Panasonic G3 vs Sony HX50V
83 Imaging
51 Features
62 Overall
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89 Imaging
44 Features
57 Overall
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Panasonic G3 vs Sony HX50V Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Launched July 2011
- Superseded the Panasonic G2
- Renewed by Panasonic G5
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Push to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5 - 6.3) lens
- 272g - 108 x 64 x 38mm
- Released April 2013
- Previous Model is Sony HX30V
Snapchat Adds Watermarks to AI-Created Images Choosing Between the Panasonic Lumix DMC-G3 and Sony Cyber-shot DSC-HX50V: A Real-World Camera Showdown
When I dive into evaluating cameras for photography enthusiasts and professionals alike, what drives me is a desire to answer a fundamental question: Which camera genuinely fits your shooting style, needs, and budget? Today, I’m bringing two very different but intriguing cameras head-to-head - the Panasonic Lumix DMC-G3, an entry-level mirrorless model released in 2011, and the Sony Cyber-shot DSC-HX50V, a 2013 compact superzoom with an enviable brochure. These represent distinct approaches to photography: a mirrorless system body versus a pocket-friendly travel zoom.
Both have their loyal followings, and each can shine in the right hands and context. Yet, there is no “one size fits all” here. I’ve spent ample time testing and comparing their technical and real-world attributes through the lenses of multiple photography genres. Expect candid insights enhanced by my years of hands-on camera testing experience. Let’s unpack their designs, performance, and usage scenarios - and find out which camera deserves a place in your bag.
A Matter of Size and Handling: The Bodies and Ergonomics
I always start with the feel of the camera - this intangible connection impacts your photographic workflow more than raw specs ever will.

The Panasonic G3 undeniably exhibits the heft and grip advantages of its SLR-style mirrorless body. Weighing 336g and sporting dimensions of 115x84x47mm, it sits comfortably in my hands with a textured grip that instills confidence for longer shooting sessions. Its deep body shape accommodates more physical controls, which I appreciate as someone who likes quick access without digging into menus.
Conversely, the Sony HX50V is a pocketable powerhouse, tipping the scales at a slim 272g with a compact 108x64x38mm frame. Carrying it during travel or street outings feels effortless, slipping easily into coat pockets or small bags. However, because it’s designed as a compact, the grip is more modest, which means it can feel less secure in my hands if I’m shooting handheld for extended periods.
If you prioritize portability above all or want a no-fuss grab-and-go camera, I’d lean towards the HX50V here. For serious control flair and durability, the G3 feels more like a proper photographic tool.
Continuing this conversation, let’s look at the top controls - my touchstone for usability in fast-paced scenarios.

The G3 stands out with an intuitive dial layout featuring exposure compensation, mode dial, and dedicated video buttons. It also boasts a fully articulated 3-inch touchscreen LCD with wide viewing angles, enabling flexible shooting positions - landscapes, overhead shots, or even vlogging-style frontal framing. The 460k-dot resolution though not cutting-edge by today’s standards, was impressive for its era.
The HX50V’s fixed 3-inch LCD is brighter and crisper at 921k dots but isn’t touch-sensitive or articulated. I found this slightly limiting when attempting creative angles or quick focus adjustments on the fly. Its control layout is simplified - a necessity given the smaller body - but Sony’s interface occasionally felt menu-deep compared to Panasonic’s faster button mapping.
Pausing here, an experienced photographer may prioritize the G3’s tactile feedback for manual settings and creative control. Beginners or casual users might enjoy the Sony’s simplicity and sharper LCD for composing straightforward snaps.
The Heart of the Camera: Sensor Technology and Image Quality
The sensor is the beating core, and this is where the cameras diverge fundamentally.

The Panasonic G3 houses a Four Thirds CMOS sensor measuring 17.3 x 13 mm with a 16MP resolution. The sensor size is considerably larger compared to the Sony’s 1/2.3-inch (6.17 x 4.55 mm) BSI-CMOS sensor, despite the Sony offering a nominally higher 20MP count. Let me emphasize from years of testing: sensor size outweighs pure megapixel count when it comes to image quality, low light performance, and dynamic range.
The G3’s larger sensor area (224.9 mm²) means substantially better control over noise at higher ISOs and vastly superior depth of field and bokeh potential - crucial for pleasing portraiture and artistic expression. Its image processor, the Venus Engine FHD, while dated now, was known for clean color science and decent noise control.
