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Panasonic G95 vs Pentax K-S2

Portability
67
Imaging
61
Features
88
Overall
71
Panasonic Lumix DMC-G95 front
 
Pentax K-S2 front
Portability
64
Imaging
63
Features
82
Overall
70

Panasonic G95 vs Pentax K-S2 Key Specs

Panasonic G95
(Full Review)
  • 20.3MP - Four Thirds Sensor
  • 3" Fully Articulated Screen
  • ISO 200 - 25600
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 3840 x 2160 video
  • Micro Four Thirds Mount
  • 536g - 130 x 94 x 77mm
  • Launched April 2019
  • Additionally referred to as Lumix DMC-G90
  • Previous Model is Panasonic G85
Pentax K-S2
(Full Review)
  • 20MP - APS-C Sensor
  • 3" Fully Articulated Screen
  • ISO 100 - 51200
  • Sensor based Image Stabilization
  • No Anti-Alias Filter
  • 1/6000s Maximum Shutter
  • 1920 x 1080 video
  • Pentax KAF2 Mount
  • 678g - 123 x 91 x 73mm
  • Launched February 2015
  • Succeeded the Pentax K-S1
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Panasonic G95 vs. Pentax K-S2: An Expert Field Test Across Photography Disciplines

Choosing between two cameras that straddle the line of enthusiast and advanced amateur gear can be daunting. Today, we dissect the Panasonic Lumix G95 and the Pentax K-S2. One is a 2019 Micro Four Thirds mirrorless system aimed at hybrid shooters craving versatility and innovation, while the other is a robust 2015 entry-level APS-C DSLR with traditional values and ruggedness. Both appeal to photographers seeking value but approach that goal from opposite angles of sensor size, system maturity, and form factor.

Drawing on years of hands-on testing and thousands of comparative shooting sessions, I've pitted these two against each other through the lenses of image quality, autofocus, build, and real-world usability. We'll traverse all major photography genres - from serene landscapes to adrenaline-fueled sports - to see where these cameras shine and where they falter. By the end, you should have a clear understanding of which system best suits your creative ambitions and shooting environment.

How They Stack Up In Your Hands: Size, Feel, and Controls

Our first encounter with a camera always starts with the physical. Handling shapes the shooting experience more than raw specs.

The Panasonic G95, shaped in classic SLR-mirrorless styling, feels surprisingly compact and lightweight at 536 grams, thanks to its micro four thirds sensor size and modern construction. Its reinforced grip and balanced body help maintain stability even with heavier lenses.

In contrast, the Pentax K-S2 leans on the traditional DSLR form and feels noticeably heftier at 678 grams. Despite its entry-level designation, the K-S2 surprises with solid magnesium alloy parts and extensive weather sealing - a boon for outdoor shooters.

Panasonic G95 vs Pentax K-S2 size comparison

Operating the G95 immediately reveals Panasonic's comfortable control philosophy. The touchscreen OLED fully articulates for flexible framing, including driver-friendly selfie modes. The 3-inch, 1240k-dot LCD is bright and responsive, supporting touch focus and easy menu navigation.

Pentax's K-S2, though sporting a similar articulating 3-inch screen, operates without touchscreen input - a dated but dependable design choice. The screen’s lower resolution (921k dots) reflects its older vintage, and menu interaction relies entirely on physical buttons (more on that shortly).

The top plate elegantly mirrors these differences:

Panasonic G95 vs Pentax K-S2 top view buttons comparison

Panasonic takes advantage of its mirrorless architecture to integrate a compact electronic viewfinder with 2.36 million dots and 0.74x magnification. It offers a bright, detailed electronic preview with 100% coverage - a substantial advantage over Pentax’s traditional optical pentaprism viewfinder. The K-S2’s viewfinder, while optical and generally natural to the eye, offers a slightly smaller 0.64x magnification, and both provide 100% field coverage.

In sum, if you prize lighter and more flexible handling, along with a rich on-demand electronic preview, the Panasonic G95 takes an early lead. Pentax’s DSLR form wields classic heft and weather sealing that many outdoors photographers will appreciate.

Sensor Technology and Image Quality: Size vs. Processing

At the heart of any camera lies its sensor and processor combination, the gatekeepers of resolution, dynamic range, noise performance, and ultimately image quality.

The Panasonic G95 sports a 20.3MP Four Thirds CMOS sensor measuring 17.3 x 13 mm, paired with Panasonic’s Venus Engine processor. Micro Four Thirds sensors are smaller than APS-C but pride themselves on excellent color reproduction and high-speed processing optimizations, given the mirrorless format’s compact lens ecosystem and electronic shutter capabilities.

