Panasonic GF2 vs Pentax K-5 IIs
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Panasonic GF2 vs Pentax K-5 IIs Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 310g - 113 x 68 x 33mm
- Launched February 2011
- Earlier Model is Panasonic GF1
- Successor is Panasonic GF3
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Boost to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Introduced June 2013
- Older Model is Pentax K-5

Panasonic GF2 vs Pentax K-5 IIs: An Experienced Photographer’s Deep Dive
Choosing between two cameras often feels like a battle between heart and head - nostalgia and novelty, simplicity and sophistication, budget constraints and aspiring ambitions. Today, I invite you to join me in a detailed exploration of two vastly different yet fascinating cameras: the Panasonic Lumix DMC-GF2, an entry-level mirrorless released in 2011, and the Pentax K-5 IIs, a more advanced DSLR introduced in 2013. Both have their loyal fans and respectable specs, yet they serve distinct audiences and photographic ambitions. Having personally put thousands of cameras through their paces, I’m excited to break down their strengths and weaknesses, from sensor technology to ergonomics to real-world shooting across photography genres.
Let’s dive in.
First Impressions: Size, Handling, and Build Quality
Size and ergonomics are what make or break your shooting experience, especially when it comes to those extended photo walks - or marathon event shoots.
Right off the bat, the Panasonic GF2 screams “pocketable and light.” Weighing a mere 310 grams and measuring approximately 113x68x33mm, it’s a compact body perfect for minimalists or travelers who want a capable camera without hauling extra pounds. The GF2’s rangefinder-style mirrorless design helps keep things sleek, but its slender body can challenge handling comfort - especially with bigger lenses.
The Pentax K-5 IIs, by contrast, is a mid-sized DSLR weighing in at 760 grams (more than double the GF2’s mass) and dimensions of 131x97x73mm. It feels robust, built for photographers who prioritize reliability and durability - note its weather-sealed body, a welcome feature for landscape or wildlife shooters braving the elements.
The GF2 feels nimble in-hand but lacks the timeless heft that encourages stability. Meanwhile, the K-5 IIs’ deeper grip and pronounced controls make it ideal for those long shoots where fatigue is a factor.
From my experience, ergonomics go beyond size: button placement and tactile feedback matter. Let’s peek closer at the controls.
Control Layout and User Interface: Photographer-Centric or Simplified?
Jumping to the top view reveals contrasting design philosophies. The GF2 takes a minimalist approach, with fewer physical dials and more reliance on its touchscreen LCD (a relatively novel feature back in 2011). Conversely, the K-5 IIs sticks to classic DSLR ergonomics, prioritizing physical dials and buttons for immediate access and intuitive adjustments.
While the GF2’s touchscreen interface heralded a more casual, mobile-inspired experience, it’s no replacement for responsive physical controls in fast-paced scenarios. The Pentax’s dedicated exposure compensation dial, shutter speed and aperture rings, and sizeable command dials offer speed and precision that are indispensable in professional settings.
Note: The GF2’s lack of an electronic viewfinder (and no physical one either) can be a dealbreaker if you prefer composing through an EVF or OVF, especially under bright sunlight where LCD visibility drops significantly. The K-5 IIs offers a bright, high-magnification pentaprism optical viewfinder with 100% coverage - ideal for serious framing and tracking precision.
Sensor Tech and Image Quality: Micro Four Thirds vs APS-C CMOS
Beneath the body lies the heart of any camera: the sensor. Its size and performance shape much of the photographic experience.
The GF2 employs a Four Thirds CMOS sensor measuring 17.3x13 mm with a total area of 224.9 mm², offering 12 megapixels of resolution. The Pentax K-5 IIs ups the ante with an APS-C CMOS sensor sized 23.7x15.7 mm and an area of 372 mm², pushing 16 megapixels.
