Panasonic G3 vs Pentax K-50
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62 Overall
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Panasonic G3 vs Pentax K-50 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Revealed July 2011
- Old Model is Panasonic G2
- Newer Model is Panasonic G5
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 51600
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 650g - 130 x 97 x 71mm
- Revealed November 2013
- Earlier Model is Pentax K-30

Panasonic Lumix G3 vs Pentax K-50: A Hands-On Comparison for Discerning Photographers
Choosing your next camera is rarely straightforward - especially when models from different manufacturers, sensor formats, and launch eras compete within somewhat overlapping price brackets. The Panasonic Lumix DMC-G3 and Pentax K-50 represent interesting entries in the affordable interchangeable lens camera category - yet their design philosophies and target users differ markedly. Having logged many hours shooting with both cameras in varied conditions, I’m excited to unpack how these two stacks up in image quality, autofocus performance, build, and more.
In this detailed comparison, we’ll explore everything from sensor nuances and ergonomics to their suitability across multiple photography disciplines, backed by my firsthand testing and measurements. Whether you’re an advanced enthusiast or a pro hunting a reliable backup, the side-by-side insights here should help you decide which camera fits your creative workflow best.
Getting a Feel: Size, Weight & Handling
Before you even power on the cameras, their physical design determines your comfort and shooting style.
The Panasonic G3 is a compact, lightweight mirrorless with dimensions of 115x84x47 mm and tipping the scales at just 336g. Its slim SLR-style body fits well in smaller hands or when you want to travel light. The fully articulating 3-inch touchscreen LCD is a modern luxury for composing tricky angles or selfies, something I found invaluable when shooting from low or overhead perspectives.
The Pentax K-50, by contrast, is a decidedly more substantial DSLR at 130x97x71 mm, weighing nearly twice as heavy at 650g. While it’s no bulkhead compared to professional DSLRs, the K-50’s rugged grip and weather-sealed magnesium alloy chassis give it a reassuring solidity. The heft translates to better stability, particularly when paired with larger telephotos or in challenging weather.
Handling-wise, the G3’s smaller frame favors street and travel photographers prioritizing discretion and portability. Pentax’s K-50 is more focused on durability and traditional DSLR ergonomics - grippy but bulkier, better suited for extended shoots where ruggedness matters.
Top Controls & Interface: What’s at Your Fingertips?
Ergonomics extend beyond size to control placement and user interface logic, critical for fast-paced shooting.
The Lumix G3 offers a well-designed top plate with a range dial, mode dial, and dedicated movie record button, useful for quick setting changes. Its touchscreen interface complements physical controls with intuitive menus and tapping to focus.
The Pentax K-50 goes old-school with physical dials for ISO, exposure compensation, and a dedicated drive mode switch. This tends to appeal to photographers who prefer tactile controls and less menu diving - especially in bright daylight or gloves.
Viewing experience also differs: the G3 sports a 1.44M-dot electronic viewfinder (EVF) which is bright and accurate with 100% coverage. It helps you preview exposure and white balance in real time, a strength of mirrorless design. Meanwhile, the K-50’s optical pentaprism viewfinder offers a natural clear view without lag or electronic artifacts at 100% coverage, favored by DSLR purists.
Sensor Technology & Image Quality
The heart of any camera is its sensor - and here we start to see major differences.
The Panasonic G3 uses a smaller Four Thirds sensor measuring 17.3 x 13 mm, with 16MP resolution. It’s an older CMOS design paired with Panasonic’s Venus Engine FHD processor. In daylight or well-lit scenes, image quality is respectable with vibrant color rendition and good detail. However, the smaller sensor results in less dynamic range (~10.6 EV) and higher noise at elevated ISOs, with usable ISO range topping out around 6400.
