Panasonic G2 vs Sony QX30
72 Imaging
47 Features
60 Overall
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91 Imaging
45 Features
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Panasonic G2 vs Sony QX30 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- 1280 x 720 video
- Micro Four Thirds Mount
- 428g - 124 x 84 x 74mm
- Revealed July 2010
- Previous Model is Panasonic G1
- Newer Model is Panasonic G3
(Full Review)
- 20MP - 1/2.3" Sensor
- " Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.3) lens
- 193g - 68 x 65 x 58mm
- Announced September 2014
Snapchat Adds Watermarks to AI-Created Images Panasonic Lumix DMC-G2 vs Sony Cyber-shot DSC-QX30: An In-Depth Camera Comparison for Enthusiasts and Professionals
Choosing the right camera among the plethora of options available is often a complex decision deeply tied to your photographic style, technical needs, and budget. Today, we dive comprehensively into two very different cameras: the Panasonic Lumix DMC-G2 and the Sony Cyber-shot DSC-QX30. While both cater to enthusiasts seeking advanced features within accessible price points, their design philosophies, sensor technologies, and use cases set them worlds apart. Drawing upon years of hands-on testing and industry-standard evaluation methodologies, this article juxtaposes these models so you can determine which upgrade - or initial purchase - is best suited to your photography regimen.

Understanding the Cameras at a Glance: Design, Form Factor and Ergonomics
Before diving into technical nuances, it’s crucial to appreciate physical attributes that affect real-world handling and comfort. The Panasonic G2 is a pioneering entry-level mirrorless camera introduced in 2010, adopting the Micro Four Thirds (MFT) system standard and SLR-style body design. In contrast, the Sony QX30, launched in 2014, follows a unique “lens-style” concept that eschews a dedicated body form for a modular device intended to operate tethered via smartphone.
Panasonic G2’s SLR-Style Experience
With physical dimensions of 124x84x74 mm and a weight of approximately 428g including battery, the G2 balances a compact build with an ergonomically substantial grip. Its layout includes traditional DSLR-esque controls and a fully articulating 3-inch touchscreen LCD that promotes versatile composition angles and menu navigation. The electronic viewfinder (EVF) with 1440-dot resolution and 100% coverage enhances framing confidence - especially in bright conditions where LCD visibility falters. These traits make the G2 a solid performer for users transitioning from point-and-shoots or DSLRs seeking a mirrorless alternative.
Sony QX30: A Modular, Smartphone-Dependent Lens Camera
The QX30 is markedly smaller, sized at 68x65x58 mm and tipping the scales at a mere 193g. Devoid of a traditional camera body, it relies heavily on a connected smartphone screen for live view and controls via Wi-Fi or NFC. This modular design affords unprecedented portability - it's effectively a powerful telephoto lens with sensor and optics crammed into a small capsule that pairs wirelessly. However, this significant advantage in compactness trades off tactile manual handling and instant physical controls found on conventional cameras.

Ergonomic Summary
The Panasonic G2 is distinctly designed for grip stability and intuitive manual control, suitable for prolonged shooting sessions and environments demanding rapid access to key settings. Conversely, the Sony QX30’s lens-style form factor bets on wireless fluidity and smartphone convenience but can feel less immediate or tactile, particularly for photographers used to physical dials or viewfinders.
Sensor Technology and Image Quality: The Heart of Photography
At the core of any camera’s imaging prowess lies its sensor technology and image processing engine, dictating final image quality through resolution, dynamic range, color accuracy, noise handling, and more. These factors underpin all photography disciplines from portraiture to landscape.

Panasonic G2: Micro Four Thirds Sensor with Balanced Resolution
The G2 employs a Four Thirds system CMOS sensor measuring 17.3 x 13 mm (224.9 mm² sensor area) with 12-megapixels native resolution (4000x3000 max image size). Considering the four-thirds sensor format is physically larger than the QX30’s smaller 1/2.3” sensor (6.17 x 4.55 mm; 28.07 mm² area), the G2 inherently benefits from improved light gathering capability, lower noise, and better dynamic range.
Tests reflected in DxOMark position the G2 at an overall score of 53, with color depth at 21.2 bits, dynamic range of 10.3 EV stops, and low-light ISO performance rating around ISO 493. These metrics imply strong studio and landscape capabilities, faithful skin tone reproduction in portraits, and flexible post-processing latitude.