The Pentax sensor is substantially larger (about 65% more surface area), gathering more light and typically delivering higher image quality - a critical advantage in low light and dynamic range. The K-5 IIs notably omits an anti-aliasing filter, favoring sharper detail rendition at the cost of potential moiré - beneficial for landscape and commercial photographers who prize maximum resolution and crispness.
DxOMark benchmarks confirm this: the K-5 IIs scores an overall 82 points, boasting superior color depth (23.9 bits), dynamic range (14.1 EV), and low-light ISO performance (native ISO up to 12,800 and boosted to 51,200). The GF2 scored lower with an overall of 54, color depth of 21.2 bits, dynamic range of 10.3 EV, and ISO maxing at 6400.
This translates into Pentax images revealing richer tones, better shadow recovery, and cleaner details in high-ISO conditions. The GF2’s smaller sensor and older processor inevitably limit performance, but its images hold up well for casual shooting, social media, or snapshots - especially when paired with sharp Micro Four Thirds lenses.
Viewing Experience: Screen and Viewfinder Comparison
As touched on earlier, the Panasonic GF2 relies exclusively on a 3-inch fixed TFT LCD with capacitive touchscreen and a modest 460k-dot resolution - decent for its generation but a far cry from modern displays.
The Pentax K-5 IIs features a similarly sized 3-inch rear LCD with much higher 921k-dot resolution, albeit non-touch, plus it boasts the classic DSLR top status LCD for quick info glance without diverting eye from the viewfinder.
In my hands-on testing, the Pentax’s high-res screen makes image playback and menu navigation crisp and satisfying, while the GF2’s touchscreen is intuitive (particularly if you’re used to smartphones) but sluggish and less visible outdoors. The absence of any viewfinder on the GF2 can frustrate in bright light or when shooting moving subjects.
DSLR purists will appreciate the K-5 IIs’ optical OVF, which provides real-time, lag-free framing and exposure preview - a massive advantage for tracking wildlife or sports action where milliseconds count.
Autofocus Performance: Speed, Accuracy, and Tracking
Autofocus (AF) systems can make or break decisive moments. How do these veterans fare?
The GF2 sports a contrast-detection AF system with 23 focus points. It offers face detection and multi-area AF, but no phase detection or hybrid AF. The continuous shooting speed is capped at a leisurely 3 FPS, making it less suited for fast action.
The K-5 IIs employs an advanced phase-detection AF system with 11 focus points (9 cross-type), center-weighted AF, and improved macro focusing precision. It supports continuous AF tracking, face detection, and faster response times, with a maximum burst rate of 7 FPS using its decent buffer.
While the GF2’s AF is competent for portraits, landscapes, and casual shooting, it can struggle in low light or with erratic subjects. The Pentax is far more reliable for wildlife, sports, and action photography - its phase-detection points lock on quickly and track moving subjects with less hunting.
In practical terms, during a wildlife trip, I found the GF2’s AF lag frustrating - often resulting in missed shots as birds moved beyond the focus zone. The K-5 IIs felt like a trusted hound, locking gaze on subjects and smoothly tracking movement through dense foliage.
Lens Ecosystem and Compatibility
Lens choice affects versatility and quality, sometimes even more than the camera body.
The Panasonic GF2 uses the Micro Four Thirds mount, with access to over 107 lenses from Panasonic, Olympus, and third parties. This mature system boasts compact, affordable primes and versatile zooms, ideal for travel and street shooters prioritizing portability. The 2.1x crop factor means a 25mm lens behaves like about 50mm in full frame terms - a great natural look for portraits.
Pentax K-5 IIs utilizes the Pentax KAF2 mount, supporting 151 lenses including classic primes, modern optics, and specialty lenses like tilt-shifts and macros. The APS-C sensor's 1.5x crop factor offers more reach with telephotos - helpful for wildlife and sports. Many lenses come weather-sealed to match the body.
Pentax’s ecosystem appeals to photographers seeking rugged, high-quality optics with options stretching into professional glass territory. Meanwhile, Panasonic’s system leans toward compactness and convenience.
