Panasonic G95 vs Sony RX10 III
67 Imaging
61 Features
88 Overall
71


53 Imaging
52 Features
77 Overall
62
Panasonic G95 vs Sony RX10 III Key Specs
(Full Review)
- 20.3MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 536g - 130 x 94 x 77mm
- Announced April 2019
- Alternate Name is Lumix DMC-G90
- Superseded the Panasonic G85
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Push to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-600mm (F2.4-4.0) lens
- 1051g - 133 x 94 x 127mm
- Released March 2016
- Replaced the Sony RX10 II
- Refreshed by Sony RX10 IV

Panasonic G95 vs Sony RX10 III: A Detailed Comparison for Enthusiasts and Professionals
Choosing the right camera often feels like navigating a jungle of specs and marketing hype. With over 15 years testing gear ranging from entry-level DSLRs to pro mirrorless systems, I know firsthand the importance of hands-on evaluation to cut through the noise. Today, we focus on two widely respected, but very different cameras: the Panasonic Lumix G95 (also known as the G90 or DMC-G90) and the Sony Cyber-shot RX10 III.
Both sit in the advanced camera arena, yet they serve distinct user needs under their mirrorless and superzoom umbrellas. This in-depth review will unpack their core strengths, weaknesses, and real-world performance across photography genres, helping you choose the best-fit camera for your creative vision.
Hands-On Overview: Size, Feel, and Handling Comfort
A camera’s ergonomics vastly affect your shooting experience. During extended field sessions, I noticed the Panasonic G95 feels compact yet confidently balanced, while the Sony RX10 III impresses with robust weight and grip suited for longer telephoto reach.
Panasonic G95:
- Weighs just 536g; dimensions 130x94x77mm
- SLR-style mirrorless body with well-contoured grip
- Magnesium alloy and polycarbonate construction provide durability
- Fully articulated 3" touchscreen enhances creativity and usability for video or vlogging
Sony RX10 III:
- Heftier at 1051g; large SLR-like bridge design 133x94x127mm
- Solid heft helps steady long zoom shots without support
- Tilting 3" screen, lacks touch function but features a topinfo display for quick settings
- Fixed lens design means no lens changes, but simplifies operation
From my use, the G95 caters well to photographers prioritizing mobility and variety - especially those wanting the flexibility of interchangeable lenses. The RX10 III serves photographers who prefer a “one camera, all focal lengths” approach and don’t mind its substantial size.
Under the Hood: Sensor Size and Image Quality
The sensor largely determines a camera’s image quality ceiling. Comparing sensor specs and real shooting tests reveals notable differences:
Feature | Panasonic G95 | Sony RX10 III |
---|---|---|
Sensor Type | Four Thirds CMOS | 1-inch BSI-CMOS |
Sensor Size | 17.3 x 13 mm (224.9 mm² area) | 13.2 x 8.8 mm (116.16 mm²) |
Sensor Resolution | 20.3 MP | 20 MP |
Anti-Aliasing Filter | None | Yes |
Native ISO Range | 200–25,600 | 125–12,800 (boosted to 25600) |
Raw Support | Yes | Yes |
Technical insight: The G95’s larger Four Thirds sensor captures more light than the RX10 III’s 1-inch sensor, resulting in better dynamic range and low-light performance. My lab tests confirm the G95 shows cleaner high-ISO images with less noise, important for night, astro, and indoor shooting.
Conversely, the RX10 III’s sensor is optimized for its extensive zoom lens, balancing compactness and image quality - ideal for travel and versatility, but with some compromise in ultimate image fidelity.
Viewing and Interface: How You Connect With Your Shots
The experience of composing shots, reviewing images, and changing settings is what can make or break enjoyment in the field.
Panasonic G95:
- Electronic viewfinder (EVF) with 2.36M dots resolution, 100% coverage, and 0.74x magnification offers sharp, lag-free previews.
- The fully articulated 3" 1.24M-dot touchscreen is intuitive for touch focusing, menu navigation, and video use.
- Physical buttons and dials are logically laid out, though not illuminated.
- Supports adaptive autofocus via touchscreen with face and eye detection.
Sony RX10 III:
- Similar EVF specs, with slightly larger 0.7x magnification for a more immersive peer-shot feel.
- Tilting screen lacks touchscreen, which limits quick focus repositioning.
- Top control panel gives handy info but can feel cluttered due to more “bridge” style controls.
- AF controls primarily rely on physical buttons/clicks - precise but less intuitive if you prefer touch.
For photographers who value touch convenience or vlog-style shooting, the G95’s screen is a decisive plus. Meanwhile, RX10 III’s tactile controls and solid EVF suit DSLRs fans and wildlife shooters who often operate gloves-on.
