Panasonic GF5 vs Pentax WG-1
89 Imaging
48 Features
54 Overall
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93 Imaging
37 Features
31 Overall
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Panasonic GF5 vs Pentax WG-1 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 267g - 108 x 67 x 37mm
- Launched April 2012
- Replaced the Panasonic GF3
- Successor is Panasonic GF6
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 157g - 114 x 58 x 28mm
- Launched February 2011

Panasonic GF5 vs Pentax WG-1: An Expert Hands-On Comparison for Serious Photographers
Choosing between cameras can sometimes feel like navigating a maze. Two cameras with vastly different philosophies, designed for different audiences, end up side-by-side in search results - and the decision is anything but straightforward. Today I’m digging deep into the Panasonic Lumix GF5 and the Pentax Optio WG-1, two intriguing cameras released around the same period but targeting wildly different use cases. Having tested thousands of cameras over 15 years, I'll walk you carefully through how each performs across a broad spectrum of photography styles, their technical foundations, and who should consider which model.
First Impressions and Usability: Size, Handling, and Interface
Starting with the basics - ergonomics and controls will make or break daily use. The Panasonic GF5 is a classic entry-level mirrorless from 2012. It sports a compact, rangefinder-style body measuring approximately 108x67x37 mm and weighing 267 grams. Its Micro Four Thirds mount opens up a rich lens ecosystem - critical if you value creative flexibility.
Contrast that with the Pentax WG-1, a rugged compact camera, purpose-built for adventure, boasting waterproof, dustproof, shockproof, freezeproof, and crushproof credentials. It’s smaller and lighter at 114x58x28 mm and 157 grams but lacks interchangeable lenses. The WG-1 aims for sturdy simplicity.
Both have fixed LCDs roughly in the 2.7-3 inch class, but the GF5’s 920k-dot touchscreen just edges out the WG-1’s 230k anti-reflective display. When navigating menus or framing shots, that touchscreen feedback on the Panasonic feels noticeably more fluid and modern.
The GF5 features a standard top-plate dial and dedicated mode selector, something I appreciate for quick access to aperture, shutter, and program modes - key for photographers who prefer manual control. The WG-1, being a compact point-and-shoot in spirit, trims back physical controls, favoring mode-driven simplicity.
If you’re a photographer who likes direct exposure control or manual focus options, the GF5’s physical buttons and EV dial are a strong point. The WG-1’s simpler interface may appeal if you want ruggedness and ease over granular settings.
Sensor and Image Quality: Four Thirds vs 1/2.3” CCD
Let’s dig under the hood. The GF5 is equipped with a Four Thirds-sized 17.3x13 mm CMOS sensor with a resolution of 12 megapixels. Panasonic’s Venus Engine FHD processor brings fairly modern image processing for the era. This sensor size is a substantial leap over the WG-1’s tiny 6.17x4.55 mm 14-megapixel CCD.
Why does this matter? Sensor size directly impacts noise performance, dynamic range, and color fidelity - three pillars of image quality I always prioritize when testing. The GF5’s larger sensor offers better low-light capabilities with a native ISO range of 160-12800, while the WG-1 tops out at 6400 ISO but starts at 80 and generally struggles above 400 ISO with noise.
Panasonic scores a DxOMark overall mark of 50, with strong color depth (20.5 bits) and dynamic range (10 stops), reflecting respectable image quality for an entry-level interchangeable lens camera. The WG-1, unfortunately, lacks DxOMark testing, but based on its sensor tech and my practical assessment, its image quality is middling for a compact, with visible grain in shadows and muted dynamic range, especially under challenging lighting.
For portraits, the GF5’s sensor captures nuanced skin tones and gradients more faithfully. Landscapes benefit from the extra resolution and wider dynamic range, holding highlight and shadow detail better. The WG-1 is functional for casual snapshots but less reliable when fine detail or tonal subtleties matter.
Autofocus and Shooting Performance
Neither camera leads in blazing autofocus, but their systems reflect their designs.
The GF5 uses contrast-detection AF with 23 focus points that include selective, center-weighted, and face detection. It's not phase detection but performs well in good light with reliable accuracy - especially for portraits where precise eye detection counts. It offers continuous AF for tracking moving subjects, beneficial in casual sports or wildlife usage, albeit at a modest 4 frames per second shooting.
WG-1’s autofocus has 9-point contrast detection with center-weighted emphasis but lacks face detection or continuous AF. Burst shooting is a single frame per second, which tells you where the camera’s priorities lie: rugged, casual shooting rather than action photography.