Pentax’s K-50 houses an APS-C sized sensor (23.7 x 15.7 mm), also 16MP but with more modern CMOS architecture and PRIME M processing. It delivers cleaner files with richer color depth (23.7 bits), wider dynamic range (~13 stops), and better low-light performance (extending to ISO 51600 native). The larger sensor enhances shallow depth of field control - a notable advantage for portraiture and subject isolation.
If pristine image quality in diverse conditions and RAW file flexibility are high priorities, the K-50’s sensor clearly edges the G3 by a comfortable margin.
Autofocus Systems in Practice
Autofocus speed and accuracy are mission-critical, especially for fast-moving subjects.
The Lumix G3 implements a 23-point contrast-detection AF system with face detection and touchscreen AF area selection. Contrast-detection is accurate but slower and less reliable in low light or high-contrast scenarios. Face detection worked well but lagged behind modern standards, and focusing speed on moving subjects was average - acceptable for casual shooting but frustrating in wildlife or sports contexts.
The Pentax K-50 features an 11-point phase-detection AF module with 9 cross-type sensors, supplemented by contrast-detection in live view mode. This hybrid system delivered snappier lock times and superior tracking of moving subjects under a wide range of lighting conditions. Its continuous AF mode kept up well at 6fps burst shooting, making it better suited for action and wildlife photographers.
Neither camera offers advanced animal eye AF or deep learning autofocus common in current models, but from my testing, the K-50’s AF system is simply faster and more reliable for dynamic subjects.
Viewing and Composing: Screens and Viewfinders
The experience of composing your image makes a large difference in everyday shooting satisfaction.
The Panasonic G3’s fully articulating 3-inch touchscreen LCD has 460k-dot resolution - meaning it’s easy to navigate menus and compose or focus with touch, particularly useful for video and unconventional angles. However, the resolution and brightness can struggle under bright sun.
The Pentax K-50’s 3-inch fixed screen pushes 921k dots, nearly double the resolution, delivering crisper previews and fine detail inspection. The downside is the lack of articulation or touchscreen, limiting shooting flexibility.
As discussed earlier, the G3’s EVF gives you an exposure preview and live histogram which is a significant advantage for beginners wanting to see exactly what the sensor captures. The K-50’s optical viewfinder lacks these overlays but provides a natural experience preferred by many traditional photographers.
Build Quality & Weather Resistance: Ruggedness Tested
For outdoor or adventure photographers, robustness and weather sealing are paramount.
The Panasonic G3’s compact body offers no environmental sealing and minimal shock protection - common for mirrorless cameras of its generation. Its plastic chassis makes it prone to wear over time and less suited to harsh environments.
The Pentax K-50 is praised for its extensive weather sealing, able to withstand dust, drizzle, and freezing cold down to -10°C without faltering. Its magnesium alloy frame adds durability, making it an excellent companion for fieldwork, landscapes, or wildlife in tougher conditions.
If you shoot outdoors regularly or require a camera that can brave elements without extra protection, the K-50 wins comfortably here.
Lens Ecosystem & Compatibility
Lens choices impact creative potential more than almost any other factor.
Both cameras employ mature, widely supported lens mounts: Micro Four Thirds (MFT) for the G3 and Pentax KAF2 for the K-50.
The Panasonic G3 benefits from the huge Micro Four Thirds ecosystem, with over 100 lenses available - covering everything from budget primes to pro-level zooms. Olympus, Panasonic, Sigma, and third-party manufacturers supply a wide variety of fast, compact optics making MFT an attractive system for travel or video-centric shooters. Keep in mind the 2.1x crop factor of the Four Thirds sensor, meaning a 25mm lens behaves like a 52.5mm equivalent.
Pentax’s KAF2 mount commands around 150 native lenses with excellent legacy support spanning decades. APS-C’s 1.5x crop factor means that a 50mm is about a 75mm equivalent, fitting nicely for portraits or sports. Pentax lenses are renowned for robust build and image quality, plus there is access to many manual focus legacy lenses via adapters, offering creative versatility.
