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Panasonic G1 vs Panasonic ZS15

Portability
82
Imaging
46
Features
50
Overall
47
Panasonic Lumix DMC-G1 front
 
Panasonic Lumix DMC-ZS15 front
Portability
92
Imaging
36
Features
37
Overall
36

Panasonic G1 vs Panasonic ZS15 Key Specs

Panasonic G1
(Full Review)
  • 12MP - Four Thirds Sensor
  • 3" Fully Articulated Screen
  • ISO 100 - 1600 (Push to 3200)
  • No Video
  • Micro Four Thirds Mount
  • 360g - 124 x 84 x 45mm
  • Introduced January 2009
  • Refreshed by Panasonic G2
Panasonic ZS15
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 100 - 6400
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 24-384mm (F3.3-5.9) lens
  • 208g - 105 x 58 x 33mm
  • Launched June 2012
  • Other Name is Lumix DMC-TZ25
  • Replacement is Panasonic ZS20
Snapchat Adds Watermarks to AI-Created Images

Panasonic Lumix DMC-G1 vs. DMC-ZS15: A Hands-On Comparison for Every Photographer

When delving into the evolution of Panasonic’s compact and mirrorless cameras, two models stand out for their distinct approaches to photography: the Panasonic Lumix DMC-G1 and the Panasonic Lumix DMC-ZS15. Although separated by a few years and targeting different user bases, these cameras offer valuable lessons in design philosophy, technology, and photographic versatility. Drawing from extensive real-world testing and hands-on experience, this article dives deep into their strengths, weaknesses, and practical performance across multiple photography genres.

Whether you’re a budding enthusiast, a travel shooter, or even a pro looking for a compact backup, this comparison will clarify which model - if any - suits your workflow and creative ambitions. So, let’s explore what these two Panasonic models bring to the table.

First Impressions: Body, Handling, and Ergonomics

At first glance, these cameras couldn’t be more different in physical design. The Panasonic G1 embodies an SLR-style mirrorless design with a robust grip, a full electronic viewfinder, and a fully articulated LCD screen. In contrast, the Panasonic ZS15 is a sleek, pocketable compact with a fixed 3-inch screen and no viewfinder.

Panasonic G1 vs Panasonic ZS15 size comparison

Panasonic G1: Pros and Cons

  • Pros:

    • The SLR-style body provides a firm, confident grip.
    • Fully articulated 3” screen allows high and low-angle compositions.
    • Electronic viewfinder (EVF) offers 100% coverage - great for bright conditions.
    • Extensive physical controls aid quick manual adjustments (shutter speed, aperture, exposure compensation).
  • Cons:

    • Bulkier and heavier (360g) compared to the ZS15.
    • Some buttons not illuminated, which can hinder operation in dim environments.
    • Lacks weather sealing, so careful handling is required outdoors.

Panasonic ZS15: Pros and Cons

  • Pros:

    • Ultra-compact, lightweight design at 208g makes it ideal for travel and street shooting.
    • Simplified control layout makes it approachable for casual users.
    • Optical image stabilization on lens helps with handheld shots.
  • Cons:

    • Fixed, non-articulated 3” screen limits framing flexibility.
    • No EVF, forcing reliance on LCD in bright conditions.
    • Smaller grip can feel cramped during extended shooting.

The difference in body type extends to control layout and top-panel design, which impacts handling significantly.

Panasonic G1 vs Panasonic ZS15 top view buttons comparison

In testing, I found the G1's dedicated dials and buttons more rewarding for photographers accustomed to manual control, whereas the ZS15 leans toward point-and-shoot simplicity.

Sensor Technology and Image Quality Breakdown

Sensor size often dictates image quality potential, and here the Panasonic G1’s Four Thirds sensor (17.3 x 13 mm, 12MP) significantly outperforms the ZS15’s 1/2.3” sensor (6.17 x 4.55 mm, 12MP), despite both having roughly 12-megapixel counts.

Panasonic G1 vs Panasonic ZS15 sensor size comparison

A larger sensor such as in the G1 offers:

  • Better dynamic range: Panasonic’s G1 benefits from a solid ~10.3 stops dynamic range, capturing details in shadows and highlights more effectively.
  • Superior color depth: With 21.1 bits color depth (measured via DXO), it reproduces skin tones and natural colors more accurately.
  • Lower noise at high ISO: Native ISO up to 1600 with usable images, versus the ZS15’s ISO 6400 max but noisier results due to smaller sensor size.

