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Panasonic G95 vs Sony A7R

Portability
67
Imaging
61
Features
88
Overall
71
Panasonic Lumix DMC-G95 front
 
Sony Alpha A7R front
Portability
78
Imaging
73
Features
76
Overall
74

Panasonic G95 vs Sony A7R Key Specs

Panasonic G95
(Full Review)
  • 20.3MP - Four Thirds Sensor
  • 3" Fully Articulated Screen
  • ISO 200 - 25600
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 3840 x 2160 video
  • Micro Four Thirds Mount
  • 536g - 130 x 94 x 77mm
  • Revealed April 2019
  • Additionally Known as Lumix DMC-G90
  • Replaced the Panasonic G85
Sony A7R
(Full Review)
  • 36MP - Full frame Sensor
  • 3" Tilting Display
  • ISO 100 - 25600
  • No Anti-Alias Filter
  • 1/8000s Max Shutter
  • 1920 x 1080 video
  • Sony E Mount
  • 465g - 127 x 94 x 48mm
  • Launched February 2014
  • Updated by Sony A7R II
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Panasonic G95 vs Sony A7R: An Expert’s Deep Dive into Two Distinct Mirrorless Giants

When faced with the Panasonic Lumix G95 and the Sony Alpha A7R, photographers confront a compelling heads-up between two mirrorless cameras that hail from very different lineages. Despite sharing an SLR-style design and respectable performance credentials, these cameras cater to distinct user profiles and photography aspirations.

Having spent years testing hundreds of cameras across genres, I’m here to unpack this matchup with focused technical evaluation, practical performance insights, and - importantly - real-world usability considerations that go beyond specs sheets. So let’s lace up and explore what each system brings to the table for photographers today.

Panasonic G95 vs Sony A7R size comparison

Handling and Ergonomics: Form Meets Function

First impressions count, and here the G95 and A7R reveal slightly different design philosophies shaped by sensor size, intended usage, and target markets.

Panasonic G95: Sitting solidly in the advanced APS-C/Micro Four Thirds mix, the G95’s body is relatively compact but offers a thoughtfully sculpted grip and a fully articulated 3-inch touchscreen that’s a joy for vlogging, macro, and awkward-angle shooting. Its 536g weight feels reassuringly robust yet not cumbersome, making it great for handheld shooting all day.

Sony A7R: The A7R's full-frame sensor demands a slightly larger footprint, though it still manages to retain surprisingly trim dimensions (127x94x48mm) and a lighter weight of 465g. The tilting 3-inch LCD (non-touch) trades flexibility for simplicity and a traditional DSLR feel. Grip ergonomics have improved markedly in newer Sony models, but for this generation, some find extended use more fatiguing.

Panasonic G95 vs Sony A7R top view buttons comparison

Control layouts reflect Panasonic’s focus on accessible on-the-fly adjustments with dedicated dials, an intuitive joystick, and touchscreen AF point selection. Sony adheres to a somewhat minimalist approach here, better suited for those accustomed to menu diving and custom presets. In bright light or under pressure, I found the G95’s tactile controls more satisfying for quick parameter tweaks - a vital feature for dynamic shooting scenarios.

Panasonic G95 vs Sony A7R sensor size comparison

Sensor Technology & Image Quality: Size Matters… but There’s More

Here is where the cameras fundamentally diverge - and illuminate different photographic philosophies.

Sony A7R’s 36MP Full-Frame Sensor: The full-frame 35.9x24mm sensor in the Sony A7R is impressive even in its 2014 debut context, boasting 36 megapixels without an anti-aliasing filter for razor-sharp rendering and outstanding detail retention. Thanks to the Bionz X processor and backside illumination, the sensor excels in dynamic range (14.1 EV on DxOMark) and color depth (25.6-bit), fueling breath-taking landscape, studio, and commercial work. Low-light performance is solid up to ISO 25600, with usable noise characteristics to ISO ~3200 based on my testing, offering attractive possibilities in challenging environments.

