Panasonic G1 vs Pentax WG-1
82 Imaging
46 Features
50 Overall
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93 Imaging
37 Features
31 Overall
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Panasonic G1 vs Pentax WG-1 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 1600 (Expand to 3200)
- No Video
- Micro Four Thirds Mount
- 360g - 124 x 84 x 45mm
- Announced January 2009
- Renewed by Panasonic G2
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 157g - 114 x 58 x 28mm
- Announced February 2011

Panasonic G1 vs. Pentax WG-1: A Tale of Two Cameras from Different Worlds
In the ever-expanding universe of cameras, sometimes it’s fun to compare apples and clementines instead of just apples and apples. Today, we’re delving into a curious - yet fascinating - pairing: the Panasonic Lumix DMC-G1 and the Pentax Optio WG-1. These two cameras serve very different photographic tribes and purposes, yet at first glance they even share some common ground. The Panasonic G1, launched in early 2009, is an early mirrorless camera aimed at enthusiasts and pros looking to try the Micro Four Thirds system. On the other hand, the Pentax WG-1 (2011) boldly marches into the rugged compact camera territory, designed to survive dirt, water, and the general rough-and-tumble of active outdoor life.
I’ve spent serious hands-on hours with both over years of testing, and today I’m going to walk you through their core strengths, quirks, and whether either might suit your photographic ambitions. Spoiler alert: this is less a showdown and more a showcase of how cameras can fit their users - from those craving creative manual control to adventurers needing a dependable tough companion.
Getting to Know the Physicality: Size, Weight & Ergonomics
Before we talk sensors and specs, let’s just talk feel and form factor - because you’re going to be holding these cameras, maybe for hours on end.
The Panasonic G1 resembles a classic SLR in styling, with a firm grip and a sturdy build. At 360 grams and dimensions roughly 124 x 84 x 45 mm, it’s about twice the weight and notably chunkier than the WG-1. The G1’s SLR-style body provides plenty of room for a traditional control layout, a large electronic viewfinder, and an articulated 3-inch screen. It feels substantial but not unwieldy - certainly, a camera meant to be held steady for composition and thoughtful shooting.
The Pentax WG-1, by contrast, is a tough little trooper tricked out in shockproof, waterproof, dustproof, crushproof, and freezeproof armor. It weighs just 157 grams with dimensions 114 x 58 x 28 mm - compact enough to slip unobtrusively into a pocket or clip on a harness. Its smaller form factor and fixed 2.7" LCD with anti-reflective coating mean fewer controls, no viewfinder, and a more point-and-shoot style experience.
For folks venturing into varied environments - beach, mud, trails - the WG-1 wins hands down on portability and weather resistance. But if you appreciate a camera that invites deliberate manual operation and optical shaping of the image, the G1’s heft and design clearly suit that.
Let’s Talk Sensor and Image Quality: Size Matters
Now to the heart of image quality - the sensor. And here we really see the design philosophies emerge in technicolor.
The Panasonic G1 sports a 12MP Four Thirds CMOS sensor measuring 17.3 x 13 mm (224.9 mm² sensor area). This was a significant step for 2009, pioneering the mirrorless format and delivering very respectable color depth (21.1 bits DxO), dynamic range (10.3 stops), and low light performance (ISO up to 1600 native, 3200 boosted). The CMOS design and mirrorless architecture meant relatively swift readout, allowing live view and contrast-detection autofocus with good responsiveness.
The Pentax WG-1 packs a smaller 14MP CCD sensor measuring just 6.17 x 4.55 mm (28.07 mm²). Although the resolution suggests more detail on paper - 14 million pixels vs. 12 million - the smaller sensor size means each pixel is tinier, leading to less dynamic range, less color depth, and poorer noise control at high ISO. Indeed, this sensor tops out at ISO 6400 but practically speaking, images become noisy well before that.
So, if image quality is paramount - portrait skin tone fidelity, landscape detail, or subtle tonal gradations - the G1’s sensor technology and size offer a clear advantage. But, remember the WG-1’s sensor is optimized for a rugged point-and-shoot: compactness and low power consumption often trump pure IQ in this niche.