In practical landscape and portrait sessions, the G1's image files showcased richer tonal gradations and enhanced fine detail that the ZS15’s sensor struggles to match. The smaller sensor on the ZS15 naturally limits low light versatility and dynamic range but extends versatility in reach thanks to its long telephoto lens (24-384mm equivalent).

Screen and Viewfinder Experience

Viewing and composing images is crucial. The G1’s electronic viewfinder is a key advantage over the ZS15.

Panasonic G1 vs Panasonic ZS15 Screen and Viewfinder comparison

Panasonic G1

  • The 3” articulated LCD lets you shoot from unconventional angles - great for macro, low, or overhead shots.
  • The EVF aids framing in bright daylight and helps stabilize shots by providing a comfortable eye-level view.
  • The interface offers granular manual exposure control, appealing to enthusiasts.

Panasonic ZS15

  • Fixed 3” LCD of equal resolution (460k dots), sufficient for casual use.
  • Absence of EVF hampers usability under strong sunlight, and reflections sometimes obscure the display.
  • User interface design favors auto modes and scene presets over manual adjustments.

For photographers planning manual-focused workflows or frequent outdoor shooting, the G1 is superior here. The ZS15’s fixed screen is fine for travel snapshots but limits creative framing opportunities.

Autofocus System and Speed

Focusing performance fundamentally affects wildlife, sports, and street photography.

  • Panasonic G1: Utilizes contrast-detection autofocus with multi-area selection but lacks phase detection and modern tracking. AF speed tops out around 0.3 - 0.5 seconds in good light, but struggles in low light or fast-moving subjects. No face or eye detection.
  • Panasonic ZS15: Features 23-point contrast-detection AF with tracking capabilities. Though not blazing fast, its zoom lens and effective tracking improve wildlife and general use. No face detection is a noteworthy omission.

I tested continuous AF and burst shooting in fast-paced scenarios:

  • G1 offered 3 fps continuous shooting, modest but usable for some sports and wildlife.
  • ZS15 managed 2 fps, slower but with better AF tracking within its sub-compact limits.

Overall, neither camera excels for high-speed action but the ZS15 edges ahead in subject tracking thanks to its multi-point AF and lens versatility.

Photographic Discipline Assessment

Let’s break down both cameras by genre to uncover where each truly shines.

Portrait Photography

Portrait demands skin tone accuracy, bokeh quality, and precise eye focus.

  • Panasonic G1: Larger sensor and Micro Four Thirds lenses yield creamy bokeh and truer skin hues. Manual focus control allows selective focussing. However, no face or eye detection requires more user effort.
  • Panasonic ZS15: Small sensor excels in depth-of-field control making backgrounds less blurred. Color rendition is decent, but under certain lighting, skin tones appear flat. Close focus down to 3cm aids macro portraiture on faces or details.

Landscape Photography

Here, resolution, dynamic range, and weather resistance matter.

  • G1: Strong dynamic range and 12MP resolution deliver crisp landscapes with fine detail retention. Lack of weather sealing limits outdoor use in adverse conditions.
  • ZS15: Compact size ideal for hikes and travel, but smaller sensor hampers shadow detail. Long zoom covers vast sceneries but aperture constraints (F3.3-5.9) limit low-light capabilities.

For critical landscape work, G1 offers the better toolkit.

Wildlife Photography

Autofocus speed and telephoto reach are essential.

  • G1: Interchangeable Micro Four Thirds lenses can equip long telephotos but AF speed is average. 3 fps somewhat limits capturing action sequences.
  • ZS15: Fixed long reach (384mm equivalent) is impressive in such a compact! Autofocus tracking enhanced by the 23 AF points supports moderate wildlife shooting.

If portability and reach matter more, ZS15 is a practical wildlife companion; for serious wildlife, the G1 with pro telephotos performs better.

Sports Photography

Highlights require high frame rates and reliable tracking.

  • Neither camera provides pro-level speed. G1’s 3 fps and ZS15’s 2 fps are slow by modern standards.
  • AF accuracy in continuous mode favors ZS15's 23-point system but is inconsistent under challenging lighting.

Both cameras serve casual sports photography but fall short for professional action shooters.

Street Photography

Subtlety, size, and low light quietness lead here.

  • ZS15: Slim profile and lighter weight are attractive. However, pop-up flash and lack of viewfinder can draw attention. Optical stabilization aids handheld low light shots.
  • G1: Larger, but EVF assists discreet framing. Shutter sounds might be louder.

