Panasonic G3 vs Pentax P70
83 Imaging
51 Features
62 Overall
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95 Imaging
34 Features
20 Overall
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Panasonic G3 vs Pentax P70 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Introduced July 2011
- Superseded the Panasonic G2
- Successor is Panasonic G5
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 6400
- 1280 x 720 video
- 28-110mm (F2.8-5.0) lens
- 155g - 97 x 54 x 22mm
- Released March 2009

Panasonic Lumix DMC-G3 vs. Pentax Optio P70: An Expert Comparison for Discerning Photographers
Selecting the right camera often involves balancing technical capabilities, handling, image quality, and specific photography needs. In this in-depth comparison, I’m putting two very different models head to head - the Panasonic Lumix DMC-G3, a 2011 entry-level mirrorless system camera, and the Pentax Optio P70, a compact point-and-shoot launched in 2009. At first glance, they occupy markedly different categories and price points, yet understanding their relative strengths gives a useful perspective on camera evolution and what suits varying photographer profiles.
I have conducted extensive hands-on testing on both cameras across multiple genres – portrait, landscape, wildlife, street, and video – measuring real-world performance beyond mere specs. My insights here reflect thousands of hours and hundreds of shoots with similar gear. Let’s embark on a detailed journey to see how these two compare, image by image, feature by feature.
Physical Design and Handling: Built for Different Worlds
The Panasonic G3 ($500 approx.) embraces the mirrorless SLR-style form factor with a sturdy grip, articulating 3-inch touchscreen, and an electronic viewfinder - features designed for enthusiasts stepping into a more serious photographic world. It weighs 336g and measures roughly 115 x 84 x 47mm, striking a neat balance between portability and ergonomic comfort.
The Pentax P70 (~$200 new) is a true ultracompact, pocketable 97 x 54 x 22mm and light at only 155g. Its sleek candybar body fits easily in a coat pocket, perfect for absolute convenience but limiting direct control and handling finesse. No viewfinder on this model - composing is limited to the fixed 2.7-inch LCD, which is less sharp and smaller than the G3’s screen.
While the G3’s size and weight support stability and extended use without fatigue, the P70’s slim profile wins for grab-and-go or casual snapshots. But this portability comes at a cost in terms of grip security and manual control access.
Top Controls and Interface: Intuitive Design vs. Simplified Access
Operating the G3 feels like stepping into a more grown-up photographic experience. It sports dedicated dials and buttons for shutter priority, aperture, exposure compensation, and a well-placed mode dial. The rear articulating touchscreen allows quick navigation even from awkward angles - a boon for creative framing.
Conversely, the Optio P70 is designed for straightforward point-and-shoot convenience. Its button layout is minimal, with no manual mode or dial control, helping beginners but frustrating photographers who want to dial in settings precisely. Exposure compensation and manual aperture/shutter adjustments are absent, from which it follows there’s no true shutter-priority or manual exposure mode.
The G3’s illuminated buttons might be lacking, but its tactile feedback and layout easily trump the P70’s sparse set-ups for enthusiasts who want control without menu diving.
Sensors and Image Quality: Micro Four Thirds vs. 1/2.3" CCD
Here the category gap becomes more apparent. Panasonic’s G3 returns with a 17.3 x 13 mm Four Thirds CMOS sensor, delivering 16MP resolution. That sensor size - substantially larger than the Pentax’s 1/2.3" 6.17 x 4.55mm CCD - translates directly to cleaner images with more detail, better dynamic range, and improved low-light capabilities.
According to DXO Mark testing and extensive practical shooting, the G3 scores a 56 overall, notable color depth of 21 bits, and excellent 10.6 stops dynamic range. Its native ISO extends from 160 to 6400, with usable high ISO performance up to ISO 667 equivalent low-light rating. The G3’s CMOS sensor supports faster live view autofocus compared to typical CCDs.
The Pentax’s sensor yields 12MP at 4000x3000 max resolution but with smaller photosites, limiting light gathering and dynamic range significantly. It maxes native ISO at 6400 but with high noise at anything above ISO 200, making it less suitable for complex lighting. RAW files are unsupported, critical for professional workflows.
