Panasonic G1 vs Panasonic TS6
82 Imaging
46 Features
50 Overall
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91 Imaging
40 Features
45 Overall
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Panasonic G1 vs Panasonic TS6 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 1600 (Boost to 3200)
- No Video
- Micro Four Thirds Mount
- 360g - 124 x 84 x 45mm
- Introduced January 2009
- Replacement is Panasonic G2
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Introduced January 2015
- Other Name is Lumix DMC-FT6
- Older Model is Panasonic TS5

Panasonic Lumix DMC-G1 vs Panasonic Lumix DMC-TS6: An In-Depth Camera Comparison for Photographers
Choosing a camera that fits your style and creative goals can be daunting, especially with vastly different models like the Panasonic Lumix DMC-G1 and the Panasonic Lumix DMC-TS6. These two cameras hail from distinct categories and eras, each with unique strengths and trade-offs. Having personally tested thousands of cameras over the last 15 years, I’m excited to guide you through a detailed, practical comparison to help find the right tool for your photography journey.
Let’s explore everything from sensor technology and autofocus to build quality, shooting disciplines, and value - all grounded in hands-on experience and technical knowledge.
Seeing the Cameras: Size, Build, and Handling
Physical ergonomics can make or break your shooting experience, especially in the field. The Panasonic G1 (presented in 2009 as the world’s first Micro Four Thirds mirrorless) showcases an SLR-style mirrorless design, whereas the TS6 (released in 2015) is a rugged waterproof compact.
- Panasonic G1: Measures 124x84x45 mm and weighs 360 g. The SLR-style body offers a deep grip, extensive physical controls, and a fully articulated 3” screen with 460k dots for flexible shooting angles.
- Panasonic TS6: More petite at 110x67x29 mm, weighing 214 g. It boasts a solid compact design optimized for waterproofing and rugged outdoor activities but trades off some control depth for portability.
The top view comparison further underlines their distinct design philosophies.
The G1 provides dedicated dials for shutter/aperture priority modes and quick-access buttons, supporting manual adjustments that advanced users crave. The TS6 offers a simpler button layout and fixed lens controls suited to casual and adventurous shooters.
Ergonomics Verdict: If you appreciate a robust grip and tactile control layout, the G1’s mirrorless design excels. For travel, adventure, or underwater use where light weight and weather resistance matter, the TS6 shines.
Inside the Image: Sensor Technology and Image Quality
Sensor performance is the cornerstone of image quality - dynamic range, color depth, noise handling, and resolution all depend on it.
Feature | Panasonic G1 | Panasonic TS6 |
---|---|---|
Sensor Type | CMOS | CMOS |
Sensor Size | Four Thirds (17.3x13 mm) | 1/2.3" (6.08x4.56 mm) |
Sensor Area | 224.9 mm² | 27.72 mm² |
Resolution | 12 MP (4000x3000) | 16 MP (4608x3456) |
Max Native ISO | 1600 | 6400 |
Max Boosted ISO | 3200 | N/A |
Antialiasing Filter | Yes | Yes |
Analysis: The G1’s Four Thirds sensor is significantly larger than the TS6’s smaller 1/2.3" sensor. Larger sensors gather more light, resulting in superior dynamic range (measured at 10.3 EV for G1), better color depth (21.1 bits), and lower noise at higher ISOs (ISO 463 low-light score). This translates to cleaner images in low light, smoother tonal gradation, and more editing latitude.
Conversely, the TS6 compensates with its 16 MP resolution, which can yield detailed images in bright light but struggles more in challenging lighting due to its tiny sensor area. Its high max ISO of 6400 enables shooting in darker conditions but will introduce noticeable noise unless carefully managed.
If you prioritize image fidelity for portraits, landscapes, or professional use, the G1’s sensor delivers a clear advantage.
Cameras in Action: Display and Viewfinder Experience
A photographer’s interface to the scene is critical. The G1 features an electronic viewfinder and a fully articulated LCD screen. The TS6 relies solely on a fixed 3” LCD without a viewfinder.
- Panasonic G1: The EVF covers 100% of the frame, essential for precise composition in bright environments. The fully articulated display supports live view shooting at 460k resolution with flexible angles, perfect for creative compositions and video.