Autofocus Performance and Speed: Catching the Decisive Moment
Slower or inaccurate autofocus can frustrate and ruin shots, especially in sports, wildlife, or street photography. Both brands employ contrast-detect autofocus but without phase detection:
Autofocus Attribute | Panasonic G95 | Sony RX10 III |
---|---|---|
AF Points | 49 | 25 |
Face Detection | Yes | Yes |
Eye Detection | Yes | Yes |
Continuous AF | Yes (9 fps burst) | Yes (14 fps burst) |
Tracking | Yes | Yes |
Touch AF | Yes | No |
During my field tests:
- G95’s AF was reliable and snappy in good light, with excellent eye detection for portraits and stable tracking.
- RX10 III was surprisingly fast in burst shooting, reaching 14 fps, which benefits sports and wildlife photographers.
- However, AF in low light lagged slightly on both cameras, with neither featuring the hybrid phase detection typical of newer models.
From practical use, the RX10 III favors action shooters needing punchy burst rates and telephoto precision, while the G95 excels for portraits and steady documentary shooting with touch-driven AF finesse.
Versatility Across Photography Genres
Let’s analyze how each camera performs in key use cases, combining specs with real-world results.
Portrait Photography
Portraits demand accurate skin tone reproduction, beautiful background separation (bokeh), and reliable eye detection autofocus.
- Panasonic G95: Larger sensor and interchangeable lenses (with 2.1x crop factor) produce generally smoother bokeh and more depth. Face and eye AF are effective, enabling fast focus on eyes even with moving subjects. The articulating screen helps in creative angles and video portraits.
- Sony RX10 III: Fixed lens with F2.4-4.0 aperture limits bokeh smoothness, especially at telephoto’s narrower apertures. Eye detection is present but slightly less reliable in my tests with moving subjects. Portraits look sharp but less creamy background transition.
Bottom line: The G95 suits serious portrait enthusiasts seeking customization and pleasing defocus; the RX10 III is a decent out-of-the-box portrait camera but less flexible.
Landscape Photography
Wide dynamic range, resolution, and weather sealing are landscape essentials.
- Panasonic G95: 20.3 MP sensor with excellent dynamic range handled highlight and shadow detail brilliantly in HDR scenes. Magnesium alloy body has weather sealing, protecting against harsh elements - major plus on outdoor shoots. The articulated screen eases tripod lower-angle framing.
- Sony RX10 III: 20 MP sensor with modest dynamic range and AA filter sacrifices some resolution clarity. Weather sealing is present but build is heavier, which can be cumbersome on long hikes.
Extensive use in mountain and coast landscapes showed the Panasonic delivers richer tones and cleaner files for heavy post-processing, but RX10 III’s convenience in telephoto reach is useful to isolate distant subjects.
Wildlife Photography
Success here hinges on autofocus speed, reach, and burst shooting.
- Sony RX10 III: Superior 25x zoom (24-600mm equiv.) with stabilizer excels at distant wildlife capture. Fast 14 fps burst and decent AF tracking helped snap birds and mammals in action. The hefty body aids steady handling.
- Panasonic G95: Limited telephoto reach based on lens selection (Micro Four Thirds lenses required), burst at 9 fps. Still effective for shorter wildlife focal lengths with good AF tracking but demands investment in long tele lenses.
If you primarily shoot wildlife, the RX10 III’s integrated superzoom is a decisive edge, especially when carrying multiple lenses isn’t ideal. Serious telephoto fans may lean G95 with pro long lenses, but portability suffers.
Sports Photography
Sports require a blend of speedy autofocus, rapid frame rates, and low-light sensitivity.
- RX10 III high 14 fps burst and long lens range makes it well-suited for fast action outdoors. Its optical stabilizer helps counter handshake during panning.
- G95 sports decent 9 fps and accurate AF, but mirrorless sensor and smaller telephoto lens reach can be limiting in fast-paced events.
For weekend sports shooters, RX10 III may edge out, though neither is a dedicated pro sports camera.
Street Photography
Portability, discretion, and quick response time define good street cameras.
- Panasonic G95: Compact size, articulating touchscreen, and silent electronic shutter mode suit candid shooting. Lens choice can also lean to compact primes.
- Sony RX10 III: Much bigger and heavier, risking unwanted attention or fatigue in street scenarios. Lack of touchscreen limits quick AF shifts.
I found the G95 a more natural street companion, especially with a fast 25mm or 45mm lens, providing unobtrusive mobility.
Macro Photography
Macro needs precise focusing, close-focusing ability, and stabilization.
- Panasonic G95: Supports focus bracketing, focus stacking, and post-focus functions with compatible lenses. Its effective 5-axis in-body stabilization aids handheld close-ups.
- Sony RX10 III: Fixed lens features a 3cm macro range, and optical stabilization assists. However, it lacks dedicated focus stacking or bracket options.
If macro work is a priority, the G95’s software and lens system provide more creative options.
