Panasonic GF5 vs Panasonic GX7
89 Imaging
48 Features
54 Overall
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81 Imaging
52 Features
75 Overall
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Panasonic GF5 vs Panasonic GX7 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 267g - 108 x 67 x 37mm
- Introduced April 2012
- Replaced the Panasonic GF3
- Newer Model is Panasonic GF6
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 125 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 402g - 123 x 71 x 55mm
- Announced November 2013
- Earlier Model is Panasonic GX1
- Newer Model is Panasonic GX8

Panasonic GF5 vs GX7: A Deep Dive Into Two Distinct Micro Four Thirds Cameras
Choosing the right camera can often feel like navigating a labyrinth - with a dizzying array of specs, features, and elusive “which is better?” questions. Today, I’m placing two Panasonic Micro Four Thirds mirrorless cameras under the microscope: the entry-level Panasonic Lumix DMC-GF5 (2012) and the more advanced Panasonic Lumix DMC-GX7 (2013). Both bear Panasonic’s signature rangefinder-style design and share the Micro Four Thirds mount, yet they target very different photographers.
Having spent countless hours testing these cameras across a variety of photographic disciplines and lighting conditions, I’m here to offer an experiential, no-nonsense comparison. Let’s explore how the GF5 and GX7 stack up side-by-side - from sensor performance to ergonomics, from autofocus to video capability, and ultimately, which camera is best suited for your photography style and budget.
First Impressions: Size, Build, and Ergonomics
When holding the Panasonic GF5 and GX7 together, their size and feel reveal themselves immediately.
The GF5 measures a compact 108x67x37mm and weighs a mere 267 grams - undeniably pocketable and lightweight, a perfect companion for casual shooters and travelers prioritizing portability. However, that diminutive size comes at the expense of grip comfort and button layout. Its rangefinder-style body offers fewer dedicated controls, which can hamper rapid adjustments in the field.
Conversely, the GX7 steps up its game in size (123x71x55mm) and heft (402 grams), reflecting its more advanced positioning. This additional bulk translates directly into a more substantial grip and improved ergonomics, which photographers who shoot for hours will appreciate.
Examining the top control layouts:
The GX7 features a richer array of physical controls - twin dials for shutter speed and exposure compensation, a dedicated exposure mode dial, and an external hotshoe for flashes - all crucial for experienced users wanting tactile, immediate control. The GF5 feels pared down in comparison, with a minimalist button scheme and no external flash support, catering mostly to beginners who prefer point-and-shoot simplicity.
In terms of build quality, neither camera offers environmental sealing or weatherproofing, but the GX7’s construction carries a more solid, premium feel, reflecting Panasonic's "advanced mirrorless" intent. The GF5, while decently built, leans toward lightweight plastics geared for casual handling rather than rugged use.
Takeaway
If you prioritize ultra-compactness and casual use, the GF5’s lightweight body is attractive. For photographers valuing ergonomics and more comprehensive manual control, the GX7’s robust build and button layout become instantly apparent.
Sensor and Image Quality: Pixels, Performance, and Dynamic Range
Both cameras employ a Four Thirds sensor sized 17.3x13mm, offering a familiar 2.1x crop factor for compatible lenses. However, Panasonic equipped these models with quite different imaging engines and sensor resolutions:
- Panasonic GF5: 12MP CMOS sensor paired with the Venus Engine FHD processor.
- Panasonic GX7: 16MP CMOS sensor with an updated Venus Engine processor.
In raw imaging capabilities, the GX7’s 16-megapixel sensor provides a noticeable increase in resolution and finer detail rendering compared to the GF5’s 12-megapixel sensor. More importantly, dynamic range metrics highlight a considerable advantage for the GX7 - 12.2 stops compared to GF5’s 10 stops (per DxOMark scoring). This difference is substantial in landscape and high-contrast photography, where recovering shadows and highlights matters greatly. The GX7’s superior color depth (22.6 bits versus GF5’s 20.5) translates to richer tonal gradations and smoother transitions - a boon for portraiture and fine art work.
On the low-light performance front, the GX7’s native ISO extends to 25600, effectively doubling the GF5’s max 12800 ISO. While high ISO results always depend on sensor tech and noise reduction algorithms, the GX7 delivers markedly cleaner images at higher sensitivities, aided by its more advanced processor.
Given both cameras feature an anti-aliasing filter (to reduce moiré but at some slight detail cost), sharpness differences hinge largely on sensor resolution and lens used.
Real-World Image Samples
Across a set of portraits, landscapes, and street scenes, the GX7 files reveal visibly finer detail and color fidelity with less chroma noise at ISO 1600 and above when compared with the GF5. Skin tones in particular appear more natural, with improved gradation and less flattening. These differences become more evident in prints or when images are heavily cropped.
Autofocus: Speed, Accuracy, and Tracking
Autofocus is an area where camera generations - sometimes more than sensor size - define photographic success, especially in fast-paced scenarios like sports, wildlife, or street photography.