Viewfinder and Screen: How You See Your Shots
The way a camera presents your scene fundamentally influences how you shoot and connect with your subject.
The Panasonic G1 features a fully articulated 3" LCD with 460k resolution - sharp for its time - plus a 100% coverage electronic viewfinder (resolution not specified but quite effective). The articulation caters to creative angles: low, high, or vlog-style front-facing framing. These features dramatically aid portrait, macro, and video shooting, where flexibility counts. The absence of touch capability is a downside today, but expected in 2009.
The Pentax WG-1, in comparison, offers a fixed 2.7-inch TFT LCD with 230k dots and an anti-reflective coating - essential for outdoor use. No viewfinder, electronic or optical, means relying entirely on its LCD. This compromises precise framing in bright daylight somewhat, but for a waterproof point-and-shoot, it makes sense.
The G1’s dual viewfinder and higher resolution screen invites more refined interaction with your image, while the WG-1’s simple non-articulated display pushes a quick and straightforward shooting style.
Autofocus and Speed: How Fast Can You Catch the Moment?
Autofocus technology - its accuracy, speed, and flexibility - often makes or breaks a camera’s utility, especially with moving subjects.
The Panasonic G1 uses contrast-detection autofocus with multiple selectable areas and supports continuous AF during burst shooting at about 3 frames per second (fps). It offers focus modes for manual, single, and continuous AF, although tracking AF and face detection are absent. Contrast detection AF’s weakness is slower response in low light or high action scenes, but the G1’s operations remain reliable provided you’re patient.
The Pentax WG-1 relies on nine autofocus points with contrast detection, supporting single AF and continuous AF tracking - a surprising feature for a compact. But continuous AF in such cameras is often hesitant and less precise. Burst shooting is limited at 1 fps, far slower than the G1.
For wildlife or sports photography, neither camera excels given modest burst rates and focusing strategies. The G1’s continuous AF mode and manual focus are more apt for creative control, while WG-1 is largely geared toward snapshots with enough autofocus competence to handle casual movement.
Lens Systems and Flexibility: Are You Locked In?
With mirrorless or interchangeable lens cameras, the ecosystem matters to expand your photographic horizons.
The Panasonic G1 employs the Micro Four Thirds mount with a focal length multiplier of 2.1x. At launch, Panasonic had 107 lenses available or announced - a substantial and growing system. This vast lens choice ranges from fast primes to versatile zooms, macro optics, and specialty lenses. The system’s compactness and compatibility with Olympus gear greatly broaden creativity and image quality possibilities.
The Pentax WG-1 is a fixed-lens camera with a 28-140mm (35mm equivalent) zoom at f/3.5-5.5. It’s geared to be an all-rounder: decent wide-angle for landscapes, mid-tele zoom for portraits, and macro focusing as close as 1cm. Lens quality is typical of compact cameras: competent but not spectacular.
If flexibility, manual lens options, and expanding your kit are key, the G1 clearly trumps the WG-1. However, the WG-1’s do-everything lens is convenient for adventure snapshots and makes it tough to lose lenses in the wild.
Build Quality and Weather Resistance: Toughness vs. Classic
Here the cameras’ intentions diverge drastically.
The Panasonic G1, while well-built with decent ergonomics and a durable SLR-style shell, offers no weather sealing or ruggedization. It’s suited primarily for controlled environments - studios, urban shooting, or landscapes in fair weather.
Conversely, the Pentax WG-1 doubles as a mini tank. Rated waterproof to 10 meters, shockproof (up to 1.5 m drops), dustproof, crushproof (up to 100 kgf), and freezeproof down to -10°C, it can accompany serious adventures from scuba dives to winter hikes. The trade-off is its compactness and fixed lens at the expense of manual controls and image quality.
For outdoor and travel photographers who demand reliability in harsh conditions, the WG-1’s engineering is a standout. For those prioritizing image control and system expandability, the G1’s classic design makes more sense.
Battery Life and Storage: Staying Power on the Go
Battery performance is where real-world photography endurance meets engineering finesse.
