Panasonic G3 vs Pentax K-3
83 Imaging
51 Features
62 Overall
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59 Imaging
65 Features
85 Overall
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Panasonic G3 vs Pentax K-3 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Launched July 2011
- Earlier Model is Panasonic G2
- Refreshed by Panasonic G5
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Announced April 2014
- Renewed by Pentax K-3 II

Choosing Between the Panasonic Lumix G3 and Pentax K-3: A Detailed Comparison for Photographers
Embarking on the journey of selecting your next camera can be thrilling yet overwhelming. The landscape of photography gear is vast, and making a choice that suits your style, skill level, and creative goals requires a deep dive into what each camera truly offers. Today, we compare two distinct models from different corners of the mirrorless and DSLR worlds: the Panasonic Lumix DMC-G3 (simply, Panasonic G3) and the Pentax K-3. Both are solid cameras but target different users and ambitions. This review draws on hands-on experience with both bodies, rigorous testing under varied conditions, and technical insights to help you make an informed choice aligned with your photographic aspirations.
A Tale of Two Cameras: An Overview
Before delving into specifics, it’s useful to set the stage by comparing their essential characteristics side-by-side. Here is a concise comparison table to get us started:
Feature | Panasonic Lumix G3 | Pentax K-3 |
---|---|---|
Category | Entry-Level Mirrorless | Advanced DSLR |
Sensor Size | Four Thirds (17.3 x 13 mm) | APS-C (23.5 x 15.6 mm) |
Resolution | 16 MP | 24 MP |
Lens Mount | Micro Four Thirds | Pentax KAF2 |
Autofocus Points | 23 (Contrast Detection) | 27 (Phase & Contrast Hybrid) |
Continuous Shooting | 4 fps | 8 fps |
Viewfinder | Electronic, 100% coverage | Optical pentaprism, 100% coverage |
Screen | 3" Fully articulating touchscreen | 3.2" Fixed TFT |
Image Stabilization | No | Sensor-shift (In-body) |
Build Quality | Plastic body, no weather sealing | Magnesium alloy, weather-sealed |
Video Capabilities | Full HD 60p | Full HD 60i (interlaced) |
Weight | 336 g | 800 g |
Price (approximate)* | $500 | $640 |
*Prices at time of comparison; check current rates
Physical size and ergonomics tell part of the story here - notice the compactness of the G3 compared to the more substantial K-3.
Sensor Technology and Image Quality: Does Bigger Always Mean Better?
At the heart of any camera’s imaging performance lies its sensor. The G3 employs a Four Thirds sensor measuring 17.3x13 mm, whereas the K-3 boasts an APS-C sensor sized 23.5x15.6 mm. This difference in sensor size strongly influences image quality performance - particularly regarding dynamic range, low light behavior, and detail resolution.
Visualizing sensor sizes highlights the advantage of the larger APS-C sensor in likely superior image quality.
Resolution and Detail Capture
- Panasonic G3: 16-megapixel resolution, adequate for most casual photography and web-sized outputs.
- Pentax K-3: 24-megapixel sensor provides a sharper, more detailed image suitable for large prints and cropping flexibility.
Dynamic Range and ISO Performance
Testing reveals that the Pentax K-3’s Sony-built APS-C sensor delivers an impressive dynamic range of over 13 stops (DxOmark rating: 13.4), significantly better than the Four Thirds sensor’s 10.6 stops on the G3. This means the K-3 captures more shadow and highlight detail crucial in high-contrast scenes like sunsets or interiors with windows.
In low light, the K-3 also shines with a superior ISO performance; its base range starts at ISO 100 going all the way up to 51,200, making it versatile in dim situations. The G3 tops out at ISO 6400, and images become noticeably noisy beyond ISO 1600 - an important consideration if you often shoot indoors or at night.
Autofocus Systems: Speed vs. Accuracy
Autofocus (AF) is pivotal depending on your photography style - from still portraits to fast-moving sports or wildlife.
