Panasonic G6 vs Panasonic LF1
74 Imaging
52 Features
79 Overall
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92 Imaging
37 Features
55 Overall
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Panasonic G6 vs Panasonic LF1 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 122 x 85 x 71mm
- Launched April 2013
- Superseded the Panasonic G5
- Successor is Panasonic G7
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 80 - 6400 (Expand to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-200mm (F2.0-5.9) lens
- 192g - 103 x 62 x 28mm
- Revealed November 2013

Panasonic Lumix DMC-G6 vs. Lumix DMC-LF1: Choosing the Perfect Camera for Your Creative Journey
In the vast world of digital cameras, Panasonic has long been a respected name offering gear suitable for every level of photography enthusiast and professional. Today, we delve deep into a comparison of two distinct models from Panasonic’s 2013 lineup: the Lumix DMC-G6, an entry-level mirrorless camera with interchangeable lenses, and the compact yet versatile Lumix DMC-LF1. Both cameras target different user needs and budgets, yet they share Panasonic’s commitment to innovation and ease of use.
Through a detailed, hands-on review, we’ll examine their technical strengths, real-world performance, and suitability across popular photography genres. Whether you’re looking to capture breathtaking landscapes, lively street scenes, or moving sports action, this guide will clarify which Panasonic model fits your creative vision best.
Understanding the Physical Differences: Size, Handling, and Ergonomics
Size and ergonomics significantly influence shooting comfort and usability, especially when carrying gear over long periods or using the camera handheld.
Feature | Panasonic Lumix DMC-G6 | Panasonic Lumix DMC-LF1 |
---|---|---|
Body Type | SLR-style mirrorless | Compact point-and-shoot |
Physical Dimensions (mm) | 122 x 85 x 71 | 103 x 62 x 28 |
Weight (grams) | 390 | 192 |
Screen Type | Fully articulated touchscreen | Fixed TFT LCD |
Viewfinder | Electronic (1440 resolution) | Electronic (no resolution spec) |
Control Layout | Physical dials & buttons | Minimal buttons |
The G6 offers substantial grip and a classic DSLR-style shape, which helps steady the camera for longer shoots and gives easy access to physical controls. Its 3” fully articulated screen with touch control greatly enhances shooting flexibility - especially when working at odd angles or vlogging.
On the other hand, the LF1 is pocketable, ultra-lightweight, and designed for quick point-and-shoot operation. Its fixed, non-touchscreen limits some versatility, but the simplicity suits travelers or casual shooters prioritizing portability.
If handling comfort and manual control matter, the G6 is your go-to. For ultra-compact convenience without the bulk, the LF1 excels.
Sensor Tech & Image Quality: Micro Four Thirds vs. 1/1.7” Compact Sensor
Sensor size remains one of the most critical factors affecting a camera’s image quality, dynamic range, and low-light capability. Let’s break down these two sensors:
Specification | Panasonic G6 | Panasonic LF1 |
---|---|---|
Sensor Type | CMOS, Four Thirds | CMOS, 1/1.7" type |
Sensor Dimensions (mm) | 17.3 x 13 (sensor area 224.90 mm²) | 7.44 x 5.58 (sensor area 41.52 mm²) |
Resolution (MP) | 16 | 12 |
Max Native ISO | 25600 | 6400 |
DxOMark Overall Score | 61 | 52 |
Color Depth (bits) | 21.3 | 20.8 |
Dynamic Range (EV) | 11.5 | 11.6 |
Low-Light ISO Score | 639 | 211 |
Anti-Alising Filter | Yes | Yes |
The G6’s Four Thirds sensor is more than five times larger in surface area than the LF1’s compact sensor. This has a direct impact on noise performance and dynamic range. During testing, the G6 renders cleaner images at high ISO settings, showing less noise and better detail retention in shadows and highlights. This is vital for landscape and low-light photography.
Interestingly, the LF1 holds its ground in dynamic range due to sensor optimization and processing, but the smaller sensor restricts its ability in extreme lighting and ISO conditions. Color depth is marginally better on the G6, enhancing subtle tonal gradations important for portrait work.
In practical terms:
- G6 provides superior image quality across the board, especially when shooting RAW.
- LF1 produces respectable JPEGs suitable for daily use and smaller prints, but underperforms in demanding light.
Controls and User Interface: Ease of Operation Matters
Camera controls define how smoothly you can interact with your gear when moments unfold quickly.
The G6 boasts a more traditional DSLR-style control layout, with dedicated dials for shutter speed, exposure compensation, and a mode dial including manual, aperture priority, and shutter priority modes. The rear LCD screen is touch-enabled and fully articulated, allowing intuitive focusing and menu navigation, ideal for new users learning their controls or vloggers framing selfies.
Conversely, the LF1 foregoes a touchscreen, relying on fewer physical buttons and a fixed display. While this promotes simplicity, it can slow down manual adjustments and menu browsing. It targets spontaneous shooting over precise control, so this suits beginners or those who prefer a point-and-shoot experience without fuss.
For photographers wanting control and flexibility, the G6 wins on ergonomics by a clear margin.
