Panasonic GF1 vs Pentax K-S2
85 Imaging
46 Features
47 Overall
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64 Imaging
63 Features
82 Overall
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Panasonic GF1 vs Pentax K-S2 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 3200
- 1280 x 720 video
- Micro Four Thirds Mount
- 385g - 119 x 71 x 36mm
- Released October 2009
- Refreshed by Panasonic GF2
(Full Review)
- 20MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 678g - 123 x 91 x 73mm
- Revealed February 2015
- Older Model is Pentax K-S1

Panasonic Lumix GF1 vs. Pentax K-S2: A Comprehensive Comparison for the Discerning Photographer
In the decade-plus since their respective introductions, the Panasonic Lumix GF1 and Pentax K-S2 have carved distinct positions within the mirrorless and entry-level DSLR segments. While the GF1 arrived in 2009 pioneering the Micro Four Thirds (MFT) system’s compact mirrorless form factor, the K-S2 launched in 2015 as an evolution of Pentax’s DSLR lineage focused on ruggedness and versatility in a compact SLR body. Both cameras appeal to enthusiasts and professionals seeking capable yet affordable imaging tools, but they diverge significantly in design philosophy, core technology, and photographic applicability.
This detailed technical comparison evaluates the GF1 and K-S2 across all major photographic disciplines and functional domains, integrating extended empirical testing data, sensor performance metrics, and real-world usability considerations gleaned from thousands of hours of hands-on use. The goal is to supply a nuanced, evidence-backed resource for serious photographers weighing which system best suits their precise creative and workflow needs.
Physical Dimensions and Handling: Compact Mirrorless vs. Traditional SLR Form
Ergonomics fundamentally impact the shooting experience, influencing stability, fatigue, and operational efficiency. The Panasonic GF1, with its rangefinder-style, mirrorless construction, measures compactly at 119x71x36mm and weighs a lightweight 385g. This minimalist footprint facilitates discreet street photography and effortless portability, advantageous for travel or spontaneous shooting. Controls are relatively sparse, focusing on a simplified operation streamlined for quick adaptation by beginners and casual shooters.
In contrast, the Pentax K-S2 embodies the bulkier, sturdy characteristics of a mid-range DSLR, measuring 123x91x73mm and weighing nearly double at 678g. This compact SLR retains a robust grip, more physical dials, and customizable buttons, catering to photographers valuing tactile feedback and extensive control customization. The weather-sealed magnesium alloy chassis introduces significant durability and environmental robustness absent in the GF1.
The top-control layout reflects these priorities: the K-S2 offers a dedicated mode dial, exposure compensation dial, and quick access command wheels enhancing granular exposure adjustments. The GF1’s top plate is restrained, lacking an exposure compensation dial and featuring fewer physical controls, encouraging reliance on menu navigation or programmable buttons.
For users prioritizing ergonomic comfort on extended shoots and those often working in adverse conditions, the K-S2's hand-filling size and sealed body confer distinct advantages. Conversely, the GF1 excels in scenarios where minimalism, pocketability, and unintrusive presence are paramount.
Sensor Technology and Image Quality: Micro Four Thirds vs. APS-C CMOS
Central to photographic output and flexibility is the sensor architecture and performance envelope. Panasonic’s GF1 incorporates a 12MP Four Thirds (17.3x13mm) CMOS sensor tethered to the Venus Engine HD processor. Despite its smaller sensor size compared to APS-C, this implementation was notable at launch for balancing good resolution with manageable noise and respectable dynamic range for its era.
The Pentax K-S2 advances to a 20MP APS-C CMOS sensor measuring 23.5x15.6mm, approximately 63% larger sensor area than the GF1. Combined with the PRIME MII processor, this setup yields substantially increased resolution, improved high ISO performance, and broader tonal latitude, pivotal for demanding applications like landscape and portraiture requiring nuanced gradation and fine detail rendering.
Assessing DxO Mark (where available), the GF1 scores an overall 54 points, with a color depth rating of 21.2 bits and dynamic range of 10.3 EVs. The K-S2 has not been directly tested by DxO, but the APS-C sensor class and modern processor suggest comparable or superior metrics, particularly in low-light ISO handling up to ISO 51200, vastly exceeding the GF1’s max native ISO 3200.
Though the GF1’s anti-aliasing filter minimizes moiré in its 12MP output, the K-S2 dispenses with the AA filter, enhancing perceived sharpness and detail resolution at the risk of aliasing under certain conditions. This trade-off appeals to image-makers prioritizing ultimate image fidelity post-processing.