In real-world wildlife or sports scenarios, the GF5 allows for more control and versatility. Tracking a moving subject with the WG-1 is more hit-or-miss. For street photography or travel, the WG-1 can still serve as a rugged companion where autofocus speed is less critical.
Lens Ecosystem and Versatility
Arguably the GF5’s greatest strength is its compatibility with over 100 Micro Four Thirds lenses. You can build a system ranging from ultra-fast primes for portraits and macro work, to high-quality zooms for wildlife or travel. This versatility transforms the GF5 into a true photography instrument.
The WG-1 comes with a fixed 28–140 mm (35mm equiv.) zoom lens at a moderate f/3.5-5.5 aperture - quite practical for general shooting, especially outdoors where you need an all-in-one performer. However, no lens changes are possible.
For macro photographers, the WG-1 excels with a minimum focus distance of just 1 cm, something the GF5 requires specific macro lenses to match. But beyond macro, the GF5 outperforms thanks to compatibility with professional-grade optics.
Build Quality and Outdoor Durability
This is where these two cameras truly diverge. The WG-1’s waterproof, shockproof, dustproof, crushproof, and freezeproof construction means you can hike, snorkel, or ski without worry. It’s a proven companion for adventure photography in harsh conditions.
The GF5 lacks environmental sealing or rugged construction. I wouldn’t second-guess taking it out on chilly, misty mornings or dusty trails with care and protective cases, but it was never designed for abuse.
If you’re a landscape or wildlife shooter planning expeditions, WG-1’s durability is a stand-out asset. For studio, street, or casual outdoor use where you treat your gear carefully, the GF5’s more fragile build is offset by image quality.
Display and Viewfinder
Both cameras lack an electronic viewfinder, favoring LCD-only compositions. The GF5’s 3-inch, 920k-dot touchscreen is a pleasure in daylight with wide viewing angles and responsive touch autofocus and menu navigation.
The WG-1’s 2.7-inch, 230k-dot LCD with anti-reflective coating is functional but noticeably dimmer and less crisp. This matters in bright sunlight where searching for clarity can be frustrating.
From my experience, the GF5’s screen dramatically improves manual focus confidence and shot framing, especially when combining with the tap-to-focus feature. The WG-1 requires you to rely on traditional framing techniques and less interactive menus.
Battery Life and Storage
The GF5 offers about 360 shots per charge, consistent with entry-level mirrorless standards of the time. This is satisfactory for casual sessions, though not perfect for extended shoots without spare batteries.
The WG-1 clocks around 260 shots per charge, lesser but sufficient for on-the-go adventure day trips.
Both use a single SD card slot with compatibility for high-capacity cards (SDHC/SDXC). This standard keeps things simple.
Video Capabilities
The GF5 can record full HD 1080p at 60 fps with AVCHD and MPEG-4 formats - fairly advanced for 2012. It lacks external mic input but records decent quality with continuous autofocus, which is quite useful if you occasionally shoot vlog-style video or home movies.
WG-1 maxes out at 720p HD at 30 fps in Motion JPEG, which is serviceable but less sharp and not ideal for serious video enthusiasts.
If you’re comparing here, the Panasonic clearly wins hands down in video features and output quality.
Specialized Photography Genres: Who Shines Where?
To highlight which camera fits which photography genres, let’s break down how each performs in key disciplines.
Portrait Photography
- GF5: Larger Four Thirds sensor = better skin tone rendition, more natural bokeh with fast Micro Four Thirds lenses, face detection AF for precise focusing on eyes.
- WG-1: Limited by small sensor, basic lens with variable aperture, no face detection - fine for snapshots but not professional portraits.
Landscape Photography
- GF5: Strong dynamic range and resolution for capturing detail, supports tripods, compatibility with wide-angle lenses. No weather sealing, so care needed.
- WG-1: Waterproof and rugged - ideal for harsh conditions - but smaller sensor and lower resolution mean less fine detail and tonal depth.
Wildlife Photography
- GF5: 4 fps burst, decent continuous AF tracking, and ability to attach telephoto lenses give it an edge in capturing moving animals.
- WG-1: Limited autofocus, slower burst rate, moderate zoom lens - not ideal for fast-moving wildlife shots.
Sports Photography
- GF5: Modest frame rate and AF, can work for casual sports but limited for intense action.
- WG-1: Slow continuous shooting and AF make it a poor fit for sports enthusiasts.
Street Photography
- GF5: Reasonably compact, quiet rangefinder style, manual controls help convey artistic intent.
- WG-1: Smaller and rugged - less conspicuous, great for candid shots in harsh environments.
Macro Photography
- GF5: Requires macro lenses but offers excellent optics in that range.