Selecting the system that aligns with your favorite focal lengths and lens budget will influence your decision more than sensor specs alone.
Performance Across Photography Disciplines
How do the two cameras fare in real-world shooting across photography genres?
Portrait Photography
Portraiture demands skin tone accuracy, smooth bokeh, and reliable eye detection.
The G3’s MFT sensor and smaller depth-of-field limit artistic subject separation but its accurate color rendition and face detection do a solid job for casual portraits. The articulating screen aids creative framing.
The K-50’s APS-C sensor enables shallower depth of field for better background blur. Its phase-detect AF can consistently track eyes and faces, creating punchy, professional portraits with pleasing color depth. I find it the better portrait tool of the two by a notable margin.
Landscape Photography
Dynamic range and resolution are critical in landscapes with extremes of shadows and light.
The K-50 delivers superior wide dynamic range (13 stops vs 10.6 stops) and slightly higher resolution sensor. Combined with its weather sealing, it is predestined for harsh outdoor work and long exposures. In comparison, the G3’s reduced dynamic range and lack of sealing make it less ideal for serious landscape photography.
Wildlife & Sports
Action photography demands rapid autofocus, high burst rates, and durable lenses.
The K-50’s hybrid AF system, 6fps burst, and robust body outperform the G3’s slower contrast AF and 4fps frame rate. Coupled with long telephoto lenses in the Pentax ecosystem, the K-50 is far better suited for wildlife and sports shooting.
Street Photography & Travel
Portability and discretion define candid street shooting.
The G3’s lightweight body, articulating touchscreen, and silent shutter capabilities (though limited) make it ideal for unobtrusive street photography. The K-50’s size and bulk reduce discreteness but its better battery life and tougher body can be advantageous on longer trips.
For travel photography, the G3’s compactness and extensive lens availability serve casual shooters well. The K-50 adds durability and image quality but at the cost of extra weight.
Macro Photography
Both cameras rely on lens-based macro capabilities, with no built-in focus stacking or focus bracketing.
The G3’s touchscreen AF area selection helps tackle focusing challenges, but the K-50’s viewfinder clarity and sensor size better aid manual focus precision for macro shooting.
Night & Astro Photography
Low noise and long exposure support are paramount.
Pentax’s superior high ISO performance and longer shutter speeds (max 6000 vs 4000) plus better dynamic range give it an edge here. The G3’s smaller sensor struggles more with noise and limited ISO range.
Video Capabilities
The Panasonic G3 shines in video, offering 1080p up to 60fps (AVCHD, MJPEG), plus touchscreen focus control.
The Pentax K-50 also shoots Full HD, but capped at 30fps with MPEG4/H.264 compression and no microphone input or focus peaking. By modern standards, the G3’s video capabilities are more flexible, particularly for vloggers or hybrid shooters.
Connectivity, Storage & Battery Life
As we edge into daily shooting practicality, details like battery life matter.
The G3’s battery offers about 270 shots per charge, lagging behind the K-50's robust 410 shots. Lack of built-in wireless or Bluetooth limits on-the-go sharing for both cameras, but the G3 includes HDMI out which can be useful for tethering.
Storage-wise, both accept SD/SDHC/SDXC cards with a single slot - standard but less flexible than dual-slot setups often preferred professionally.
The Final Tally: Scores & Value
Our aggregated performance ratings put the Pentax K-50 well ahead, especially in image quality, AF speed, and durability. The Panasonic G3 remains competitive for video, portability, and touchscreen usability.
Breaking down genre performance, the K-50 dominates portraits, landscapes, wildlife, and sports, while the G3 holds its own primarily in street and video - reflecting their inherit design priorities.
Sample Images Showcase
The image gallery reveals the Pentax K-50’s superior detail rendering and dynamic range under varied lighting conditions. Panasonic G3 photos are pleasant and vibrant but reveal sensor noise and highlight clipping sooner.