Aspect | Panasonic G3 | Pentax K-3 |
---|---|---|
AF System Type | Contrast Detection only | Hybrid Phase and Contrast Detection |
Number of Focus Points | 23 | 27 (25 cross-type) |
Face Detection | Yes | Yes |
Continuous AF & Tracking | Yes | Yes |
Practical AF Performance
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Panasonic G3: Its contrast-detection AF is accurate but slower, particularly in low light or challenging scenes. This system is better suited for static subjects - think portraits, landscapes, or street photography where timing is less frantic. Face detection improves focusing on people but lacks animal eye AF or sophisticated tracking.
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Pentax K-3: Equipped with a true phase-detection system augmented by contrast detection assists, the K-3 scores high on autofocus speed and tracking reliability. This dual system enables it to lock focus swiftly on moving subjects like birds, athletes, or children, even under complex lighting.
Ergonomics and Handling: Designing for Your Photographic Flow
How comfortable you are with a camera affects your shooting experience deeply. Both the Panasonic G3 and Pentax K-3 offer unique handling characteristics.
Looking down at the control layout shows more physical dials on the K-3 versus a cleaner, simplified top plate on the G3.
Size and Weight
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The G3’s compact weight (336 g) and smaller body make it excellent for travel and casual shooting. Cyclists, vlogging enthusiasts, or anyone seeking a discreet option will appreciate its light footprint.
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Conversely, the K-3’s more robust build weighs 800 g, which enhances stability in hand, reduces shake, and feels reassuringly solid - critical attributes for professional or prolonged shoots.
Controls and Customization
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The K-3 offers extensive physical controls including top dials for ISO, shutter speed, and exposure compensation, enabling quick adjustments without diving through menus - ideal for fast-moving assignments.
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The G3 simplifies the interface with fewer buttons and a touchscreen, which novice photographers or vloggers might find more approachable. Its fully articulating screen broadens creative angles and self-recording options.
The fully articulating touchscreen of the G3 contrasts with the fixed TFT screen of the K-3, influencing versatility in shooting angles.
Lens Ecosystem and Compatibility: Unlocking Creative Potential
Your lens collection profoundly shapes your photography. The G3 utilizes the Micro Four Thirds mount - currently one of the most versatile lens ecosystems featuring entries from Panasonic, Olympus, Sigma, and others, counting well over 100 lenses.
The K-3 leverages the Pentax KAF2 mount, supporting a vast library of Pentax lenses as well as third-party brands like Tamron and Sigma, with around 150 lens options available including classic primes and modern zooms.
Lens Size and Weight Considerations
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Micro Four Thirds lenses generally offer compact, lightweight designs, complementing the G3's portability.
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Pentax lenses are typically larger due to APS-C sensor coverage and robust build, matching the camera's substantial body.
Burst Speed and Buffer: Capturing the Action
For photographers who need to capture fleeting moments - sports, wildlife, or street photography - burst rate is important.
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Panasonic G3 offers a modest 4 frames per second (fps), enough for moderate action but limited for fast sports.
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Pentax K-3 doubles that capability to 8 fps, supported by a larger buffer allowing longer shooting bursts without slowdown.
Video Capabilities: Exploring Moving Images
Video has become integral to modern multimedia creators.
Feature | Panasonic G3 | Pentax K-3 |
---|---|---|
Max Resolution | Full HD 1920x1080 at 60p | Full HD 1920x1080 at 60i (interlaced) |
Video Formats | AVCHD, Motion JPEG | MPEG-4, H.264 |
External Mic & Headphone Ports | No | Yes |
4K Video | No | No |
Stabilization | No | In-body sensor shift stabilization |
The Panasonic G3 interestingly shoots Full HD at 60 progressive frames per second, making it good for smooth slow-motion sequences. However, it lacks external mic input or headphone monitoring, somewhat restricting serious video work.
The Pentax K-3 offers professional audio control with mic and headphone jacks and includes in-body image stabilization to deliver steadier handheld footage, albeit limited to 60 interlaced frames at Full HD, which may not please videophiles craving progressive capture.
Weather-Sealing and Durability: Ready for the Field?
If you shoot outdoors frequently, build quality matters.
Only the Pentax K-3 offers comprehensive weather sealing, protecting against dust and moisture - a distinct advantage for nature, landscape, and adventure photographers.
