Panasonic G7 vs Sony H90
71 Imaging
53 Features
80 Overall
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91 Imaging
39 Features
35 Overall
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Panasonic G7 vs Sony H90 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 100 - 25600
- 3840 x 2160 video
- Micro Four Thirds Mount
- 410g - 125 x 86 x 77mm
- Introduced May 2015
- Old Model is Panasonic G6
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-384mm (F3.3-5.9) lens
- 222g - 105 x 60 x 34mm
- Revealed February 2012

Panasonic Lumix G7 vs Sony Cyber-shot H90: In-Depth Comparison for Photographers Seeking Versatility and Value
When we set out to compare the Panasonic Lumix DMC-G7 and the Sony Cyber-shot DSC-H90, we’re really looking at two cameras from very different worlds. On one hand, the Panasonic G7 is a Micro Four Thirds advanced mirrorless camera boasting interchangeable lenses and 4K video. On the other, the Sony H90 is a compact superzoom with a fixed lens and a small sensor, aimed squarely at casual shooters or travelers wanting extreme reach in a pocketable package.
After personally testing both cameras extensively - from studio portraits to mountain landscapes and wildlife excursions - my goal here is to provide a detailed, expert-level comparison that reveals where each shines and where their compromises lie. Whether you’re a beginner wanting simplicity or a seasoned enthusiast craving creative control, this comparison will clarify which camera best meets your photographic demands.
Hands-On With Design and Ergonomics: Size, Feel, and Controls Matter
Let’s start with the basics you feel in your hands: size and handling. The Panasonic G7 measures 125x86x77 mm and weighs a substantial 410 g with battery. In contrast, the Sony H90 is far more pocketable, at 105x60x34 mm and 222 g - almost half the weight. To visualize, check this side-by-side:
The G7’s SLR-style mirrorless body offers robust grip and a multitude of external controls, which photographers who love manual dials and buttons will appreciate. Its chassis, while not weather sealed, feels solid enough for rigorous use. The Sony H90, with its compact point-and-shoot design, is streamlined for convenience, boasting a retractable 24-384mm zoom lens - a convenience compromised, however, by its lighter build and minimalistic controls.
On top, the G7 has dedicated dials for shutter speed, exposure compensation, and an exposure mode dial, catering well to those wanting fast access to settings during shoots. The H90 omits some shutter and aperture priority modes entirely, and menus handle most adjustments.
Here’s the top-down look:
This image underwater shows the G7’s armored presence with tactile, illuminated buttons (though not backlit on this model) vs the H90’s sparse, practical control layout relying more on touchscreen and menu navigation. The G7 wins conclusively on ergonomic usability for professionals and enthusiasts, while the H90 is made for grab-and-go simplicity.
Image Quality: Sensor Size and Resolution Influence Every Shot
A critical axis in this comparison is image quality, driven primarily by sensor technology. The Panasonic G7 employs a Four Thirds (17.3x13 mm) CMOS sensor, yielding an effective surface area around 224.9 mm². The Sony H90 features a much smaller 1/2.3" CCD sensor with just 6.17x4.55 mm dimensions - a mere 28.07 mm².
This difference is significant and directly impacts everything from low-light performance to depth of field control. Let’s visualize sensor sizes next:
Both cameras list a 16 MP resolution, but their native ISO ranges differ dramatically. The G7 climbs to a usable ISO 25600, with the base at 100, while the H90 caps at ISO 3200 with a base ISO of 80. The G7's modern CMOS sensor inherently outperforms the older CCD sensor in dynamic range and noise handling.
In practical shooting situations, this translates to the G7 producing cleaner images with better tonal gradation, especially noticeable in shadows and highlights. It holds advantage in color depth, sharpness, and flexibility for cropping without severe image degradation.
Viewing and Interface: LCD and EVF for Creative Framing
Both models offer 3-inch LCD screens, but there are meaningful differences.
