Panasonic G6 vs Samsung NX2000: An In-Depth Comparison for Enthusiasts and Professionals

When diving into the world of entry-level mirrorless cameras circa the early 2010s, two models often come up as compelling candidates for enthusiasts on a budget: the Panasonic Lumix DMC-G6 and the Samsung NX2000. Both launched within the same year and aimed at novice photographers seeking the leap from compact cameras or smartphones to something with more creative control, these mirrorless cameras offer distinct approaches to imaging and ergonomics. Having logged hundreds of hours with each across diverse shooting conditions, I’m excited to compare them head-to-head, highlighting strengths, weaknesses, and which buyers each might suit best.

Let’s unpack what makes these two cameras tick, from sensor technology and autofocus to ergonomics and real-world image quality, ensuring you walk away confident in your decision.

Design and Handling: Classic SLR Style Meets Compact Rangefinder

First impressions matter, and here the Panasonic G6 and Samsung NX2000 could hardly be more different in form factor and user interface philosophy.

Panasonic G6: The Traditionalist’s Mirrorless SLR

The G6 boasts a classic SLR-style mirrorless body, sporting a pronounced grip and a sturdy control layout. The camera feels substantial yet manageable at about 390 grams. When I picked up the G6, it was immediately evident Panasonic designed it for photographers used to DSLRs - thumb dials, a mode dial where you expect it, and tactile buttons for quick access. The fully articulating 3-inch touchscreen LCD (1036K dots) adds flexibility for creative angles and self-portraits.

Samsung NX2000: Slimline and Minimalist

In contrast, the NX2000 adopts a rangefinder-inspired minimalism - compact, lightweight (228 grams), and much slimmer thanks to the absence of a viewfinder and a fixed 3.7-inch (1152K dots) TFT LCD. This design emphasizes portability, making it well-suited to street and travel photographers prioritizing discretion. However, the lack of an electronic viewfinder requires you to rely solely on the rear screen for composition, which in bright outdoor conditions can be challenging.

The NX2000’s control scheme is simplified; you’ll find fewer buttons and no dedicated dials, pushing more functions into menus and touchscreen operation. For some, this streamlined approach may accelerate learning, but I missed the immediacy and precision of physical controls present on the G6.

Sensor and Image Quality: Size and Resolution Matter

Sensor technology forms the core of image quality and often guides a camera’s performance across genres.

Panasonic G6’s Four Thirds Sensor

The G6 sports a 16MP Four Thirds sensor measuring 17.3 x 13mm, roughly 225 mm² in area. This smaller sensor entails a 2.1x crop factor compared to full-frame, affecting depth of field and low-light capability.

While Four Thirds sensors generally lag behind APS-C in sheer image quality - especially in noise performance - the G6's sensor offers respectable dynamic range (11.5 EV) and color depth (21.3 bits), according to DxOMark benchmarking. Its ISO range tops out at 25,600, though noise becomes objectionable beyond ISO 640 in practical shooting.

Samsung NX2000’s APS-C Advantage

The NX2000 ups the ante with a larger 20MP APS-C sensor (23.5 x 15.7mm, about 369 mm²), benefitting from its bigger photosites and higher resolution. We see the dynamic range edge here at 12.3 EV and color depth of 23.4 bits, meaning smoother tonal gradations and richer colors. Low-light ISO performance extends higher with usable images near ISO 900.

For landscape photographers craving high resolution and dynamic range to pull detail from shadows and highlights, the NX2000’s sensor gives it an advantage. The Panasonic’s smaller sensor, however, helps lenses stay compact and maintain edge-to-edge sharpness on its designated Micro Four Thirds glass.

Autofocus and Speed: Tracking the Action

Performance in autofocus (AF) and continuous shooting speed often makes or breaks cameras for wildlife, sports, and fast-moving subjects.

Panasonic G6’s Hybrid AF System

The G6 features a contrast-detection autofocus system with 23 focus points and face detection, boasting continuous AF and tracking modes. Though lacking phase detection, it performed admirably in daylight when the contrast cues are strong. The burst rate clocks in at 7 frames per second (fps), allowing for moderate sports action capture.

However, in dim lighting or against complex backgrounds, autofocus speed occasionally lagged, and tracking aggressive motion was less consistent than more modern systems.

Samsung NX2000’s Contrast AF with 21 Points

The NX2000 also relies on contrast detection with a slightly smaller AF point count (21). Its burst speed reaches 8 fps, a tad faster on paper but practically equivalent to the G6 in my tests. Autofocus lock-on worked well with stationary or moderately moving subjects but struggled with erratic wildlife or fast athletes.

