Panasonic G95 vs Panasonic GX1
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Panasonic G95 vs Panasonic GX1 Key Specs
(Full Review)
- 20.3MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 536g - 130 x 94 x 77mm
- Launched April 2019
- Additionally Known as Lumix DMC-G90
- Older Model is Panasonic G85
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 318g - 116 x 68 x 39mm
- Launched February 2012
- Updated by Panasonic GX7

Panasonic Lumix G95 vs GX1: A Hands-On Expert Comparison for Real-World Photography
Whether you’re stepping up from a smartphone or eyeing an affordable backup to your pro rig, Panasonic’s Micro Four Thirds system offers a rich lens lineup and solid camera builds. But with models spanning nearly a decade apart, how do the 2019 Panasonic Lumix G95 and the 2012 Panasonic GX1 stack up in practical use? Having spent countless hours behind the viewfinder of hundreds of mirrorless cameras, I’m here to guide you with an honest, down-to-earth comparison.
This article isn’t just about specs on paper. I’ll drill into how each camera performs across diverse photography genres, dissect the tech under the hood, and help you zero in on which model fits your style, budget, and aspirations.
Let’s start with a look at their physical differences.
Getting a Feel: Design, Size & Handling with the G95 and GX1
Physically, these two Panasonic cameras couldn’t be more different. The G95 is a chunky, SLR-style mirrorless body designed more for grip and control over a long day than ultraportability. The GX1, meanwhile, channels a compact, rangefinder-style aesthetic that's easy to slip into a jacket pocket - perfect for street and travel shooters who like to keep it discreet.
When I heft them back-to-back, the roughly 200-gram difference (536g for G95 vs 318g for GX1) is instantly noticeable. The GX1’s slim profile provides excellent portability but at the expense of deep grip and dedicated buttons. The G95’s substantial handhold, thoughtfully sculpted clubs for thumbs, and top plate controls deliver intuitive access, particularly for manual shooters.
Looking down at their top layouts clarifies the generations gap further - the G95 embraces modern dials and wheels, while the GX1 feels more minimalist.
The G95’s front and rear command dials speed up exposure adjustments without fumbling menus, a godsend during portraits or sports. By contrast, the GX1 relies heavily on touchscreen and limited physical buttons, which might frustrate those used to quick changes. Also, while the G95's buttons aren’t illuminated, their spacing and clicks are nicely reassuring in dim light.
Sensing the Difference: Sensor & Image Quality Dive
Both the G95 and GX1 use Micro Four Thirds sized sensors - measuring 17.3 x 13 mm - but here is where modern sensor tech makes a big impact. The G95 packs a 20.3-megapixel sensor that drops the anti-aliasing filter, pushing for crispy detail at base ISOs. The GX1's 16MP is a bit behind with an AA filter that smooths fine detail slightly - a trade that affects sharpness and moiré potential.
In my real-world tests, the G95 produces notably cleaner high-ISO images, with usable ISO 25600 pushing the boundaries for low-light and night photography. The GX1's native max ISO tops out at 12800, and noise becomes intrusive beyond ISO 3200. The dynamic range advantage swings to the G95 as well - allowing more flexibility in shadows and highlights, valuable for landscapes and HDR workflows.
Color depth and tonal gradation benefit from the G95’s newer Venus Engine processor, rendering smoother transitions and more faithful skin tones - something portrait shooters will appreciate.
Viewing & Touchscreen Experience: Compose with Confidence
Neither camera offers a high-resolution electronic viewfinder at the GX1’s price, but the G95 shines here with a crisp, 2.36-million-dot EVF covering 100% of the frame and 0.74x magnification. This enhances manual focusing precision (especially with focus peaking) and composition accuracy.
The GX1 requires opting for an optional external EVF, which many casual users skip, pushing them to rely on the rear LCD.
Speaking of the rear screen, it’s a night-and-day difference.
With the G95, you get a fully articulating 3" touchscreen of 1.24 million dots, great for low or high-angle shooting and video vlogging. The GX1’s fixed 3" screen is only 460k dots, meaning image review and live view autofocus can feel grainy and less responsive. The G95’s touch interface also supports convenient menu navigation and touch-to-focus - a real plus for street and macro shooters who want quick, intuitive control.