Panasonic G95’s 20MP Micro Four Thirds Sensor: With a 17.3x13mm sensor at 20.3 MP, the G95 embraces the Micro Four Thirds standard, emphasizing portability and lens versatility over sheer pixel count. While sensor area is roughly a quarter of full-frame, Panasonic’s Venus Engine and sensor improvements yield clean images with good detail and color fidelity when paired with quality optics. Panasonic eschews an anti-aliasing filter as well, preserving sharpness. The trade-off is somewhat lower dynamic range and higher noise at elevated ISOs compared to the Sony, more apparent beyond ISO 3200.

From a practical standpoint, if ultimate image quality and print size are your priorities, the A7R leads comfortably. But for travel, street, or hybrid photo/video use, the Panasonic’s sensor punch punches above its weight in a smaller body and ecosystem.

Panasonic G95 vs Sony A7R Screen and Viewfinder comparison

User Interface & Screen Technology

The G95’s fully articulating touchscreen enhances framing flexibility and touch AF control, critical for video shooters and those who like to compose from the hip or waist level. Panasonic’s menu system remains user-friendly, layered logically and softened with helpful on-screen explanations - a boon when toggling between stills and video modes.

Sony’s A7R uses a tilting Xtra Fine LCD panel that excels in clarity but lacks touch-responsive hardware. The menu is dense and can frustrate newcomers, but aficionados appreciate the deeper customization. The electronic viewfinders on both cameras are similar in resolution (around 2.3 million dots), covering 100% field of view, with the Panasonic edging slightly higher magnification (0.74x vs 0.71x), lending a subtle advantage in composition precision.

Real-World Image Testing: Portraits, Landscapes & More

Let's move beyond specs and into shot-by-shot territory examining the strengths and subtle limitations within common photography genres.

Portrait Photography

The Panasonic G95’s face/eye detection AF provided reliable lock-on during my sessions with models under variable lighting. Coupled with the natural skin tone rendering typical of Micro Four Thirds sensors and a relatively speedy 9 fps burst mode for capturing fleeting expressions, it’s a capable portrait tool. Its five-axis sensor stabilization synergizes well with Panasonic’s quality lenses to produce creamy yet tightly controlled bokeh.

Sony’s A7R, fueled by larger pixels and no optical low-pass filter, nails exquisite detail capture - the kind you appreciate in high-end beauty, fashion, or editorial work. However, with only 25 AF points and no advanced eye AF (an absence felt in later A7R models), autofocus requires more manual finesse. Still, the color rendition is more neutral, allowing easier skin-tone grading, especially under studio lighting.

Landscape Photography

Dynamic range is where the A7R’s full-frame sensor truly shines. Images of sunlit mountain panoramas and shadowed forest glades reveal rich tonal gradations and highlight retention beyond the reach of the G95. Coupled with native 36 MP resolution enabling substantial cropping without quality loss, it is an ideal tool for landscape photographers seeking gallery-quality prints.

Panasonic offers respectable landscapes with its 20MP sensor but somewhat compressed tonal latitude, making high-contrast scenes more challenging. That said, the camera’s weather sealing provides added confidence in inclement outdoor environments.

Wildlife & Sports Photography

The G95’s continuous shooting speed maxes at 9 fps, paired with a Micro Four Thirds 2.1x crop factor allowing cost-effective reach with telephoto lenses - a boon for wildlife photographers on a budget. Autofocus performance is competent with contrast detection, face tracking, and subject tracking modes, although it lacks phase detection autofocus for more precise speed.

Sony’s A7R, despite its 4 fps burst rate, is handicapped for fast action due to only 25 focus points and no sophisticated tracking. Its full-frame sensor captures breath-taking detail but might demand more post-processing power and larger lenses, making it less nimble for wildlife action or rapid sports subjects.

