Panasonic G7 vs Panasonic ZS3
71 Imaging
53 Features
80 Overall
63


91 Imaging
33 Features
30 Overall
31
Panasonic G7 vs Panasonic ZS3 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 100 - 25600
- 3840 x 2160 video
- Micro Four Thirds Mount
- 410g - 125 x 86 x 77mm
- Introduced May 2015
- Earlier Model is Panasonic G6
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Launched May 2009
- Also Known as Lumix DMC-TZ7

Panasonic Lumix DMC-G7 vs DMC-ZS3: A Deep Dive Into Two Generations of Cameras
In the rapidly evolving world of photography gear, comparing cameras that cater to very different niches - but originate from the same brand - can reveal much about technological progress, design priorities, and user needs. Today, I am pitting the 2015 Panasonic Lumix DMC-G7, a Micro Four Thirds advanced mirrorless camera, against Panasonic’s 2009 compact superzoom, the Lumix DMC-ZS3 (also known as the TZ7). An apples-to-oranges comparison? Partly. But both cameras have been popular choices among enthusiasts in their respective classes. Let’s dissect their capabilities, strengths, and shortfalls to help you determine which suits your creative pursuit.
Sizing Up: Handling and Ergonomics
Modern camera usage extends beyond simply crafting sharp images - we demand intuitive control layouts, comfortable grips, and interfaces that invite shooting rather than frustrate us. The Panasonic G7 and ZS3 radically differ in body style and handling philosophy.
The G7 adopts an SLR-style mirrorless silhouette with a pronounced handgrip, physically larger and heavier at 410 grams. Its dimensions of 125 x 86 x 77 mm give it presence and stability, especially for longer lenses or prolonged handheld use. In contrast, the ZS3 is a 229-gram ultra-compact marvel, easily pocketable at 103 x 60 x 33 mm - great for casual carry but less ergonomic for extensive sessions.
The G7's DSLR-like design incorporates more dedicated dials and buttons for exposure control, facilitating rapid manual adjustments. The ZS3 minimizes external controls, targeting simplicity and point-and-shoot functionality which is evident in its fixed lens design and limited manual exposure modes.
On the subject of control layouts, a quick look at the top makes the comparison clearer:
The G7 features multiple dials, a mode wheel with comprehensive modes including manual, priority, and video features. The ZS3 houses a more modest button array and lacks an external mode dial, reinforcing its straightforward approach.
Verdict: For photographers prioritizing tactile control and comfortable handling during extended shoots, the G7 is the clear winner. The ZS3 is appealing for travelers or casual shooters who prioritize compactness above all else.
Sensor and Image Quality: The Heart of Performance
When comparing image quality potentials, sensor size and technology are paramount. Panasonic’s G7 boasts a Four Thirds-sized CMOS sensor measuring 17.3 x 13 mm (224.9 mm²), packing 16 megapixels. The ZS3, on the other hand, uses a tiny 1/2.3" CCD sensor sized 6.08 x 4.56 mm (just 27.7 mm²), at 10 megapixels.
The difference in sensor area is colossal - the G7’s sensor is over eight times larger, enabling much better low light performance, dynamic range, and finer detail rendition. The G7 can natively shoot at ISO 100–25600, while the ZS3 maxes out at ISO 6400 but suffers significantly from noise past ISO 400 due to its small sensor and older CCD technology.
From my lab and field testing, this translates to:
-
Portraits: The G7 delivers smoother, more nuanced skin tones with natural color rendition and lacks the harsh digital noise the ZS3 exhibits especially indoors or during dimming light. Its sensor size facilitates shallower depth of field, producing more pleasing subject isolation and creamier bokeh.
-
Landscape and Detail: The G7’s higher true resolution (approximately 16 MP vs 10 MP) renders intricate foliage and architectural details more crisply. The larger sensor also aids in better highlight and shadow retention during harsh lighting.
-
Noise and High ISO: The ZS3 is best kept to sunny daylight use. The G7 remains usable with moderate noise up to ISO 6400, supporting night or astro photography scenarios.
Both cameras feature anti-aliasing filters to reduce moiré, though this softens the final image slightly. The G7’s sensor and imaging engine combination provide a significant technical advantage in overall image quality.
Framing and Display: Viewfinder and LCD Experience
Besides just capturing quality images, framing and reviewing your shots is crucial to the shooting workflow.
The G7 offers a 3.0" fully articulated touchscreen LCD with 1,040k-dot resolution - high clarity and excellent viewing angles even under bright sunlight. Its touchscreen facilitates easy focusing and menu navigation, a modern convenience not found on many older cameras.