The Panasonic G1 has excellent battery life, rated at approximately 330 shots per charge using standard CIPA testing - impressive for an early mirrorless camera with electronic viewfinder. It uses a proprietary battery pack and stores images on SD/SDHC/SDXC or MMC cards.
The Pentax WG-1 offers a more modest 260 shots per battery load. Considering the compact’s smaller sensor and simplified operations, this is adequate but less enduring than the G1. It uses the D-LI92 battery model and supports SD/SDHC/SDXC cards plus internal memory for bricking shots when you’re out of storage.
Routine travelers will appreciate the G1’s longer battery life and versatile storage options, though the WG-1’s internal storage can save your skin in emergencies.
Connectivity and Extras: Keeping Up with the Times
In today’s connected world, whatever camera you pick must play nicely with phones, computers, and social networks.
Both the G1 and WG-1 lack built-in Wi-Fi or Bluetooth (not surprising given their release dates). The G1 supports USB 2.0 and HDMI outputs, handy for tethered shooting or image review on large displays, but no wireless.
Uniquely, the Pentax WG-1 supports Eye-Fi wireless card compatibility, a smart add-on solution for wireless transfer before built-in Wi-Fi was standard. It also includes timelapse recording - a creative bonus.
Neither camera supports mic or headphone jacks, and video capabilities remain limited. The WG-1 shoots 720p HD video in Motion JPEG format at 30 fps (basic but usable), while the G1 does not offer any video functionality.
The Diverse World of Photography Through These Cameras’ Lenses
Let’s explore how these cameras perform in different photographic disciplines based on their specs and real-world use.
Portraits: Skin Tones & Focus Precision
The larger sensor and manual-focus flexibility of the Panasonic G1 produce natural skin tones and pleasing bokeh, especially with fast lenses in the MFT range. Although the G1’s autofocus lacks eye-detection, the ability to manually fine-tune focus enables compelling portraits for enthusiasts.
The Pentax WG-1’s smaller sensor and less sophisticated autofocus mean portraits are functional but with less depth separation and dynamic range. Its fixed lens’ maximum aperture of f/3.5-5.5 limits artistic background blur, making it an all-purpose snapshot camera more than a dedicated portrait tool.
Landscapes: Resolution and Dynamic Range
Landscape photography benefits from sensor size, dynamic range, and lens sharpness. The G1’s 12MP Four Thirds sensor captures impressive detail with broad tonal range, excellent for scenes with demanding lighting.
The WG-1’s 14MP CCD can capture high resolution but struggles with HDR scenes and shadow detail due to smaller sensor size. Its weatherproof body, however, excels where landscape photographers face rough elements.
Wildlife and Sports: Speed and Autofocus
Neither camera is an ideal wildlife or sports shooter, but the G1’s continuous AF and 3 fps burst rate offer more practical utility than the WG-1’s slower 1 fps and simpler AF.
Still, with no phase-detection AF or high-speed burst options, both fall short of specialized cameras in this category.
Street Photography: Discretion and Portability
Here, the Pentax WG-1’s pocketable size and rugged design makes it a stealthy, go-anywhere street shooter. The G1 is bulkier and less discrete but offers more control and creative options.
Macro Photography: Close-up Capabilities
Close focusing is respectable on the WG-1, reaching 1cm for extreme macro shots, with built-in features optimized for close-ups. The G1 depends on dedicated macro lenses but rewards with superior sharpness and focus precision.
Night and Astro Photography
The G1’s better noise control and higher dynamic range make it a modest player for night scenes, but its max ISO 1600 is limited. The WG-1’s CCD struggles in low light, resulting in noise and loss of detail.
Video Capabilities
The WG-1 records basic 720p video suitable for casual shooting; the G1 offers no video, which is unusual for mirrorless but understandable due to its 2009 design era.
Travel Photography: Versatility and Reliability
The WG-1 is designed to survive in exotic travel conditions, with rugged features and simple operation. The G1 offers more creative versatility but is less suited for wet or harsh environments.
Professional Usage
Neither camera offers the high-end build, file formats, or advanced workflow features pros expect. The G1’s RAW support and lens system provide more room to grow for serious amateurs but it lacks professional-grade features.