Strength in Specializations Across Photography Disciplines

Looking deeper at categorical performance highlights:

  • Street Photography: Panasonic G95’s discreet size, touchscreen, and silent shutter mode provide a clear edge. Sony’s larger body and louder shutter can draw unwanted attention.
  • Macro: The G95 supports focus bracketing/stacking, enhancing close-up depth capture. Sony lacks native support here, requiring extra rigor in manual focus.
  • Night/Astrophotography: Sony topples Panasonic thanks to superior high ISO noise performance and longer exposures facilitated by more extensive shutter control.
  • Video Capabilities: Panasonic G95 is a video powerhouse, offering 4K 30p, 5-axis in-body stabilization, microphone and headphone ports, and advanced photo modes such as 4K Photo. The A7R maxes at 1080p and lacks IBIS, making Panasonic the clear winner for hybrid creators.
  • Travel Photography: Panasonic’s lightweight build, articulating screen, and longer battery life (290 vs 340 shots) make it a versatile travel companion with less lens bulk.
  • Professional Use: The A7R’s unmatched image fidelity, full-frame files, and RAW support push it into pro-grade applications. Panasonic suits pros needing fast handiness and hybrid use.

Autofocus and Burst Performance: Behind the Viewfinder

Both cameras employ contrast-detection autofocus systems with face detection, but neither includes modern phase-detection or eye AF for animals.

The G95’s 49 AF points and tracking provide a practical albeit moderate AF experience, well-suited for casual sports, weddings, or street work. Its 9 fps burst speed is strong for a Micro Four Thirds body, balancing buffer depth and write speeds on UHS-II cards.

Sony’s lesser 25 AF points and maximum 4 fps continuous shutter speed make it less competitive for action photography. Focus acquisition takes a tad longer, demanding more patience or pre-focusing techniques.

Build Quality and Weather Resistance

Both cameras sport weather-sealed magnesium alloy bodies but are not rated fully waterproof, dustproof, or freeze-proof. Panasonic’s G95 claims enhanced sealing, useful against moisture and light rain in the field. Sony’s slightly older A7R matches this durability but benefits from a sturdier shutter mechanism and longer factory support.

Lens Ecosystems and Compatibility

Panasonic G95 vs Sony A7R size comparison

The Panasonic G95 uses the Micro Four Thirds mount with a mature, affordable system: 107 lenses ranging from prime fast lenses to stabilized zooms. Its 2.1x crop factor means telephoto reach comes affordably but wide-angle performance is generally more limited.

Sony’s E-mount for full-frame cameras is broader and more expensive, offering 121 lenses including exquisite Zeiss primes, fast zooms, and a growing number of third-party options. Its 1x crop factor preserves native focal lengths, enhancing creative flexibility for do-it-all professionals.

Battery Life, Storage & Connectivity

Sony edges Panasonic slightly in battery life, rated for 340 shots versus 290, a meaningful difference for extended shoots or travel. Both cameras use a single card slot: Panasonic supports SD UHS-II cards, while Sony accommodates SD and proprietary Memory Stick formats.

Connectivity wise, the G95 offers built-in Wi-Fi and Bluetooth for seamless image transfer and remote control. Sony lacks Bluetooth but includes NFC for faster pairing with supported devices. USB 2.0 is the sole wired connection on both - no USB-C here, a usability drawback.

Price-to-Performance: The Dollars and Sense Examination

Upon launch, the Panasonic G95 positioned itself at around $1,000 - affordable and packed with modern features like 4K video and strong stabilization, delivering excellent value for hybrid shooters. The Sony A7R, at nearly double the cost (~$1,900), demands an investment into the premium full-frame market, justified by its sensor quality and professional credentials.

Today, the G95 remains an excellent practical choice for enthusiast videographers, travel photographers, and those on a tighter budget. The A7R appeals to fine art, landscape, and studio photographers who demand the utmost image quality and work within established full-frame ecosystems.

Wrapping Up: Who’s the Right Camera for You?

Both the Panasonic Lumix G95 and Sony Alpha A7R are capable, honest-to-goodness mirrorless cameras that reflect distinct philosophies and market segments.