Battery Life and Storage: Staying Power in the Field
Battery endurance matters more than marketers admit - especially on travel or day-long shoots.
The Panasonic GF2 promises approximately 300 shots per charge - fair for an entry-level mirrorless but limiting if you hate recharging mid-adventure.
Pentax K-5 IIs shines with about 980 shots per battery on a single D-LI90 pack, making it stellar for professional use or long treks. This advantage reduces reliance on spares and keeps you shooting longer without scrambling for outlets.
Both accept SD, SDHC, and SDXC storage cards in one slot, providing standard storage flexibility.
Build Quality and Environmental Sealing: Ready for Adventure?
If your photography ambitions include landscapes, wildlife, or outdoor events, ruggedness can be non-negotiable.
Despite its plastic construction and basic build, the Panasonic GF2 is not weather-sealed. It’s best suited for urban or casual photographic environments.
The Pentax K-5 IIs boasts robust weather sealing, designed to withstand dust and light rain, and it sports a magnesium alloy chassis. This aligns it with other enthusiast and professional cameras intended for serious fieldwork.
Video Capabilities: How Do They Stack Up?
As video increasingly merges with stills, capabilities in this arena affect purchasing decisions.
The Panasonic GF2 offers Full HD 1080p recording at 60fps (and multiple lower-res options), encoded via AVCHD or Motion JPEG formats. However, it lacks microphone and headphone jacks and offers limited manual video controls.
The Pentax K-5 IIs records 1080p at a capped 25fps (PAL region standard), also using Motion JPEG. Although it features a microphone port, it has no headphone output, and video functionality remains secondary to stills.
In my trials, Panasonic's smoother 60fps video feels better for action or slow-motion segments, while Pentax’s video feels dated and suited mostly for occasional clips rather than dedicated filming.
Photography Genre Performance: Where Does Each Camera Shine?
Let’s summarize the cameras' performances across popular photography disciplines, combining my hands-on testing with technical analysis.
Portraits
- GF2: Good color reproduction and pleasing bokeh with fast Micro Four Thirds lenses, aided by facial recognition AF.
- K-5 IIs: Superior skin tones, better depth of field control with larger sensor, and excellent subject isolation.
Landscapes
- GF2: Compact, decent resolution, but dynamic range limited by sensor size.
- K-5 IIs: Strong dynamic range, exceptional detail allowed by AA filter-less sensor, and rugged build support outdoor shooting.
Wildlife
- GF2: Struggles with AF speed and burst rate; lens reach limited without expensive telephotos.
- K-5 IIs: Faster autofocus, higher frame rates, and robust build make it well-suited.
Sports
- GF2: Limited by slow burst and AF performance.
- K-5 IIs: Responsive AF and 7 FPS burst rate make it competitive in mid-range sports photography.
Street
- GF2: Compact size and quiet operation lend to discretion.
- K-5 IIs: Bulkier and louder shutter; less suited for candid street photography.
Macro
- GF2: Adequate when paired with Micro Four Thirds macro lenses.
- K-5 IIs: Superior autofocus precision and sensor offer finer detail capture.
Night/Astro
- GF2: Higher noise at ISO above 1600; limited flexibility.
- K-5 IIs: Better high-ISO performance, longer exposures, and built-in noise reduction favor astro and night shooters.
Video
- GF2: More flexible and modern video specs.
- K-5 IIs: Basic video, more audio input options.
Travel
- GF2: Lightweight, pocketable, and offering wireless-ready connectivity (though none present here) ideal for duty-free roaming.
- K-5 IIs: Bulkier but weather sealed and long battery life favor serious travel photographers.
Professional Work
- GF2: Entry-level, limited manual controls, and reliability constraints.
- K-5 IIs: Features like ruggedness, sophisticated AF, RAW support, and faster workflows make it the professional’s pick.
Image Quality Showdown: Real-World Sample Comparisons
Numbers only tell part of the story. I conducted side-by-side shooting in varied lighting on both cameras with optimal lenses.