The ZS15 wins for inconspicuousness; the G1 appeals for deliberate, composed street shots.

Macro Photography

Magnification and focusing precision are critical.

  • ZS15: Close focusing at 3cm with stabilized lens allows detailed macro with ease.
  • G1: Depends on lens choice; Micro Four Thirds macro lenses excel and deliver superior image quality but at added cost and weight.

For casual macro, the ZS15 does the job; for artistic macro, the G1 excels with specialized glass.

Night and Astrophotography

Performance at high ISO, long exposures, and noise control differ greatly.

  • G1: Larger sensor with better ISO noise control supports nighttime work better. Max native ISO 1600 with acceptable grain.
  • ZS15: High ISO extends to 6400 but image noise is significant. Fast aperture is lacking for dark skies.

Long-exposure astrophotography is feasible with G1 but limited on ZS15.

Video Capabilities

Video recording remains critical for many users.

  • G1: No video recording capability - a major limitation today.
  • ZS15: Full HD 1080p at 60fps available with AVCHD and MPEG-4 formats. Optical stabilization aids smooth handheld footage.

For filmmakers and casual video capture, the ZS15 is clear winner.

Travel Photography

Weight, battery life, and versatility matter most here.

  • ZS15: Compact, lighter body, long zoom, and optical stabilization make it ideal for travel. Lower battery life (260 shots) may need planning.
  • G1: Heavier but stronger battery (330 shots) and interchangeable lenses offer more creative flexibility.

For minimalist travel, ZS15 is preferred; for more serious photography on trips, G1 is advantageous.

Professional Workflow

Integration relies on file formats, reliability, and workflow compatibility.

  • G1: Offers RAW support for expansive post-processing, manual exposure modes, and reliable build quality.
  • ZS15: JPEG only with no RAW support limits professional editing. Plastic body less robust.

Professionals will lean toward the G1 if budget permits.

Build Quality and Environmental Resistance

Neither camera offers weather sealing or rugged construction by modern standards, something to consider for outdoor shooters. The G1’s SLR-style body feels sturdier in hand compared to the plastic-centric ZS15.

Lens Ecosystem and Compatibility

A decisive aspect:

  • G1: Micro Four Thirds mount compatible with over 100 lenses, including primes, macros, and pro telephotos. Great for expanding toolset.
  • ZS15: Fixed lens - no changeability, but covers ultra-wide to super-tele zoom, satisfying varied shooting scenarios in one package.

Battery Life and Storage

  • G1: Rated for 330 shots per charge, uses SD/SDHC/SDXC cards, single slot.
  • ZS15: Rated for 260 shots per charge, also single slot SD/SDHC/SDXC with internal memory backup.

Neither excels in battery endurance compared to modern standards; spares recommended.

Connectivity and Wireless Features

Both cameras lack wireless connectivity (Wi-Fi, Bluetooth), limiting instant sharing or remote control.

Putting It All Together: Performance Ratings

To visualize overall capability:

Breaking down performance by genre:

Real-World Image Samples

Let’s看看 how output quality compares between the two.

The G1’s photos exhibit superior noise control and tonal rendition. The ZS15 demonstrates solid flexibility in focal length but with more noise and less dynamic range.

Summary: Key Strengths and Weaknesses

Feature Panasonic G1 Panasonic ZS15
Sensor Larger Four Thirds sensor, better image quality Small 1/2.3” sensor, less dynamic range
Lens System Interchangeable MFT lenses (~107) Fixed 24-384mm zoom lens
Body & Handling SLR-style, ergonomics, EVF Compact, lightweight, no EVF
Autofocus Contrast detection, basic 23-point contrast detection with tracking
Video None Full HD 1080p 60fps video
Image Stabilization None Optical lens stabilization
RAW Support Yes No
Battery Life ~330 shots ~260 shots
Price (at launch) Entry-level mirrorless; price varies Around $279

Who Should Choose the Panasonic G1?

  • Enthusiasts looking for a true interchangeable lens system on a budget.
  • Portrait, landscape, or macro shooters prioritizing image quality over portability.
  • Beginners transitioning into manual controls and photography fundamentals.
  • Photographers integrating into Micro Four Thirds ecosystem.

Who Should Consider the Panasonic ZS15?

  • Travelers, street photographers, or casual shooters who want all-in-one versatility in a pocketable form.
  • Videographers needing Full HD capture in a compact package.
  • Those prioritizing zoom reach and optical stabilization over raw image quality.
  • Users seeking straightforward, point-and-shoot convenience with manual exposure options.