- Panasonic TS6: With no EVF, framing relies entirely on the rear LCD. While bright, it isn't articulated and can be limiting in bright sunlight or awkward angles.
Live view is smooth on both cameras, but the G1's viewfinder and articulated screen create a professional workflow advantage.
Autofocus and Shooting Performance: Speed, Accuracy, and Tracking
Autofocus systems vary widely and impact every genre, from sports to macro photography.
Parameter | Panasonic G1 | Panasonic TS6 |
---|---|---|
AF Type | Contrast detection | Contrast detection |
Number of AF Points | Multi-area & selective | 23 points |
Face Detection | No | Yes |
Animal Eye AF | No | No |
AF Continuous Mode | Yes | Yes |
AF Tracking | No | Yes |
Continuous Shooting Speed | 3 fps | 10 fps |
From testing both cameras under various conditions:
- Panasonic G1 offers a contrast-detection AF with multi-area focus. While effective for still subjects, it can be slower and less reliable for moving objects. Face detection is absent, limiting portrait-focused autofocus precision.
- Panasonic TS6’s more modern 23-point contrast detection with face detection and AF tracking supports faster, more reliable autofocus for action, wildlife, and casual photography. The 10 frames per second burst rate is ideal for capturing fleeting moments.
While the TS6 surpasses the G1 in autofocus speed and tracking, the G1’s flexible manual focus and focus peaking (limited though it is) cater to deliberate, creative control.
Versatility Across Photography Styles and Genres
How do these cameras fare for specific photography types? Here’s a breakdown to guide your choice.
Portrait Photography
Feature | Panasonic G1 | Panasonic TS6 |
---|---|---|
Bokeh Quality | Good (larger sensor) | Moderate (small sensor & fixed lens) |
Skin Tone Rendering | Natural and flexible | Adequate |
Eye Detection AF | No | Yes |
The G1, when paired with fast prime lenses, produces beautifully blurred backgrounds and accurate skin tones thanks to its sensor size and RAW support. The TS6’s fixed zoom lens with smaller aperture limits bokeh but face detection autofocus helps focus on faces effectively.
Recommendation: The G1 is preferred for portrait enthusiasts seeking creative control and image quality.
Landscape Photography
Feature | Panasonic G1 | Panasonic TS6 |
---|---|---|
Dynamic Range | High | Low to Moderate |
Resolution | 12 MP | 16 MP |
Weather Sealing | No | Yes |
Zoom Range | Depends on lens | 28-128 mm (5x optical) |
The G1 captures landscapes with better tonal range and fine detail from RAW files. But lack of weather sealing is a consideration if shooting outdoors in adverse conditions. The TS6’s rugged waterproof design and versatile zoom make it practical for travel hikes and beach scenes, though image quality and dynamic range take a back seat.
Recommendation: Choose G1 for controlled landscape shoots; TS6 for adventurous environments.
Wildlife and Sports Photography
Feature | Panasonic G1 | Panasonic TS6 |
---|---|---|
Burst Speed | 3 fps | 10 fps |
AF Tracking | No | Yes |
Telephoto Lens Support | Yes (via Micro Four Thirds lenses) | Fixed zoom lens (128 mm equiv.) |
Portability | Bulkier | Compact & rugged |
The G1’s lens ecosystem allows pairing with professional telephoto lenses - essential for wildlife photography. However, slower burst rate and lack of AF tracking hinder action capture. The TS6 compensates with fast continuous shooting and AF tracking, but zoom range and image quality can limit professional wildlife work.
Recommendation: Wildlife photographers with budget for lenses should lean towards the G1; casual sports or travel wildlife shooters benefit from the TS6's speed and compactness.
Street and Travel Photography
Smaller size and discretion matter here.
- Panasonic TS6’s compact body and quiet operation are ideal for unobtrusive street shooting. Its waterproofing lets you shoot worry-free in the rain or dusty areas.
- Panasonic G1 is bulkier but offers creative freedom, interchangeable lenses, and articulated screen for shooting from creative angles in urban settings.
Battery life favors the TS6 at 370 shots versus G1’s 330, extending your shooting day.
Macro and Close-Up Photography
The TS6’s 5 cm macro focus range on a fixed lens and optical image stabilization make shooting close subjects easy for casual users.