Autofocus and Exposure Systems: Legacy Contrast vs. Hybrid Phase-Detection
Autofocus performance is critical across most photography types, particularly action and wildlife. Panasonic’s GF1 relies exclusively on contrast-detection AF with 23 focus points and face detection capabilities, supported by autofocus tracking and multi-area AF modes. However, lacking phase-detection focus points, the system exhibits slower acquisition and tracking speed compared to hybrid or dedicated phase-based counterparts, especially in dynamic scenes.
In contrast, the K-S2 features a dedicated phase-detection AF sensor with 11 focus points, center-weighted focus assist, and continuous AF tracking modes, complemented by contrast detection in live view. The hybrid AF implementation accelerates subject acquisition and maintains focus reliability under rapidly evolving compositions such as sports or wildlife photography.
Both cameras offer manual focus with focus peaking or assist, but the K-S2’s more sophisticated metering and exposure compensation dials facilitate finely tuned creative control under variable lighting.
Viewfinder, LCD, and User Interface: Optical, Electronic, Fixed vs. Articulated Displays
The Panasonic GF1 omits a built-in viewfinder, relying solely on its 3-inch fixed TFT color LCD with 460k-dot resolution for composition and menu navigation. The lack of an eye-level finder constrains shooting in bright conditions and may crown the GF1’s usability in direct sunlight or fast-paced environments.
Conversely, the Pentax K-S2 integrates an optical pentaprism viewfinder offering 100% frame coverage and 0.64x magnification, a significant advantage for framing precision and real-time exposure assessment. Its rear 3-inch fully articulated LCD screen boasts 921k-dot resolution, superior for live view focusing, video monitoring, and high or low-angle compositions. The articulating feature widens creative perspectives, beneficial for macro and street photography.
The K-S2 interface leans towards traditional DSLR layouts with dedicated buttons augmented by helpful menu hierarchies. The GF1’s interface is streamlined but may require more menu diving for advanced adjustments, which could hinder workflow efficiency in complex shooting scenarios.
Lens Ecosystem and Focal Length Multipliers: Versatility and Optical Performance
Lens compatibility directly shapes a system’s creative and practical range. Panasonic’s GF1 uses the Micro Four Thirds mount, commanding an extensive and mature lens pool with over 100 native lenses available across prime and zoom ranges. The 2.1x crop factor tightens field of view but enables greater reach with smaller optical packages, lending versatility in telephoto applications albeit sacrificing some wide-angle breadth.
Pentax’s K-S2 uses the KAF2 mount, supporting 151 lenses encompassing modern autofocus optics, classic manual primes, and specialized lenses including weather-sealed and limited series options. The APS-C 1.5x crop factor balances moderate reach without extreme field-of-view compression.
The GF1’s lens ecosystem benefits from compactness and breadth, well suited for travel and street shooters valuing portability. In contrast, Pentax offers more optical variety and high-quality legacy glass, fulfilling professional portrait and landscape demands with higher speed primes and specialized optics.
Burst Shooting and Buffer Performance: Capturing High-Speed Action
For fast-paced genres such as sports or wildlife, continuous shooting speed and buffer depth are paramount. The Panasonic GF1 delivers 3fps continuous shooting, adequate for casual action but limited for rapid-fire sequences or wildlife bursts.
The Pentax K-S2 improves on this with a 5.4fps burst rate, aligning well with entry-level DSLRs and sufficient for many sports and wildlife scenarios. However, neither camera rivals current pro-grade models offering double-digit fps rates or deep buffers for extended raw shooting.
Image Stabilization and Exposure Assistance: Sensor-Based vs. Optical or None
A notable difference is the K-S2’s in-body sensor-shift image stabilization (IBIS), providing up to several stops of shake reduction benefit regardless of lens used, compelling for low-light handheld or macro work. The GF1 lacks any image stabilization, depending entirely on lens-based IS or external support, limiting low-light handholdability and video smoothness.
Both cameras feature built-in flashes with the K-S2’s unit notably more powerful (12m range versus 6m), and the Pentax includes more nuanced flash modes such as rear-curtain sync and manual control, enhancing exposure creativity.
Video Capabilities: HD Limitations vs. Full HD Flexibility
Video has become an increasingly critical camera function. The GF1 offers AVCHD Lite recording capped at 1280x720 at 30fps, without microphone input or advanced codecs, limiting professional use and audio control.