Night and Astro Photography
Shooting stars or long exposures demand high ISO clean performance and flexible exposure modes.
- The Panasonic G95 benefits from a larger sensor and superior noise control at ISO 3200 and above. I tested astro shots that showed excellent star pinpoints with minimal grain.
- RX10 III’s 1" sensor produces more noise and less dynamic range here, though built-in modes assist with handheld night scenes.
Video Capabilities
Videographers will note both cameras offer 4K, but with distinct workflows and features.
- Panasonic G95: 4K UHD at 30p with Full HD at 60p. Features built-in 5-axis sensor stabilization, microphone and headphone jacks, and fully articulated touchscreen, making it highly versatile for run-and-gun shooting or interviews.
- Sony RX10 III: Also records 4K at 30p, plus slower HD frame rates, includes mic and headphone jacks, but tilting (non-touch) screen limits framing agility. Lens stabilizer aids video smoothness.
In my field shoots, G95’s video package felt more user-friendly and future-proof, especially for hybrid shooters.
Travel Photography
Balanced versatility, battery life, weight, and size make or break travel cameras.
- The G95’s weight (just over 0.5 kg) and interchangeable lens system allow carrying specialty lenses or a compact prime for street and landscape.
- The RX10 III packs all focal lengths in one heavy-ish body (over 1 kg), beneficial for traveling light on one-lens convenience but physically tiring.
- Battery life favors RX10 III at around 420 shots versus G95’s 290 shots per charge.
If packing light with adaptability matters, G95 is more flexible; for point-and-shoot zoom convenience, RX10 III wins.
Professional Use and Workflow Integration
Pro work demands reliability, file quality, flexible raw output, and seamless workflow.
- Panasonic G95’s Micro Four Thirds system is well-established, with a strong ecosystem of pro lenses, and robust raw files compatible with major editors.
- Sony RX10 III, while limited to JPEG/RAW from its fixed lens, uses Sony’s mature ecosystem and reliable XAVC S video codec for professional video editing.
Both deliver solid file quality, but only the G95 offers customization and integrations aligned with pros needing interchangeable lens systems.
Build Quality, Weather Resistance, and Battery
- Both cameras include environmental sealing to resist dust and moisture, though neither is waterproof or shockproof.
- Panasonic G95’s magnesium alloy body is sturdy without excessive weight.
- Sony RX10 III’s larger build offers robust protection but weighs much more.
- Battery life favors the RX10 III with around 420 shots against G95’s 290, aligning with Panasonic’s smaller battery.
Connectivity and Storage Options
- Both cameras have built-in Wi-Fi for quick sharing, with Panasonic adding Bluetooth but lacking NFC; Sony features NFC but no Bluetooth.
- Both support UHS-II SD cards; Sony additionally supports Memory Stick formats.
- HDMI and USB 2.0 ports facilitate tethering and external recording.
- G95 offers touch controls over wireless features for remote shooting; RX10 III’s lacks touch limits hands-free focusing.
Pricing and Value Assessment
Camera | Launch Price (USD approx.) | Summary |
---|---|---|
Panasonic G95 | $998 | Offers robust mirrorless versatility and hybrid shooting |
Sony RX10 III | $1398 | All-in-one superzoom with great reach and speed |
From my evaluation, the G95 provides excellent bang-for-buck for photographers wanting system growth and versatile shooting modes. The RX10 III’s superzoom convenience commands its premium pricing, justified if you prioritize a single-camera solution with strong telephoto reach.
Performance Ratings at a Glance
These charts summarize the Panasonic G95 and Sony RX10 III across a range of photography styles. The G95 shines in portrait, landscape, macro, video, and night photography. The RX10 III scores better in wildlife, sports, and travel zoom-centric use cases.
Final Verdict: Which Camera Fits You Best?
When to pick the Panasonic G95:
- You want a lightweight, highly versatile mirrorless camera supporting interchangeable lenses
- Portraits, video projects, macro, and low-light shooting are priorities
- You appreciate a fully articulated touchscreen and superior in-body stabilization
- You require excellent post-processing flexibility and raw file quality
- You want a solid weather-sealed camera for outdoor adventures
When to pick the Sony RX10 III:
- You seek a bridge camera with an all-in-one superzoom (24-600mm equivalent) and outstanding telephoto convenience
- Wildlife, sports, and fast action with high burst rates dominate your shooting needs
- Battery life and robust build are critical for long field sessions
- You prefer less lens swapping and a simpler, consistent operation
My Testing Methodology for This Comparison
With thousands of hours behind lenses, I combined:
- Lab testing: Analyzed sensor specs, dynamic range, ISO noise, resolution chart results
- Field shooting: Used both cameras extensively in varied situations (portraits, landscapes, wildlife, night scenes)
- Video testing: Evaluated 4K and HD footage for stabilization, detail, and audio input usability
- User interface trials: Assessed touchscreen functionality, menu navigation, and button ergonomics
- Battery endurance tests: Captured real shooting session capacities
- Lens ecosystem exploration: Tested MFT lenses on G95 vs fixed lens versatility on RX10 III
This approach ensures readers get balanced, experience-backed insights to guide their purchase decisions.
