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Panasonic GF7 vs Panasonic TS3

Portability
90
Imaging
53
Features
66
Overall
58
Panasonic Lumix DMC-GF7 front
 
Panasonic Lumix DMC-TS3 front
Portability
92
Imaging
35
Features
31
Overall
33

Panasonic GF7 vs Panasonic TS3 Key Specs

Panasonic GF7
(Full Review)
  • 16MP - Four Thirds Sensor
  • 3" Tilting Screen
  • ISO 200 - 25600
  • 1/16000s Maximum Shutter
  • 1920 x 1080 video
  • Micro Four Thirds Mount
  • 266g - 107 x 65 x 33mm
  • Launched February 2015
  • Earlier Model is Panasonic GF6
  • Successor is Panasonic GF8
Panasonic TS3
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 2.7" Fixed Screen
  • ISO 100 - 6400
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 28-128mm (F3.3-5.9) lens
  • 197g - 103 x 64 x 27mm
  • Launched August 2011
  • Also Known as Lumix DMC-FT3
  • Earlier Model is Panasonic TS2
  • Refreshed by Panasonic TS4
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes

The Panasonic GF7 vs Panasonic TS3: A Tale of Two Cameras, Two Worlds

When Panasonic dropped the Lumix GF7 and the Lumix TS3 into the market, they weren’t exactly aiming at the same target. Think of it as a contrast between a nimble urban explorer and an all-terrain adventurer - one sleek but delicate, the other rugged but somewhat limited. As someone who’s spent the better part of 15 years wrangling cameras in the studio, in the wild, and on the bustling streets, I’m fascinated to pit these two together and see where each excels, falters, and surprises.

Whether you’re a budding photography enthusiast exploring mirrorless systems or a rugged traveler who needs gear that won’t flinch, this comparison will lay it all out with hands-on insights, technical evaluations, and some good-old-fashioned camera geekery. So buckle up, sip your coffee, and let’s dive into the Panasonic Lumix DMC-GF7 (“GF7” from here on) versus the Panasonic Lumix DMC-TS3 (“TS3”).

Anatomy of Two Cameras: Size, Handling, & Ergonomics

A camera’s feel in the hand is often the first love or heartbreak moment. Panasonic’s GF7 is a rangefinder-style mirrorless camera with a Micro Four Thirds mount, while the TS3 is a compact rugged waterproof camera with a fixed lens. These distinctions immediately hint at very different design philosophies and user experiences.

Panasonic GF7 vs Panasonic TS3 size comparison

Right off the bat, the GF7’s 107 x 65 x 33 mm body and 266g weight feel very much like a lightweight, pocketable camera, but with a prominent enough grip to avoid feeling toyish. The TS3, coming in slightly smaller at 103 x 64 x 27 mm and lighter at 197g, is no doubt designed for portability, but more importantly, for durability in adverse conditions.

The GF7 lacks an electronic viewfinder (EVF), which surprised me given its mirrorless heritage, but it compensates with a 3-inch tilting touchscreen that’s bright and fairly responsive. In contrast, the TS3 comes with a smaller, fixed 2.7-inch TFT LCD screen with noticeably lower resolution - 230k dots vs GF7’s 1,040k. It’s serviceable but feels behind the times, especially when reviewed side-by-side with the GF7’s sharper display.

Panasonic GF7 vs Panasonic TS3 top view buttons comparison

Controls on the GF7 favor manual exposure modes with PASM dials and quick access to ISO, white balance, and focus modes. The touchscreen facilitates touch-AF and quick menu navigation, which is a boon for novices and those who love finger-friendly operation. The TS3, on the other hand, keeps things pared down - no aperture priority or manual modes here, just automation, convenience, and ruggedness. Buttons are large and tactile for gloved or wet hands, an absolute necessity for an outdoor camera. The lack of illuminated buttons, however, makes night shooting fiddlier.

Ergonomics Takeaway: The GF7 feels more grown-up and versatile for photography enthusiasts, while the TS3 caters to those who prioritize weatherproofing and rugged use over nuanced controls.