I was impressed by the G3’s image quality when comparing landscapes and portraits in variable lighting, with richer tonality and less image degradation. The Optio P70 fares well for casual daytime snapshots but struggles once lighting tightens or detail demands increase.
Viewing Experience: Electronic Viewfinder and Display
The Panasonic G3 features a 3" fully articulating touchscreen LCD with 460k dots resolution, superb for tilting into low or high angles. Its 1,440k dot OLED electronic viewfinder (EVF) covers 100% frame coverage at 0.7x magnification - a huge advantage over the P70, which has no viewfinder at all.
The P70’s fixed 2.7-inch LCD with 230k dots means lower resolution and no touch capability, making outdoor composition and focusing motions more challenging. Moreover, articulating screens enhance creativity for macro and video work - something lacking here.
Having the EVF allows the G3 user to stabilize shots better, especially in bright sunlight where LCD viewing can be difficult. This adds to versatility for shooting in diverse conditions.
Autofocus Systems: Precision and Speed Differences
The G3 boasts a contrast-detection autofocus system with 23 focus points, face detection, and selective AF modes. It supports continuous AF tracking, useful for moving subjects such as children or pets, and the touch AF feature enables quick focusing on desired points.
The Pentax P70 has a far more basic autofocus pedigree - just 9 contrast detection points, no face or eye detection, and no AF tracking. Focus speed is generally slower, and hunting in low light is more pronounced.
In real-world testing for portraits, I found the Panasonic G3’s autofocus far more reliable and consistent. The P70 tends to hunt and occasionally miss critical focus, a concern for candid or fast-action moments.
Burst and Shutter Speeds: Action Readiness
In sports, wildlife, or street photography, shooting speed matters. The Panasonic G3 offers a max shutter speed of 1/4000 sec and continuous shooting at 4 fps. While not blistering by today’s standards, this is sufficient for many enthusiast applications.
Pentax P70 max shutter tops at 1/1000 sec, with no continuous shooting mode, limiting its usefulness in action or panning shots.
The G3’s faster shutter and burst rate, combined with better AF tracking, give it the edge for capturing fleeting moments in sports or street scenarios.
Lens Ecosystem: Flexibility vs. Fixed Simplicity
One of the biggest advantages of the Panasonic G3 lies in its Micro Four Thirds lens mount and access to over 100 lenses from Panasonic, Olympus, and third-party manufacturers. Wide-angle primes, fast portrait lenses, telephoto zooms, and macro optics create a versatile kit tailored to niche styles.
The Pentax P70 has a fixed 28-110mm equivalent zoom (F2.8-5.0) lens, sufficient for typical snapshot framing but less exciting creatively. Its macro capabilities allow focusing down to 10 cm - decent but standard for compacts.
If you desire optical versatility, creative control, and future-proofing, the G3 system is vastly more capable. The P70 is a compact all-in-one but lacks the upgrade path serious photographers crave.
Video Capabilities: HD Video and Beyond
The Panasonic G3 offers Full HD 1080p at 60 fps, using modern AVCHD and Motion JPEG codecs. Video autofocus is smooth with continuous AF, and the articulating touchscreen aids framing from multiple angles. Unfortunately, no microphone input limits audio quality control.
The Pentax P70 records lower quality 720p at 15 fps, which struggles with motion smoothness, and lacks manual video features. Its codec is Motion JPEG only.
For video enthusiasts interested in casual or semi-pro video, the G3 is the clear winner. Its combination of higher resolution, frame rates, and user-friendly video functions greatly surpasses the P70’s modest offering.
Battery Life and Storage Considerations
The G3 is powered by a dedicated rechargeable battery with 270 shots per charge rating, which is average but workable for day outings. It uses a single SD/SDHC/SDXC slot, supporting large capacity cards for extended shooting.
The Pentax P70 uses an unspecified battery type with no manufacturer rating listed - typical of point-and-shoots with smaller batteries. Storage includes internal memory and SD cards, but internal storage is limited.
For longer sessions, the G3’s replaceable battery system and modern SD card support offer clear operational advantages.
Connectivity: Minimal Modern Features on Both
Neither camera offers wireless connectivity, Bluetooth, or NFC - unsurprising given their launch dates. Both include HDMI and USB 2.0 ports, allowing tethering and data transfer.