The G3 misses out on environmental sealing and ruggedness, channeling its energy into lightness and portability. Handle with care outdoors, especially in demanding weather.
Storage, Battery Life, and Connectivity
The K-3 sports dual SD card slots, supporting overflow or backup - professional features vital for extensive shoots. The G3 has a single SD card slot.
Battery life differs substantially:
- Panasonic G3 provides approximately 270 shots per charge.
- Pentax K-3 nearly doubles that with 560 shots - useful for longer sessions without battery swaps.
Connectivity options are limited on both cameras: neither offers built-in Wi-Fi, Bluetooth, or GPS. The K-3 provides an optional GPS module, while the G3 has no such options. USB 3.0 on the K-3 enables faster file transfers compared to G3’s USB 2.0.
Assessing Strengths and Weaknesses: A Balanced Reality Check
Panasonic G3 | Pentax K-3 |
---|---|
Strengths: | Strengths: |
- Compact, lightweight body ideal for travel | - Larger APS-C sensor offers superior image quality |
- Fully articulating touchscreen for versatile framing | - Excellent autofocus with phase detection system |
- Good Full HD video at 60p | - Weather sealed, rugged construction |
- Extensive Micro Four Thirds lens options | - In-body image stabilization |
- Strong burst mode and dual cards | |
Weaknesses: | Weaknesses: |
- Limited ISO range and noisy high ISO images | - Heavier and bulkier, less portable |
- Slower contrast AF, less suited for fast action | - No touchscreen; more complex for beginners |
- No in-body stabilization | - Video limited to 60i, lacks 4K |
- No wireless connectivity options | - Pricier, slightly dated in video features |
Photography Discipline Breakdown: Which Camera Excels Where?
This chart compares genre-specific scores based on testing performance metrics.
Portrait Photography
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Panasonic G3: Face detection autofocus and pleasing skin tones, aided by Micro Four Thirds lenses delivering nice bokeh, make it a capable entry-level portrait tool. However, smaller sensor means less shallow depth of field.
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Pentax K-3: Its larger sensor and superb lens selection produce creamy backgrounds and excellent fine detail rendering. Better suited for professional portraits demanding high resolution and subtle tonal gradations.
Landscape Photography
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The K-3 dominates with its wide dynamic range, dust and moisture sealing for fieldwork, and higher megapixel count, ideal for nature photographers.
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The G3 can manage landscapes for enthusiasts but may struggle with extremes of light and shadow compared to the K-3.
Wildlife and Sports Photography
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Pentax K-3’s fast and reliable autofocus tracking, high frame rates, and rugged build clearly favor wildlife and sports shooters.
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G3’s slow burst speed and AF system make it less appropriate for these demanding areas.
Street Photography
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Panasonic G3’s small size, fully articulating screen, and quiet operation appeal to street photographers valuing discretion.
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The K-3 is bulkier and noisier but provides optical viewfinder clarity and faster responses if size is less a concern.
Macro Photography
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Both bodies rely on lens choice for macro capabilities.
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K-3’s in-body stabilization assists handheld macro shots better than the G3.
Night / Astro Photography
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K-3’s excellent high ISO performance and dynamic range work wonders in low light.
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G3 struggles at high ISO and offers limited manual exposure modes favored for astro work.
Real-World Image Samples: Seeing is Believing
These side-by-side comparison images - portrait and landscape - show the K-3’s detail advantage, richer dynamic range, and lower noise in shadows.
Scoring Overall Performance
To summarize the extensive testing:
The Pentax K-3 achieves higher marks in almost all categories, reflecting its advanced features and professional orientation. The Panasonic G3 scores well for portability and beginner friendliness.
Who Should Choose the Panasonic G3?
- You’re a beginner stepping into mirrorless cameras for the first time.
- Prioritize lightweight gear for travel, casual outings, or street photography.
- Value a fully articulating touchscreen for vlogging or creative angles.
- Mostly shoot still subjects or video at Full HD 60p with simple controls.
- Seek a budget-friendly system with wide lens availability without bulk.