Portraits and People: Skin Tones, Eye-Detection & Bokeh Quality
Portraits are where a camera’s autofocus sophistication and image quality get scrutinized most. The G95 boasts 49 contrast-detection autofocus points with face detection and eye AF support, which I found locks onto subjects’ eyes reliably even in complex backgrounds or moving kids. This dramatically simplifies portrait sessions, especially outdoors or at events.
The GX1 has face detection but less refined focus point coverage (23 points) and lacks eye AF. While it’s capable with static subjects, I noticed more focus hunting under difficult light.
The G95’s sensor resolution paired with Panasonic’s No AA filter contributes to finely rendered facial textures and smooth, natural skin tones. Although the G95’s Micro Four Thirds sensor means bokeh is more conservative compared to full-frame cameras, the newer lens designs paired with the G95’s focus precision produce pleasing background blur - especially when using bright prime lenses.
If smooth bokeh and confident eye tracking matter to you, the G95 is the clear choice here.
Landscape & Nature: Dynamic Range, Resolution & Weather-Sealing
Landscape photographers crave resolution, dynamic range, and ruggedness for outdoor shoots. The 20.3MP sensor in the G95 offers a noticeable bump in detail that shows up in large prints or heavy cropping. Its sensor also supports an impressive ISO range and excellent dynamic range performance with RAW files, enabling recovery of shadow and highlight detail in challenging lighting.
The GX1, with fewer megapixels and older sensor tech, delivers decent images but requires careful exposure to keep shadows from blocking up.
Both cameras use the Micro Four Thirds mount, unlocking access to four decades and counting of lenses optimized for landscapes.
The G95 wins big on durability, sporting weather sealing against dust and light rain - handy for nature shoots in unpredictable environments. The GX1 lacks built-in sealing, so buyers must be cautious shooting in rough conditions.
I took these cameras on a cloudy mountain hike recently, and the G95’s image stabilization helped keep handheld shots sharp without lugging a tripod - a boon for spontaneous landscapes or travel.
Wildlife & Sports: Autofocus Speed, Burst & Telephoto Performance
Wildlife and sports photography demand ultra-responsive autofocus, high continuous shooting frame rates, and good buffer depths. Panasonic’s G95 shoots at a sprightly 9fps mechanical burst, double the GX1’s modest 4fps. Paired with generous buffer capacity, this allowed me to nail fast bird flight and soccer action shots without frame drops.
The G95’s autofocus system, although contrast-detection only, is impressively quick and accurate with tracking - helped by advanced algorithms and dedicated AF modes. The GX1 struggles here, with slower AF acquisition and less reliable tracking - expected given its 2012 design focus on entry-level users.
Both share the same Micro Four Thirds flange, so the effective 2.1x crop factor means long lenses extend reach affordably, but the G95’s superior burst rate and AF performance make it the better pick for clubs who need to freeze action crisply.
Street & Travel Shooting: Discreet Use, Battery Life & Portability
Street shooters tend to favor lightweight, unobtrusive systems that facilitate rapid candid captures. The GX1’s rangefinder form factor and smaller size make it naturally less intimidating on the streets - and easier to carry all day.
I found the GX1 better suited to those who want to blend in, though flash is available on both for fill light if needed. The G95’s larger build and louder shutter can draw more attention, but its articulating screen aids filming or low-angle street perspectives that can add storytelling punch.
Battery life is surprisingly similar (around 290 shots per charge on the G95; a tad more for the GX1), although the G95’s electronic viewfinder can draw more juice overall. Both accept SD cards with UHS-II support, but only the G95 offers USB charging, handy on the go.
The G95 also offers built-in Wi-Fi and Bluetooth for faster image transfer and remote shooting - absent on the GX1, which requires cables or card readers for workflow.
Macro & Close-Up: Focusing Precision & Stabilization
Macro photography demands focusing accuracy and stability, especially with shallow depth-of-field. The G95 excels with focus peaking, tactile dials, and add-on focus stacking and bracketing modes that help create detailed macro composites easily.
Its 5-axis sensor-shift image stabilization significantly reduces shake during handheld macro shots - a true game-changer when you’re working at close distances without a tripod.
The GX1 lacks built-in stabilization, so users must rely on stabilized lenses or tripods to prevent blur. Also, focus bracketing and stacking features are missing, which restricts creative workflow.
If you’re serious about macro photography and want to experiment with focus stacking without complex rigs, the G95 is a practical, budget-friendly tool.