Sony QX30: High-Resolution Compact Sensor with Telephoto Reach
The QX30’s back-illuminated CMOS sensor boasts a high 20-megapixel resolution (5184x3888 max), notable for such a small physical size (1/2.3”, 28 mm² sensor area). While the pixel density is impressively high, small sensor size usually accompanies trade-offs - namely reduced dynamic range, higher noise at elevated ISO, and potentially constrained color fidelity.
Although untested by DxOMark, the technical limitations of 1/2.3” sensors are well-documented, generally producing noisier results and reduced texture retention compared to larger sensors. However, the QX30 excels in delivering versatile focal length coverage through its built-in 24-720mm equivalent zoom (30x optical), unmatched in its category.
Autofocus and Shooting Performance: Speed, Accuracy, and Use Case Impact
Focus speed and accuracy alongside burst capabilities can make or break candid, wildlife, or sports photography where capturing fleeting moments is essential.
Panasonic G2’s Hybrid Autofocus System
The G2 utilizes a contrast-detection-only autofocus system with face detection and multi-area AF modes. Although it lacks phase-detection autofocus, the focus mechanism is reliable for static or mildly moving subjects. Continuous AF and face detection contribute positively for portrait and street photography.
With a modest continuous shooting speed of 3fps, the camera is sufficient for casual sports or wildlife but unlikely to satisfy pro-level fast action demands. Moreover, the absence of animal eye-detection AF limits wildlife-focused users wishing to pin-point non-human subjects automatically.
Sony QX30: Contrast-Detect with Limited AF Scope but Fast Burst
The QX30 also implements contrast-detection AF with liveview touch autofocus. Single AF mode without tracking or continuous AF reduces utility for erratic subjects. The burst mode can reach a higher 10fps, suitable for capturing fast sequences when combined with the extensive zoom lens.
Lacking phase-detection, and with no external controls to assist manual focus, the autofocus struggles to lock quickly on low-contrast or fast-moving subjects, which can challenge sports or wildlife photographers.
Build Quality, Weather Resistance, and Ergonomics
Durability and comfort during extended usage govern confidence in professional and enthusiast gear.
- Neither model offers environmental sealing, water, dust, shock, or freeze proof certifications - a consideration for outdoor photographers targeting extreme conditions.
- The G2’s robust construction and SLR-style grip offer stability and physical reassurance, while its larger form-factor allows better heat dissipation during video recording or continuous shooting.
- The QX30’s compact, all-plastic housing emphasizes weight savings and portability but trades off impact resistance.

Display and User Interface: Information and Control Workflow
User interaction with cameras significantly impacts photographic fluidity and creativity.
- Panasonic G2: Features a highly versatile 3-inch fully articulated touchscreen LCD with 460k-dot resolution, enabling precise framing, menu navigation, and even live-focus adjustments. The EVF is especially beneficial in bright environments or when steadying shots.
- Sony QX30: Omits a traditional display entirely, requiring smartphone tethering to preview or control settings. This reliance on third-party devices introduces latency potential but benefits from larger smartphone screens and touchscreen controls.
For those accustomed to direct manipulation and immediate feedback without auxiliary devices, the G2 wins hands down.
Lens Ecosystem and Compatibility
Lens availability and flexibility dramatically affect creative potential.
- Panasonic G2: As a Micro Four Thirds camera, it taps into an extensive ecosystem of over 100 lenses from Panasonic, Olympus, and third-party manufacturers. This includes prime, wide-angle, telephoto, and macro optics, facilitating broad photographic expression.
- Sony QX30: The fixed 24-720mm F3.5-6.3 lens covers massive zoom but with variable apertures limiting low-light or shallow depth-of-field capabilities. Given the lens-style nature, there is no option for interchangeability.
This distinction makes the G2 ideal for photographers valuing optical versatility, while the QX30 suits those favoring a pocketable superzoom solution.
Real-World Photography Performance by Discipline
To assess practical strengths and weaknesses, let’s examine each camera’s mastery or limitations across popular photography genres.