The G1’s advantage depends on the lens you choose; prime macro lenses offer superior magnification and focus precision, but require investment.
Night and Astro Photography
Thanks to a larger sensor, the G1 manages higher ISO shots more cleanly, vital for low-light and night sky photography. Its shutter speed range up to 1/4000s and custom exposure modes enable longer exposures and creative control.
The TS6’s smaller sensor struggles with noise at high ISO, limiting night-time clarity. It does offer timelapse recording, but limited ISO performance restricts astrophotography potential.
Video Capabilities: Beyond Still Images
Feature | Panasonic G1 | Panasonic TS6 |
---|---|---|
Video Recording | None | 1080p30/60 fps, 720p60 fps |
Video Formats | None | AVCHD, MPEG-4 |
Image Stabilization | No | Optical IS |
Microphone/Headphone Ports | No | No |
Although a pioneer mirrorless, the G1 lacks video recording completely. The TS6 offers Full HD video with optical stabilization and standard codecs suitable for casual shooters and vloggers.
Build Quality and Durability: Weatherproofing and Reliability
Feature | Panasonic G1 | Panasonic TS6 |
---|---|---|
Environmental Sealing | None | Weatherproof, Dustproof, Shockproof, Freezeproof, Crushproof |
Weight | 360 g | 214 g |
Dimensions | 124x84x45 mm | 110x67x29 mm |
The TS6 is built to withstand harsh conditions and accidental drops, making it perfect for adventurous users who want worry-free shooting in the wild or underwater (rated waterproof). The G1, while solidly built, is designed for controlled environments and professional workflows.
Lens Ecosystem and Accessory Support
The Panasonic G1 uses the Micro Four Thirds mount, instantly giving you access to over 100 lenses, ranging from ultra-wide to fast telephoto primes to macro and specialty optics from Panasonic, Olympus, and third parties.
The TS6 has a fixed lens (28-128mm equivalent, F3.3-5.9), limiting flexibility but covering everyday focal lengths. There is no option to swap lenses or add external flashes.
If expanding your photographic toolkit over time is important, the G1 is far more scalable.
Storage, Connectivity, and Power Management
Feature | Panasonic G1 | Panasonic TS6 |
---|---|---|
Storage | SD/SDHC/SDXC/MMC card | SD/SDHC/SDXC + Internal |
Wireless Connectivity | None | Built-in Wi-Fi + NFC |
USB Connectivity | USB 2.0 | USB 2.0 |
HDMI Output | Yes | Yes |
GPS | No | Built-in |
Battery Life (CIPA) | 330 shots | 370 shots |
TS6’s built-in GPS and Wi-Fi make geo-tagging and image sharing easier, supporting today’s content creators. The G1 lacks wireless features, reflecting its earlier era.
Price-to-Performance: Assessing Real-World Value
Model | Current Market Price | Intended User |
---|---|---|
Panasonic G1 | Discontinued (used market) | Entry-level to enthusiasts seeking mirrorless flexibility |
Panasonic TS6 | ~$300 (new) | Adventure/travel enthusiasts needing rugged compact |
The G1 offers superior image quality and creative control at a likely lower entry cost on the used market, but with aging tech. The TS6 is a specialized rugged camera with mid-level specs aimed at playful, outdoorsy photography.
Summary Table: Side-by-Side Feature Highlights
Feature | Panasonic G1 | Panasonic TS6 |
---|---|---|
Launch Year | 2009 | 2015 |
Camera Type | Entry-Level Mirrorless SLR-style | Rugged Waterproof Compact |
Sensor Size | Four Thirds (17.3 x 13 mm) | 1/2.3" (6.08 x 4.56 mm) |
Resolution | 12 MP | 16 MP |
Max ISO | 1600 (3200 boost) | 6400 |
Lens Mount | Micro Four Thirds | Fixed 28-128 mm F3.3-5.9 |
Viewfinder | Electronic EVF (100% coverage) | None |
LCD Screen | Fully Articulated 3” 460k dots | Fixed 3” 460k dots |
Autofocus Points | Multi-area Contrast AF | 23 point Contrast AF + Face AF |
Continuous Shooting | 3 fps | 10 fps |
Weather Sealing | No | Yes (Waterproof, Shockproof) |
Video Recording | None | 1080p HD, 60fps |
Wireless Connectivity | None | Wi-Fi + NFC |
Battery Life | 330 shots | 370 shots |
Weight | 360 g | 214 g |
Real-World Sample Images and Shooting Impressions
Below are curated images taken during controlled tests with both cameras in different scenarios.
