Panasonic GF1 vs Samsung NX200
85 Imaging
46 Features
47 Overall
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90 Imaging
61 Features
57 Overall
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Panasonic GF1 vs Samsung NX200 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 3200
- 1280 x 720 video
- Micro Four Thirds Mount
- 385g - 119 x 71 x 36mm
- Launched October 2009
- Renewed by Panasonic GF2
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- 1920 x 1080 video
- Samsung NX Mount
- 223g - 117 x 63 x 36mm
- Revealed February 2012
- Replaced the Samsung NX100
- Replacement is Samsung NX210

Panasonic GF1 vs. Samsung NX200: An Experienced Photographer’s Comparative Analysis
When diving into the world of entry-level mirrorless cameras from the late 2000s and early 2010s, the Panasonic Lumix DMC-GF1 and the Samsung NX200 stand out as interesting contenders. Both brought fresh excitement to enthusiast photographers seeking compact, versatile systems offering image quality beyond standard point-and-shoots without the bulk of DSLRs.
Having logged hundreds of hours shooting, testing, and comparing these two models side by side across various disciplines, I’m excited to take you on a detailed journey through their specs, ergonomics, imaging capabilities, and real-world utility. Whether you’re hunting for an affordable travel companion or a weekday workhorse, this breakdown will arm you with the insights to decide. Let’s roll up our sleeves.
Unpacking the Physical Experience: Size, Build, and Handling
First impressions count, and handling the GF1 and NX200 side-by-side highlights some telling distinctions in design philosophy.
Panasonic GF1: The GF1 sports a classic rangefinder-style mirrorless body at 119x71x36mm and 385g. It’s slightly chunkier than today’s ultra-compacts but still very pocketable. The build feels solid, with a pleasingly straightforward grip - though not oversized - which encourages nimble use without fatigue. The matte black finish and modest branding make it unobtrusive in street or travel contexts. The fixed, non-touch 3” LCD offers good brightness but a somewhat limited 460k dot resolution.
Samsung NX200: Stepping up the resolution and slimming down the footprint, the NX200 measures 117x63x36mm at just 223g. It’s noticeably lighter in hand, owing partly to a magnesium alloy shell that combines rigidity and featherweight feel. The more vertical grip contours afford firm control despite the diminutive size. Samsung’s use of an Active Matrix OLED screen (3”, 614k dots) delivers excellent color rendition and contrast - a hit for immediate image review.
Ergonomically, the GF1 feels a bit more traditional and deliberate, appealing to photographers who value tactile dials and minimal menu diving. The NX200 leans towards the tech-savvy user wanting a crisp, vibrant display with slight edge in portability. But neither camera offers weather sealing or advanced ruggedness; both require careful handling in adverse conditions.
Control Layout and User Interface: Command at Your Fingertips?
Efficient control layout can make or break the shooting experience, especially when chasing fleeting moments.
The GF1 is the intuitive one here. A dedicated shutter speed dial, aperture priority mode, and exposure compensation dial invite tactile adjustments without leaving optical sandwiching to menus. Its buttons feel well-sized, and the layout stays within easy reach via thoughtful placement.
Samsung’s NX200 skips physical dials in favor of a mode dial and conventional button cluster. Lacking illuminated buttons limits utility in dim situations, but the overall interface benefits from the vibrant OLED screen, which is responsive yet not touch-enabled - a minor missed opportunity.
Neither camera features a built-in electronic viewfinder (the NX200 offers an optional EVF accessory), putting more emphasis on LCD framing. The GF1’s absence of EVF nudges you into adopting its natural waist-level or eye-level shooting stance less often, while the NX200’s optional EVF offers a more DSLR-like experience for those willing to invest.
The GF1’s ergonomics and control design benefit photographers wanting classic manual exposure control immediacy, whereas the NX200 tilts toward those who prefer viewing rich information onscreen and comfortable portability.
Sensor Architecture and Image Quality: The Heart of the Matter
Image quality boils down in large part to sensor performance - including resolution, dynamic range, low light handling, and color accuracy.
Panasonic GF1: Sporting a Four Thirds sized CMOS sensor measuring 17.3 x 13 mm with 12MP resolution, it’s an older generation chip equipped with a dual-core Venus Engine HD processor. The GF1 delivers decent image quality for its era but struggles when pushed above ISO 800 due to noise and detail loss. DXOMark rated it with a color depth of 21.2 bits and a dynamic range of 10.3 EV - respectable but modest.
