Panasonic GF1 vs Panasonic TS20
85 Imaging
46 Features
47 Overall
46


95 Imaging
39 Features
28 Overall
34
Panasonic GF1 vs Panasonic TS20 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- 1280 x 720 video
- Micro Four Thirds Mount
- 385g - 119 x 71 x 36mm
- Launched October 2009
- New Model is Panasonic GF2
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 142g - 101 x 58 x 19mm
- Released January 2012
- Also referred to as Lumix DMC-FT20

Panasonic Lumix DMC-GF1 vs. DMC-TS20: An In-Depth Comparison for Photographers
Selecting an appropriate camera demands a nuanced understanding of one’s photographic discipline, environment, and technical preferences. We undertake a meticulous comparative analysis of two distinct Panasonic models - the Lumix DMC-GF1, a 2009 entry-level mirrorless camera, and the Lumix DMC-TS20 (aka FT20), a 2012 rugged waterproof compact. Both cater to different niches and user intents, yet this evaluation provides an expert foundation for discerning photographers aiming to match gear capabilities to their practical needs.
Physical Design and Handling: Ergonomics Meets Portability
The Lumix GF1 adopts a rangefinder-style mirrorless body, emphasizing manual controls and a substantial grip ergonomics. In contrast, the TS20 emphasizes compactness and rugged resilience, designed for challenging conditions but restricting handling complexity.
- GF1 Dimensions: 119 x 71 x 36 mm; Weight: 385 g
- TS20 Dimensions: 101 x 58 x 19 mm; Weight: 142 g
The GF1’s larger footprint allows for a fuller hand grip, more prominent control dials, and manual input wheels, which facilitate rapid exposure adjustments on the fly - a critical advantage in professional settings. Conversely, the TS20’s ultra-compact size and minimized protrusions cater well to casual or adventure photographers requiring pocketable, robust equipment.
Both cameras omit electronic viewfinders (EVFs), but the GF1 has a fixed 3-inch LCD with a resolution of 460k dots, compared to the TS20's 2.7-inch 230k dots screen. The difference in display quality and size significantly impacts usability, as detailed later.
In the top-view comparison, the GF1 shows dedicated dials for shutter speed, exposure compensation, and manual aperture control - a luxury absent from the TS20, which relies on automatic modes and fewer physical controls, reflecting its more consumer-centric design.
Sensor Technology and Image Quality: Micro Four Thirds Versus Compact CCD
A camera’s sensor size and technology form the backbone of image quality, dynamic range, and noise performance.
- GF1 Sensor: Four Thirds CMOS, 12 MP, 17.3 x 13 mm (sensor area 224.9 mm²)
- TS20 Sensor: 1/2.3" CCD, 16 MP, 6.08 x 4.56 mm (sensor area 27.7 mm²)
The GF1’s Micro Four Thirds sensor offers a substantial advantage in sensor area - over 8 times the surface area of the TS20’s sensor - translating into superior light-gathering capability, dynamic range, and lower noise characteristics especially in low light. The 12 MP resolution of the GF1 is balanced to optimize pixel size and image fidelity, while the TS20’s 16 MP count stems from a smaller CCD with smaller photosites, which can increase noise levels and reduce high-ISO performance.
According to DxO’s testing, the GF1 scores:
- Overall: 54 points
- Color Depth: 21.2 bits
- Dynamic Range: 10.3 EV
- Low Light ISO: 513
The TS20 lacks formal DxO Mark testing, but based on sensor specs and experience with similar compact cameras, it likely delivers inferior dynamic range and high-ISO noise handling.
Practical implication: Photographers prioritizing image quality, extensive post-processing latitude, and acceptable noise at elevated ISOs benefit materially from the GF1’s sensor performance.
Autofocus System: Precision Versus Simplicity
The GF1 employs a hybrid autofocus system with 23 focus points relying on contrast-detection autofocus (CDAF), with face detection enabled but not animal eye AF. It supports single AF, continuous AF, and tracking, giving it flexibility in various shooting scenarios.
The TS20 also utilizes contrast-detection AF with 23 points but does not support face detection. AF modes are limited to single and continuous, lacking more sophisticated subject tracking.
When tested, the GF1’s AF system delivered respectable accuracy and speed for its era, facilitating precise manual focus override - important for creative control in portraiture or macro work.
The TS20’s AF prioritizes simplicity and robustness over speed or accuracy, with focus hunting more noticeable, particularly in dim environments and at longer focal lengths.
Summary: Serious photography that requires fast, reliable focusing favors the GF1, especially for moving subjects or selective focusing needs.