Neither camera offers phase-detection AF, which by today’s standards places them behind contemporary competitors in continuous AF performance.

Viewfinder and Rear Screen: Composing Your Shots

Critical for precise shooting, let’s explore their compositional aids.

Panasonic G6’s Electronic Viewfinder (EVF)

Arguably one of the G6’s biggest asset is the solid 1440k-dot electronic viewfinder with 100% coverage and 0.7x magnification. The EVF offers an immersive framing experience and accurate exposure previews, essential in challenging light or for critical focus.

Combined with the articulating touchscreen, this makes composing a breeze across various shooting positions.

Samsung NX2000’s Reliance on Rear LCD

The NX2000 lacks any built-in EVF, limiting you to its relatively large but fixed TFT LCD panel. The brighter, higher-resolution 3.7-inch screen is impressive for an entry-level camera and easy to navigate via touchscreen. Still, without an EVF, shooting in direct sunlight or fast-moving scenes where a steady hold matters can be tricky.

This difference may sway photographers comfortable with LCD framing toward the NX2000, while those wanting precise manual focus or stability may prefer the G6.

Lens Ecosystem and Compatibility: What Glass Can You Use?

A camera’s lens availability and versatility often define its long-term value.

Panasonic Micro Four Thirds Compatibility

The G6 taps into Panasonic and Olympus’s robust Micro Four Thirds (MFT) ecosystem, boasting over 100 compatible lenses. These range from ultra-wide fisheyes and macro options to professional-grade telephotos - all benefiting from the native 2.1x crop factor.

MFT lenses tend to be smaller and lighter than APS-C equivalents, a boon for travel and street shooters. Image stabilization from some lenses aids sharpness, compensating for the G6’s lack of in-body stabilization.

Samsung NX Mount’s Limited But Growing Lineup

Samsung’s NX mount supports fewer lenses - about 32 native options - covering standard zooms, primes, and telephoto zooms. While the autofocus motors are fast and quiet, the system never reached the breadth of support the MFT ecosystem enjoys.

Adapters for third-party lenses exist but aren’t as plentiful or straightforward. Those invested in diverse lens choices or specific focal lengths might find this limiting when considering long-term growth.

Build Quality and Weather Resistance: Ready for the Field?

Neither camera sports professional-grade weather sealing or enhanced durability features such as dust- or splash-proofing, something important for outdoor and travel photographers facing challenging environments.

The Panasonic G6 offers a solid-feeling magnesium alloy top plate and a decent grip for stable handling, while the NX2000’s plastic shell aligns with its ultra-light ethos - more vulnerable but easier to carry all day.

Neither is shockproof, freeze-proof, or crushproof, so careful handling remains essential.

Battery Life and Storage: Power and Files in the Real World

Battery life is a practical concern, especially the more you shoot in the field away from outlets.

Both cameras offer comparable endurance: approximately 340 shots per charge. I found that this figure holds up under everyday shooting but plan accordingly on longer trips or intensive video sessions.

Regarding storage, the G6 uses standard SD/SDHC/SDXC cards, widely available and affordable. Surprisingly, the NX2000 opts for MicroSD cards, which tend to be smaller and sometimes slower, potentially affecting write speeds during burst shooting or video recording.

Video Capabilities: Shooting Moving Images

Video remains a vital feature even in entry-level mirrorless models.

Panasonic G6 Video

The G6 delivers full HD (1920x1080) video up to 60 fps with AVCHD and MPEG-4 formats. Impressively, it includes a microphone port for external audio - a feature appreciated by vloggers and independent filmmakers. Internal stabilization isn’t present, so pairing with stabilized lenses or handheld rigs helps smooth footage.

Samsung NX2000 Video

The NX2000 also shoots 1080p but tops out at 30 fps and saves files primarily in MPEG-4, H.264. Lacking both an external microphone and any form of image stabilization reduces creative options. The camera may suffice for casual video but won’t satisfy demanding videographers.

Practical Performance Across Photography Genres

How do these cameras perform when put to their intended uses? Here’s a detailed look.

Portrait Photography

When your goal is flattering skin tones, precise eye detection, and creamy bokeh, both cameras have their quirks.

• The G6’s 16MP sensor and Micro Four Thirds lenses produce adequately smooth background blur, though the 2.1x crop requires longer lenses to achieve a shallow depth of field. Panasonic’s face detection autofocus works well for portraits, locking quickly and softly.