Numbers Don’t Lie: Overall and Genre-Specific Performance
Let’s bring some quantitative clarity.
According to DxOmark data (G1 tested, WG-1 not), the Panasonic G1 scores a respectable overall 53 in image quality with superior color depth and dynamic range. The Pentax WG-1, classified as a waterproof compact, lacks comparable testing but trails behind in pure IQ metrics given its smaller sensor.
Genre-specific scores reflect what you’d expect: the G1 leads in portrait, landscape, and low light, while the WG-1 shines in ruggedness and ease of use outdoors.
Wrapping Up: Who Should Buy These Cameras?
Choosing between the Panasonic Lumix G1 and Pentax Optio WG-1 is not about “better or worse” - but “better suited to your needs.”
-
Buy the Panasonic G1 if:
- You’re stepping into the mirrorless system and want full creative control.
- Image quality, manual lens flexibility, and compositional tools matter most.
- You shoot portraits, landscapes, or mixed genres requiring versatility.
- You operate mainly in controlled or fair weather conditions.
- You want longer battery life, RAW shooting, and future expandability.
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Buy the Pentax WG-1 if:
- You need a rugged, compact, waterproof camera to take anywhere.
- You’re an adventure traveler, hiker, or beach bum worried about elements.
- You want an ultra-simple point-and-shoot with decent zoom and macro.
- Video recording capability at 720p is a nice bonus.
- You prioritize durability and portability over ultimate image quality.
Final Thoughts From My Experience
The Panasonic G1 is a landmark camera in mirrorless history that still holds value today for enthusiasts willing to embrace its technology vintage. Meanwhile, the Pentax WG-1 is a niche champion - ideal for capturing stories in places and conditions other cameras fear to tread. Both deserve a spot in the conversation of small cameras tailored for different adventurers of photography.
Whether you lean toward deliberate art or snap-happy ruggedness, it pays to know exactly what each camera offers. Hopefully, my hands-on trials and analysis have helped you cut through the specs to the soul of these two contrasting photographic tools.
Happy shooting - no matter which you choose!
Comparison sample gallery showing image quality and color reproduction differences.
Top view indicating Panasonic G1’s more traditional and functional control layout versus the Pentax WG-1’s minimalist rugged design.
If you want me to dive deeper into specific shooting scenarios or technical tweaks, just ask - I’m always eager to geek out on camera nuances!
Panasonic G1 vs Pentax WG-1 Specifications
Panasonic Lumix DMC-G1 | Pentax Optio WG-1 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-G1 | Pentax Optio WG-1 |
Class | Entry-Level Mirrorless | Waterproof |
Announced | 2009-01-19 | 2011-02-07 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Max resolution | 4000 x 3000 | 4288 x 3216 |
Max native ISO | 1600 | 6400 |
Max enhanced ISO | 3200 | - |
Minimum native ISO | 100 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 9 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-140mm (5.0x) |
Maximal aperture | - | f/3.5-5.5 |
Macro focusing range | - | 1cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Range of display | Fully Articulated | Fixed Type |
Display diagonal | 3 inches | 2.7 inches |
Display resolution | 460k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | - | TFT color LCD with Anti-reflective coating |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder coverage | 100 percent | - |
Features | ||
Minimum shutter speed | 60 seconds | 4 seconds |
Fastest shutter speed | 1/4000 seconds | 1/1500 seconds |
Continuous shutter speed | 3.0 frames per sec | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 10.50 m | 3.90 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Soft |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | 1/160 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Max video resolution | None | 1280x720 |
Video format | - | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 360g (0.79 lb) | 157g (0.35 lb) |
Dimensions | 124 x 84 x 45mm (4.9" x 3.3" x 1.8") | 114 x 58 x 28mm (4.5" x 2.3" x 1.1") |
DXO scores | ||
DXO Overall rating | 53 | not tested |
DXO Color Depth rating | 21.1 | not tested |
DXO Dynamic range rating | 10.3 | not tested |
DXO Low light rating | 463 | not tested |
Other | ||
Battery life | 330 shots | 260 shots |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI92 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/MMC/SDHC card | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Retail price | $0 | $350 |