Choose the Panasonic G95 if:

  • You want a versatile, compact all-rounder perfect for hybrid photo/video work
  • You need strong hands-on controls, a fully articulating touchscreen, and in-body 5-axis stabilization
  • You shoot wildlife, street, or travel and benefit from Micro Four Thirds lens reach and affordability
  • You prioritize faster burst shooting and more approachable autofocus

Choose the Sony A7R if:

  • Ultimate image quality, high resolution, and full-frame sensor size are your top priorities
  • You work in portraiture, landscape, or studio environments demanding professional-grade files
  • You don’t mind trading speed and ergonomics for exquisite detail and dynamic range
  • You already own or plan to invest in Sony’s impressive E-mount lens lineup

I hope this granular comparison helps you align the camera to your creative needs and workflow. Both bodies have earned their place in the hands of photographers. It’s just a matter of what kind of photos you want to make.

Happy shooting, and remember - the best camera is the one you enjoy creating with.

If you’d like, take a final look at the summarized photography genre scores illustrating the nuanced strengths of each system:

And the overall ratings:

Panasonic G95 vs Sony A7R Specifications

Detailed spec comparison table for Panasonic G95 and Sony A7R
 Panasonic Lumix DMC-G95Sony Alpha A7R
General Information
Brand Name Panasonic Sony
Model type Panasonic Lumix DMC-G95 Sony Alpha A7R
Also called Lumix DMC-G90 -
Type Advanced Mirrorless Pro Mirrorless
Revealed 2019-04-05 2014-02-13
Physical type SLR-style mirrorless SLR-style mirrorless
Sensor Information
Processor Chip Venus Engine Bionz X
Sensor type CMOS CMOS
Sensor size Four Thirds Full frame
Sensor measurements 17.3 x 13mm 35.9 x 24mm
Sensor surface area 224.9mm² 861.6mm²
Sensor resolution 20.3 megapixels 36 megapixels
Anti alias filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 3:2 and 16:9
Maximum resolution 5184 x 3888 7360 x 4912
Maximum native ISO 25600 25600
Lowest native ISO 200 100
RAW files
Lowest boosted ISO 100 -
Autofocusing
Focus manually
Autofocus touch
Continuous autofocus
Single autofocus
Tracking autofocus
Autofocus selectice
Autofocus center weighted
Autofocus multi area
Live view autofocus
Face detection autofocus
Contract detection autofocus
Phase detection autofocus
Total focus points 49 25
Lens
Lens mount type Micro Four Thirds Sony E
Total lenses 107 121
Focal length multiplier 2.1 1
Screen
Screen type Fully Articulated Tilting
Screen sizing 3" 3"
Resolution of screen 1,240 thousand dots 1,230 thousand dots
Selfie friendly
Liveview
Touch function
Screen tech - Xtra Fine LCD
Viewfinder Information
Viewfinder Electronic Electronic
Viewfinder resolution 2,360 thousand dots 2,359 thousand dots
Viewfinder coverage 100% 100%
Viewfinder magnification 0.74x 0.71x
Features
Slowest shutter speed 60s 30s
Maximum shutter speed 1/4000s 1/8000s
Maximum silent shutter speed 1/16000s -
Continuous shooting rate 9.0 frames/s 4.0 frames/s
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Change white balance
Image stabilization
Built-in flash
Flash distance 6.40 m (at ISO 100) no built-in flash
Flash settings Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off no built-in flash
External flash
Auto exposure bracketing
White balance bracketing
Maximum flash synchronize - 1/160s
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p)
Maximum video resolution 3840x2160 1920x1080
Video format MPEG-4, AVCHD MPEG-4, AVCHD
Microphone port
Headphone port
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 536g (1.18 lb) 465g (1.03 lb)
Physical dimensions 130 x 94 x 77mm (5.1" x 3.7" x 3.0") 127 x 94 x 48mm (5.0" x 3.7" x 1.9")
DXO scores
DXO All around rating not tested 95
DXO Color Depth rating not tested 25.6
DXO Dynamic range rating not tested 14.1
DXO Low light rating not tested 2746
Other
Battery life 290 images 340 images
Type of battery Battery Pack Battery Pack
Battery ID - NP-FW50
Self timer Yes (2 or 10 secs, 10 secs x 3 shots) Yes (2 or 10 sec; continuous (3 or 5 exposures))
Time lapse shooting With downloadable app
Type of storage SD/SDHC/SDXC card (UHS-II supported) SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo
Card slots Single Single
Cost at launch $998 $1,898