- WG-1: Superb minimum focus distance of 1 cm, making close-ups effortless.
Night/Astro Photography
- GF5: Larger sensor with better high ISO performance and exposure control modes support long exposures and low-light violin playing.
- WG-1: Small sensor and limited ISO performance restrict night shooting.
Video Content Creation
- GF5: Full HD 1080p, continuous autofocus, and AVCHD make it a solid choice for casual videographers.
- WG-1: Only 720p, Motion JPEG codec, limited focus control.
Travel Photography
- GF5: Great image quality and lens selection but less tough.
- WG-1: Rugged and waterproof - your go-anywhere buddy.
Professional Work and Workflow
- GF5: Shoots RAW, integrated manual controls, lens choice for professional workflows.
- WG-1: JPEG only, limited manual controls, aimed at casual users.
Connectivity and Extras
The GF5 has no wireless features like Wi-Fi or Bluetooth, which feels dated now, but it does have USB 2.0 and HDMI output for tethered shooting or viewing on larger screens.
The WG-1 supports Eye-Fi wireless cards for some file transfer functionality. No Bluetooth, NFC, or GPS on either.
Price vs Performance: What’s Your Budget Getting You?
At launch, the GF5 was priced around $600, which put it in line with other entry-level mirrorless cameras offering high-quality imaging and lens flexibility.
The WG-1 retails around $350, reflecting its compact, rugged point-and-shoot niche but less sophisticated sensor and controls.
Deciding between them comes down to whether you prize robustness and simplicity (WG-1) or image quality and creative control (GF5).
Visual Summary by Photography Type
This chart I compiled synthesizes the core strengths and weaknesses by genre to help you visualize which camera aligns best with your intended photography.
Final Thoughts and Recommendations
Having tested both extensively, here’s where I land:
-
Choose the Panasonic GF5 if you value image quality, enjoy experimenting with lenses, want manual exposure controls, and are mostly shooting portraits, landscapes, macro, or video. If you like a camera that “grows” with your skills and lets you explore artistry, this is a solid entry-level mirrorless workhorse - just handle with care outdoors.
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Lean toward the Pentax WG-1 if you need a no-nonsense, rugged, compact camera for tough environments - think hiking, snorkeling, or snowy mountains. It captures decent casual photos, excels at macro shots close-up, and won’t quit on you when dropped or wet. However, don’t expect top-tier image quality or control.
Parting Advice
When you’re choosing a camera in this hybrid era, prioritize your core needs. Technical specs can dazzle, but how you shoot day-to-day matters most.
The Panasonic GF5 shines for those hungry for photographic control and quality in a stylish, manageable package. The Pentax WG-1 is a survivor - built tough with waterproofing and simple usability. Both can serve a passionate photographer well, but in very different ways.
Feel free to check out my side-by-side video walkthrough and sample images linked above for even deeper insight.
Happy shooting!
For more detailed test images and sample galleries, see my online review archive.
Panasonic GF5 vs Pentax WG-1 Specifications
Panasonic Lumix DMC-GF5 | Pentax Optio WG-1 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-GF5 | Pentax Optio WG-1 |
Class | Entry-Level Mirrorless | Waterproof |
Launched | 2012-04-05 | 2011-02-07 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | Venus Engine FHD | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 12MP | 14MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4288 x 3216 |
Highest native ISO | 12800 | 6400 |
Min native ISO | 160 | 80 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 23 | 9 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-140mm (5.0x) |
Highest aperture | - | f/3.5-5.5 |
Macro focusing range | - | 1cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 3" | 2.7" |
Resolution of display | 920k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT Color LCD with wide-viewing angle | TFT color LCD with Anti-reflective coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60 secs | 4 secs |
Max shutter speed | 1/4000 secs | 1/1500 secs |
Continuous shutter rate | 4.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.30 m | 3.90 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Soft |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/160 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 50 fps), 1280 x 720p (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, AVCHD | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 267 gr (0.59 lb) | 157 gr (0.35 lb) |
Dimensions | 108 x 67 x 37mm (4.3" x 2.6" x 1.5") | 114 x 58 x 28mm (4.5" x 2.3" x 1.1") |
DXO scores | ||
DXO Overall rating | 50 | not tested |
DXO Color Depth rating | 20.5 | not tested |
DXO Dynamic range rating | 10.0 | not tested |
DXO Low light rating | 573 | not tested |
Other | ||
Battery life | 360 photos | 260 photos |
Battery type | Battery Pack | Battery Pack |
Battery ID | - | D-LI92 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Cost at release | $600 | $350 |