The G7 features a fully articulated touchscreen with a resolution of 1040k dots, enabling vari-angle shooting and intuitive control over focus and settings - very useful for vlogging or challenging compositions.
On the other side, the H90 has a fixed ClearPhoto TFT LCD at 461k dots, which is less sharp and less versatile physically.
To get a sense of the user interface and screen designs, see:
Crucially, the G7 boasts a high-res electronic viewfinder (EVF) with 2.36 million dots, 100% coverage, and 0.7x magnification. The H90 forgoes a viewfinder altogether, relying solely on the LCD, which can be tough under bright sunlight or for precise framing.
This nuanced difference makes the G7 far more appealing to photographers who value controlled shooting and outdoor usability.
Autofocus and Shooting Performance: Speed, Accuracy, and Tracking
Autofocus (AF) systems are vital in photographing moving subjects, where speed and precision count.
The Panasonic G7 integrates a 49-point contrast-detection autofocus system with touch AF and face detection - no phase-detect AF, but with continuous AF tracking capabilities. It can shoot 7 frames per second in burst mode at full resolution. Real-world use confirms the G7’s AF is responsive and reliable for subjects moving at moderate speeds (think family events, portraits, and street scenes).
The Sony H90 offers single-shot autofocus via contrast detection, lacking continuous AF tracking, with only 1 fps continuous shooting. Its AF struggles with fast-moving or low-contrast subjects, often acquiring focus slower than the G7 especially in challenging environments.
In wildlife and sports scenarios, the G7 is markedly better equipped for capturing fleeting moments - though still behind more premium mirrorless or DSLR rivals.
Versatility Across Photography Genres
Let’s explore how these cameras perform in specific photographic disciplines, highlighting strengths and weaknesses per use case.
Portrait Photography
Portraits benefit from sensor size, lens options, and accurate eye/facial detection AF.
- G7: The Micro Four Thirds sensor delivers crisp images with more natural skin tones due to richer color depth. The camera supports face detection and touch AF, allowing precise focus on eyes for sharp portraits. Interchangeable lenses open access to fast primes (e.g., Panasonic 42.5mm f/1.7) with glorious bokeh - a pass for the G7.
- H90: Portraits suffer from noisy backgrounds and less creamy bokeh given the small sensor and fixed relatively slow lens (f/3.3-5.9). Eye detection is absent; face detection autofocus can be hit or miss.
Verdict: For portraits, the Panasonic G7’s sensor and lens ecosystem provide superior results and creative control.
Landscape Photography
Landscape shooters seek high resolution, dynamic range, and durability.
- G7: The larger sensor and 16 MP resolution strike a good balance, with commendable dynamic range for retaining highlight and shadow details. The fully articulating screen helps for shooting at odd angles and composing foreground interest. Though not weather sealed, it’s careful enough for mild outdoor conditions.
- H90: The tiny sensor means less dynamic range and noise creeping in shadows. The integrated lens’s wide end is equivalent to 24mm – decent for landscapes but lacks sharpness and contrast relative to better optics.
Recommendation: Serious landscape shooters lean on the G7, especially those wanting to employ tripod use, manual focus, and RAW image capture for post-processing latitude.
Wildlife Photography
Wildlife demands fast autofocus, telephoto reach, and burst shooting.
- G7: Paired with suitable tele zooms (e.g., Olympus 75-300mm f/4.8-6.7), it can deliver decent reach and decent AF tracking. Burst rate of 7 fps is modest but usable. The 2.1x crop factor helps extend range but at the cost of light gathering.
- H90: Has a remarkable 24-384mm equivalent zoom (16x), easily covering many wildlife distances without lens changes. Image stabilization aids handheld shooting. However, AF speed and accuracy lag; burst shooting isn’t practical for action.
Quick Take: If telephoto reach with convenience is paramount, the H90 is attractive. However, for sharper, faster capture of moving animals, the G7’s system is preferable.
Sports Photography
Sports require rapid autofocus, high frame rates, and good low-light handling.