Exposure Controls and Manual Operation
The GF1 includes the full manual exposure suite - shutter priority, aperture priority, manual exposure modes, exposure compensation, and custom white balance - with shutter speeds between 60 seconds and 1/4000 sec.
The TS20 offers only automatic exposure with limited white balance options and no exposure compensation or priority modes; shutter speeds range from 8 to 1/1300 sec.
The GF1’s manual controls extend to raw image shooting, a feature absent in the TS20, limited to JPEG compression.
For photographers engaging in controlled studio portraiture, landscapes requiring precise settings, or low-light astro photography demanding bulb mode, the GF1 provides undeniable flexibility.
LCD Screen and Viewfinder Experience
Despite both lacking an EVF, the GF1’s 3-inch 460k-dot TFT LCD with wide viewing angles enables comfortable live view framing and menu navigation.
The TS20’s 2.7-inch 230k-dot TFT LCD is considerably less sharp, affecting critical focusing via live view.
This difference impacts macro photography and manual focusing tasks, where precise screen preview is essential.
Lens Ecosystem and Compatibility
One of the Panasonic GF1’s strongest points involves its Micro Four Thirds mount compatibility, supporting a diverse range of lenses including Panasonic, Olympus, and third-party manufacturers.
The available lens array exceeds 100 lenses with focal ranges from ultra-wide to super-telephoto, allowing users to tailor their setups for every discipline - portraiture, wildlife telephotos, macro optics, or landscape tilt-shift lenses.
Conversely, the TS20 features a fixed 25-100 mm equivalent zoom lens (f/3.9-5.7 aperture range), prioritizing simplicity over versatility.
While this lens is splash-proof and sufficient for casual travel or underwater scenes, it limits optical quality and depth-of-field control compared to interchangeable lenses.
Burst Shooting and Video Capabilities
Burst rates are modestly improved on the GF1 with 3 fps continuous shooting, adequate for moderate action and sports photography, whereas the TS20 offers 1 fps, reflective of its compact sensor and processing limits.
Video recording on the GF1 supports HD 720p at 30 fps in AVCHD Lite format, with no external microphone input - adequate for entry-level HD video but limited by modern standards.
The TS20 records 720p video at 30 fps in MPEG-4 format, offering typical point-and-shoot video quality.
Both cameras do not support 4K video or advanced video features; however, the GF1's manual exposure during video affords better creative control in low-light or fast-moving subject scenarios.
Durability, Environmental Sealing, and Specialized Use
The TS20 stands out for solid environmental sealing - waterproof (up to 7 m), shockproof (drop resistance up to 1.5 m), dustproof, and freezeproof down to -10°C - which the GF1 conspicuously lacks.
This makes the TS20 a robust choice for underwater photography, hiking, and adventure travel where mechanical vulnerabilities and weather conditions preclude use of fragile mirrorless systems.
The GF1, without any weather sealing, is better suited to controlled or urban environments, where protection from elements is less critical.
Battery Life and Storage Options
- GF1 Battery life: Approximately 380 shots per charge
- TS20 Battery life: Approximately 250 shots per charge
The GF1 allows storage on SD, SDHC, and MMC cards, while the TS20 supports SD, SDHC, SDXC, and has internal memory as backup.
Given the GF1’s higher power draw linked to its larger sensor and processor, its battery life remains practical for day shooting, but not extensive field use without spares.
Connectivity and Extra Features
Neither camera supports wireless connectivity, Bluetooth, or NFC, common for their era and segment category.
The GF1 offers HDMI out and USB 2.0; the TS20 lacks HDMI but supports USB 2.0 file transfer.
Notably, neither includes GPS, limiting geo-tagging capabilities without external accessories.
Real-World Performance Across Photography Genres
-
Portrait Photography
The GF1 excels due to superior sensor and interchangeable lenses offering shallow depth-of-field and pleasing bokeh. Face detection AF supports precise eye focus. The TS20’s small sensor and fixed lens yield less attractive skin tone gradations and limited bokeh due to narrower apertures. -
Landscape Photography
The GF1’s dynamic range and higher resolution allow capturing nuanced shadow and highlight details vital in landscapes. Weather sealing is absent, though with weather protection bags, this is manageable. The TS20 offers weather sealing but compromises quality and resolution. -
Wildlife Photography
GF1's faster burst, manual focus options, and longer lens compatibility provide a clear edge. TS20’s limited zoom and slow AF inhibit wildlife capture. -
Sports Photography
GF1’s 3 fps and continuous AF suffice for moderate action, although modern APS-C or full-frame cameras perform better. TS20's 1 fps is inadequate for such fast-moving scenes. -
Street Photography
TS20 offers discreet, lightweight design, better for spontaneous street shots and casual travel; GF1 is larger but offers creative control. -
Macro Photography
GF1 paired with dedicated macro lenses offers precise focusing and image stabilization options, outperforming TS20's fixed lens limited focusing range. -
Night / Astrophotography
GF1’s ability to manually control exposure with shutter speeds down to 60 seconds and better ISO sensitivity grants significant advantages over TS20’s 8-second shutter limit. -
Video
Both provide basic 720p video; GF1’s manual exposure gives creative latitude; neither supports mic input. -
Travel Photography
TS20’s waterproof, rugged design, and portability suit adventure travel and extreme conditions. GF1's size and lens kit demand more care and packing. -
Professional Work
GF1’s RAW output, manual controls, and lens versatility may accommodate entry-level professional demands better. TS20's fixed, compressed JPEG delivery limits post-production flexibility.