- The G1 images show excellent dynamic range and color accuracy, particularly for portraits and landscapes.
- The TS6 shines in outdoor action shots and casual travel snapshots, remaining sharp in daylight but showing amplified noise indoors.
Overall Performance and Photographic Genre Suitability
Our consolidated performance scores give a further nuanced view.
- The G1 leads in portrait, landscape, and professional work thanks to sensor size and lens flexibility.
- The TS6 excels in sports, wildlife, travel, and rugged outdoor use due to speed, sealing, and build.
- Neither camera supports 4K video or advanced video controls, reflecting their age and category focus.
Who Should Choose Which?
-
Panasonic Lumix DMC-G1: You want an affordable mirrorless system with image quality, interchangeable lenses, an EVF, and manual controls. Perfect for those exploring creative photography including portraits, landscapes, macro, and even some low-light work. Ideal for beginners to enthusiasts who want growth potential without the latest bells and whistles.
-
Panasonic Lumix DMC-TS6: You need a tough, compact camera for adventure, travel, beach, hiking, and underwater photography without changing lenses. Its fast autofocus and burst rate suit casual sports and wildlife outings. Great as a reliable, no-fuss everyday shooter with decent Full HD video and wireless sharing.
Final Thoughts: Choosing Your Next Camera Based on Experience and Needs
Both Panasonic Lumix models bring different strengths to the table. The G1 represents the earliest wave of mirrorless innovation focusing on image quality and creative flexibility. The TS6 is built for a different mission - rugged, fun, ready-for-anything shooting in unpredictable conditions.
If your priority is advancing photographic skills with high fidelity images, investing in Micro Four Thirds glass, and working in varied conditions (aside from extreme environments), the G1 remains a compelling option, especially secondhand.
If you crave portability, durability, video capabilities, and Wi-Fi on a budget - for exploration, holiday snaps, or sports - the TS6 will serve you well.
I suggest you try both cameras in your environment if possible. Handling, usability, and shooting pleasure are deeply personal.
Check compatibility with your workflow and lenses, consider accessories like external flashes or waterproof housings, and start creating. After all, the best camera is the one that inspires you to capture your vision consistently and joyfully.
Thank you for joining this detailed comparison. Feel free to ask if you want lens recommendations, shooting tips, or follow-up technical insights.
Happy shooting!
Panasonic G1 vs Panasonic TS6 Specifications
Panasonic Lumix DMC-G1 | Panasonic Lumix DMC-TS6 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-G1 | Panasonic Lumix DMC-TS6 |
Otherwise known as | - | Lumix DMC-FT6 |
Category | Entry-Level Mirrorless | Waterproof |
Introduced | 2009-01-19 | 2015-01-06 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 12MP | 16MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4608 x 3456 |
Highest native ISO | 1600 | 6400 |
Highest enhanced ISO | 3200 | - |
Lowest native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 23 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-128mm (4.6x) |
Max aperture | - | f/3.3-5.9 |
Macro focusing range | - | 5cm |
Number of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Range of display | Fully Articulated | Fixed Type |
Display sizing | 3 inch | 3 inch |
Resolution of display | 460 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder coverage | 100% | - |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/4000 seconds | 1/1300 seconds |
Continuous shutter speed | 3.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 10.50 m | 5.60 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, auto w/redeye reduction, on, slow sync w/redeye reduction, off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/160 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Highest video resolution | None | 1920x1080 |
Video format | - | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 360 grams (0.79 lbs) | 214 grams (0.47 lbs) |
Dimensions | 124 x 84 x 45mm (4.9" x 3.3" x 1.8") | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") |
DXO scores | ||
DXO Overall rating | 53 | not tested |
DXO Color Depth rating | 21.1 | not tested |
DXO Dynamic range rating | 10.3 | not tested |
DXO Low light rating | 463 | not tested |
Other | ||
Battery life | 330 images | 370 images |
Battery format | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/MMC/SDHC card | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Price at release | $0 | $300 |