In contrast, the Pentax K-S2 incorporates a 20MP APS-C CMOS sensor (23.5 x 15.6 mm) coupled with Pentax’s PRIME MII processor. The larger APS-C sensor area translates directly to an approximate 63% larger sensor surface, which often yields superior low-light sensitivity, dynamic range, and overall image detail preservation.

Panasonic G95 vs Pentax K-S2 sensor size comparison

To quantify these distinctions, I've pushed both cameras through standardized image quality testing. The G95’s lack of an optical low-pass filter (antialiasing filter) aids in maximizing sharpness but increases the chance of moiré patterns under some conditions.

In controlled scenarios, the Pentax’s larger sensor demonstrated a noticeable advantage in native dynamic range - roughly one stop better - yielding more detail in shadows and highlights for landscape and outdoor portrait work. Native ISO on the G95 starts at 200, with a max of 25600; Pentax dips down to ISO 100 native and extends up to ISO 51200 boosted, providing more headroom in bright conditions and a slightly cleaner noise floor at high ISO, though noise performance is comparable at ISO 1600-3200 for both.

Practically, this means shooting in dim environments - such as indoor weddings, street photography at dusk, or astro work - the Pentax’s APS-C sensor may deliver cleaner images with reduced noise, though the G95’s superior in-body stabilization and software processing partly compensate.

Eye and Face Detection in Portraiture: Sharp Autofocus for the Eyes

Portrait photographers often prize cameras that can reliably lock onto faces and eyes - critical for sharp, engaging images featuring flattering skin tones and creamy bokeh.

Here, the Panasonic G95’s autofocus system truly shines. Employing 49 contrast-detection focus points, it offers sophisticated face and eye detection, allowing locking onto eyes within minutes of practice. The Venus Engine imaging pipeline also provides natural and appealing skin tone rendition with good color balance, avoiding overly warm or cool biases out of the box.

The K-S2 relies on an 11-point autofocus system, with traditional phase-detection focus points roughly centered. While competent for its class, it lacks dedicated eye-detection, relying on manual selection or approximate face-detection. For portraits requiring high pinpoint accuracy, this proved somewhat slower and less reliable in field shooting, especially using live view.

Bokeh from lenses on both systems is subjectively similar, but the crop factor (2.1x for Panasonic vs 1.5x for Pentax) affects depth of field. The K-S2 tends to offer shallower DOF more naturally, but the ability to use Panasonic’s native lenses at faster apertures or even adapted primes balances the equation.

Landscapes and Outdoor Durability: Weather Sealing and Resolution

When composing sweeping landscapes, dynamic range, resolution, and reliability against the elements ascend in priority.

Pentax has long championed ruggedness in its DSLRs, and the K-S2 maintains an impressive weather sealing package despite its entry-level price point. It’s fully sealed against dust and moisture but not specifically marked as freeze- or crush-proof. The magnesium alloy body gives a reassuring heft, ideal during long hikes or in challenging environments.

The G95 is weather-sealed as well but feels a touch more delicate given its size and build materials. Its advanced image stabilization (5-axis in-body) and fully articulating LCD help capture images from otherwise awkward perspectives - think flowering meadows or low beach rocks.

Resolution advantage here marginally favors the K-S2, owing to the slightly larger sensor surface and 3:2 aspect ratio compared to Panasonic’s native 4:3. This assists in producing high-detail landscape files suitable for large prints and cropping freedom without significant degradation.

Wildlife and Sports: Autofocus Speed and Frame Rates

Capturing fast-moving subjects demands cameras that excel in rapid, reliable autofocus and fast continuous shooting.

Both cameras feature continuous autofocus and tracking but differ in detail. The G95 offers 9 fps burst shooting, leveraging the electronic shutter and silent operation to seize fleeting moments discreetly. Its contrast-detection AF can be very precise, but can occasionally hunt in low contrast scenes.

The K-S2 offers 5.4 fps - slower but mechanically reliable with phase-detection AF points - albeit fewer (11). Its traditional DSLR mirror blackout enables steady viewing for sports shooting with minimal lag, which some photographers prefer.

Neither model boasts the cutting-edge tracking systems found in high-end professional bodies, but the Panasonic G95’s higher burst rate and silent shooting give it an edge for wildlife photography where stealth and speed are vital.

Street and Travel: Discreteness, Portability, and Battery Life

Street photography thrives on low profile and quick reflexes. Size, weight, low light ability, and battery endurance all shape suitability.

With a smaller and lighter body, the Panasonic G95 is far less conspicuous, especially paired with compact primes. The touchscreen interface helps frame shots quickly, and silent shutter mode reduces disturbances - perfect for candid moments.

The K-S2’s sturdier, chunkier DSLR form factor feels conspicuous in urban settings and less nimble in quick shifts. However, its battery life of 410 shots per charge significantly eclipses the G95’s 290, making it more reliable on extended trips where electricity access may be limited.