The K-S2 records in full 1080p at multiple frame rates (24/25/30p) and 720p up to 60p, encoded in MPEG-4 and H.264 formats. Crucially, it includes a microphone port for external audio sources enhancing sound quality and control, a significant advantage for video-centric creators.
Neither camera supports 4K recording or advanced video features like focus peaking or zebra stripes, denoting their era and entry-level positioning.
Battery Life, Storage, and Connectivity: Practical Shooting Duration and Workflow Integration
In terms of endurance, the GF1 offers approximately 380 shots per charge, adequate given its smaller sensor size and conservative electronic demands. The K-S2 slightly improves battery life to 410 shots, benefiting from DSLR efficiency and a larger battery pack (D-LI109).
Both cameras employ a single SD card slot supporting SDHC/SDXC standards, sufficient for most enthusiast applications but lacking dual slots favored by professionals for redundancy.
Connectivity-wise, the K-S2 features built-in wireless capabilities including Wi-Fi and NFC, facilitating image transfer and remote shooting integration. The GF1 has no wireless options, limiting connectivity to USB 2.0 data transfer and HDMI output, potentially hindering modern workflows.
Performance Evaluations Across Photography Genres
A comprehensive camera evaluation addresses specialty applications, as each user prioritizes different performance aspects.
Portrait Photography
Key factors include accurate skin tone rendition, smooth background bokeh, and reliable eye autofocus. The K-S2’s larger APS-C sensor offers superior shallow depth of field control, rendering more pronounced subject separation and creamier backgrounds. Its refined AF with face detection enhances eye-level focusing reliability. The GF1 can deliver pleasing portraits, particularly with fast lenses, but the smaller sensor limits bokeh potential and low-light autofocus responsiveness.
Landscape Photography
Resolution, dynamic range, and weather sealing dominate priorities here. The K-S2’s 20MP sensor captures finer details, while its extensive ISO range and sealed body allow shooting in challenging environments. The GF1 offers decent dynamic range for Four Thirds but lacks weather sealing and falls short on resolution compared to the Pentax.
Wildlife Photography
Speed and autofocus tracking efficacy define suitability. The K-S2’s higher fps continuous shooting and hybrid AF system outperform the GF1’s contrast-detection AF and lower frame rate. The lens ecosystem on both sides provides telephoto options, but Pentax’s robust AF and buffer capabilities grant a measurable advantage.
Sports Photography
Similar dynamics as wildlife apply: the K-S2’s faster shutter speeds (up to 1/6000s), continuous AF, and quicker burst rates favor capturing fast motion. The GF1’s max shutter of 1/4000s and slower AF limit its effectiveness in this domain.
Street Photography
Discrete form factor and quiet operation are key. The GF1 excels with compact dimensions, lightweight, and silent contrast AF, making it less obtrusive in candid situations. The K-S2’s bulkier presence and louder shutter mechanically increase visibility, potentially lessening candid capture authenticity.
Macro Photography
Magnification depends on lens choice, but focusing precision and stabilization impact results. The K-S2 benefits from sensor-shift stabilization, allowing crisper handheld shots. The GF1 lacks stabilization but has access to small prime lenses. Neither supports focus bracketing or stacking.
Night and Astro Photography
High ISO performance and long exposure reliability are essential. The K-S2’s large ISO ceiling and superior noise control provide improved low-light capabilities. The GF1’s limitation to ISO 3200 and absence of built-in intervalometer reduce utility for astrophotography, unlike the K-S2 which supports timelapse recording.
Video Production
As detailed prior, the K-S2 offers full HD with mic input, articulating display, and enhanced codec options. The GF1’s limited 720p recording without audio input restricts creative video usage.
Travel Photography
Here, size, weight, versatility, and battery life combine. The GF1 is the clear winner for portability and unobtrusiveness ideal for travel. The K-S2’s weather sealing and broader lens system favor trips involving rugged environments or need for varied focal lengths, albeit at the cost of weight and size.
Professional Workflows
Critical factors include file format support, reliability, and system integration. Both cameras support RAW capture, but the K-S2’s better build and weather sealing assure higher reliability. No mention of tethering or professional-level connectivity options restricts professional adoption, but Pentax’s DSLRs historically integrate well into robust workflows.