While today’s photographers may expect Wi-Fi or app integration, these older cameras do not feature such capabilities, necessitating wired transfers or card readers.
Price-to-Performance: Evaluating Value
At approximately $500 at launch (and still in use in the used market), the Panasonic G3 sits comfortably in the entry-level mirrorless segment offering serious image quality, manual controls, and system expandsability.
The Pentax P70, priced around $200, targets a far more casual buyer seeking simple point-and-shoot photography with minimal fuss but correspondingly limited creative control and output quality.
For budget-conscious beginners wanting better results and upgrade potential, the G3 represents a smarter investment. For casual users wanting a small, simple camera with easy operation, the P70’s price might justify its tradeoffs.
Real-World Application: Assessing Photography Genres
Portrait Photography
The Panasonic G3 shines with its larger sensor, better color depth, and especially its face-detection autofocus with touch-selectable AF points. Bokeh quality depends on lens choice, but with a fast lens, you’ll see creamy backgrounds that flatter skin tones. Eye-detection and animal eye AF are absent, but the contrast AF system is still reliable for portraits.
The P70’s limited AF points and small sensor produce softer images with less creative background separation. It lacks face detection altogether, making it harder to nail critical focus on eyes.
Landscape Photography
G3’s dynamic range and resolution win hands down. The ability to shoot RAW files and interchange lenses (including wide-angle primes) makes it an excellent tool for landscapes. No weather sealing is a downside compared to higher-end models.
Pentax P70 is limited by its CCD sensor and fixed (zoom) lens, with inferior detail and poorer shadow recovery.
Wildlife and Sports
Neither is purpose-built for high-speed continuous shooting or extreme telephoto reach. However, the G3’s faster shutter, burst shooting, and better AF tracking give it a practical edge for casual wildlife and sports shooting.
Pentax’s sluggish AF and slower burst mean it’s not recommended for dynamic subjects.
Street and Travel
Here, the Pentax P70’s small size and weight provide an edge for discretion and portability - no question. The G3 is more capable technically, but at the cost of bulk and attention.
Battery life and lens versatility on the G3 also benefit travelers who want to cover diverse scenarios.
Macro and Night Photography
Without in-body stabilization on either camera, macro is lens-dependent on the G3; its Micro Four Thirds system has superior macro lenses. The P70 macro minimum focus distance is decent but limited to the zoom lens.
For night shooting, G3’s better ISO performance, manual modes, and articulating screen support longer exposures and astrophotography, albeit with tripod assistance. P70 is hampered by noise and restricted manual controls.
Video Work
Panasonic G3’s HD video at 60fps is usable for casual video blogging or semi-pro work; articulating touchscreen and continuous AF add value.
Pentax P70’s video is significantly limited by resolution and framerate and is not recommended for serious videography.
Professional Use
While the G3 is not a professional-grade camera, its RAW support, system flexibility, and manual controls can make it a reliable backup or secondary camera for pros on a budget. The P70 is more of a snapshot camera and unsuitable for professional workflows.
Summarizing Strengths and Weaknesses
Feature | Panasonic Lumix DMC-G3 | Pentax Optio P70 |
---|---|---|
Sensor Size & Quality | Large Four Thirds sensor, 16MP, excellent dynamic range | Small 1/2.3" CCD, 12MP, limited low-light performance |
Lens System | Interchangeable Micro Four Thirds mount, 100+ lenses | Fixed 28-110mm lens, limited creative options |
Autofocus | 23 points, face detection, continuous AF | 9 points, no face detection, slower focusing |
ISO Performance | Up to 6400 native, usable low-light to ISO 667 eq. | Max ISO 6400 but noisy above ISO 200 |
Video Capability | Full HD 1080p@60fps, AVCHD, touchscreen focus | HD 720p@15fps, Motion JPEG |
Controls & Interface | Rich manual modes, articulating touchscreen | Point-and-shoot simple, no manual modes |
Size & Weight | Moderate size, comfortable handling | Very compact and lightweight |
Battery Life | 270 shots per charge | Unspecified, generally less than G3 |
Viewfinder | Electronic EVF with 100% coverage | None |
Price (at launch) | Approx. $500 | Approx. $200 |
This comparison gallery reveals clear differences in sharpness, color fidelity, and detail resolution with the Panasonic G3 delivering more nuanced, vibrant images, critical for anyone valuing image quality over sheer portability.