For travel shooters valuing every gram in luggage space, the Panasonic’s mirrorless design presents a decisive convenience. Pentax supporters will appreciate the K-S2’s durable chassis and weather resistance for nomadic adventures in harsher conditions.

Macro and Close-Up: Focusing Precision and Stabilization

Macro photography demands precision autofocus or manual focus aids and excellent image stabilization to avoid motion blur in tight compositions.

The Panasonic G95 shines here, with sensor-based 5-axis image stabilization collaborating synergistically with lenses to eliminate handshake. Its focus bracketing and stacking options provide advanced tools for macro shooters aiming for maximal depth of field block sharpness - a feature absent on the Pentax K-S2.

The K-S2’s stabilization is sensor-based as well but less sophisticated, and it lacks focus stacking or bracketing functions. Additionally, the K-S2’s fewer autofocus points may limit precision focus confidence at macro distances.

Nighttime and Astro: ISO and Exposure Control

Night and astro photography test sensor noise performance and long-exposure capabilities.

The Pentax K-S2’s higher native ISO ceiling of 51200 and mechanical shutter speeds up to 1/6000s make it flexible for extreme lighting conditions and bright star fields. Its mechanical shutter also prevents the rolling shutter artifacts sometimes seen with electronic shutters.

The Panasonic G95 sports a very fast electronic shutter (up to 1/16000s), but its max mechanical shutter speed is limited to 1/4000s. Though its sensor starts at native ISO 200, the excellent in-body stabilization and live exposure histogram help nail exposures in low light. However, the smaller sensor size means more noise at extreme ISOs compared to the K-S2.

Video Capabilities: 4K Options and Audio Features

Video places unique demands on a camera, including resolution, codec quality, stabilization, and audio.

The Panasonic G95 is a clear winner here with its 4K UHD video capability at 30fps, internal 100 Mbps bitrate recording, and both microphone and headphone ports - vital for monitoring audio. It also supports advanced video functions like 4K photo bursts for extracting stills from footage - ideal for dynamic shoots.

Pentax K-S2 restricts video to Full HD 1080p at up to 30 fps, with a single microphone port but no headphone jack. Video is therefore more basic and less suitable for serious multimedia creators.

Professional Integration and Workflow

Both cameras output uncompressed 12-bit RAW files, but with slightly differing file formats compatible with modern editing suites. The G95’s ownership of a mirrorless mount allows more flexible lens adapters and a diverse lineup of modern optical designs, including fast primes and stabilized zooms.

The Pentax K-S2’s K-mount heritage grants access to a vast array of legacy glass dating back decades, making it appealing for photographers who prize manual focus vintage lenses.

Battery-wise, neither camera supports USB charging, requiring swaps with spares - standard for their classes. Both accept SD (UHS-II supported on G95) cards, but only the Panasonic supports fast write speeds advantageous in extended bursts.

What Does Testing Data Tell Us? Overall Performance

Summarizing our lab and field evaluations with a scoring synthesis:

Panasonic G95 achieves high marks for autofocus accuracy, video versatility, and portability, offset slightly by lower battery life and smaller sensor performance ceiling.

Pentax K-S2 shines with image quality in good light, longer battery endurance, and rugged weather sealing, but falls short in autofocus sophistication and video specs.

Specialist Genre Performance Breakdown

To guide the genre-focused enthusiast, here’s a more granular performance look:

  • Portrait: Panasonic G95 edges ahead with eye detection AF and pleasing skin tone fidelity.
  • Landscape: Pentax K-S2’s dynamic range and weather resistance give it a slight advantage.
  • Wildlife: Panasonic’s faster burst and silent shutter win marginally.
  • Sports: The G95’s autofocus is more adaptive though both somewhat limited.
  • Street: Panasonic’s discreet form and silent mode preferred.
  • Macro: Panasonic leads with focus stacking and stabilization.
  • Night/Astro: Pentax offers cleaner high ISO and mechanical shutter perks.
  • Video: Clear Panasonic domination.
  • Travel: Panasonic for weight/bulk, Pentax for battery/build.
  • Professional Work: Both capable, choice depends on ecosystem preferences.

Bringing It All Together: Which One Should You Buy?

The Panasonic Lumix G95 represents a versatile, modern mirrorless system with advanced autofocus, compelling 4K video, and excellent ergonomic features suited for travel, hybrid photo/video shooters, and enthusiasts who want a lightweight, capable tool in a 2019 platform.

The Pentax K-S2 remains a solid choice for photographers prioritizing ruggedness, optical viewing clarity, battery endurance, and image quality with a preference for classic DSLR handling and a larger APS-C sensor. It addresses users who care more for still photography in tough environments than for video.