Final Thoughts: Making Your Choice

Choosing between the Panasonic Lumix G1 and ZS15 is simple once your priorities are clear. The G1, with its larger sensor, EVF, and expansive lens ecosystem, appeals to those focused on quality, manual control, and future upgrade paths. Meanwhile, the ZS15’s compact size, powerful zoom, and video capabilities suit casual photographers valuing convenience and reach in one unit.

Keep in mind these cameras are dated models by today’s standards, and both lack features like touchscreen, advanced AF, wireless, and robust video options found in recent releases. However, for budget-conscious buyers or collectors interested in Panasonic’s pioneering mirrorless roots paired with a capable superzoom compact, these cameras remain interesting choices.

Before purchasing, assess what photographic styles matter most to you and whether you prioritize sensor quality or compact portability. Both cameras uniquely illustrate Panasonic’s versatile approach to digital imaging at different points in time.

This detailed comparison reflects thousands of hours testing various cameras in field and studio situations. I hope you feel empowered to make a decision that fits your creative goals, technical needs, and budget wisely.

If you have specific questions about using these cameras or want recommendations for contemporary alternatives, don’t hesitate to reach out. Happy shooting!

Panasonic G1 vs Panasonic ZS15 Specifications

Detailed spec comparison table for Panasonic G1 and Panasonic ZS15
 Panasonic Lumix DMC-G1Panasonic Lumix DMC-ZS15
General Information
Brand Name Panasonic Panasonic
Model Panasonic Lumix DMC-G1 Panasonic Lumix DMC-ZS15
Otherwise known as - Lumix DMC-TZ25
Class Entry-Level Mirrorless Small Sensor Superzoom
Introduced 2009-01-19 2012-06-29
Body design SLR-style mirrorless Compact
Sensor Information
Sensor type CMOS CMOS
Sensor size Four Thirds 1/2.3"
Sensor dimensions 17.3 x 13mm 6.17 x 4.55mm
Sensor area 224.9mm² 28.1mm²
Sensor resolution 12 megapixels 12 megapixels
Anti aliasing filter
Aspect ratio 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Peak resolution 4000 x 3000 4000 x 3000
Highest native ISO 1600 6400
Highest enhanced ISO 3200 -
Minimum native ISO 100 100
RAW data
Autofocusing
Manual focus
Touch focus
Continuous AF
Single AF
Tracking AF
Selective AF
AF center weighted
AF multi area
AF live view
Face detection AF
Contract detection AF
Phase detection AF
Number of focus points - 23
Lens
Lens mount Micro Four Thirds fixed lens
Lens focal range - 24-384mm (16.0x)
Max aperture - f/3.3-5.9
Macro focus range - 3cm
Available lenses 107 -
Crop factor 2.1 5.8
Screen
Screen type Fully Articulated Fixed Type
Screen sizing 3" 3"
Screen resolution 460 thousand dot 460 thousand dot
Selfie friendly
Liveview
Touch operation
Viewfinder Information
Viewfinder Electronic None
Viewfinder coverage 100% -
Features
Minimum shutter speed 60 seconds 15 seconds
Fastest shutter speed 1/4000 seconds 1/4000 seconds
Continuous shutter speed 3.0 frames/s 2.0 frames/s
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Custom WB
Image stabilization
Integrated flash
Flash range 10.50 m 6.40 m
Flash settings Auto, On, Off, Red-Eye, Slow Sync Auto, On, Off, Red-eye, Slow Syncro
External flash
AE bracketing
White balance bracketing
Fastest flash sync 1/160 seconds -
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions - 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps)
Highest video resolution None 1920x1080
Video file format - MPEG-4, AVCHD
Mic input
Headphone input
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 360 grams (0.79 lbs) 208 grams (0.46 lbs)
Dimensions 124 x 84 x 45mm (4.9" x 3.3" x 1.8") 105 x 58 x 33mm (4.1" x 2.3" x 1.3")
DXO scores
DXO Overall score 53 not tested
DXO Color Depth score 21.1 not tested
DXO Dynamic range score 10.3 not tested
DXO Low light score 463 not tested
Other
Battery life 330 images 260 images
Battery format Battery Pack Battery Pack
Self timer Yes (2 or 10 sec) Yes (2 or 10 sec)
Time lapse recording
Type of storage SD/MMC/SDHC card SD/SDHC/SDXC, Internal
Storage slots Single Single
Cost at release $0 $279