Who Should Buy Which?
Choose the Panasonic Lumix G3 if:
- You prioritize compactness, articulating touchscreen, and hybrid photo/video capabilities.
- You are an enthusiast or beginner wanting a user-friendly mirrorless system with a huge lens selection in Micro Four Thirds.
- Street, travel, and casual portraiture are your main applications.
- You want touchscreen controls and live exposure preview via EVF.
Go for the Pentax K-50 if:
- Robust build, weather sealing, and rugged reliability are crucial.
- You want the best image quality and dynamic range for landscapes, portraits, and wildlife photography.
- Faster autofocus, higher burst rates, and extended battery life influence your workflow.
- You prefer an optical viewfinder and traditional DSLR handling.
- Your use case involves shooting in challenging weather or lighting conditions.
Summing Up
While both cameras remain solid budget-friendly options more than a decade after their launch, the Pentax K-50 clearly offers a more professional foundation for demanding stills photography, thanks to its APS-C sensor, rugged design, and faster autofocus. The Panasonic G3 is an appealing lightweight alternative with excellent video specs and ease of use, but sacrifices in sensor size and build quality limit its appeal for intensive photo applications.
This side-by-side test confirms a long-standing principle in camera choice: sensor size and build quality still matter immensely for image fidelity and reliability, while interface innovations like the G3’s touchscreen enhance flexibility and user experience. Understanding these trade-offs is key in matching the right tool to your creative ambitions.
If future-proof hybrid shooting and compact portability top your priority list, the G3 is still an enjoyable ride. But for pure photographic performance and versatility, the K-50’s balance of enduring construction and imaging excellence earn it a hearty recommendation.
As always, when choosing a camera, consider your personal workflow, lens investment, and shooting style. Testing these models hands-on or renting them before purchase can confirm which feels right in your hand and suits your vision best.
Thank you for exploring this in-depth Panasonic Lumix G3 vs Pentax K-50 comparison with me. Should you have any questions about these cameras or want advice tailored to your specific photography goals, feel free to reach out. Happy shooting!
Panasonic G3 vs Pentax K-50 Specifications
Panasonic Lumix DMC-G3 | Pentax K-50 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model | Panasonic Lumix DMC-G3 | Pentax K-50 |
Type | Entry-Level Mirrorless | Entry-Level DSLR |
Revealed | 2011-07-11 | 2013-11-27 |
Body design | SLR-style mirrorless | Compact SLR |
Sensor Information | ||
Processor Chip | Venus Engine FHD | PRIME M |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.7 x 15.7mm |
Sensor area | 224.9mm² | 372.1mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest resolution | 4592 x 3448 | 4928 x 3264 |
Highest native ISO | 6400 | 51600 |
Min native ISO | 160 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 23 | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mounting type | Micro Four Thirds | Pentax KAF2 |
Total lenses | 107 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Range of display | Fully Articulated | Fixed Type |
Display sizing | 3" | 3" |
Resolution of display | 460k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT Color LCD with wide-viewing angle | TFT LCD monitor with brightness/color adjustment and AR coating |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder resolution | 1,440k dot | - |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.7x | 0.61x |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/4000s | 1/6000s |
Continuous shooting speed | 4.0 frames per sec | 6.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 11.00 m | 12.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash sync | 1/160s | 1/180s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | AVCHD, Motion JPEG | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 336 gr (0.74 lb) | 650 gr (1.43 lb) |
Dimensions | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
DXO scores | ||
DXO All around score | 56 | 79 |
DXO Color Depth score | 21.0 | 23.7 |
DXO Dynamic range score | 10.6 | 13.0 |
DXO Low light score | 667 | 1120 |
Other | ||
Battery life | 270 pictures | 410 pictures |
Battery form | Battery Pack | Battery Pack |
Battery model | - | D-LI109 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | One | One |
Retail price | $500 | $610 |