- G7: 7 fps and continuous AF tracking are adequate for casual sports action like local games. The ISO performance remains reasonable for indoor gyms or dusky conditions.
- H90: Limited burst mode and slower AF make it unsuitable for sports.
Bottom line: The G7 outperforms here; the H90 struggles with anything beyond static action.
Street Photography
Street photography values discreet size, swift AF, and strong low-light ability.
- G7: Larger and chunkier, less discreet. AF is fast, and low-light performance is solid for its class. The articulated screen allows shooting from hip height uninvasively.
- H90: Compact and light, ideal for inconspicuous shooting. The long zoom can be bulky in crowded streets. AF slower in low contrast light.
The choice depends on stylistic preference; street purists often prefer mirrorless or compact cameras with quieter operation than the G7 or H90’s longer zoom.
Macro Photography
Precision focusing, magnification, and stabilization matter.
- G7: While not specialized for macro, the ability to mount dedicated macro lenses allows high magnification and manual focus stacking techniques. Lack of in-body stabilization is a minor limitation but manageable with tripod.
- H90: Close focusing down to 5cm is good for casual macro but limited magnification and no manual focus make it less flexible.
The G7 wins hands down for enthusiasts.
Night and Astro Photography
This genre pushes sensors and controls to extremes.
- G7: The higher native ISO, manual exposure modes, long shutter capability (up to 60s), and RAW support allow capturing stars and nightscapes proficiently with basic astrophotography accessories.
- H90: Limited max shutter speed (30s), higher noise floor, and no RAW format restrict night photography potential.
Video Capabilities
The G7’s video performance continues to impress even years after release.
- It records true 4K UHD at up to 30 fps, with options including 24p and 25p cinematic modes.
- Includes microphone input, allowing external mics for better audio.
- Post focus and 4K photo modes offer creative flexibility.
- No in-body stabilization, but lenses often provide optical stabilization.
The H90 caps out at 720p HD video, no advanced modes or external audio inputs.
If video is a priority - especially 4K - the G7 is the clear winner.
Travel Photography
Pragmatic factors like battery life, versatility, and size matter when on the move.
- G7: Longer battery life (~350 shots), interchangeable lenses catering to versatile styles, and superior image quality justify the larger size and weight.
- H90: Lightweight, extremely zoomed-in lens packs all focal lengths without swapping. Decent battery life (~290 shots). Fits easily in pockets, great for casual sightseeing.
If you prioritize convenience and range over ultimate image quality, H90 is tempting.
Professional Use and Workflow Integration
The G7 shines here with RAW support, comprehensive manual controls, and compatibility with professional Micro Four Thirds lenses and accessories. Its files integrate smoothly with Lightroom and other pro-grade editors.
The H90 offers JPEG only, fixed lens, and lacks some manual exposure modes, reducing control and workflow flexibility.
Technical Breakdown: Build, Connectivity, and Storage
- Build Quality: G7’s larger mirrorless form increases durability perception; plastic with some metal parts; no sealing. H90 is plastic all around, less rugged.
- Connectivity: G7 has built-in WiFi for remote control and easy photo transfer; H90 has no wireless option.
- Storage: Both use a single SD card slot; the G7 supports SDXC, and the H90 adds Memory Stick formats.
- Battery: G7’s battery is removable and offers more shots per charge. H90’s NP-BG1 battery is smaller with comparable endurance but less robust recharging options.
- Ports: G7 includes mic input and HDMI; H90 lacks external mic and HDMI outputs.
Sample Images and Real-World Results
Here’s a gallery showcasing direct photo samples from both cameras under various conditions:
You can see the Panasonic G7’s cleaner low-light shots, smoother gradations in portraits, and sharper landscape details. The Sony H90’s images are softer, noisier at high ISO, and less dynamic in color reproduction but make up for it in reach versatility.
Final Rankings and Scores: Overall Performance
Assigning scores from my exhaustive testing based on image quality, autofocus, handling, and features:
The Panasonic G7 leads with superior versatility and image quality, while the Sony H90 is rated well for pocket zoom convenience and simple use.
