Panasonic GF2 vs Panasonic TS3
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Panasonic GF2 vs Panasonic TS3 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 310g - 113 x 68 x 33mm
- Revealed February 2011
- Earlier Model is Panasonic GF1
- Newer Model is Panasonic GF3
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Introduced August 2011
- Alternative Name is Lumix DMC-FT3
- Earlier Model is Panasonic TS2
- New Model is Panasonic TS4

Panasonic GF2 vs. Panasonic TS3: A Thorough Expert Comparison for Real-World Photography
As someone who has handled hundreds of cameras over the years and spent countless hours evaluating both technical specs and real-life performance, I’m excited to dig into two distinct Panasonic offerings from the early 2010s: the mirrorless Panasonic Lumix DMC-GF2 and the rugged compact Panasonic Lumix DMC-TS3. While both are Panasonic models introduced within months of each other in 2011, they cater to vastly different users and use-cases.
In this in-depth comparison, I’ll analyze sensor technology, ergonomics, autofocus capabilities, image quality across genres, video features, and overall value - strictly from a hands-on, practical perspective. By the end, you’ll get a clear sense of which of these cameras suits your photographic ambitions, workflow, and lifestyle.
Size Matters: First Impressions and Ergonomics
Upon first handling the two cameras side-by-side, the ergonomic differences leap out immediately. The GF2 fits the mold of a compact, entry-level rangefinder-style mirrorless camera, whereas the TS3 targets the adventurous traveler needing durability and simplicity.
GF2 dimensions: 113 x 68 x 33 mm; weight ~310g
TS3 dimensions: 103 x 64 x 27 mm; weight ~197g
While the GF2 is larger and heavier, its body shape and Micro Four Thirds system design deliver a grippier feel and more camera-like heft, important for stability in long shooting sessions or when attaching lenses with substantial zoom or focus rings.
By contrast, the TS3’s compact, pocket-friendly form factor is a major advantage if you want to carry a camera that’s easy to stash and rugged enough to withstand water, dust, and drops. Its streamlined control layout emphasizes quick access and straightforward operation - no manual exposure modes here, but that simplicity benefits casual or extreme outdoor users.
Ergonomically, I found the GF2 more comfortable for extended work, with well-placed buttons and a responsive touchscreen interface, whereas the TS3 feels like a survivor camera made for snapshots and adventures rather than prolonged handholding.
Design Philosophy Under the Hood: Control and Interfaces
The external controls reveal Panasonic’s priorities for each - one tailored to enthusiast experimentation, the other to durable ease-of-use.
The GF2 sports a slightly complex interface with dedicated mode and control dials, exposure compensation buttons, flash controls, and a touchscreen that supports focal point selection and menu navigation. The Venus Engine FHD processor here powers both imaging and quick UI responsiveness.
In contrast, the TS3 keeps it simple: fewer buttons, no exposure compensation dial, no manual aperture or shutter priority controls. Its built-in lens zoom lever replaces a mechanical zoom ring, sacrificing tactile control but preserving its waterproof integrity. The TS3 also lacks touchscreen support, trading off some control fluidity for ruggedness.
For photographers who want to manually fine-tune exposure and focus, the GF2’s rangefinder-inspired design and touch interface give you meaningful versatility; the TS3’s hardened simplicity is its strength, not a weakness, if ruggedness and ease trump granular control.
The Heart of the Image: Sensor Technology and Optical Quality
Now to a domain that ultimately shapes image quality: sensor architecture, capabilities, and interplay with lens optics.
Panasonic GF2 - Mirrorless with a Micro Four Thirds Sensor
- Sensor: 12MP Four Thirds CMOS sensor (17.3 x 13 mm; 224.9 mm² area)
- Native ISO: 100–6400
- No built-in stabilization - reliant on lens IS or tripod support
The GF2 boasts a considerably larger sensor than the TS3, promising better dynamic range, improved low-light sensitivity, and enhanced color depth. According to DXOMark, its color depth of 21.2 bits and dynamic range of 10.3 EV are respectable for its era and sensor size, offering more latitude in post-processing and richer tonal gradation.
The sensor size and Micro Four Thirds mount enable compatibility with over 100 lenses, from fast primes to telephoto zooms - which enriches creative options and image quality potentials dramatically.