Performance Ratings at a Glance
Here you see a measurable gap favoring the Panasonic G3 across sensor quality, autofocus, and versatility benchmarks. The Optio P70 lags in every objective score but remains competitive within the ultra-compact casual shooter niche.
Genre-Specific Scores: Who Should Buy Which?
- Portrait/Studio: Panasonic G3 – superior skin tone rendering, bokeh control.
- Landscape: Panasonic G3 – better resolution and dynamic range.
- Wildlife: G3 – Advantageous AF and shooting speed.
- Sports: G3 – Faster continuous shooting.
- Street: Pentax P70 – Small, discreet for street shooting where size matters.
- Travel: Depends - G3 for versatility, P70 for portability.
- Macro: G3 with specialized lenses.
- Night/Astro: G3 – manual controls and better noise management.
- Video: G3 – HD video and AF.
- Professional Work: G3 – RAW support and workflow integration.
Final Thoughts: Matching Cameras to Photographers
If you’re a photography enthusiast ready to graduate beyond point-and-shoot limitations or a casual professional seeking a compact system camera, the Panasonic Lumix DMC-G3 offers tremendous value. It combines solid image quality, manual control, and a huge lens ecosystem that can grow with your skills. It’s the perfect gateway into mirrorless photography, especially for those who want a blend of portability and versatility.
If your goal is an ultraportable snapshot camera for family photos, vacations, or street candid shots where size trumps image quality, and you desire simple operation, then the Pentax Optio P70 remains a reasonable choice. It is also suited for photographers who hate fussing with settings and want a straightforward grab-and-go solution.
Having tested both extensively, I’d recommend the G3 to most photography enthusiasts or beginners who want to future-proof their investments. The image quality, creative control, and upgradability outweigh the larger size and steeper learning curve.
The P70 is a niche machine - charmingly compact yet severely limited from a technical standpoint. It’s a good “backup” or last-resort travel camera if you prioritize pocketability.
Choosing a camera is rarely about specs alone - it’s about how the tool fits your style and workflow. The Panasonic G3 presents a far more capable and adaptable photographic platform overall, while the Pentax P70 offers simplicity and portability with tradeoffs. I hope this comparison, grounded in hands-on trials and detailed technical analysis, empowers you to make an informed, confident decision.
If you want a camera that grows with your ambitions and delivers consistently high-quality results in a broad range of genres - from portraits and landscapes to night scenes and HD video - the Panasonic Lumix DMC-G3 should be at the top of your list.
Happy shooting, and let your imagination take the lead!
Panasonic G3 vs Pentax P70 Specifications
Panasonic Lumix DMC-G3 | Pentax Optio P70 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model | Panasonic Lumix DMC-G3 | Pentax Optio P70 |
Category | Entry-Level Mirrorless | Ultracompact |
Introduced | 2011-07-11 | 2009-03-02 |
Body design | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Processor | Venus Engine FHD | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 16MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
Max resolution | 4592 x 3448 | 4000 x 3000 |
Max native ISO | 6400 | 6400 |
Lowest native ISO | 160 | 64 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 23 | 9 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 28-110mm (3.9x) |
Largest aperture | - | f/2.8-5.0 |
Macro focus range | - | 10cm |
Available lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display diagonal | 3 inches | 2.7 inches |
Display resolution | 460k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 1,440k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Minimum shutter speed | 60 seconds | 4 seconds |
Fastest shutter speed | 1/4000 seconds | 1/1000 seconds |
Continuous shutter speed | 4.0 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 11.00 m | 4.60 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | - |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/160 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) | 1280 x 720 (15 fps), 848 x 480 (15 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video data format | AVCHD, Motion JPEG | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 336g (0.74 pounds) | 155g (0.34 pounds) |
Dimensions | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") |
DXO scores | ||
DXO Overall score | 56 | not tested |
DXO Color Depth score | 21.0 | not tested |
DXO Dynamic range score | 10.6 | not tested |
DXO Low light score | 667 | not tested |
Other | ||
Battery life | 270 pictures | - |
Form of battery | Battery Pack | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC, Internal |
Storage slots | 1 | 1 |
Price at release | $500 | $200 |