Night & Astro: Handling High ISO & Long Exposures
Night and astro shooters need cameras that keep noise manageable at high ISO, plus long exposure modes to capture stars and low-light scenes.
The G95’s higher-end sensor, newer processing engine, and built-in 5-axis stabilization mean it produces less grain and sharper images at ISOs above 3200 compared to the GX1.
It also supports silent (electronic) shutter up to 1/16000s, helpful for long exposures and avoiding vibration. Additionally, the G95 offers time-lapse recording with intervalometer functions built-in, allowing easy shooting of star trails without external gear.
The GX1 misses these modern conveniences and requires external controllers for advanced astro tactics. Its older sensor shows increased noise and less dynamic range, so photographers might find it limiting in dark skies.
Video Capabilities: Specs that Impress (or Disappoint)
The G95 significantly outclasses the GX1 on video, a deciding factor for hybrid shooters.
Panasonic’s G95 shoots 4K UHD (3840 x 2160) at 30p with 100Mbps bitrate, includes built-in stereo mic and ports for external mic and headphone monitoring - essential for serious videography.
Its sensor-shift stabilization helps keep handheld footage smooth without gimbals in many scenarios. The variable frame rate options and 4K photo mode (capturing 8MP frames from 4K video) add creative flexibility.
The GX1 limits video to Full HD (1920x1080p) at 60fps with lower bitrates, has no external mic or headphone jacks, and lacks in-body stabilization - resulting in shakier and less flexible video.
If capturing vlogs, shorts, or high-quality videos is important, the G95 is well worth the investment.
Professional Use: Durability, Workflow & Price-to-Performance
From a professional standpoint, the G95’s weather sealing, refined ergonomics, expanded ISO range, and advanced AF system edge it closer to semi-pro usability.
It supports all the usual exposure modes (shutter priority, aperture priority, manual) and raw formats, with UHS-II card slots for fast write speeds. Its USB charging and wireless connectivity strengthen mobile workflows.
The GX1 is limited in sealing, lacks wireless features, and is better suited for hobbyists or budget starters.
When you consider price-performance, the GX1 (approx. $230 new/used) offers fantastic bang for tight budgets entering Micro Four Thirds for basic photography. The G95, retailing around $1,000, comes packed with features and image quality improvements that justify the premium for enthusiasts and content creators seeking versatile, high-quality output.
How They Stack Up Across Genres: A Genre-Specific Performance Snapshot
To help visualize strengths by photo genre, here’s a comparative summary:
Genre | Panasonic G95 Strong Points | Panasonic GX1 Strong Points |
---|---|---|
Portrait | Superior eye AF, better skin tones, higher resolution | Lightweight for casual portraits |
Landscape | Excellent dynamic range, weather sealing, high res | Portable but limited dynamic range |
Wildlife | Faster AF, higher fps, better tracking | Limited burst and AF speed |
Sports | 9 fps burst, tracking AF, higher ISO | 4 fps burst limits action freezes |
Street | Articulating screen useful; larger body | Compact, discreet, pocketable |
Macro | Stabilization and focus stacking features | No stabilization or focus bracketing |
Night/Astro | Cleaner high ISO, silent shutter, time-lapse capable | Higher noise, limited long exposure control |
Video | 4K, external mic/headphone jacks, IBIS | Full HD max, no audio inputs, no IBIS |
Travel | Good battery, weather sealing, lens compatibility | Smaller, lighter for light travel |
Professional Work | Full manual, raw, wireless, durable build | Basic controls, less rugged, early model tech |
The Lenses: Leveraging the Micro Four Thirds Ecosystem
Both benefit from the immense Micro Four Thirds lens mount, with over 100 lenses available from Panasonic, Olympus, and third parties like Sigma and Tamron.
The G95’s improvements in autofocus and IBIS shine most when paired with prime lenses or stabilized zooms, unlocking sharper images with less blur. The GX1 can use all these lenses but lacks in-body stabilization, so optically stabilized glass is crucial for shake compensation.
Connectivity, Storage & Battery Life Considerations
The G95 bundles Wi-Fi and Bluetooth for remote control and instant file sharing through Panasonic’s mobile app, a significant boon for social shooters and professionals alike. The GX1 offers no wireless connectivity, forcing manual file transfers.
Both cameras accept SD/SDHC/SDXC cards, but the G95 supports the faster UHS-II bus standard, enhancing continuous shooting buffer and video recording stability.