Panasonic TS3 - Compact Rugged CCD Sensor
- Sensor: 12MP 1/2.3-inch CCD (6.08 x 4.56 mm; 27.72 mm² area)
- Native ISO: 100–6400 (software boosted)
- Optical image stabilization integrated into body/optics
The TS3’s sensor is significantly smaller - a pixel pitch roughly 5x smaller than the GF2’s, underscoring that this camera is optimized more for rugged, point-and-shoot convenience than ultimate image quality. Though the CCD type has advantages in color rendition, the small sensor area generally results in more noise and lower dynamic range, particularly under dim conditions.
With a fixed 28-128mm equivalent zoom at f/3.3-5.9, image sharpness varies considerably, especially toward telephoto lengths and wide apertures. The lack of raw support further limits post-processing prowess.
Viewing and Composing Your Image: Screen and Viewfinder
Neither camera incorporates an electronic viewfinder, reflecting their entry-level/compact focuses at launch. Instead, photographic composition relies entirely on the LCD screen.
The GF2’s 3” TFT touchscreen with 460k-dot resolution stands out: it offers wide viewing angles and responsive touch AF point selection, allowing precision when manually focusing or setting exposure information. In my field tests, the touchscreen was intuitive and quick - a killer feature for both new and experienced users.
Meanwhile, the TS3’s fixed 2.7” TFT display is smaller and less sharp (230k dots), with no touch control. In harsh sunlight or underwater, visibility challenges arise, but its anti-reflective coating somewhat mitigates glare. The TS3 relies on an ergonomic grip rather than on-screen finesse for shooting.
Autofocus and Responsiveness: Tracking Moving Subjects and Precision Focus
For every genre, autofocus performance critically defines how effective a camera is - especially for wildlife, sports, and street photography where subjects move unpredictably.
- GF2 autofocus: Contrast-detection AF only, 23 focus points, face detection enabled, continuous AF, selective AF available
- TS3 autofocus: Contrast-detection AF, 11 focus points, no face detection, center-weighted focus point prioritization
While contrast-detection autofocus (CDAF) does not match the speed or predictive accuracy of modern phase-detection systems, the GF2’s higher number of focus points combined with face detection translates to more reliable tracking, particularly on portraits and casual street shooting.
The TS3’s autofocus is sufficiently fast for snapshot scenarios but struggles with moving subjects beyond moderate pace, owing to fewer focus zones and lack of subject recognition.
Real-World Application: Photography Genres and Performance
Let’s break down strengths and limitations of each camera across the major photographic disciplines to see where they shine or fall short.
Portrait Photography
GF2 wins here by a mile. Its larger sensor combined with interchangeable lenses and faster apertures (dependent on lens) gives you creamy bokeh and superior subject separation. Face detection autofocus and accurate exposure controls produce lifelike skin tones even in mixed lighting. The 12MP resolution and color depth enable sharp detail without compromising skin smoothness.
TS3, on the other hand, delivers acceptable portraits for casual use but limited by a fixed slow-varied aperture lens (f/3.3-5.9) and no face detection AF. Background blur is minimal and less flattering, and color rendition is less nuanced due to sensor size constraints.
Landscape Photography
Here, sensor performance and durability count heavily:
- GF2’s larger sensor yields wider dynamic range and resolution benefits for landscapes, preserving shadows and highlights better, key for HDR workflows or in-field bracketing strategies. Its Micro Four Thirds lens selection includes ultra-wide primes for scenic vistas.
- TS3 brings rugged waterproof capabilities suitable for harsh outdoor environments where lens changes pose risks. It offers moderate zoom range and optical IS but limited image quality for fine textures or subtle gradient transitions.
While GF2 lacks weather sealing, it demands greater care; TS3 thrives in rain, snow, and dusty settings but trades off image fidelity.
Wildlife Photography
In wildlife work, you value fast and accurate autofocus, long reach, and robust continuous shooting.
- The GF2’s 3 fps burst rate is modest, but with autofocus tracking and access to long telephoto MFT lenses, it can deliver satisfying results for casual wildlife photography - especially if you value image quality.
- The TS3’s faster continuous shooting (4 fps) is commendable, but limited zoom reach and smaller sensor constrain versatility and detail. Autofocus performance on fast-moving animals is limited at best.
Sports Photography
Sports shooters largely prioritize autofocus accuracy, high frame rates, and responsive controls:
- Neither camera targets professional sports shooters. The GF2’s 3 fps rate won’t match DSLRs or newer mirrorless lagbusters, and CDAF lags behind phase-detection AF performance. But it can handle casual sports at recreational levels.
- TS3’s 4 fps continuous is slightly better, but autofocus tracking limitations and fixed lens restrict use for anything challenging.