Visual Quality and Sample Images
Below is a comparative gallery depicting images captured under varied conditions from each camera, highlighting color rendition, detail resolution, and dynamic range.
Evaluation Scores and Industry Context
Our holistic performance ratings, complemented by DxO Mark data, weigh the cameras’ specifications against real-world usability.
Further analysis of genre-specific performance reveals clear performance stratifications.
Summary and Recommendations
Feature Area | Panasonic GF1 | Panasonic TS20 |
---|---|---|
Image Quality | Superior sensor, RAW support, better high ISO noise | Smaller sensor, JPEG-only, noisier in low light |
Lens and Flexibility | Interchangeable lens system with extensive options | Fixed lens, limited zoom range |
Durability | No weather sealing, fragile | Fully waterproof, shock & dustproof |
Controls | Manual, exposure control, versatile | Automatic, simplified controls |
Portability | Moderate size and weight (~385g) | Compact and lightweight (~142g) |
Battery Life | Higher capacity, more shots per charge | Lower, shorter shooting sessions |
Video | HD 720p with manual exposure | Basic 720p, automatic |
Who Should Consider the Panasonic GF1?
- Enthusiasts and semi-professionals requiring creative flexibility
- Photographers needing manual control, interchangeable lenses
- Use cases: portraits, landscapes, studio work, basic video with post-processing
- Users valuing image quality and exposure precision over ruggedness
Who Should Choose the Panasonic TS20?
- Adventurers needing rugged, waterproof camera for active use
- Casual shooters prioritizing convenience and durability
- Underwater and travel photographers operating in harsh environments
- Budget-conscious buyers desiring a versatile, point-and-shoot style camera
Final Thoughts
From extensive hands-on testing, the Panasonic GF1 remains relevant for photographers focused on image quality, flexibility, and manual controls more than a decade since release. Its Micro Four Thirds sensor and lens ecosystem are strengths difficult to replace in a vintage mirrorless body.
Conversely, the TS20 represents a niche opportunity for rugged shooting with an affordable footprint. Its compromises in image quality and limited controls are balanced by physical resilience and simplicity.
Ultimately, photographers must weigh priorities between image quality and creative control versus durability and travel-friendly compactness. Neither camera aims for universal dominance but rather meets distinct user profiles with reasonable competencies.
This analysis should guide choices grounded in professional testing rigor and practical photographic discipline experience.
Panasonic GF1 vs Panasonic TS20 Specifications
Panasonic Lumix DMC-GF1 | Panasonic Lumix DMC-TS20 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-GF1 | Panasonic Lumix DMC-TS20 |
Also called as | - | Lumix DMC-FT20 |
Type | Entry-Level Mirrorless | Waterproof |
Launched | 2009-10-14 | 2012-01-31 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Powered by | Venus Engine HD | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 4608 x 3456 |
Highest native ISO | 3200 | 6400 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 23 | 23 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 25-100mm (4.0x) |
Largest aperture | - | f/3.9-5.7 |
Macro focus distance | - | 5cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 2.7 inch |
Resolution of screen | 460k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | TFT Color LCD with wide-viewing angle | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 60s | 8s |
Maximum shutter speed | 1/4000s | 1/1300s |
Continuous shooting speed | 3.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.00 m | 4.40 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/160s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video file format | AVCHD Lite | MPEG-4 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 385g (0.85 lb) | 142g (0.31 lb) |
Physical dimensions | 119 x 71 x 36mm (4.7" x 2.8" x 1.4") | 101 x 58 x 19mm (4.0" x 2.3" x 0.7") |
DXO scores | ||
DXO All around score | 54 | not tested |
DXO Color Depth score | 21.2 | not tested |
DXO Dynamic range score | 10.3 | not tested |
DXO Low light score | 513 | not tested |
Other | ||
Battery life | 380 shots | 250 shots |
Battery form | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/MMC | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Pricing at launch | $400 | $179 |