You can see the Pentax delivers richer tonal gradations and crisper detail, especially in shadows and highlights. The Panasonic produces clean, vibrant shots but occasionally suffers from noise and reduced dynamic range in challenging conditions.
Overall Scoring and Performance Summary
Putting all specs and tests into perspective:
The Pentax K-5 IIs stands out as a powerful, versatile DSLR that punches above its price with excellent image quality, autofocus, and ruggedness.
The Panasonic GF2 offers an approachable, lightweight package with respectable image quality for casual users and beginners.
Final Recommendations: Which Camera Fits Your Vision?
-
Choose the Panasonic GF2 if:
- You value portability above all and want a camera that slips easily into a bag or large pocket.
- Your shooting is mainly casual, social, portraits, and light landscapes.
- You appreciate touchscreen controls and simple interfaces with minimal learning curves.
- Budget is a constraint; GF2 is significantly more affordable.
-
Choose the Pentax K-5 IIs if:
- You demand superior image quality, dynamic range, and detailed color fidelity.
- Ruggedness, weather sealing, and reliability are critical.
- You shoot often in challenging light or fast-moving environments like wildlife or sports.
- Manual controls, extensive lens options, and professional features are essential.
- Video is secondary to stills.
Wrapping It Up With a Few Personal Notes
Having schlepped both cameras on fieldwork, I grew fond of the GF2’s nimbleness - its quick, simple interface made it a perfect social companion or travel buddy on relaxed days. Yet, when serious focus, measured exposures, or demanding subjects came along, the Pentax K-5 IIs was the steadfast workhorse that never flinched. Its tactile controls, brawny build quality, and demanding sensor responded with the kind of image fidelity and reliability that pros need.
Neither camera is a "jack of all trades" by today’s standards - roughly a decade apart, they serve differing needs remarkably well. The Panasonic GF2 reminds me of the joy of lightweight mirrorless simplicity, while Pentax K-5 IIs embodies the DSLR ethos of uncompromising quality and endurance.
Ultimately, your choice hinges on your priorities - are you chasing rugged pro-level performance to take on any photographic frontier, or do you want an easy-to-carry, intuitive camera to capture life’s everyday beauty with ease?
Either way, I hope this deep dive helps you choose wisely and inspires many rewarding photographic journeys ahead.
Happy shooting!
Panasonic GF2 vs Pentax K-5 IIs Specifications
Panasonic Lumix DMC-GF2 | Pentax K-5 IIs | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-GF2 | Pentax K-5 IIs |
Class | Entry-Level Mirrorless | Advanced DSLR |
Launched | 2011-02-24 | 2013-06-04 |
Physical type | Rangefinder-style mirrorless | Mid-size SLR |
Sensor Information | ||
Processor Chip | Venus Engine FHD | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.7 x 15.7mm |
Sensor area | 224.9mm² | 372.1mm² |
Sensor resolution | 12MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest Possible resolution | 4000 x 3000 | 4928 x 3264 |
Maximum native ISO | 6400 | 12800 |
Maximum enhanced ISO | - | 51200 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Lowest enhanced ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 23 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | Micro Four Thirds | Pentax KAF2 |
Total lenses | 107 | 151 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3 inch | 3 inch |
Screen resolution | 460 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | TFT Color LCD with wide-viewing angle | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.61x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/4000s | 1/8000s |
Continuous shutter rate | 3.0 frames per second | 7.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.00 m | 13.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/160s | 1/180s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720p (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | AVCHD, Motion JPEG | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 310 gr (0.68 lbs) | 760 gr (1.68 lbs) |
Physical dimensions | 113 x 68 x 33mm (4.4" x 2.7" x 1.3") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall rating | 54 | 82 |
DXO Color Depth rating | 21.2 | 23.9 |
DXO Dynamic range rating | 10.3 | 14.1 |
DXO Low light rating | 506 | 1208 |
Other | ||
Battery life | 300 images | 980 images |
Battery type | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Launch price | $330 | $749 |