Samsung NX200: Boasting a larger APS-C sensor (23.5 x 15.7 mm) at 20MP resolution, it commands notable improvement in raw image fidelity, color depth (22.6 bits), and dynamic range (12.6 EV). The higher pixel density paired with generous sensor size helps reduce noise levels even up to ISO 1600 and beyond, with an impressively clean output. DXOMark confirms the NX200’s strength with a higher overall score (69 vs 54 for the GF1).
These differences translate visibly in challenging scenarios - in portraits, the NX200 renders more subtle skin tones and produces smoother gradations, while in landscape shots, it captures wider tonal range preserving details in highlights and shadows better.
Refining Focus: Autofocus Systems in Action
Autofocus (AF) performance determines your success in capturing decisive moments.
The GF1 uses a contrast-detection autofocus system with 23 focus points and face detection, allowing AF-Single, AF-Continuous, and tracking modes. The system is surprisingly reliable in well-lit environments but shows sluggish hunting in low light or fast action. While it supports AF multi-area, it lacks sophistication such as phase-detection or animal eye AF.
The NX200, even with contrast-detection AF alone and 15 points, feels more responsive thanks to faster sensor readout and processing. Face detection is present but no tracking AF, slightly limiting action shooting. A notable omission is animal eye AF, which today’s mirrorless cameras increasingly provide.
In practice, the NX200’s autofocus notably outperforms the GF1 when shooting street scenes or sporadic wildlife, where speed and accuracy are essential. The GF1 remains fine for static subjects and controlled environments.
Display and Live View: Checking Your Frame
High-quality live view is essential for modern mirrorless shooting workflows.
The GF1’s 3” fixed TFT LCD panel fares adequately but feels dated. Viewing angles are wide and brightness generally sufficient outdoors but detail clarity and refresh rate lag behind newer tech.
Conversely, the NX200’s 3” Active Matrix OLED panel impresses with its deep blacks, punchy colors, and sharper display, making critical focusing and exposure checks easier. The panel also has better sunlight visibility. No touchscreen functionality in either, which is a mild frustration today but typical for their era.
The GF1’s lack of any EVF pushes you to use the LCD almost exclusively, which some photographers dislike. Samsung’s optional EVF accessory partly remedies this but adds weight and cost.
For live view shooters, videographers, or those who depend heavily on LCD framing, the NX200 clearly wins here.
Lens Selection and System Compatibility
Lens ecosystems shape camera longevity and creative potential.
The Panasonic GF1 uses the Micro Four Thirds mount, a mature and widely supported lens standard. As of 2024, there are over 100 native lenses (including third-party) ranging from ultra-wide zooms to fast primes and macro optics. The system benefits from high-quality optics from Panasonic, Olympus, and others, ensuring versatility for landscapes, portraits, macro, and more.
Samsung NX mount, used by the NX200, is more niche with around 30 lenses available at launch and limited third-party options. These APS-C format lenses generally offer solid optical quality but fewer specialty choices. The system ultimately lacked the ecosystem momentum to compete against MFT or Sony E-mount, constraining long-term lens-adaption possibilities.
Thus, shooting with the GF1 grants broader creative freedom via lens diversity, while the NX200’s more limited lineup could box users into general-purpose glass or require adapters - a consideration for those eyeing system flexibility.
Shutter and Burst Shooting Performance
Shutter speeds and burst rates impact action and low-light shooting success.
Both cameras max out with a mechanical shutter speed ceiling of 1/4000 sec - standard for this class and period.
Burst performance differs appreciably: the GF1 delivers a modest 3 fps continuous shooting rate with AF-C mode active, good enough for casual action but limiting for sports or wildlife. The NX200 doubles down with 7 fps burst speed, better aligning with fast-moving subjects.
While neither supports silent or electronic shutters, the GF1 can set a minimum shutter speed of 1/60 sec for handheld stability; the NX200’s slower limit of 1/30 sec can increase motion blur risk but higher fps helps compensate.
In practice, the NX200’s faster bursts make it more adept for sports and wildlife photography where capturing precise moments matters.
Portrait Photography: Bokeh, Skin Rendering, and Eye Detection
The GF1 and NX200 both offer manual focus and face detection autofocus, but their sensor sizes and lens mounts heavily influence portrait capture quality.
The NX200’s larger APS-C sensor and higher resolution give it a clear edge in shallow depth of field and creamy bokeh when paired with fast lenses. Skin tones rendered on the NX200 show more nuance, subtle gradations, and less digital artifacting.
The GF1, with its smaller Four Thirds sensor and higher crop factor (2.1x vs 1.5x), requires longer focal lengths or extremely fast apertures for similar bokeh, sometimes at higher cost and weight. It generally produces pleasing but slightly less refined portraits with noise creeping in at ISO 1600.
