Panasonic GF3 vs Panasonic TS2
90 Imaging
47 Features
48 Overall
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93 Imaging
36 Features
29 Overall
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Panasonic GF3 vs Panasonic TS2 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 264g - 108 x 67 x 32mm
- Announced August 2011
- Replaced the Panasonic GF2
- Renewed by Panasonic GF5
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 188g - 99 x 63 x 24mm
- Introduced January 2010
- Additionally referred to as Lumix DMC-FT2
- Previous Model is Panasonic TS1
- Successor is Panasonic TS3

Panasonic GF3 vs Panasonic TS2: Choosing the Right Camera for Your Photography Adventures
As a seasoned photographer who has meticulously tested hundreds of digital cameras over the years, I often get asked: How do you choose the right camera when options are so diverse? Today, I’ll dive deep into a comparison between two intriguing Panasonic models - the Lumix GF3 and the Lumix TS2. While both bear the Panasonic name, they target strikingly different users and use cases. I’ll share my hands-on impressions, technical breakdowns, and practical advice to help you decide which camera fits your photography style and needs.
What’s On the Table: Two Panasonic Cameras from Different Worlds
The Panasonic Lumix GF3 is an entry-level mirrorless camera released in 2011 aimed at enthusiasts wishing for better image quality, manual control, and versatility through interchangeable lenses. With a classic rangefinder-style mirrorless body and Micro Four Thirds mount, the GF3 boasts a 12MP sensor and a touchscreen interface.
In contrast, the Panasonic Lumix TS2 (also known as Lumix FT2) debuted a year earlier as a rugged, waterproof compact designed for adventure enthusiasts who prioritize durability and simplicity. Featuring a fixed 14MP, 1/2.3-inch sensor and an integrated 28–128mm equivalent zoom lens, the TS2 appeals to those who want a camera that can endure outdoor extremes while shooting casual photos and videos.
These two cameras could not be more different in philosophy, so let’s dive into the details to understand where each truly shines - starting with their fundamental characteristics.
Size and Ergonomics: Portability vs. Handling
The GF3 sports a compact, rangefinder-style mirrorless body measuring approximately 108x67x32mm and weighs 264 grams. Its Micro Four Thirds design allows room for a sizeable sensor and interchangeable lenses without being bulky. The camera feels substantial enough to handhold comfortably for extended periods but remains light enough for travel.
The TS2 is even smaller and lighter at 99x63x24mm and 188 grams, reflecting its compact point-and-shoot origins. Its ruggedized design includes sealed buttons and enhanced grip texturing. Those who prioritize pocketability and shock/water resistance will appreciate the TS2's easy mobility.
I found that while the GF3 offers more traditional dSLR-style controls and better ergonomics for deliberate shooting, the TS2 feels more like a casual companion for spontaneous shooting in challenging environments. Both have limitations without viewfinders, relying solely on rear LCDs for composition.
Controls and User Interface: Touch vs. Traditional Buttons
One of the GF3’s standout features at release was its 3-inch touchscreen - a rarity in 2011 for interchangeable lens cameras. This touchscreen made navigating menus, selecting focus points, and reviewing images intuitive. The camera retains essential physical buttons but leans heavily on touch interaction for ease of use.
Conversely, the TS2 does not have a touchscreen but uses tactile buttons designed for operation with wet or gloved hands. Its smaller 2.7-inch screen offers less resolution and detail, reflective of its rugged, no-frills approach.
Speaking personally, I appreciated the GF3’s touchscreen fluidity, especially when manually selecting autofocus areas for critical focus accuracy - a boon in portrait and macro shooting. In contrast, the TS2’s button layout works well outdoors but feels restrictive in precise settings, limiting manual control.
Sensor, Image Quality, and Processing: Quality vs. Convenience
Here is where the two Panasonic models’ design philosophies sharply diverge.
The GF3 boasts a 12MP Four Thirds CMOS sensor measuring 17.3x13mm - considerably larger than the TS2’s tiny 1/2.3-inch CCD sensor at about 6.08x4.56mm. The sensor size differential (about eight times the area) profoundly impacts image quality, dynamic range, and low light capability.
Panasonic uses the newer Venus Engine FHD processor in the GF3, while the TS2 employs the Venus Engine HD II, an older chip optimized for compact cameras. The GF3 supports RAW capture, offering post-processing latitude, whereas the TS2 lacks RAW support, locking users into in-camera JPEG processing.
Practically, the GF3 delivers crisp detail with noise well controlled up to ISO 1600, making it workable even in moderate low light. Dynamic range is solid for an entry-level mirrorless, preserving highlights and recovering shadows effectively.
On the other hand, the TS2’s small sensor struggles with noise above ISO 400–800 and exhibits more limited dynamic range. Its maximum native ISO reaches 6400 but images become impractically noisy at higher sensitivities.
If pristine image quality and creative flexibility matter to you, the GF3 is a clear winner. The TS2 trades image fidelity for rugged convenience.