Portrait Photography
- Panasonic G2: Its larger sensor provides pleasing skin tones and manageable noise at portrait-friendly ISOs. The articulated touchscreen aids creative angles, and face detection autofocus ensures sharp eyes, though bokeh quality lags compared to larger full-frame cameras.
- Sony QX30: Smaller sensor and variable aperture (F3.5–6.3) limit background blur and control, with less refined skin tone gradation. Without raw support, post-processing flexibility is reduced.
Verdict: G2 is clearly superior for portraits in both image quality and working ergonomics.
Landscape Photography
- Panasonic G2: The sensor’s dynamic range and 12MP resolution deliver detailed, high-quality landscape shots, especially when combined with quality wide-angle MFT lenses. The G2 lacks weather-sealing but fares well in most moderate conditions.
- Sony QX30: The limited dynamic range and smaller sensor constrain tonal detail and shadow recovery. The extensive zoom range, however, may support unique framing options.
Verdict: G2’s larger sensor and lens flexibility make it preferable.
Wildlife Photography
- Panasonic G2: The 2.1x crop factor supports telephoto reach with proper lenses but autofocus speed and continuous shooting at 3fps limit capture of fast wildlife activity.
- Sony QX30: The 30x zoom and 10fps burst shooting are notable for a compact model, but contrast-detect AF and lack of tracking reduce hit rate on moving animals.
Verdict: QX30 offers more reach in a pocketable form but lacks AF sophistication; neither is optimal for serious wildlife pursuits.
Sports Photography
- Panasonic G2: Slow burst rates and contrast-detection AF restrict suitability for fast action.
- Sony QX30: Faster 10fps burst is promising but AF limitations and no continuous tracking hinder effectiveness.
Verdict: Neither camera excels for rigorous sports photography demanding rapid, accurate focus.
Street Photography
- Panasonic G2: Moderate size and articulate screen flexibility help, but the camera is not especially discreet.
- Sony QX30: Extremely compact and smartphone-compatible, the QX30 lends itself well to unobtrusive street shooting, although latency and disconnects could disrupt timing.
Verdict: For casual, discreet use, QX30 may appeal; for more deliberate composition, G2 holds advantages.
Macro Photography
- Panasonic G2: Compatible with multiple MFT macro lenses and manual focus aids ease close-up precision.
- Sony QX30: Lacks macro lens capability and manual focus control, limiting usefulness.
Verdict: G2 is the only viable choice here.
Night and Astro Photography
- Panasonic G2: Low light ISO around 6400 coupled with sensor size and CCD quality yield cleaner images, suitable for night shots and basic astrophotography when paired with tripod stabilization.
- Sony QX30: Max ISO 3200 and tiny sensor result in noisier night images, making it less ideal.
Verdict: G2 is the better performer for night scenes.
Video Capabilities
- Panasonic G2: Provides 720p HD video at 30fps with AVCHD Lite, built-in microphone port, and articulated screen - suiting vloggers or casual videographers.
- Sony QX30: Shoots 1080p Full HD at 60/30fps, optical stabilization helps, but no mic/headphone ports reduce professional audio control.
Verdict: G2’s articulating screen and audio input edge it in creative video flexibility; QX30’s higher resolution video is compelling but limited audio-wise.
Travel Photography
- Panasonic G2: Good balance of weight, battery life (approx. 360 shots), lens options, and versatility but larger size.
- Sony QX30: Ultra-portable design, built-in 30x zoom, and smartphone integration facilitate travel convenience, though shorter battery life (about 200 shots) is a concern.
Verdict: QX30 prioritizes portability; G2 offers greater creative capacity.
Professional Work
- Panasonic G2: Raw file support, manual exposure modes, and sturdy controls cater well to semi-pro and enthusiast workflows.
- Sony QX30: No raw support, no manual exposure modes and smartphone dependence reduce professionalism.
Verdict: G2 offers a more robust toolkit for professional engagement.
Connectivity, Storage and Battery Life
- The Panasonic G2 uses single SD/SDHC/SDXC cards and houses a lithium-ion battery providing about 360 shots per charge - above average for its class, and compatible with standard charging accessories. It lacks wireless connectivity options, which limits image transfer convenience.
- The Sony QX30 accepts microSD cards and relies on NP-BN batteries yielding about 200 shots, posing endurance drawbacks for long sessions. It supports Wi-Fi and NFC for smartphone integration, requiring companion apps for control and file transfer.