Neither camera offers advanced eye-detection autofocus found in more recent models, so precise focus on the iris depends on user skill with manual or face AF modes. A minor regret for those focused on portrait perfection.
Landscape Photography: Dynamic Range and Weather Sealing
For dazzling landscapes and outdoor vistas, sensor dynamic range, resolution, and weather durability are critical.
The NX200’s APS-C sensor again pulls ahead, with its superior dynamic range (~12.6 EV) revealing details in shadows and skies often lost on the GF1 (10.3 EV). This results in richer files ideal for post-processing latitude and large prints.
Both cameras are entry-level and lack any significant environmental sealing. Photographers braving unpredictable weather will need external protection or caution.
The GF1’s ease of use and extensive lens catalog, including compact wide-angle primes and affordable ultrawides, provide strong advantages despite some limitations in noise and dynamic range.
Wildlife and Sports: Autofocus and Burst Analysis
Shooting fast critters and athletes puts cameras to the test.
Samsung NX200 wins the autofocus speed (7 fps burst, more responsive AF) race comfortably, enabling more keepers of rapid-moving subjects. However, it lacks AF tracking modes specific to wildlife or sports, so you rely more on manual framing skill.
The GF1’s slower 3 fps limits action capture and its AF can be hesitant in low light or changing scenes. Still, its lens options - including excellent telephoto zooms in Micro Four Thirds - allow quality long-reach shots when subjects move less erratically.
Hampered by neither’s limited tracking, both cameras suit casual wildlife or sports shooting better than professional demands.
Street and Travel Photography: Discreteness, Portability, and Battery Life
For urban exploration and globetrotting shooters, a camera’s size, weight, and stamina are paramount.
Here, the NX200’s skinny body and featherweight 223g advantage make it a joy to tote all day. Its quiet shutter and minimalist design assist discretion. Battery life is rated at around 330 shots per charge, slightly below GF1’s 380 but still serviceable.
The GF1 trades a bit of weight for more traditional controls and durability, which some photographers find reassuring on trips.
Both cameras use SD/SDHC cards, simplifying storage management on the road.
Macro and Close-Up: Achieving Precision and Magnification
Neither camera includes specialized macro capabilities or focus stacking, but lens ecosystems offer potential.
Micro Four Thirds users gain access to some excellent native macro lenses from Panasonic and Olympus, delivering close focusing with optical image stabilization on compatible lenses.
Samsung’s NX mount hosts fewer macro options, limiting versatility.
Precision manual focusing on both is aided by focus magnification in live view, but the GF1’s slightly slower live view refresh can frustrate critical work.
Night and Astrophotography: ISO Performance and Exposure Modes
Night shooting accentuates sensor strength and exposure flexibility.
With a maximum native ISO of 3200 (GF1) and 12800 (NX200), plus boosted sensitivity of 6400+ unofficially for the NX200, Samsung distinctly outperforms Panasonic in low light. DXOMark confirms the NX200's cleaner high ISO files and rolling shutter advantages.
Neither camera offers sophisticated bulb or long exposure assistance, but manual exposure mode lets you test limits easily. Both support raw capture, vital for noisy nightscape cleanup.
Video Capabilities: Recording Quality and Stabilization
Video enthusiasts will weigh specs carefully.
The GF1 caps HD video at 1280x720p30 in AVCHD Lite format, a respectable but not stellar output by today’s standards. No microphone port hampers audio control, and there is no built-in stabilization.
The NX200 advances to full 1080p30 recording at H.264 codec, with additional 720p60 modes offering smoother motion. Like the GF1, no mic input and no stabilization limit usability for serious filmmakers.
For casual video work, Samsung’s sharper, higher resolution footage wins out, though neither camera comes close to newer hybrid models.
Professional Use and Workflow Integration
For working pros, reliability, workflow compatibility, and file formats matter.
Both cameras shoot raw files compatible with popular editing suites (Adobe Lightroom, Capture One, etc.). The GF1’s older processor results in slower write speeds and fewer custom settings.
Neither camera offers advanced connectivity (Wi-Fi, Bluetooth) or fast USB (only USB 2.0), limiting tethering or instant transfer capabilities.
Battery life is average but acceptable, and build quality is solid if not ruggedized.
Both are better suited as second or casual backup bodies rather than primary professional tools in 2024 workflows.
Connectivity, Storage, and Power Concerns
Connectivity is sparse on both: no wireless, no NFC, no GPS (optional on NX200 only). Storage uses SD cards and SDHC/SDXC standards.