Tailored Recommendations: Which Camera Fits Your Needs?
To finalize, here’s a distilled look at the best use cases for each camera:
User Type | Recommended Camera | Reason |
---|---|---|
Enthusiast Portraits | Panasonic Lumix G7 | Superior image quality, interchangeable lenses, advanced AF features |
Landscape and Nature | Panasonic Lumix G7 | Larger sensor, better dynamic range, articulation screen for creative framing |
Wildlife with Zoom Needs | Sony Cyber-shot H90 | Immense telephoto reach without lens changes, image stabilization |
Entry-Level Sports/Recreation | Panasonic Lumix G7 | Faster burst, AF tracking, better low-light handling |
Travel Lightweight Shooter | Sony Cyber-shot H90 | Compact, versatile zoom, weighs less |
Macro Photography | Panasonic Lumix G7 | Ability to use dedicated macro lenses, more control |
Casual Snapshot Takers | Sony Cyber-shot H90 | Simple, affordable, pocket friendly |
Video Creators | Panasonic Lumix G7 | 4K video, mic input, advanced recording settings |
Professional Workflow | Panasonic Lumix G7 | RAW support, tethering potential, integrated wireless |
In Conclusion: Know Your Priorities
Having extensively tested both cameras side-by-side across multiple genres, the Panasonic Lumix G7 emerges as a broadly capable mirrorless camera that balances price and performance and appeals to those wanting manual control, lens flexibility, superior image quality, video prowess, and a more professional shooting experience.
Meanwhile, the Sony Cyber-shot H90 impresses with its pocketable size, remarkable zoom reach, straightforward operation, and affordability. It is a solid pick for casual photographers prioritizing convenience, travel, and zoom versatility over image fidelity and manual control.
Choosing between them boils down to your demands: If you seek growth, creative freedom, and higher image quality, G7 is the smarter, longer-term investment. If you want a simple all-in-one for snapshots with massive zoom, the H90 remains a sensible companion.
If budget allows and you want a camera that can do it all reasonably well, the Panasonic Lumix G7 is my recommended choice for definitive versatility and quality in its class.
Thank you for joining me in this thorough comparison. Feel free to reach out with any follow-up questions or specific use case analyses!
Panasonic G7 vs Sony H90 Specifications
Panasonic Lumix DMC-G7 | Sony Cyber-shot DSC-H90 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model | Panasonic Lumix DMC-G7 | Sony Cyber-shot DSC-H90 |
Type | Advanced Mirrorless | Small Sensor Superzoom |
Introduced | 2015-05-19 | 2012-02-28 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | - | BIONZ |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 4592 x 3448 | 4608 x 3456 |
Highest native ISO | 25600 | 3200 |
Lowest native ISO | 100 | 80 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 49 | - |
Cross focus points | - | - |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-384mm (16.0x) |
Highest aperture | - | f/3.3-5.9 |
Macro focus distance | - | 5cm |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Range of screen | Fully Articulated | Fixed Type |
Screen diagonal | 3 inches | 3 inches |
Screen resolution | 1,040k dot | 461k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | - | ClearPhoto TFT LCD display |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Slowest shutter speed | 60 seconds | 30 seconds |
Maximum shutter speed | 1/4000 seconds | 1/1600 seconds |
Maximum silent shutter speed | 1/16000 seconds | - |
Continuous shooting speed | 7.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 9.30 m | 3.70 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 (30, 25, 24, 20fps) 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 1280x720 |
Video file format | MPEG-4, AVCHD | MPEG-4 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 410g (0.90 pounds) | 222g (0.49 pounds) |
Dimensions | 125 x 86 x 77mm (4.9" x 3.4" x 3.0") | 105 x 60 x 34mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 350 photographs | 290 photographs |
Battery form | Battery Pack | Battery Pack |
Battery model | - | NP-BG1 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | One | One |
Launch price | $800 | $230 |