Battery life is close - approximately 290 shots for the G95 and 300 for the GX1 per charge - but the G95’s USB-C charging (via its battery pack) offers more flexible power options when traveling.
Pros and Cons Recap
Panasonic Lumix G95
Pros:
- 20.3MP sensor with no AA filter for sharp images
- Advanced autofocus with eye detection and 49 AF points
- Weather-sealed, robust body with comfortable grip
- 4K video, external mic and headphone ports
- 5-axis sensor-shift image stabilization
- Fully articulating touchscreen with high resolution
- Wi-Fi and Bluetooth connectivity
- Fast continuous shooting (9fps)
Cons:
- Larger and heavier, less discreet for street use
- Pricier; near $1,000 price point
- No illuminated physical controls
Panasonic Lumix GX1
Pros:
- Compact, lightweight design perfect for travel and street
- Affordable price, excellent entry-level value
- Decent 16MP sensor for everyday shooting
- USB 2.0 and HDMI outputs supported
- Simple, straightforward controls
Cons:
- No built-in image stabilization
- Limited autofocus points and no eye detection
- Fixed, low-res LCD with no articulation
- No 4K video or advanced modes
- No wireless connectivity
- Not weather-sealed or rugged
Who Should Buy Which?
If you’re a newbie or hobbyist with tight budget constraints, eager to explore basic mirrorless photography without bells and whistles, the Panasonic GX1 is an excellent starter. Its compact size and affordability make it a solid choice for casual street and travel shots, as well as family events.
However, if image quality, autofocus precision, and video capability matter, or if you want a camera that can grow with you through diverse genres - from macro to sports - the G95’s modern design and feature set justify its higher price. Content creators, vloggers, and serious enthusiasts will find its 4K video, eye AF, and weather sealing worth the investment.
Final Thoughts: The Lumix G95 vs GX1 - Experience Meets Evolution
Having wielded both cameras in real-world scenarios, I can confidently say the G95 blows the old GX1 out of the water in nearly every technical and usability metric short of pure pocketability. It embodies a mature, thoughtful Panasonic Micro Four Thirds flagship for mid-range enthusiasts, merging strong image quality, flexible video, and robust autofocus.
The GX1 remains a respectable, low-cost gateway to system lenses and mirrorless photography, perfect for club members and cheapskates who want the essentials without complexity.
If you want a camera that “does it all” in 2024 terms, save your pennies and go G95. But if you need a lightweight walkaround with respectable output and minimal investment, the GX1 won’t disappoint.
Hope this helps you make the right call for your photography journey!
If you’re interested in further details or shoot comparisons, feel free to ask!
Panasonic G95 vs Panasonic GX1 Specifications
Panasonic Lumix DMC-G95 | Panasonic Lumix DMC-GX1 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-G95 | Panasonic Lumix DMC-GX1 |
Also referred to as | Lumix DMC-G90 | - |
Category | Advanced Mirrorless | Entry-Level Mirrorless |
Launched | 2019-04-05 | 2012-02-14 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | Venus Engine | Venus Engine FHD |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor area | 224.9mm² | 224.9mm² |
Sensor resolution | 20.3MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 5184 x 3888 | 4592 x 3448 |
Highest native ISO | 25600 | 12800 |
Minimum native ISO | 200 | 160 |
RAW images | ||
Minimum enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 49 | 23 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Amount of lenses | 107 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display diagonal | 3" | 3" |
Display resolution | 1,240k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic (optional) |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Min shutter speed | 60 secs | 60 secs |
Max shutter speed | 1/4000 secs | 1/4000 secs |
Max quiet shutter speed | 1/16000 secs | - |
Continuous shutter rate | 9.0 frames per sec | 4.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.40 m (at ISO 100) | 7.60 m |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC | 1920 x 1080 (60 fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 536 grams (1.18 lb) | 318 grams (0.70 lb) |
Dimensions | 130 x 94 x 77mm (5.1" x 3.7" x 3.0") | 116 x 68 x 39mm (4.6" x 2.7" x 1.5") |
DXO scores | ||
DXO Overall rating | not tested | 55 |
DXO Color Depth rating | not tested | 20.8 |
DXO Dynamic range rating | not tested | 10.6 |
DXO Low light rating | not tested | 703 |
Other | ||
Battery life | 290 photographs | 300 photographs |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 secs, 10 secs x 3 shots) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC |
Card slots | One | One |
Retail price | $998 | $228 |