In contrast, the ZS3 sports a fixed 3.0" LCD but with only 460k dots resolution and no touchscreen, limiting its responsiveness and image review fidelity. It also lacks any electronic or optical viewfinder; the G7 incorporates a bright electronic viewfinder (EVF) with 2,360k dots resolution, 100% coverage, and a 0.7x magnification, essential for composing in brightly lit environments or when you want to conserve battery.
For video shooters especially, the articulating screen of the G7 is markedly superior, lending to low-angle or vlog-style filming.
Autofocus Systems and Speed: Tracking and Accuracy
Autofocus performance impacts nearly every genre. We tested the autofocus systems of both under various light conditions and subject motions.
The G7 uses a contrast-detection AF system with 49 focus points, offering face-detection and touch autofocus capabilities, as well as continuous tracking modes. It can shoot at 7 fps burst rate, beneficial for action and wildlife photography.
The ZS3 incorporates an 11-point contrast AF system without face detection, no continuous AF, and limited burst shooting at 2 fps. Its fixed lens and superzoom range prioritize versatility over fast response.
In practice:
-
Sports & Wildlife: The G7 reliably tracks moderately fast subjects, though not in the same league as professional-level phase-detection AF DSLRs or mirrorless cameras. The ZS3 struggles in tracking tasks due to limited AF modes and slow response.
-
Macro & Still Subjects: Both cameras achieve precise focus at closer ranges, but the G7’s touch AF and post focus mode enhance ease of composition and sharpness, especially for macro work.
-
Street Photography: The ZS3’s slower AF performance can occasionally miss fleeting moments, whereas the G7 offers more confidence sealing candid shots.
Lens Ecosystem and Optical Versatility
Lens options define creative breadth. The G7’s Micro Four Thirds mount opens access to over 100 lenses, including fast primes, macro lenses, telephoto zooms, and pancake optics, from Panasonic, Olympus, and third-parties like Sigma and Tamron.
The ZS3’s fixed 25-300mm (35mm equivalent) lens with a 12x zoom covers a vast range but at the expense of optical speed (f/3.3-4.9) and aperture flexibility. You cannot swap lenses with this compact, limiting creative control but simplifying everyday shooting.
Choosing between the two:
-
If you want control over focal lengths, aperture, and high optical quality, the G7’s lens ecosystem is vastly superior.
-
For convenience, travel, and no-fuss zoom versatility, the ZS3’s built-in lens is a convenient all-in-one solution.
Video Performance: Resolution, Features, and Usability
Both cameras offer video capture, yet their implementations reflect their era and class.
The G7 supports 4K UHD recording at 30/25/24 fps and Full HD 1080p up to 60 fps, using both AVCHD and MP4 formats. It provides microphone input for external audio, manual control over video exposure, and the aforementioned articulating screen enhances composition.
The ZS3 tops out at 720p HD at 30 fps, lacking audio input and advanced video controls, typical for compact cameras from its generation.
For emerging hybrid shooters wanting respectable video, the G7 is easily the better device, offering high-resolution footage, better codec flexibility, and improved audio workflows out of the box.
Battery Life and Connectivity
Practical usability factors include battery endurance and connectivity options.
The G7 uses a rechargeable Lithium-ion battery rated for approximately 350 shots per charge - average for mirrorless models of that time. It offers built-in Wi-Fi connectivity, allowing wireless image transfer and remote shooting via smartphone apps, a boon in modern workflows.
The ZS3’s battery life information is sparse, but typical pocket compacts rarely surpass 200 shots. It lacks any wireless connectivity, relying on USB and SD card transfers.
Build Quality and Durability
Neither camera is weather sealed or ruggedized. The G7’s more robust construction and rubberized grip give it an edge in handling tough conditions, while the ZS3’s compact plastic body is less resilient but kinder to pocket carriage.
Price-To-Performance Assessment and Who Should Buy Which?
At launch, the G7 commanded a premium price near $800, reflecting its advanced feature set, interchangeable lenses, and larger sensor. The ZS3 entered at under $200, making it accessible to entry-level buyers seeking a capable all-in-one compact.
Today, used or refurbished pricing for both models varies widely, but these price points are crucial to contextualize their offers.
Versatility Across Photography Disciplines
Let’s break down how these two cameras perform in specific genres:
-
Portraits: G7 dominates with better skin tone reproduction, bokeh, and eye detection autofocus. ZS3’s small sensor limits shallow depth of field; portraiture is possible but less refined.
-
Landscapes: G7’s resolution and dynamic range deliver richer images. The ZS3 works for casual daylight landscapes but falls short in fine detail capture.
-
Wildlife and Sports: G7 offers faster burst rates, superior AF tracking, and telephoto lens options. The ZS3’s slower AF and limited frame rates restrict action capture.
-
Street Photography: Here the ZS3 shines due to its small size, silent operation, and extensive zoom range. The G7 can be obtrusive but provides superior image quality if size is manageable.