Street Photography
Discretion, portability, and quick handling matter here:
- GF2’s rangefinder style, modest size, and silent shutter modes (though max shutter speed is 1/4000s with no electronic shutter) make it a decent street shooter, albeit bigger and less discreet than pocket-sized compacts.
- TS3 excels in portability and simplicity, with rugged build plus waterproof assurance. It’s arguably more of a grab-and-go camera, but limited manual control and slower screen responsiveness can frustrate purists.
Macro Photography
For close-up work, magnification, focusing precision, and stabilization are key.
- GF2 paired with specialized Micro Four Thirds macro lenses can produce excellent macro results with precise AF and controlled depth of field.
- TS3 offers a 5 cm macro focusing distance - a respectable value for casual close-ups - but limited image richness and no manual focus reduces creative control.
Night and Astro Photography
Low light capabilities are tightly linked to sensor size and ISO performance.
- GF2’s Four Thirds sensor with ISO native up to 6400 and decent noise control allows usable shots under low ambient light, and support for manual exposure modes enables star trails and creative night work.
- TS3’s tiny CCD struggles at high ISOs with visible noise; no manual exposure modes restrict long exposure astrophotography.
Video Capabilities
Both cameras capture 1080p Full HD video at 60p, a then-impressive spec for budget cameras.
- GF2 records AVCHD and Motion JPEG with clean results, but lacks external mic input - limiting audio recording options. The touchscreen assists in autofocus during video, though CDAF can hunt under some conditions. No in-body stabilization means you’ll rely on lens IS or stabilization rigs.
- TS3 films MPEG-4 and AVCHD with similar frame rates. Optical image stabilization helps produce smooth handheld footage, making it arguably better for casual outdoor movie logging in uneven terrain.
Travel Photography
Versatility, battery life, and size determine the best travel companion.
- GF2’s interchangeable system and superior image quality make it an appealing travel tool, although the need to carry lenses adds bulk. Battery life, rated at 300 shots, is typical but short compared to some compacts - so pack extras.
- TS3’s ruggedness, waterproofing, lower weight, internal storage option, and slightly better battery endurance (310 shots) offer worry-free shooting in challenging environments - highly appealing to adventure travelers.
Professional Workflows
Advanced photographers require reliability, file format options, and integration ease.
- GF2 supports RAW, allowing extensive post-processing flexibility, and connects via USB 2.0 and HDMI. However, limited wireless connectivity and no GPS reduce modern workflow convenience. No weather sealing hampers professional reliability.
- TS3 lacks RAW support and wireless features, focusing exclusively on consumer convenience and durability. GPS built-in is a plus for geotagging but inadequate for professional needs.
Build Quality and Weather Resistance: Reliability in Tough Conditions
- The GF2, while well made, features no environmental sealing - avoid use in wet or dusty conditions without protection.
- The TS3 is built tough: waterproof to 10 meters, shockproof, dustproof, and freezeproof to -10°C, making it an excellent tool for travel photographers who venture to harsh locations or want an everyday carry camera without fear.
Battery Life and Storage
Both cameras use proprietary battery packs and single SD card slots:
- GF2 rated for ~300 shots per charge - typical for mirrorless at the time but necessitates spares for serious outings.
- TS3 fares marginally better at 310 shots, with additional internal memory - helpful for memory-card-free shooting emergencies.
Connectivity and Wireless Features
Neither camera offers Bluetooth, Wi-Fi, or NFC connectivity - in 2011 this was common but now a limitation, especially when instant sharing or remote control is desired. HDMI and USB 2.0 ports enable wired data transfer, but expect slower speeds compared to modern standards.
Price-to-Performance: Which Camera Offers More Bang for Your Buck?
Original launch prices were very close: GF2 ~$330; TS3 ~$380
- The GF2’s interchangeable lens system, superior sensor, and shooting versatility provide excellent value for enthusiasts entering the MFT ecosystem.
- The TS3 commands a premium for ruggedness and waterproofing, aimed at niche users needing durable simplicity rather than high image quality.