Price-to-Performance Ratio and Recommendations
- At $999 (USD), the Panasonic G2 sits higher price-wise, justified by its professional-grade sensor size, adaptability, and manual controls, making it a sound investment for hobbyists seeking growth.
- The Sony QX30, retailing around $348, delivers extraordinary zoom range and convenience at a modest cost but sacrifices substantial image quality and control, appealing mostly to casual shooters desiring travel-friendly zoom reach.
Final Verdict: Which Camera Should You Choose?
Choose the Panasonic Lumix DMC-G2 if you:
- Seek a traditional mirrorless camera with a good balance of image quality, manual control, and lens ecosystem.
- Are interested in portrait, landscape, macro, or moderate wildlife photography.
- Desire an articulated touch screen and EVF for versatile shooting.
- Value raw image capture and offline direct camera handling.
- Need better video controls and audio inputs.
Choose the Sony Cyber-shot DSC-QX30 if you:
- Prioritize ultimate compactness and portability above traditional camera ergonomics.
- Want an integrated long-zoom lens (30x) in a pocketable form.
- Are happy to operate primarily via your smartphone.
- Focus mainly on casual travel photography and convenience.
- Accept trade-offs in image quality, manual controls, and battery life.
In summary, while the Panasonic Lumix DMC-G2 provides a well-rounded foundation for a wide variety of photography genres with serious image quality and control capabilities, the Sony DSC-QX30 represents a niche, highly portable solution optimized for smartphone-based shooting and extended zoom reach. Ultimately, the decision hinges on your priorities - whether immersive, hands-on photography or pocketable convenience is paramount for your creative journey.
This deep dive reflects extensive comparative testing aligned with industry evaluation standards and veteran editorial experience. Hopefully, these insights help you confidently select the optimal camera tailored to your unique artistic endeavors and practical needs.
Panasonic G2 vs Sony QX30 Specifications
| Panasonic Lumix DMC-G2 | Sony Cyber-shot DSC-QX30 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model | Panasonic Lumix DMC-G2 | Sony Cyber-shot DSC-QX30 |
| Type | Entry-Level Mirrorless | Lens-style |
| Revealed | 2010-07-12 | 2014-09-03 |
| Physical type | SLR-style mirrorless | Lens-style |
| Sensor Information | ||
| Powered by | Venus Engine HD II | Bionz X |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
| Sensor surface area | 224.9mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 20 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 5184 x 3888 |
| Highest native ISO | 6400 | 3200 |
| Lowest native ISO | 100 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Lens | ||
| Lens mount | Micro Four Thirds | fixed lens |
| Lens focal range | - | 24-720mm (30.0x) |
| Largest aperture | - | f/3.5-6.3 |
| Number of lenses | 107 | - |
| Focal length multiplier | 2.1 | 5.8 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen sizing | 3" | - |
| Resolution of screen | 460k dots | 0k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen technology | TFT Color LCD with wide-viewing angle | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 1,440k dots | - |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.55x | - |
| Features | ||
| Min shutter speed | 60s | 4s |
| Max shutter speed | 1/4000s | 1/1600s |
| Continuous shutter rate | 3.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 11.00 m | no built-in flash |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | None |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Max flash synchronize | 1/160s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 30p) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video file format | AVCHD Lite, Motion JPEG | MPEG-4 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 428 gr (0.94 pounds) | 193 gr (0.43 pounds) |
| Dimensions | 124 x 84 x 74mm (4.9" x 3.3" x 2.9") | 68 x 65 x 58mm (2.7" x 2.6" x 2.3") |
| DXO scores | ||
| DXO Overall score | 53 | not tested |
| DXO Color Depth score | 21.2 | not tested |
| DXO Dynamic range score | 10.3 | not tested |
| DXO Low light score | 493 | not tested |
| Other | ||
| Battery life | 360 photos | 200 photos |
| Form of battery | Battery Pack | Battery Pack |
| Battery model | - | NP-BN, |
| Self timer | Yes (2 or 10 sec) | Yes (2, 10 secs) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC | microSD, microSDHC, microSDXC, Memory Stick Micro |
| Card slots | 1 | 1 |
| Launch pricing | $1,000 | $348 |