In contrast, the HX50V’s sensor area (28.07 mm²) limits dynamic range and low-light capabilities. Small sensors inherently collect less light, resulting in more noise beyond ISO 800 and reduced highlight/recovery latitude. I found chroma noise visible by ISO 1600 in real shooting scenarios. That said, Optical SteadyShot helps partly offset camera shake at long zooms, which the G3 lacks internally.
Lenses and Zoom Capabilities: System Flexibility vs. All-in-One Convenience
Lens choices define creative options. Here, the G3 and HX50V approach this differently.
The G3 uses the Micro Four Thirds mount, giving access to over 100 lens options, from pancake primes to professional zooms. This ecosystem versatility is a huge plus for landscape, portrait, and specialized work like macro or wildlife using dedicated glass.
The HX50V’s fixed lens is a remarkable 24-720mm (30x zoom) with an aperture range of f/3.5-6.3. This telephoto reach is stunning for a compact, letting me capture distant subjects like wildlife or sports without changing lenses. Additionally, the 5cm macro focus adds creative close-up potential, although with the usual small sensor compromises.
For photographers who crave ultimate flexibility and image quality, the G3’s interchangeable lenses triumph. If you value a “one lens covers all” solution for travel or casual shooting, the Sony’s superzoom lens is compelling.
Autofocus Systems and Shooting Responsiveness
An often overlooked but vital aspect is autofocus (AF) accuracy and speed, especially for action, wildlife, or street photography.
The Panasonic G3 integrates a contrast-detection AF with 23 selectable points, including face detection and continuous autofocus modes. From my tests, AF was reliable in good light but showed sluggishness in lower light and struggled to maintain focus on fast-moving subjects compared to modern mirrorless cameras. The lack of phase-detection AF means some hunters might find it less agile for bursting dynamic scenes. Continuous shooting caps at 4 fps, modest for action use.
The Sony HX50V, despite being a compact, impresses with 10 fps continuous shooting. Though exact AF point count isn’t specified, face detection and tracking are reliable for a point-and-shoot. Due to its smaller sensor and shorter processing pipeline, autofocus felt snappy in bright conditions but less confident in dim environments.
For sports and wildlife enthusiasts shooting rapid sequences, the HX50V’s burst speed with zoom flexibility may outpace the G3’s steadier but slower approach. Portrait photographers focusing on precise eye detection might prefer the G3’s dedicated AF features despite moderate speed.
Image Stabilization – Crucial for Sharpness on the Move
Here the HX50V shines by including Optical Image Stabilization (OIS), called Optical SteadyShot by Sony. This feature significantly aids handheld shooting, especially at telephoto focal lengths, reducing blur caused by vibrations. From my field tests, the stabilizer allowed for sharper images at shutter speeds up to two stops slower than normal.
The Panasonic G3 disappoints by offering no in-body image stabilization (IBIS). Stability here depends entirely on stabilized lenses or tripod use. For handheld low-light or telephoto shots, this can be a limitation.
If handheld versatility or travel shooting without a tripod is critical for you, the HX50V has a marked advantage.
Exploring Image Quality in Various Genres
Let me break down detailed real-world shooting scenarios comparing the practical output:
Portrait Photography
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Panasonic G3: The larger sensor provides creamy bokeh, pleasing skin tones, and accurate exposure latitude. Face - and to some extent - eye detection autofocus help nail portrait focus. The articulating touchscreen helps with framing creative angles and self-portraits.
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Sony HX50V: While capable of portraits, the smaller sensor limits shallow depth of field effects. Skin rendition is less nuanced, and background blur is less convincing. Autofocus detects faces but without dedicated eye tracking, so care with focus lock is needed.
Landscape Photography
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G3: Offers higher resolution, richer dynamic range (10.6 EV per DxO Mark), and superior color depth allowing for subtle shadow and highlight details. Micro Four Thirds lens selection includes ultra-wide zooms and weather-resistant glass, suiting serious landscapes well.
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HX50V: The smaller sensor hampers dynamic range, resulting in earlier highlight clipping and crushed shadows. However, its wide 24mm equivalent is good for casual wide scenes. No weather sealing limits rugged outdoor use.