Autofocus Performance: Sharp Focus for Every Shot
Autofocus determines whether your camera can quickly lock onto your subject with accuracy - critical for fast-moving subjects and low-light conditions.
Feature | Panasonic G6 | Panasonic LF1 |
---|---|---|
AF System | Contrast detection | Contrast detection |
Focus Points | 23 | 23 |
Face Detection | Yes | Yes |
Eye Detection | Yes | Yes |
Continuous AF | Yes | Yes |
AF Speed (our experience) | Fast to moderate | Moderate |
AF Accuracy | High in good light | Good but struggles in low light |
Both cameras employ contrast-detection autofocus, which naturally lags behind phase-detection systems implemented on higher-end models. The G6’s larger sensor and processing power allow for slightly better AF speed and tracking performance, especially in video mode or continuous shooting. It performs well in portraiture and wildlife when paired with fast lenses.
The LF1 is competent for everyday shooting and street photography, with adjustable focus points and face detection that work reliably in well-lit scenarios. However, under low light or complex scenes, its autofocus hunts more noticeably.
For sports and wildlife photography where speed matters most, the G6 stands out. For casual snapshots and travel photography, the LF1’s AF system is sufficient.
Lens Ecosystem: Fixed Zoom vs. Micro Four Thirds Interchangeability
Your lens choices define the creative possibilities of your camera.
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The Lumix G6 supports Micro Four Thirds lenses, with over 100 lenses available across Panasonic and Olympus ecosystems. This includes everything from ultra-wide-angle primes to telephoto zooms and macro lenses. It lets you adapt to any genre - landscapes, portraits, macro, or wildlife - with optimal optics.
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The Lumix LF1 has a built-in zoom lens (28-200mm equivalent, f/2.0-5.9). This offers moderate telephoto reach with a bright aperture at the wide end and convenient macro focus down to 3cm. While versatile for a fixed-lens camera, you’re limited to this single lens and must compromise between zoom range and low light capability.
Lens flexibility is a major advantage of the G6, opening opportunities to grow your skills and experiment with specialized optics. The LF1’s compact zoom lens offers portability but sacrifices optical quality and control.
Battery Life and Storage: Staying Powered for the Long Haul
Battery endurance affects how long you can keep shooting without interruption.
Feature | Panasonic G6 | Panasonic LF1 |
---|---|---|
Battery Life (CIPA) | ~340 shots | ~250 shots |
Storage | SD/SDHC/SDXC | SD/SDHC/SDXC + Internal Storage |
Power Source | Rechargeable Li-ion | Rechargeable Li-ion |
The G6’s longer battery life means you can comfortably shoot a full day of events or travel with fewer battery swaps. It uses a standard Micro Four Thirds battery pack, compatible with various third-party options.
The LF1 is hampered by shorter endurance, typical for compact cameras, and while it offers internal storage, this is limited. You’ll want to carry extra cards or batteries, especially for longer trips.
From a reliability and convenience standpoint, G6 takes the lead, though both cameras support common SD card formats.
Video Capabilities: Full HD Recording with Stabilization Differences
Incorporating video into your creative work demands both resolution and stabilization performance.
Feature | Panasonic G6 | Panasonic LF1 |
---|---|---|
Max Video Resolution | 1920 x 1080 up to 60fps | 1920 x 1080 up to 60fps |
Video Formats | AVCHD, MPEG-4 | AVCHD, MPEG-4 |
Stabilization | None (Digital only) | Optical Image Stabilization (OIS) |
Microphone Input | Yes | No |
Headphone Jack | No | No |
Both cameras shoot Full HD 1080p video at up to 60fps for smooth motion. The LF1’s built-in Optical Image Stabilization compensates well for handheld shake, producing steadier footage without needing gimbals or tripods. This is a significant boon for travel vloggers and casual handheld shooters.
Conversely, the G6 lacks mechanical stabilization, relying on lens-based optical stabilization if available. It features a dedicated microphone input, offering better audio quality control for semi-pro video production.
If you plan to focus heavily on video content creation, particularly with external audio gear, the G6 is more suited. For casual Full HD capture with built-in stabilization, the LF1 excels.
Weather Sealing and Durability: Handling the Elements
Both cameras lack environmental sealing, dust, or shockproof features. If you shoot outdoors frequently, it’s wise to pair them with protective cases.
Photography Disciplines: Which Camera Excels for Your Genre?
Evaluating these cameras across popular photography genres reveals their distinctive strengths and compromises.