- Both cameras utilize contrast-detection autofocus with 23 focus points.
- Neither supports phase-detection autofocus (still rare on Micro Four Thirds of this generation).
- Both support face detection and continuous AF modes.
However, the GX7’s newer processor and software algorithms confer notable improvements in AF speed and accuracy, particularly in continuous autofocus (AF-C) and eye detection - important for portraits and moving subjects.
The GF5 may occasionally hunt or hesitate in low-contrast situations or when tracking erratic motion, a typical limitation of early contrast-detection systems. The GX7 feels snappier and more confident in maintaining focus on moving targets.
Still, neither camera should be considered a wildlife or sports powerhouse; their burst rates differ too - 4fps for the GF5 and 5fps for the GX7, not matching the 10fps+ rates sought by serious action photographers. But the GX7 provides a clear advantage when capturing moderately fast movements or dynamic street scenes.
Viewfinding and LCD: Composing Your Shots
Composition tools often separate average shooters from pro-level work, and here the GX7 flexes some big advantages.
- The GF5 sports a fixed 3" TFT LCD with 920K dots, touch capability, but offers no electronic viewfinder (EVF).
- The GX7 has a 3" tilting LCD with 1040K dots and an integrated high-resolution EVF boasting 2.76 million dots, 100% coverage, and 0.7x magnification.
For outdoor photography, especially under bright sunlight, relying solely on the GF5’s LCD is a serious limitation: glare, limited viewing angles, and lower resolution often make framing and manual focusing frustrating. The GX7’s EVF is a game-changer; it delivers a clear, real-time preview unaffected by ambient light, showing exposure parameters, focus peaking overlays, and histograms, essential for manual lenses or precise manual focus.
The GF5’s touchscreen is responsive but the GX7’s interface - incorporating physical dials and customizable buttons along with touchscreen inputs - creates a smoother, faster workflow. Moreover, the GX7’s tilting screen adds versatility for low or high-angle shooting and moderate selfie convenience (though neither is a “selfie-friendly” flip model).
Lens Ecosystem and Compatibility
Both cameras employ the Micro Four Thirds mount, benefiting from one of the most extensive lens catalogs available - over 100 native lenses from Panasonic, Olympus, and third-party manufacturers, plus compatibility with many adapted lenses.
However, the GX7’s increased feature set - such as in-body sensor stabilization (IBIS) - allows stabilization benefits with every lens mounted, including older manual glass. The GF5, lacking IBIS, relies solely on lens-based optical stabilization and simpler handling.
If you plan to build a versatile kit progressing into telephoto, macro, or fast primes, the GX7’s benefits in stabilization and autofocus will enhance your shooting experience markedly.
Video Capabilities: Beyond Still Photography
Video shooters should take note of the following:
- Both cameras offer full HD 1080p recording but at slightly different frame rate options.
- The GF5 records 1080p at 60/50fps (MPEG-4 or AVCHD), with no microphone input and no headphone jack.
- The GX7 supports 1080p at a wider palette of frame rates (60p, 60i, 50p, 50i, 30p, 24p) and also lacks audio input/output jacks, but includes timelapse capabilities.
Neither model delivers 4K or higher frame rates required for professional video production, but the GX7’s sensor-based image stabilization significantly smooths handheld footage in contrast to the GF5’s lack of any stabilization system.
From a practical perspective, you’ll want to consider the GX7 if basic but high-quality HD video shooting is important - especially with its enhanced stabilization and exposure control options.
Battery Life and Connectivity
Battery endurance is crucial when spending days in the field:
- The GF5 claims approximately 360 shots per charge.
- The GX7 is rated slightly lower, around 350 shots, reflecting the higher power draw from its EVF and stabilization.
In practice, power consumption on the GX7 can be managed by strategic settings (such as turning off the EVF when not needed) but the GF5’s smaller battery generally lasts longer in casual usage.
Wireless features also differentiate these two:
- The GF5 offers no wireless connectivity.
- The GX7 introduces built-in WiFi and NFC, enabling remote control, image transfer, and pairing with smartphones and tablets - an indispensable feature for modern workflows and social sharing.
Photography Genres: Strengths and Limitations
To give you a practical sense of where each camera shines, I’ve summarized their scores across photography types based on extensive testing metrics and shooting scenarios:
Portrait Photography
- GX7 wins comfortably, thanks to better sensor resolution, improved dynamic range permitting more flattering skin tone rendition, eye detection autofocus, and optical stabilization to reduce camera shake.
- The GF5’s lower resolution and lack of stabilization limit its performance, though it can serve beginners with good lenses.
Landscape Photography
- The GX7 again outperforms due to wider dynamic range and higher resolution, allowing for richer detail in shadows and better highlight retention.
- Fixed-tilt screen and EVF aid in composition under variable lighting.
- The GF5’s smaller size suits travel landscapes where weight matters more than absolute detail.
Wildlife and Sports Photography
- Neither camera is optimized for professional sports or fast wildlife work, but GX7’s faster burst and autofocus tracking edge ahead.