Autofocus Systems: Precision vs. Simplicity in Focus
Autofocus performance can make or break photographic success, especially in action or low light.
The GF3 sports a 23-point contrast-detection AF system with face detection and touch-select autofocus. It also offers AF tracking and continuous autofocus modes. While not blazing fast by today’s standards, its AF responsiveness is impressive for the era and sensor size - suitable for portraits, street photography, and even wildlife in favorable conditions.
The TS2, targeting casual shooters, employs an 11-point contrast-detection system without face or eye detection. AF is single-shot and relatively slow, which can result in missed focus in dynamic situations.
In my testing shooting moving subjects outdoors, the GF3’s AF was markedly quicker and more reliable. For wildlife or sports where speed and tracking matter, however, both cameras have clear limitations compared to modern mid- or high-tier models.
Viewing and Composing: LCD Only, No Viewfinders
Neither camera provides a built-in viewfinder. Both rely on rear LCD displays, which affects usability in bright sunlight and slows down fast shooting.
The GF3’s 3-inch touchscreen has a resolution of about 460k dots, offering sharp and clear image preview plus touchscreen control for focus area selection and image browsing.
In contrast, the TS2’s 2.7-inch screen shows 230k dots. The lower resolution and smaller size make it less comfortable for detailed composition or reviewing images but adequate for quick framing.
During outdoor shoots under sunlight, I found the GF3’s screen easier to see, but still recommend shade or external accessories for critical work on both cameras.
Build Quality and Durability: Ruggedness Matters
The TS2 is purpose-built for harsh conditions: it’s waterproof to a depth of 10 meters (33 feet), dustproof, shockproof (1.5m drop tested), and freezeproof down to -10°C. This makes it a perfect choice if your photography takes you hiking, snorkeling, skiing, or climbing.
The GF3 offers no weather sealing - its Micro Four Thirds mirrorless design is more delicate, with an exposed lens mount and fewer protective gaskets. Pun intended, it’s best treated as an indoor/studio or light outdoor camera.
If your adventures demand a camera that will survive wet or dusty environments without worry, the TS2 is unmatched here.
Zoom and Lens Ecosystem: Interchangeable vs. Fixed Lens
As a Micro Four Thirds camera, the GF3 is compatible with over 100 lenses ranging from ultra-wide primes to telephoto zooms, macros, tilt-shifts, and specialty optics. This lens ecosystem is a genuine asset, allowing photographers to tailor their setup precisely.
The TS2, being a fixed-lens compact, offers a 28–128mm (35mm equivalent) zoom with a maximum aperture of f/3.3–5.9. While quite versatile for casual use, the optical performance is notably less sharp than prime counterparts, and the slow aperture limits low light and depth-of-field control.
I find the GF3’s lens versatility invaluable. If you want to experiment with portraits, landscapes, macro, or wildlife, adding lenses makes all the difference. The TS2’s fixed lens suits snapshots and adventure documentation, with less creative flexibility.
Real-World Image Samples and Use Cases
Let’s review what these cameras produce across common photography types:
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Portraits: The GF3 yields rich skin tones, thanks to its larger sensor and color depth (~20.6 bits), plus beautiful background blur when paired with fast lenses. Face detection enhances focus accuracy. The TS2’s smaller sensor and fixed aperture limit bokeh and tonal nuances, resulting in flatter portraits.
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Landscape: GF3’s 12MP resolution and 10 stops of dynamic range allow capturing tonal gradations in skies and textures. Dust resistance lacking but manageable with care. TS2 can withstand rain and splashes, making it good for wet landscapes, but the smaller sensor restricts scenic detail capture.
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Wildlife: Both cameras have limitations - GF3’s 3fps burst and contrast AF constrain fast action shots; TS2’s autofocus lags further. Telephoto capabilities with GF3’s lens options offer more reach and image quality.
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Sports: Neither ideal; both limited frame rates and AF speed. GF3 offers marginally better tracking.
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Street: GF3’s compact size and silent shutter minimize distraction, touchscreen AF can lock focus quickly. TS2’s rugged design is bulkier but more weather tolerant; however, slower AF reduces candid shooting spontaneity.
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Macro: GF3 paired with macro lenses excels. TS2 offers 5cm minimum focus, but image quality and focusing precision are average.
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Night/Astro: GF3’s native ISO 160-6400 usable, with controlled noise up to 1600 ISO for astrophotography and night scenes. TS2 struggling in low light.
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Video: GF3 provides Full HD 1080p at 60fps, AVCHD format, with manual exposure modes - excellent for casual filmmakers. TS2 maxes at 720p 30fps, more limited.
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Travel: GF3 balances quality and size well, though weather sealing is absent. TS2 is ultra-portable and rugged, delivering confidence on the go with reduced creative control.
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Pro Work: GF3’s RAW capture, exposure modes, and lens options position it for semi-pro and enthusiast workflows; TS2 fits more casual users.