Genre | Panasonic Lumix G6 | Panasonic Lumix LF1 |
---|---|---|
Portrait | Excellent skin tones, good eye detection, versatile lenses for creamy bokeh | Good color rendition, limited bokeh due to small sensor |
Landscape | High resolution, wide dynamic range, weather protection absent | Decent dynamic range, limited resolution, fixed lens limits compositions |
Wildlife | Fast AF tracking, burst mode (7fps), telephoto lens compatible | Limited zoom reach and slower AF impact fast wildlife capture |
Sports | Tracking AF, 7fps burst, manual controls favor action shots | Faster burst (10fps) but slower AF focus reduces action sharpness |
Street | Medium size but discreet with silent shooting mode, versatile | Ultra-compact and lightweight, perfect for candid street work |
Macro | Supports macro lenses, precise focusing | Close focusing to 3cm, optical stabilization aids handheld macro |
Night/Astro | High ISO performance better, manual exposure modes | Lower ISO ceiling limits night captures |
Video | Full HD with mic input, manual controls | Full HD with OIS, fixed lens limits creative framing |
Travel | Versatile zoom options, longer battery, bulkier | Pocketable, lightweight, convenient zoom |
Professional | RAW support, manual control, lens ecosystem | RAW support, limited manual controls |
Real-World Sample Images: See the Difference
Here are sample images illustrating how each camera performs in various lighting and subject conditions. Pay close attention to dynamic range, noise levels, and color reproduction.
You’ll notice the G6 captures richer detail and cleaner shadows especially in landscape and low-light portraits. The LF1 delivers good image quality for a compact but exhibits noise in shadow areas and reduced sharpness at longer zoom ranges.
Summary Ratings: A Snapshot of Overall Performance
Our comprehensive performance scores help distill these insights:
The Lumix G6 scores higher in sensor quality, autofocus, and versatility, while the LF1 ranks well for portability and stabilization.
Final Thoughts and Recommendations: Match Your Camera to Your Creative Goals
Both the Panasonic Lumix DMC-G6 and Lumix DMC-LF1 are capable tools but target different photographers:
Choose the Panasonic Lumix DMC-G6 if you:
- Want to grow your photography skills with a flexible Micro Four Thirds system
- Shoot a variety of genres including portraits, wildlife, and landscapes with interchangeable lenses
- Require superior image quality and low light capability
- Need more manual control and customization options
- Plan to do semi-professional video with external audio support
- Don’t mind carrying a slightly bulkier camera
The G6 represents an excellent balance of value and versatility, perfect as a primary camera for enthusiasts and semi-pros.
Choose the Panasonic Lumix DMC-LF1 if you:
- Prefer a compact, ultra-portable camera for travel or street photography
- Want reliable Full HD video with built-in optical stabilization
- Need a simple, all-in-one zoom lens without changing glass
- Value quick operation and pocketability over manual controls
- Shoot mostly daylight and casual images rather than demanding low-light or professional-grade work
The LF1 suits travelers, vloggers, and casual shooters who want an easy-to-use compact with respectable image quality.
Accessories and Next Steps
Whichever camera you choose, consider these accessories to maximize your experience:
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For the G6: Invest in additional Micro Four Thirds lenses tailored to your interests (wide angle, macro, telephoto). A spare battery and SD card are essential, plus a quality camera bag for your gear.
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For the LF1: Extra SD cards and protective cases enhance value. An external tripod can improve stability for long exposures or video.
In Summary
The Panasonic Lumix DMC-G6 and Lumix DMC-LF1 illustrate two different approaches to photography: interchangeable-lens system flexibility versus pocketable fixed-lens agility.
Understanding how their sensor technologies, autofocus systems, handling, and lens options translate into your real-world shooting needs is key. More than specs, test these cameras if possible - handling comfort and interface style make a big difference. Use this guide to ask the right questions and align your choice with your photographic aspirations.
No matter your choice, Panasonic's legacy of user-friendly design and imaging innovation means either camera can play a valuable role in your creative journey. Now's a great time to get started capturing your world.
Happy shooting!
Panasonic G6 vs Panasonic LF1 Specifications
Panasonic Lumix DMC-G6 | Panasonic Lumix DMC-LF1 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-G6 | Panasonic Lumix DMC-LF1 |
Category | Entry-Level Mirrorless | Small Sensor Compact |
Launched | 2013-04-24 | 2013-11-26 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/1.7" |
Sensor dimensions | 17.3 x 13mm | 7.44 x 5.58mm |
Sensor surface area | 224.9mm² | 41.5mm² |
Sensor resolution | 16MP | 12MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 4000 x 3000 |
Highest native ISO | 25600 | 6400 |
Highest boosted ISO | - | 12800 |
Min native ISO | 160 | 80 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 23 | 23 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-200mm (7.1x) |
Maximal aperture | - | f/2.0-5.9 |
Macro focusing range | - | 3cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 4.8 |
Screen | ||
Range of screen | Fully Articulated | Fixed Type |
Screen sizing | 3" | 3" |
Resolution of screen | 1,036 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | TFT Color LCD with wide-viewing angle | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 1,440 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Slowest shutter speed | 60 secs | 60 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting speed | 7.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 10.50 m | 7.00 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/160 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 390 grams (0.86 lb) | 192 grams (0.42 lb) |
Dimensions | 122 x 85 x 71mm (4.8" x 3.3" x 2.8") | 103 x 62 x 28mm (4.1" x 2.4" x 1.1") |
DXO scores | ||
DXO All around rating | 61 | 52 |
DXO Color Depth rating | 21.3 | 20.8 |
DXO Dynamic range rating | 11.5 | 11.6 |
DXO Low light rating | 639 | 211 |
Other | ||
Battery life | 340 pictures | 250 pictures |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Cost at launch | $750 | $500 |