Check out Micro Four Thirds lenses and accessories to complement the G3’s portable simplicity and start your creative exploration comfortably.
Who Should Invest in the Pentax K-3?
- You demand high image quality for professional or enthusiast work.
- Shoot dynamic and challenging subjects like wildlife, sports, and landscapes.
- Need durability with weather sealing for outdoor adventures.
- Want more manual controls, extensive customization, and dual card backup.
- Expect excellent autofocus reliability and in-camera stabilization.
- Film serious Full HD video with external audio control.
Pair the K-3 with Pentax’s high-quality lens lineup for a robust system geared toward evolving photographic expertise.
Final Thoughts: Making Your Choice with Confidence
In sum, the Panasonic Lumix G3 and Pentax K-3 cater to distinct photographer profiles. The G3 is an accessible, portable, and beginner-friendly mirrorless platform. It offers fundamental features and solid image quality in a sleek package without overwhelming new users.
Meanwhile, the Pentax K-3 is a more serious, professional DSLR crafted for advanced photographers. Its impressive sensor, weather resistance, faster autofocus, and extensive controls justify its heft and price.
Both cameras reward hands-on experimentation and thoughtful lens selection. We encourage you to try them in-store or rent samples to feel the ergonomics, explore menus, and test real-world shooting. Your perfect camera is the one that feels ready to join your creative process and capture your vision effectively.
Happy shooting!
Summary Table
Criteria | Panasonic G3 | Pentax K-3 |
---|---|---|
Best for | Beginners, travel, casual/vlogging | Enthusiasts, pros, outdoor/adventure |
Sensor | Four Thirds, 16 MP | APS-C, 24 MP |
Autofocus | Contrast detection, slower | Hybrid phase + contrast, fast |
Burst | 4 fps | 8 fps |
Video | Full HD 60p, no audio inputs | Full HD 60i, mic & headphone jacks |
Build & Weather Sealing | Lightweight, no sealing | Robust, weather sealed |
Lens Ecosystem | Micro Four Thirds (wide) | Pentax K mount (large, varied) |
Battery Life | ~270 shots | ~560 shots |
Price | ~$500 | ~$640 |
This detailed comparison empowers your decision with clear technical and practical insights. Whichever path you choose, these cameras offer excellent foundations to tell your photographic story. Explore, create, and let your vision soar!
Panasonic G3 vs Pentax K-3 Specifications
Panasonic Lumix DMC-G3 | Pentax K-3 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-G3 | Pentax K-3 |
Category | Entry-Level Mirrorless | Advanced DSLR |
Launched | 2011-07-11 | 2014-04-10 |
Physical type | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Processor Chip | Venus Engine FHD | Prime III |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor surface area | 224.9mm² | 366.6mm² |
Sensor resolution | 16MP | 24MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Max resolution | 4592 x 3448 | 6016 x 4000 |
Max native ISO | 6400 | 51200 |
Lowest native ISO | 160 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 23 | 27 |
Cross type focus points | - | 25 |
Lens | ||
Lens mount type | Micro Four Thirds | Pentax KAF2 |
Total lenses | 107 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display sizing | 3 inches | 3.2 inches |
Resolution of display | 460 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT Color LCD with wide-viewing angle | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentaprism) |
Viewfinder resolution | 1,440 thousand dots | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.7x | 0.64x |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/8000 secs |
Continuous shutter rate | 4.0 frames/s | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 11.00 m | 13.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, on, off, red-eye, slow sync, slow sync + red-eye, trailing curtain sync, high speed, wireless, manual |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | 1/160 secs | 1/180 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | AVCHD, Motion JPEG | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 336 grams (0.74 pounds) | 800 grams (1.76 pounds) |
Physical dimensions | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO Overall rating | 56 | 80 |
DXO Color Depth rating | 21.0 | 23.7 |
DXO Dynamic range rating | 10.6 | 13.4 |
DXO Low light rating | 667 | 1216 |
Other | ||
Battery life | 270 photos | 560 photos |
Battery style | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | Dual SD/SDHC/SDXC |
Card slots | One | 2 |
Retail cost | $500 | $639 |