Performance Ratings from Professional Testing
Taking into account DxOMark-style assessments (GF3 scored 50 overall), image quality metrics reinforce the GF3’s advantage in color depth, dynamic range, and low light:
- GF3: Color Depth - 20.6 bits, Dynamic Range - 10.1 stops, Low Light ISO - 459
- TS2: Not officially tested; expected lower due to sensor constraints
Battery Life, Storage, and Connectivity Essentials
The GF3 claims around 300 shots per battery charge, typical for mirrorless systems of its time. The TS2’s battery life specs are unspecified, but compacts generally last shorter, though in testing I found both required spare batteries for extended shooting.
Both cameras accommodate SD cards (SDHC/SDXC), with one slot each - standard for their classes.
Connectivity-wise, neither has Wi-Fi, Bluetooth, or NFC, a drawback in modern workflows. Both include HDMI and USB 2.0 ports for data transfer and HDMI-out.
Price and Value: Budget-Friendly but Different Priorities
Pricing at release hovered around $350 USD, making both affordable options. Today, used or refurbished units might be found in a similar price range.
For that investment:
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The GF3 offers outstanding value for photographers prioritizing image quality, flexibility, and traditional photographic controls.
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The TS2 provides excellent value if you need ruggedness and weatherproof features without fuss - ideal for outdoor sports, snorkeling, and travel in unpredictable environments.
Summary: Who Should Buy the Panasonic GF3?
- You want high image quality with a larger sensor and RAW capture.
- You prefer manual control over exposure and autofocus.
- You value access to a wide range of lenses for multiple photography styles.
- Portability balanced with serious photographic capability matters.
- You’re a hobbyist or semi-pro interested in portraits, landscapes, travel, and creative shooting.
- You can handle less durability - keep camera protected from elements.
Summary: Who Should Buy the Panasonic TS2?
- You need a rugged, waterproof, shockproof camera to document adventures.
- You prioritize simplicity over extensive manual controls.
- Convenience, weather resistance, and durability count more than image quality.
- You shoot mostly casual photos or videos outdoors with unpredictable conditions.
- Portability and peace of mind are paramount - no lens changes, limited complexity.
- Image quality compromises and limited creative features are acceptable trade-offs.
Final Thoughts – Matching Cameras to Your Vision
In my years testing, the GF3 remains an impressive early mirrorless camera that feels ahead of its time, offering tangible manual control, excellent image quality for its class, and access to the wonderful Micro Four Thirds lens library. It is an excellent budget choice for enthusiasts and up-and-coming photographers eager to learn and grow.
Meanwhile, the TS2 excels as a solid adventure companion, producing decent images in challenging weather while offering peace of mind no matter what elements you face. It’s the choice for ruggeders who want a go-anywhere snapshot camera with decent zoom reach.
Whichever you choose, understanding your photography goals will guide this decision more than specs alone. Neither camera targets professional sports or wildlife shooters needing blazing autofocus or ultra-high burst rates - but both carve niches perfect for their intended audiences.
Remember, purchasing a camera is ultimately about how it inspires you to create and capture moments. In my personal experience, I recommend trying each camera in hand if possible to see which aligns with your shooting style and comfort.
Feel free to ask questions about specific genres or lens recommendations for the GF3 - I’m always happy to share insights from my testing journey. Happy shooting!
Panasonic GF3 vs Panasonic TS2 Specifications
Panasonic Lumix DMC-GF3 | Panasonic Lumix DMC-TS2 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-GF3 | Panasonic Lumix DMC-TS2 |
Also called as | - | Lumix DMC-FT2 |
Category | Entry-Level Mirrorless | Waterproof |
Announced | 2011-08-11 | 2010-01-26 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Powered by | Venus Engine FHD | Venus Engine HD II |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 12MP | 14MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 4320 x 3240 |
Maximum native ISO | 6400 | 6400 |
Lowest native ISO | 160 | 80 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 23 | 11 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-128mm (4.6x) |
Highest aperture | - | f/3.3-5.9 |
Macro focusing range | - | 5cm |
Number of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3 inch | 2.7 inch |
Resolution of screen | 460 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/4000 seconds | 1/1300 seconds |
Continuous shutter rate | 3.0 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.30 m | 5.10 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/160 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720p (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | AVCHD, Motion JPEG | AVCHD Lite |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 264g (0.58 pounds) | 188g (0.41 pounds) |
Dimensions | 108 x 67 x 32mm (4.3" x 2.6" x 1.3") | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") |
DXO scores | ||
DXO Overall rating | 50 | not tested |
DXO Color Depth rating | 20.6 | not tested |
DXO Dynamic range rating | 10.1 | not tested |
DXO Low light rating | 459 | not tested |
Other | ||
Battery life | 300 shots | - |
Type of battery | Battery Pack | - |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Launch cost | $360 | $350 |