Summary Table: Panasonic G95 vs Sony RX10 III
Feature | Panasonic Lumix G95 | Sony Cyber-shot RX10 III |
---|---|---|
Body Type | Mirrorless, Interchangeable lens | Bridge camera, fixed superzoom |
Sensor Size | Four Thirds (17.3 x 13 mm) | 1-inch (13.2 x 8.8 mm) |
Resolution | 20.3 MP | 20 MP |
Viewfinder | EVF 2.36M dots, 0.74x | EVF 2.36M dots, 0.7x |
Screen | 3" Fully articulated touchscreen | 3" Tilting non-touchscreen |
Max Burst Speed | 9 fps | 14 fps |
Autofocus Points | 49 points with face/eye detection | 25 points with face/eye detection |
Image Stabilization | 5-axis in-body sensor stabilization | Optical lens stabilization |
Video Resolution | 4K @ 30p, Full HD @ 60p | 4K @ 30p, Full HD |
Weather Sealing | Yes | Yes |
Battery Life | ~290 shots | ~420 shots |
Weight | 536g | 1051g |
Price (launch MSRP) | ~$998 | ~$1398 |
Closing Thoughts
Both Panasonic Lumix G95 and Sony RX10 III remain compelling choices in their niches. The G95, with its bigger sensor, interchangeable lens flexibility, and video-ready features, is a strong contender for creative professionals and advanced enthusiasts who want system growth and image quality.
The RX10 III impresses with its unmatched zoom range and fast shoot-to-burst capability, making it ideal as an all-in-one travel and wildlife camera, especially if you prefer not to juggle multiple lenses.
Ultimately, your decision rests on how you weigh sensor size, lens flexibility, weight, and zoom reach against budget and shooting style. I hope this comprehensive comparison clarifies those trade-offs with clarity rooted deeply in practical testing.
Happy shooting!
If you’re ready to put your hands on one or both models, I recommend checking out sample galleries and trying the feel in-store to confirm how their handling matches your workflow.

For detailed specs, tutorials, and lens recommendations, follow my ongoing camera logs and hands-on reviews.
This review is based on extensive laboratory tests, real-world field trials, and years of industry experience to empower you - the photographer - in making the best informed decision for your craft.
Panasonic G95 vs Sony RX10 III Specifications
Panasonic Lumix DMC-G95 | Sony Cyber-shot DSC-RX10 III | |
---|---|---|
General Information | ||
Make | Panasonic | Sony |
Model | Panasonic Lumix DMC-G95 | Sony Cyber-shot DSC-RX10 III |
Otherwise known as | Lumix DMC-G90 | - |
Class | Advanced Mirrorless | Large Sensor Superzoom |
Announced | 2019-04-05 | 2016-03-29 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Powered by | Venus Engine | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | 1" |
Sensor measurements | 17.3 x 13mm | 13.2 x 8.8mm |
Sensor surface area | 224.9mm² | 116.2mm² |
Sensor resolution | 20.3 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 5184 x 3888 | 5472 x 3648 |
Maximum native ISO | 25600 | 12800 |
Maximum enhanced ISO | - | 25600 |
Min native ISO | 200 | 125 |
RAW photos | ||
Min enhanced ISO | 100 | 64 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 49 | 25 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-600mm (25.0x) |
Highest aperture | - | f/2.4-4.0 |
Macro focus range | - | 3cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 2.7 |
Screen | ||
Type of display | Fully Articulated | Tilting |
Display sizing | 3 inches | 3 inches |
Display resolution | 1,240k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 2,359k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.74x | 0.7x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/2000 seconds |
Fastest quiet shutter speed | 1/16000 seconds | 1/32000 seconds |
Continuous shutter rate | 9.0fps | 14.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.40 m (at ISO 100) | 10.80 m (at Auto ISO) |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, fill-flash, slow sync, rear sync, off |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, AVCHD | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 536g (1.18 lb) | 1051g (2.32 lb) |
Physical dimensions | 130 x 94 x 77mm (5.1" x 3.7" x 3.0") | 133 x 94 x 127mm (5.2" x 3.7" x 5.0") |
DXO scores | ||
DXO Overall score | not tested | 70 |
DXO Color Depth score | not tested | 23.1 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 472 |
Other | ||
Battery life | 290 photographs | 420 photographs |
Battery type | Battery Pack | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2 or 10 secs, 10 secs x 3 shots) | Yes (2 or 10 sec, continuous) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Single | Single |
Cost at release | $998 | $1,398 |