Summarized Performance Ratings
Criteria | Panasonic GF1 | Pentax K-S2 |
---|---|---|
Image Quality | Moderate | Superior |
Autofocus Speed | Slow | Moderate |
Build Quality | Average | Rugged |
Handling | Compact | Ergonomic |
Lens Selection | Extensive | Extensive |
Video Capability | Basic HD | Full HD + Mic |
Battery Life | Moderate | Moderate |
Connectivity | None | Wi-Fi/NFC |
Stabilization | None | Sensor-based |
Burst Rate | 3fps | 5.4fps |
Suitability by Photography Type and User Profile
- Portrait Photographers: Pentax K-S2’s APS-C sensor and phase-detection AF provide superior image quality and focusing reliability. Recommended for portraits demanding creamy bokeh and accurate skin tones.
- Landscape Shooters: K-S2’s higher resolution, dynamic range, and weather sealing outperform the GF1 in demanding scenarios.
- Wildlife and Sports Photographers: The K-S2’s faster continuous shooting and hybrid AF system make it a more effective action camera.
- Street Photographers: Panasonic GF1’s compactness and quiet operation lend to more candid, discrete shooting environments.
- Macro Enthusiasts: K-S2’s sensor-shift stabilization aids handheld macro shooting. Both require quality macro lenses for best results.
- Astrophotographers: K-S2 takes a clear lead through high ISO range and interval recording capabilities.
- Videographers: Pentax K-S2 delivers a more flexible and higher quality video experience.
- Travel Photographers: Panasonic GF1’s sheer portability favors travel convenience, but the K-S2 provides robustness for more adventurous trips.
Conclusion: Balancing Legacy Mirrorless Compactness and DSLR Versatility
Both the Panasonic Lumix GF1 and Pentax K-S2 remain noteworthy cameras in their respective niches for photography enthusiasts who prize specific attributes. The GF1’s enduring appeal lies in its compact, discreet form and ease of use appropriate for candid and travel scenarios. Its Four Thirds sensor delivers respectable image quality but constraints in autofocus, video, and exposure flexibility limit its broader applicability today.
Conversely, the Pentax K-S2 offers a robust, well-rounded DSLR platform with a superior sensor, faster autofocus, weather sealing, and enhanced video options, positioning it as a versatile tool for diversified photographic genres, including action, landscape, and portraiture. Its increased bulk and weight present a tradeoff for the ergonomic and functional advantages bestowed.
Prospective buyers should consider their primary photography style, workflow needs, and expectations of camera system evolution. Users valuing portability, simplicity, and classic rangefinder styling will find the Panasonic GF1 appealing, while those requiring durability, faster performance, and comprehensive feature sets will lean naturally towards the Pentax K-S2.
This comparative analysis, supported by extensive field testing, detailed specifications, and performance benchmarks, offers a foundational reference to make an informed, rational investment decision aligned with individual photographic ambitions and budgetary parameters.
Panasonic GF1 vs Pentax K-S2 Specifications
Panasonic Lumix DMC-GF1 | Pentax K-S2 | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model | Panasonic Lumix DMC-GF1 | Pentax K-S2 |
Category | Entry-Level Mirrorless | Entry-Level DSLR |
Released | 2009-10-14 | 2015-02-10 |
Physical type | Rangefinder-style mirrorless | Compact SLR |
Sensor Information | ||
Processor Chip | Venus Engine HD | PRIME MII |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor area | 224.9mm² | 366.6mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest resolution | 4000 x 3000 | 5472 x 3648 |
Highest native ISO | 3200 | 51200 |
Lowest native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 23 | 11 |
Lens | ||
Lens mounting type | Micro Four Thirds | Pentax KAF2 |
Total lenses | 107 | 151 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display size | 3" | 3" |
Display resolution | 460 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.64x |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/4000 seconds | 1/6000 seconds |
Continuous shooting rate | 3.0 frames per second | 5.4 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.00 m | 12.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, auto w/redeye reduction, flash on, flash on + redeye reduction, slow sync, trailing curtain sync, manual flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/160 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | AVCHD Lite | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 385 grams (0.85 lb) | 678 grams (1.49 lb) |
Physical dimensions | 119 x 71 x 36mm (4.7" x 2.8" x 1.4") | 123 x 91 x 73mm (4.8" x 3.6" x 2.9") |
DXO scores | ||
DXO All around score | 54 | not tested |
DXO Color Depth score | 21.2 | not tested |
DXO Dynamic range score | 10.3 | not tested |
DXO Low light score | 513 | not tested |
Other | ||
Battery life | 380 photographs | 410 photographs |
Battery style | Battery Pack | Battery Pack |
Battery model | - | D-LI109 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 12 secs) |
Time lapse feature | ||
Type of storage | SD/SDHC/MMC | SD/SDHC/SDXC |
Card slots | Single | Single |
Pricing at launch | $400 | $581 |