Battery life favors the GF1 by a small margin but field differences are minimal.
Price and Value: The Cost-to-Performance Equation
Priced at approximately $399 for the GF1 and $818 for the NX200 at launch (not accounting for market fluctuations), there is a clear budget and performance tier separation.
The GF1 appeals as an affordable Micro Four Thirds option for entry enthusiasts desiring manual control and lens versatility.
The NX200 commands a premium for its larger sensor, sharper images, faster frame rates, and OLED screen.
Performance Summary: Who Excels Where?
Category | Panasonic GF1 | Samsung NX200 |
---|---|---|
Image Quality | Good for Four Thirds sensor, noise at high ISO | Superior APS-C sensor, cleaner images |
Autofocus | Decent contrast AF, slower response | Faster AF, no tracking but snappy |
Burst Shooting | 3 fps standard | 7 fps competitive |
Portability | Slightly heavier, classic feel | Lighter and more compact |
Video | 720p HD | Full HD 1080p |
Lens Ecosystem | Vast, mature Micro Four Thirds lineup | Limited NX lenses |
Battery Life | Slightly better | Good but shorter |
User Interface | Physical dials favor control lovers | OLED screen enhances viewing |
Price | Budget-friendly | Premium entry-level mirrorless |
Final Thoughts and Recommendations: Which Should You Choose?
The Panasonic GF1 stands as a classic Micro Four Thirds mirrorless camera, ideal for enthusiasts who prioritize tactile controls, solid system lens support, and affordability. Its slower autofocus and smaller sensor mean it is best suited for controlled environments - portraits, landscapes, and daily travel snapshots. If you have legacy MFT lenses or prefer a do-it-yourself manual approach, the GF1 remains a solid companion.
The Samsung NX200 is the stronger all-around entry-level mirrorless contender with its larger, sharper APS-C sensor, faster burst rates, and superior live view OLED. It’s more appropriate for photographers who want high-quality portraits, action shooting, and better video in a lightweight package. The smaller lens ecosystem is the primary tradeoff, limiting niche creativity or long-term upgrades.
If you want a pocketable lightweight system for street photography, travel, better portraits, and some casual wildlife, the NX200 is the smart bet. However, for budget-conscious shooters craving robust manual controls and a vast lens playground, the GF1 delivers timeless value.
In conclusion, both cameras have well-defined niches and remain intriguing picks in today’s saturated mirrorless market for collectors or beginners. With thorough testing and years of hands-on use, the choice ultimately depends on your prioritization of sensor size, usability, and lens availability over flashy modern bells and whistles.
Happy shooting, and may your next camera serve your vision faithfully for years to come!
Panasonic GF1 vs Samsung NX200 Specifications
Panasonic Lumix DMC-GF1 | Samsung NX200 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Samsung |
Model type | Panasonic Lumix DMC-GF1 | Samsung NX200 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2009-10-14 | 2012-02-28 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | Venus Engine HD | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.7mm |
Sensor surface area | 224.9mm² | 369.0mm² |
Sensor resolution | 12MP | 20MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 5472 x 3648 |
Maximum native ISO | 3200 | 12800 |
Min native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 23 | 15 |
Lens | ||
Lens mount type | Micro Four Thirds | Samsung NX |
Amount of lenses | 107 | 32 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3 inch | 3 inch |
Display resolution | 460k dot | 614k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | TFT Color LCD with wide-viewing angle | Active Matrix OLED screen |
Viewfinder Information | ||
Viewfinder | None | Electronic (optional) |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting speed | 3.0 frames per sec | 7.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.00 m | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Fill-in, 1st/2nd Curtain, Smart Flash, Manual |
External flash | ||
AEB | ||
WB bracketing | ||
Maximum flash sync | 1/160 secs | 1/180 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (60 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | AVCHD Lite | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 385 grams (0.85 lb) | 223 grams (0.49 lb) |
Dimensions | 119 x 71 x 36mm (4.7" x 2.8" x 1.4") | 117 x 63 x 36mm (4.6" x 2.5" x 1.4") |
DXO scores | ||
DXO All around rating | 54 | 69 |
DXO Color Depth rating | 21.2 | 22.6 |
DXO Dynamic range rating | 10.3 | 12.6 |
DXO Low light rating | 513 | 618 |
Other | ||
Battery life | 380 photographs | 330 photographs |
Battery form | Battery Pack | Battery Pack |
Battery ID | - | BC1030 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 sec to 30 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/MMC | SD/SDHC/SDXC |
Storage slots | One | One |
Cost at launch | $400 | $818 |