-
Macro: G7 with macro lenses and post focus modes outperforms the fixed macro capabilities of ZS3, which allows 3 cm minimum focus but limited control.
-
Night/Astro: G7’s higher ISO range and larger sensor deliver cleaner images in dark conditions; ZS3’s low light performance is quite limited.
-
Video: G7 offers professional-level 4K options and audio support; ZS3 is limited to basic 720p with subpar audio.
-
Travel: ZS3’s portability and zoom versatility trump bulkier G7 unless image quality or video needs are prioritized.
-
Professional: G7 supports RAW capture, manual control, and lens interchangeability essential for professional work; ZS3 is unsuitable.
Sample Images: A Picture is Worth a Thousand Words
Below is a gallery showcasing samples from both cameras under various shooting conditions.
Notice the superior sharpness and color depth from the G7 shots, especially in low light and portrait captures. The ZS3 images appear softer with less dynamic range but impressive zoom and framing flexibility given the form factor.
Overall Performance Scores and Summary
Based on comprehensive hands-on evaluations of imaging, autofocus, handling, video, and features:
The Panasonic G7 outperforms the ZS3 across nearly all categories, a testament to six years of sensor, processing, and feature advancements as well as its more serious target market.
Conclusions and Recommendations
Choosing between the Lumix G7 and ZS3 depends heavily on your priorities:
-
Choose the Panasonic G7 if:
- You are a serious enthusiast or professional requiring excellent image quality, interchangeable lenses, and advanced manual controls.
- You want to delve into 4K video and hybrid shooting.
- You shoot portrait, landscape, wildlife, sports, macro, or low-light photography with an eye for detail and depth.
- You value ergonomic handling and a bright electronic viewfinder.
-
Choose the Panasonic ZS3 if:
- You need a compact, lightweight camera for travel or everyday carry without fussing with settings.
- Zoom versatility from 25-300mm in a pocketable camera matters.
- Your photography is casual or snapshot style in good light.
- Budget constraints preclude investing in advanced mirrorless systems.
Final thoughts: While the Panasonic ZS3 is an accomplished compact superzoom for its time, the Lumix G7 remains, in my experience, a much more capable, flexible, and future-proof camera for photographers ready to expand their skills and creative options.
I encourage photographers to try and handle both if possible. The right camera isn’t always the one with the most bells and whistles but the one that fits your unique shooting style and ambitions.
Happy shooting!
Appendix: Quick Specs Table for Reference
Feature | Panasonic G7 | Panasonic ZS3 |
---|---|---|
Sensor Size | Four Thirds (17.3x13 mm) | 1/2.3" CCD (6.08x4.56 mm) |
Megapixels | 16 | 10 |
Lens | Micro Four Thirds mount | Fixed 25-300mm (12x zoom) |
Max Aperture | Depends on lens | f/3.3-4.9 |
Viewfinder | 2,360k dot EVF | None |
LCD Screen | 3" Fully articulated touchscreen | 3" fixed, no touchscreen |
Video | 4K UHD @ 30fps, 1080p 60fps | 720p @ 30fps |
Continuous Shooting | 7 FPS | 2 FPS |
Image Stabilization | None in body | Optical in-lens |
Weight | 410g | 229g |
Price (launch) | Approx. $800 | Approx. $200 |
This detailed analysis is grounded in years of my personal camera testing, production studio sessions, and diverse outdoor photography assignments. Hopefully, it clears the haze around these two Panasonic models and aids you in choosing the right tool for your photographic journey.
Panasonic G7 vs Panasonic ZS3 Specifications
Panasonic Lumix DMC-G7 | Panasonic Lumix DMC-ZS3 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-G7 | Panasonic Lumix DMC-ZS3 |
Also Known as | - | Lumix DMC-TZ7 |
Class | Advanced Mirrorless | Small Sensor Superzoom |
Introduced | 2015-05-19 | 2009-05-14 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 16MP | 10MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 4592 x 3448 | 3648 x 2736 |
Max native ISO | 25600 | 6400 |
Minimum native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 49 | 11 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-300mm (12.0x) |
Largest aperture | - | f/3.3-4.9 |
Macro focusing range | - | 3cm |
Amount of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen size | 3 inch | 3 inch |
Screen resolution | 1,040k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Lowest shutter speed | 60s | 60s |
Highest shutter speed | 1/4000s | 1/2000s |
Highest silent shutter speed | 1/16000s | - |
Continuous shooting rate | 7.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 9.30 m | 5.30 m (Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 (30, 25, 24, 20fps) 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, AVCHD | AVCHD Lite |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 410 grams (0.90 pounds) | 229 grams (0.50 pounds) |
Physical dimensions | 125 x 86 x 77mm (4.9" x 3.4" x 3.0") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 images | - |
Battery type | Battery Pack | - |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
Card slots | 1 | 1 |
Price at launch | $800 | $200 |