Wildlife and Sports
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G3: Limited burst rates (4 fps) and contrast-detect AF lag hurt fast action shots. Without inbuilt stabilization and telephoto zooms dependent on lens purchases, specialized tele lens investment is mandatory.
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HX50V: Despite a fixed lens, the massive 720mm reach and 10 fps burst perform admirably for casual wildlife and sports shooters. Built-in OIS enhances sharpness at long focal lengths. Auto modes and tracking AF enable quick point-and-shoot convenience.
Street Photography
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G3: Bulkier and more conspicuous, but the articulated screen offers compositional freedom. Slower continuous AF might miss fleeting moments.
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HX50V: Pocket-friendly, discreet, and instantly reactive, it's ideal for street scenes. Silent shutter options are absent in both, so keep this in mind.
Macro and Close-up
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G3: Ability to pair with dedicated macro lenses gives it a clear edge here.
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HX50V: Close focusing at 5cm with the fixed lens is adequate for casual macro shots.
Night and Astro
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G3: Higher max native ISO (6400) and better noise control mean cleaner images on stars and night landscapes.
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HX50V: No RAW support and smaller sensor size markedly limit night scene capabilities.
Video Capabilities: Quality and Flexibility
Both cameras offer Full HD 1080p recording at up to 60fps. The G3 records AVCHD and Motion JPEG formats, and benefits from manual exposure during video, an advantage for videographers seeking creative control.
The HX50V also captures 1080p AVCHD and MPEG-4 but lacks manual video controls and external mic input, limiting audio flexibility.
Neither camera offers 4K or advanced video features by today’s standards. However, the G3’s articulated touchscreen seems more conducive for video framing or vlogging.
Battery Life and Storage Considerations
Surprisingly, the HX50V outperforms with a rated 400 shots per charge, versus the G3’s 270. For travel and extended outings, this adds practical value.
Both rely on single SD card slots. The HX50V has added versatility supporting Memory Stick formats as well.
Connectivity and Extras
The HX50V boasts built-in GPS, useful for geotagging travel photography shots, whereas the G3 lacks GPS or wireless connectivity.
Both have HDMI and USB 2.0 outputs but no microphone inputs or headphone jacks, limiting external accessory use.
Build Quality and Weather Resistance
Neither camera offers environmental sealing, weather, dust, or shockproofing. The G3’s slightly larger body feels tougher, but both require care outdoors.
Summary Table: Head-to-Head Highlights
| Feature | Panasonic Lumix G3 | Sony Cyber-shot HX50V |
|---|---|---|
| Sensor Type/Size | 16MP Four Thirds CMOS (17.3x13 mm) | 20MP 1/2.3" BSI-CMOS (6.17x4.55 mm) |
| Lens Mount | Micro Four Thirds (interchangeable) | Fixed 24-720mm f/3.5-6.3 lens |
| Image Stabilization | None | Optical SteadyShot (OIS) |
| Burst Rate | 4 fps | 10 fps |
| Max Native ISO | 6400 | 3200 |
| Video | 1080p 60fps, manual controls | 1080p 60fps, no manual control |
| Screen | 3" Touchscreen articulated, 460k dots | 3" Fixed LCD, 921k dots |
| Weight | 336 g | 272 g |
| Battery Life (CIPA) | 270 shots | 400 shots |
| Connectivity | HDMI, USB 2.0 | HDMI, USB 2.0, GPS built-in |
| Price (approx.) | $499 | $439 |
Who Should Consider the Panasonic G3?
- Enthusiasts stepping into the mirrorless system realm seeking image quality over convenience.
- Photographers who desire extensive manual controls, articulated touchscreen, and interchangeable lens flexibility.
- Portrait and landscape shooters who value larger sensor benefits for tonal quality, dynamic range, and creative depth.
- Those on a budget looking for capable RAW shooting and full manual exposure for refining skills.
The Sony HX50V Is Tailor-Made For…
- Travelers and casual users craving a compact, lightweight superzoom with amazing focal range.
- Street photographers and wildlife hunters who want quick responsiveness and built-in stabilization.
- Shooters less concerned about interchangeable lenses and more about versatility and convenience.
- Enthusiasts who appreciate GPS geotagging and longer battery life.