Summarizing Strengths and Weaknesses
Feature | Panasonic GF2 | Panasonic TS3 |
---|---|---|
Sensor size & quality | Larger Four Thirds sensor; better dynamic range, color depth | Small 1/2.3” sensor; limited dynamic range and noise control |
Lenses | Interchangeable Micro Four Thirds lenses | Fixed 28-128mm zoom |
Autofocus | 23 points, face detection, CDAF, selective AF | 11 points, no face detection, CDAF only |
Build & ruggedness | Entry-level mirrorless; no weather sealing | Waterproof/shockproof/dustproof/freezeproof |
Video | 1080p 60p AVCHD & Motion JPEG | 1080p 60p MPEG-4 & AVCHD, optical IS assists |
Controls and UI | Touchscreen, manual exposure modes | Simpler controls, no touchscreen, no manual modes |
Battery life | ~300 shots | ~310 shots + internal memory |
Weight/size | Larger, heavier | Smaller, lighter |
Price (launch) | ~$330 | ~$380 |
Sample Images From Both Cameras: Visual Evidence
Nothing beats seeing is believing when evaluating cameras.
The GF2 images show richer color fidelity, sharper details, and more pleasant out-of-focus backgrounds. TS3 shots, while adequate for snapshots, demonstrate softer details and lower dynamic range - especially under tricky lighting.
How These Cameras Score Across the Board
Our experts quantified their performance across several lenses.
Predictably, the GF2 scores higher on image quality, versatility, and ergonomics, while the TS3 excels in build and rugged features.
Tailored Performance Across Photography Types
Here’s a snapshot of how these Panasonic models fare in different photographic arenas.
- Portrait & Landscape: GF2 >> TS3
- Wildlife & Sports: GF2 > TS3 (due to lenses & AF)
- Street & Travel: TS3 > GF2 (for portability and ruggedness)
- Night/Astro: GF2 significantly better
- Video: Comparable, slight edge to TS3 stabilization
- Macro: GF2 with macro lenses much stronger
Final Verdict and Recommendations
Choose the Panasonic GF2 if…
- You are stepping into interchangeable lens mirrorless systems with a budget-minded entry point.
- You prioritize image quality, manual controls, and creative flexibility.
- You shoot portraits, landscapes, macro, or low light and want RAW files.
- You have patience to invest in lenses and care for your camera in typical conditions.
Choose the Panasonic TS3 if…
- You need an ultra-rugged, waterproof compact camera that can handle snorkeling, hiking, or rough weather.
- You prioritize durability and portability over manual controls or ultimate image fidelity.
- You want a point-and-shoot that’s easy to operate with minimal fuss.
- You travel frequently to adventure destinations and want a camera that simply won’t quit.
Closing Thoughts
Neither of these cameras is cutting-edge by 2024 standards, but each excelled in its targeted niche at launch. The GF2 presents a strong, budget-conscious gateway into the Micro Four Thirds mirrorless world - great for entry-level enthusiasts eager to grow their skills and lens collection. The TS3 serves as a trustworthy rugged companion that doubles as a capable outdoor shooter with waterproof charm and simple operation.
Reflecting on my hours of testing and shooting with both, my advice is to select your camera aligned foremost with your photographic lifestyle. If versatility, sensor size, and image quality are paramount - go GF2. If you crave rugged reliability and portability to accompany your adventures - go TS3.
Whichever path you choose, both offer unique experiences that fulfill real-world needs rather than chasing every spec race.
Happy shooting!
Panasonic GF2 vs Panasonic TS3 Specifications
Panasonic Lumix DMC-GF2 | Panasonic Lumix DMC-TS3 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-GF2 | Panasonic Lumix DMC-TS3 |
Also called as | - | Lumix DMC-FT3 |
Type | Entry-Level Mirrorless | Waterproof |
Revealed | 2011-02-24 | 2011-08-16 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | Venus Engine FHD | Venus Engine FHD |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4000 x 3000 |
Highest native ISO | 6400 | 6400 |
Minimum native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 23 | 11 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-128mm (4.6x) |
Highest aperture | - | f/3.3-5.9 |
Macro focusing range | - | 5cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 3" | 2.7" |
Resolution of display | 460 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | TFT Color LCD with wide-viewing angle | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 60 seconds | 60 seconds |
Fastest shutter speed | 1/4000 seconds | 1/1300 seconds |
Continuous shutter rate | 3.0fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.00 m | 5.60 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/160 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720p (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | AVCHD, Motion JPEG | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 310 gr (0.68 lbs) | 197 gr (0.43 lbs) |
Physical dimensions | 113 x 68 x 33mm (4.4" x 2.7" x 1.3") | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") |
DXO scores | ||
DXO Overall rating | 54 | not tested |
DXO Color Depth rating | 21.2 | not tested |
DXO Dynamic range rating | 10.3 | not tested |
DXO Low light rating | 506 | not tested |
Other | ||
Battery life | 300 shots | 310 shots |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Pricing at release | $330 | $380 |