- GF5’s AF lag and slower frame rate make capturing decisive moments more challenging.
Street Photography
- GF5’s compactness is a clear plus - it’s less obtrusive and quick to carry.
- However, the GX7’s EVF provides better framing options; its size and weight may be slightly more conspicuous.
Macro Photography
- Both cameras depend heavily on lens quality here.
- GX7’s stabilization gives an advantage with close focusing.
Night and Astro Photography
- The GX7’s superior high ISO performance and dynamic range, plus its longer shutter speeds capability (up to 60s), significantly aid night work.
- GF5’s noise hits more quickly at high ISO.
Video Production
- GX7’s IBIS and wider frame rate options make it more video-friendly.
- GF5 is limited to basic 1080p recording without stabilization.
Travel
- GF5’s size and weight advantage make it ideal for minimalist travel setups.
- GX7 offers more control and image quality if you’re willing to carry more gear.
Professional Workflows
- GX7 supports more flexible file formats and better control, facilitating integration in professional editing workflows.
- GF5 is primarily for enthusiasts and casual photographers.
Evaluating the Price-to-Performance Ratio
At launch, the GF5 retailed for around $600, while the GX7 commanded a $1000 price point. Today, both are surpassed by newer models but remain popular used-camera options.
From a purely performance standpoint, the GX7 justifies its higher cost with its superior sensor, better autofocus, IBIS, EVF, and added features like WiFi. However, for those entering mirrorless or constrained by budget, the GF5 represents an excellent value for simple shooting and small size.
Final Thoughts and Recommendations
What is my bottom line after extensive hands-on testing and side-by-side comparisons of these Panasonic Micro Four Thirds cameras?
Choose the Panasonic GF5 if:
- You want a compact, lightweight camera to upgrade from a smartphone or point-and-shoot.
- Simplicity and ease of use (touchscreen, minimal controls) supersede advanced customization.
- Your budget is tight, or you desire an affordable entry into interchangeable-lens photography.
- Your shooting leans toward casual travel, street, or everyday snapshots.
- Video, stabilization, and advanced autofocus are lower priority.
Choose the Panasonic GX7 if:
- You want significantly better image quality, dynamic range, and high ISO performance, valuable across almost all photography types.
- You need a versatile camera with solid ergonomics, physical controls, and an EVF for precise framing.
- You shoot portraits, landscapes, night scenes, or moderate sports requiring faster AF and stabilization.
- You want built-in WiFi/NFC for seamless sharing and remote operation.
- Video capture with smoother handheld footage is critical, even if not professional-grade 4K.
- You aim to build a flexible lens kit and benefit from sensor stabilization.
In conclusion, while these two Panasonic models share a Micro Four Thirds heritage and rangefinder body style, the GX7 emerges as a far more capable workhorse for dedicated photographers seeking quality and versatility - at a price premium. The GF5 remains a charming, approachable choice for beginners or those valuing portability over technical finesse.
I encourage you to weigh your primary photography needs against these factors. If possible, visiting a store to handle both cameras or renting them for a weekend can solidify your decision. Both models have unique strengths that serve different photographic journeys - from casual memory keepers to enthusiasts ready to explore manual controls and advanced features.
Happy shooting!
Article images:
Panasonic GF5 vs Panasonic GX7 Specifications
Panasonic Lumix DMC-GF5 | Panasonic Lumix DMC-GX7 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-GF5 | Panasonic Lumix DMC-GX7 |
Type | Entry-Level Mirrorless | Advanced Mirrorless |
Introduced | 2012-04-05 | 2013-11-07 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine FHD | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 12MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 4592 x 3448 |
Highest native ISO | 12800 | 25600 |
Lowest native ISO | 160 | 125 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 23 | 23 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Total lenses | 107 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 3" | 3" |
Resolution of screen | 920 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | TFT Color LCD with wide-viewing angle | LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,765 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 60 seconds | 60 seconds |
Maximum shutter speed | 1/4000 seconds | 1/8000 seconds |
Maximum silent shutter speed | - | 1/16000 seconds |
Continuous shooting speed | 4.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.30 m | 7.00 m (at ISO 200) |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Slow sync w/red-eye reduction, off |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/160 seconds | 1/320 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50 fps), 1280 x 720p (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 24p), 1280 x 720 (60p, 30p), 640 x 480 (30p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 267 gr (0.59 lb) | 402 gr (0.89 lb) |
Dimensions | 108 x 67 x 37mm (4.3" x 2.6" x 1.5") | 123 x 71 x 55mm (4.8" x 2.8" x 2.2") |
DXO scores | ||
DXO All around rating | 50 | 70 |
DXO Color Depth rating | 20.5 | 22.6 |
DXO Dynamic range rating | 10.0 | 12.2 |
DXO Low light rating | 573 | 718 |
Other | ||
Battery life | 360 images | 350 images |
Battery form | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 secs, 10 secs w/ 3 shots) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC card |
Storage slots | 1 | 1 |
Pricing at launch | $600 | $1,000 |