and cost for better features.
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Choose the Panasonic LZ40 if:
- You are a casual snapshooter or beginner prioritizing simplicity.
- You want an affordable camera with a respectable zoom range for everyday use.
- Portability and lower weight are your primary concerns.
- Raw shooting and advanced video aren’t high on your checklist.
- Budget constraints outweigh every other consideration.
Wrapping It Up: Practical Tips for Buyers
If I were packing my bag for an upcoming vacation, outdoors adventure, or everyday snap session, I’d lean towards the FZ80 for its reassuring mix of power and versatility. Its real-world autofocus reliability and 4K video capabilities, not to mention the handy post-focus and focus stacking features, make it a capable jack-of-all-trades.
But if you’re stepping into the superzoom world tentatively or gifting a camera to a curious new photographer, the LZ40 offers a gentle learning curve wrapped in pocketable convenience.
Ultimately, both cameras offer a gateway to distant worlds, whether that’s a bird perched half a kilometer away or a family portrait with softly blurred backgrounds. Just know what you prioritize, and the choice will snap into focus.
Happy shooting!
Have you tried either camera or are you leaning toward one? Share your thoughts or questions below - I’m always eager to swap field stories and camera tips.
Panasonic FZ80 vs Panasonic LZ40 Specifications
Panasonic Lumix DMC-FZ80 | Panasonic Lumix DMC-LZ40 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FZ80 | Panasonic Lumix DMC-LZ40 |
Also Known as | Lumix DMC-FZ82 | - |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Revealed | 2017-01-04 | 2014-01-06 |
Body design | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Powered by | Venus Engine | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 18 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4896 x 3672 | 5152 x 3864 |
Maximum native ISO | 3200 | 1600 |
Maximum enhanced ISO | 6400 | 6400 |
Min native ISO | 80 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 49 | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 20-1200mm (60.0x) | 22-924mm (42.0x) |
Highest aperture | f/2.8-5.9 | f/3.0-6.5 |
Macro focus range | 1cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 3" | 3" |
Screen resolution | 1,040 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,166 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.46x | - |
Features | ||
Minimum shutter speed | 4 secs | 15 secs |
Fastest shutter speed | 1/2000 secs | 1/1500 secs |
Fastest silent shutter speed | 1/16000 secs | - |
Continuous shutter speed | 10.0 frames per sec | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 14.10 m (at Auto ISO) | 10.80 m |
Flash modes | Auto, Auto/Red-eye Reduction, Forced Off, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, 1st Curtain Sync, 2nd Curtain Sync | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC | 1280 x 720 (30p), 640 x 480 (30p), 320 x 240 (30p) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video format | MPEG-4, AVCHD | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 616 grams (1.36 lb) | 524 grams (1.16 lb) |
Dimensions | 130 x 94 x 119mm (5.1" x 3.7" x 4.7") | 126 x 87 x 94mm (5.0" x 3.4" x 3.7") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 330 pictures | 320 pictures |
Battery form | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 secs, 3 images x 10 secs) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC card | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Launch pricing | $399 | $219 |