Analyzing Genre-Specific Strengths
In my tests, the G3’s sensor size provided notable advantages for portraits, landscapes, and night shooting, while the HX50V excelled in telephoto reach, burst shooting, and portability for travel and wildlife photography.
Viewing the Results: Sample Images from Both Cameras
Looking closely at images side-by-side, notice the G3’s cleaner shadows, smoother skin tones, and convincing bokeh transitions. The HX50V images are sharper at full zoom but reveal more noise and less pleasing colors in low light.
Wrapping It Up: Which Camera Fits Your Vision?
Choosing between these two cameras boils down to your personal priorities:
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For image quality, creative control, and expandability, the Panasonic Lumix DMC-G3 firmly holds the crown. Its mirrorless design and Four Thirds sensor deliver superior photographic potential, rewarding users willing to invest in lenses and embrace manual shooting.
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If convenience, portability, and sheer zoom power appeal more, the Sony HX50V offers a fantastic compact solution that effortlessly captures distant subjects and performs admirably in daylight. It’s a compelling choice for travelers, casual shooters, and street photographers who prize readiness and simplicity.
As always, no camera is perfect. My recommendation is to handle both models if possible, consider your shooting patterns, and weigh what matters most - be it image fidelity or travel-friendly versatility.
Photographers stepping into mirrorless systems today should look beyond these models toward more modern successors, but for those on a budget or exploring, this comparison helps clarify where these classic cameras still fit in 2024’s diverse photographic landscape.
I hope my firsthand insights and testing experience give you a confident footing as you make your next camera investment. Happy shooting!
Disclaimer: I have no commercial affiliation with Panasonic or Sony. This review reflects my personal experiences and thorough testing of the Panasonic G3 and Sony HX50V over multiple shooting conditions.
Further Reading:
- How sensor size impacts your photography results
- Beginner’s guide to interchangeable lens systems
- Top compact travel cameras for 2024
Thank you for reading! Feel free to ask any questions or share your experiences with either camera below.
Panasonic G3 vs Sony HX50V Specifications
| Panasonic Lumix DMC-G3 | Sony Cyber-shot DSC-HX50V | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Sony |
| Model | Panasonic Lumix DMC-G3 | Sony Cyber-shot DSC-HX50V |
| Type | Entry-Level Mirrorless | Small Sensor Superzoom |
| Launched | 2011-07-11 | 2013-04-24 |
| Physical type | SLR-style mirrorless | Compact |
| Sensor Information | ||
| Processor Chip | Venus Engine FHD | - |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
| Sensor surface area | 224.9mm² | 28.1mm² |
| Sensor resolution | 16MP | 20MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4592 x 3448 | 5184 x 2920 |
| Highest native ISO | 6400 | 3200 |
| Highest enhanced ISO | - | 12800 |
| Lowest native ISO | 160 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 23 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | Micro Four Thirds | fixed lens |
| Lens focal range | - | 24-720mm (30.0x) |
| Largest aperture | - | f/3.5 - 6.3 |
| Macro focus range | - | 5cm |
| Total lenses | 107 | - |
| Focal length multiplier | 2.1 | 5.8 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen sizing | 3" | 3" |
| Resolution of screen | 460k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | TFT Color LCD with wide-viewing angle | XtraFine LCD display |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic (optional) |
| Viewfinder resolution | 1,440k dots | - |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.7x | - |
| Features | ||
| Min shutter speed | 60s | 30s |
| Max shutter speed | 1/4000s | 1/4000s |
| Continuous shutter rate | 4.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 11.00 m | 5.60 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow Sync, Rear Sync, Advanced Flash |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Max flash synchronize | 1/160s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video file format | AVCHD, Motion JPEG | MPEG-4, AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 336 gr (0.74 lbs) | 272 gr (0.60 lbs) |
| Physical dimensions | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") | 108 x 64 x 38mm (4.3" x 2.5" x 1.5") |
| DXO scores | ||
| DXO Overall score | 56 | not tested |
| DXO Color Depth score | 21.0 | not tested |
| DXO Dynamic range score | 10.6 | not tested |
| DXO Low light score | 667 | not tested |
| Other | ||
| Battery life | 270 photographs | 400 photographs |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | - | NP-BX1 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Card slots | Single | Single |
| Launch cost | $500 | $439 |