• The NX2000’s APS-C sensor and 20MP resolution inherently allow better subject isolation and detail. However, the lack of an EVF challenges precise manual focusing needed for studio work or macro portraiture.

Landscape Photography

Resolution and dynamic range take center stage here.

• The NX2000’s superior sensor provides richer tonal gradations and higher resolution files (5472x3648 vs. 4608x3456). This makes large prints and extensive cropping more viable.

• The G6’s articulating screen aids composition in tricky angles, and MFT lenses with wide apertures are plentiful. However, its lower dynamic range demands more care with exposure to avoid clipped highlights or shadow noise.

Neither is weather sealed, so remain cautious in inclement weather.

Wildlife and Sports Photography

Fast autofocus and frame rates matter most.

• Both cameras feature contrast-detection AF with comparable focus point counts. The NX2000 edges slightly faster continuous shooting at 8 fps vs. 7 fps on the G6, but neither excels in tracking highly erratic subjects.

• Lens availability favors the G6, with ample telephoto zooms suited for distant subjects, while Samsung has fewer options.

• Panasonic’s electronic viewfinder gives an important advantage for quick framing and tracking.

Street and Travel Photography

Discretion, portability, and battery life are key factors.

• The NX2000’s compact, lightweight body and large rear screen make it ideal for discreet street shooting and travel. I’ve enjoyed its pocketability on urban walks and spontaneous snapshots.

• The G6’s heft and bulkier profile demand a dedicated bag but reward with handling comfort and more direct control.

Both cameras offer comparable battery life.

Macro and Night/Astro Photography

• Neither camera has native focus stacking or dedicated macro modes. The Panasonic’s articulate screen supports low-angle macro shots better.

• For night and astro work, the NX2000’s larger sensor and better low-light ISO rendering (ISO 908 vs. 639) are advantageous. Both can be manually controlled for long exposures, but the Panasonic’s slower minimum shutter speed (1/60 vs. 1/30) is a slight limitation.

Connectivity and Modern Features

Both models include built-in Wi-Fi and NFC, facilitating quick image transfers and remote control via smartphones. Neither supports Bluetooth or GPS out of the box, though the NX2000 offers optional GPS connectivity.

They both provide HDMI output and USB 2.0, which, while dated by today’s standards, remain functional for tethered shooting.

Final Thoughts with Visual Summaries

Before concluding, here are illustrative summaries highlighting sample images, overall scores, and genre-specific performance ratings for the Panasonic G6 and Samsung NX2000:

Panasonic G6 front Panasonic G6 screen back Samsung NX2000 screen back

Who Should Buy the Panasonic Lumix G6?

• You want a traditional DSLR-type handling and an EVF for stable, precise composition
• You need a robust and diverse lens ecosystem with over 100 MFT options
• Video is important, especially external microphone support
• You shoot portraits and sports occasionally, valuing face detection and burst shooting
• You prefer a physically controllable interface rather than touchscreen menus primarily
• You don’t mind a slightly heavier and larger body

At around $750, the G6 offers balanced versatility, especially for novice to enthusiast photographers wanting to grow with the system.

Who Is the Samsung NX2000 Ideal For?

• You prioritize lightweight, pocketable design for travel and street photography
• You want higher resolution and superior image quality in good light
• You often shoot stills rather than video or fast action
• The absence of an EVF is not a deal-breaker; you are comfortable with touchscreen-only framing
• You work within a budget closer to $600
• You prefer a cleaner, minimalist UI with fewer physical controls

The NX2000 remains a solid, if limited, APS-C contender for casual users looking to upgrade without sacrificing portability.

Wrapping It Up: Which Mirrorless Camera Is the Better Buy?

While both cameras have merit, the choice ultimately depends on your priorities.

If image quality, lens options, and versatile handling appeal most, the Panasonic G6 stands out. Its seasoned design and features hold up well, even years later, for a variety of shooting disciplines including video.

If portability, a bigger sensor, and simpler operation top your list, the Samsung NX2000 provides excellent image quality in a svelte package, perfect for street and travel photographers who shoot mostly stills.

Neither camera could claim supremacy in autofocus speed or professional durability, but that’s to be expected at their price point.

So, ask yourself: Do you want to invest in a system with more creative growth potential and classical ergonomics? Or is carrying a sleek, no-fuss camera for high-res snaps your priority?

Either way, these cameras offer solid foundations for entry-level mirrorless photography, and I hope this breakdown makes your next purchase smoother and more confident.

If you want to see these cameras in action or check out more visual comparisons, feel free to reach out. Happy shooting!