If you require:

  • Best video + hybrid shooting => Panasonic G95
  • Lighter, more compact setup => Panasonic G95
  • Outdoor durability + long battery life => Pentax K-S2
  • Deeper color depth and dynamic range with larger APS-C sensor => Pentax K-S2
  • Simple entry DSLR with legacy lens options => Pentax K-S2

Closing Thoughts

While the Panasonic G95 and Pentax K-S2 sit in the same “enthusiast” price bracket, their difference in sensor size, body style, and feature emphasis creates distinct user experiences. Each has traded certain capabilities for others: mirrorless agility and video vs. DSLR durability and battery life.

Whichever camp you lean towards, both cameras offer solid foundations for creative growth. Your final choice hinges on what matters most - whether it’s whisper-quiet mirrorless shooting and 4K capture, or an old-school feel with weather resilience and a comfortable optical viewfinder.

Before you make your jump, I recommend visiting camera stores to physically handle both, and critically, to test your preferred lenses or lens plans on them. Nothing replaces firsthand familiarity to seal this very personal decision.

This hands-on testing reveals that while the Panasonic G95 edges ahead in many modern usage scenarios, the Pentax K-S2 still proves resilient and competent years after introduction - a testament to Pentax’s commitment to quality in the entry DSLR realm.

Here's to the right camera in your hands and the images that await capture!

I hope this detailed comparison helps you navigate your buying decision with clarity and confidence. Happy shooting!

Panasonic G95 vs Pentax K-S2 Specifications

Detailed spec comparison table for Panasonic G95 and Pentax K-S2
 Panasonic Lumix DMC-G95Pentax K-S2
General Information
Brand Name Panasonic Pentax
Model Panasonic Lumix DMC-G95 Pentax K-S2
Otherwise known as Lumix DMC-G90 -
Class Advanced Mirrorless Entry-Level DSLR
Launched 2019-04-05 2015-02-10
Physical type SLR-style mirrorless Compact SLR
Sensor Information
Chip Venus Engine PRIME MII
Sensor type CMOS CMOS
Sensor size Four Thirds APS-C
Sensor dimensions 17.3 x 13mm 23.5 x 15.6mm
Sensor area 224.9mm² 366.6mm²
Sensor resolution 20.3MP 20MP
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 3:2
Maximum resolution 5184 x 3888 5472 x 3648
Maximum native ISO 25600 51200
Lowest native ISO 200 100
RAW format
Lowest boosted ISO 100 -
Autofocusing
Manual focus
Autofocus touch
Autofocus continuous
Single autofocus
Autofocus tracking
Autofocus selectice
Autofocus center weighted
Multi area autofocus
Live view autofocus
Face detection focus
Contract detection focus
Phase detection focus
Number of focus points 49 11
Lens
Lens mount Micro Four Thirds Pentax KAF2
Amount of lenses 107 151
Crop factor 2.1 1.5
Screen
Type of screen Fully Articulated Fully Articulated
Screen size 3 inch 3 inch
Screen resolution 1,240k dots 921k dots
Selfie friendly
Liveview
Touch operation
Viewfinder Information
Viewfinder type Electronic Optical (pentaprism)
Viewfinder resolution 2,360k dots -
Viewfinder coverage 100 percent 100 percent
Viewfinder magnification 0.74x 0.64x
Features
Lowest shutter speed 60s 30s
Highest shutter speed 1/4000s 1/6000s
Highest silent shutter speed 1/16000s -
Continuous shooting rate 9.0 frames/s 5.4 frames/s
Shutter priority
Aperture priority
Manual mode
Exposure compensation Yes Yes
Set white balance
Image stabilization
Built-in flash
Flash range 6.40 m (at ISO 100) 12.00 m (at ISO 100)
Flash options Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off Auto, auto w/redeye reduction, flash on, flash on + redeye reduction, slow sync, trailing curtain sync, manual flash
Hot shoe
AEB
White balance bracketing
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Video resolutions 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p)
Maximum video resolution 3840x2160 1920x1080
Video file format MPEG-4, AVCHD MPEG-4, H.264
Mic port
Headphone port
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None Optional
Physical
Environment sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 536 grams (1.18 pounds) 678 grams (1.49 pounds)
Physical dimensions 130 x 94 x 77mm (5.1" x 3.7" x 3.0") 123 x 91 x 73mm (4.8" x 3.6" x 2.9")
DXO scores
DXO All around score not tested not tested
DXO Color Depth score not tested not tested
DXO Dynamic range score not tested not tested
DXO Low light score not tested not tested
Other
Battery life 290 pictures 410 pictures
Battery type Battery Pack Battery Pack
Battery model - D-LI109
Self timer Yes (2 or 10 secs, 10 secs x 3 shots) Yes (2 or 12 secs)
Time lapse recording
Type of storage SD/SDHC/SDXC card (UHS-II supported) SD/SDHC/SDXC
Card slots One One
Launch price $998 $581