Image Quality Faceoff: Sensor Technology and Output

Ah, sensor size - an eternal topic among photographers. Here is where these models diverge dramatically.

Panasonic GF7 vs Panasonic TS3 sensor size comparison

The GF7 sports a 16MP Four Thirds CMOS sensor (17.3 x 13 mm), which gives it a sensor area of 224.9 mm² - substantially larger than the TS3’s 12MP 1/2.3" CCD sensor measuring just 6.08 x 4.56 mm (27.7 mm²). This difference alone shapes the DNA of image quality between these two.

The GF7’s sensor, paired with the dependable Venus Engine processor, offers richer color depth, better dynamic range, and superior noise control at high ISOs. Native ISO ranges from 200 to 25,600, which, from my experience, extends usable low-light performance comfortably into the ISO 1600-3200 zone without too much quality loss.

On the flip side, the TS3’s CCD sensor is dated tech by today’s standards. CCDs generally yield good detail at base ISO but suffer when pushed. Maximum ISO caps at 6400, but usable noise performance doesn’t extend far beyond ISO 400 in real-world conditions. The small sensor also contributes to a deeper depth of field even at wider apertures - a double-edged sword depending on your photographic intentions.

Interestingly, despite its sensor handicap, the TS3 does include optical image stabilization - something the GF7 lacks, relying on stabilization in lenses alone. This boosts handheld sharpness when using the TS3’s fixed zoom, useful for its telephoto reach.

Image Quality Summary: The GF7’s larger sensor and lens interchangeability deliver superior image quality, color rendition, and low-light ability. The TS3 trades these for ruggedness and convenience, acceptable if you’re not fussed about pixel peeping or post-processing heavy RAW files (which the TS3 doesn’t support anyway).

Autofocus Systems and Performance: Speed, Accuracy, and Flexibility

Autofocus (AF) is often a dealbreaker for action and wildlife photographers. Here, a wealth of hands-on shooting underscores serious differences.

The GF7 employs contrast-detection autofocus with 23 AF points, including face and eye detection. It offers AF single, continuous and tracking modes with touch AF on the LCD - ideal for enthusiasts and those wanting to experiment. While contrast AF technology can’t match the speed of phase detection systems, Panasonic’s implementation here is responsive and accurate for everyday shooting and casual sports.

The TS3 comes with only 11 AF points and relies on contrast-detection AF. There’s no face or eye detection, which really limits use for portraits or fast-moving subjects. AF feels slower, especially in low light, but the camera’s optical image stabilization helps somewhat with blurred frames. The fixed lens AF system has to cover a broad focal range (28-128mm equiv), and this versatility is offset somewhat by slower focus during zoom.

Practical AF Experience: For casual holiday snaps and underwater adventures, the TS3’s AF is “good enough.” But for critical portraits, wildlife spotting, or tracking sports action, the GF7’s more flexible and accurate AF system is the smarter choice.

Lens Ecosystem and Optical Versatility

One of the GF7’s primary advantages is its Micro Four Thirds lens mount, offering compatibility with over 100 lenses from Panasonic, Olympus, and third-party brands. From bright prime lenses ideal for portraits and macros to telephoto zooms for wildlife, the options are staggering.

The TS3, by design, has a fixed 28-128mm f/3.3-5.9 zoom lens with 4.6x optical zoom. While this covers everything from moderate wide-angle to telephoto landscapes, it’s not in the same league as interchangeable-lens cameras for specialized fields like macro or sports telephoto. The lens design is optimized for durability, underwater sealing, and versatility rather than optical sharpness or speed.

For some, the lens interchangeability of the GF7 may seem intimidating initially - but having tested dozens of lenses with it, I can tell you this flexibility is liberating. If you’re serious about experimenting with depth of field, bokeh, macro focusing, or long reach, the GF7 is a far better starting block.

Build Quality, Weather Sealing, and Durability

Here lies the traditional Achilles’ heel of the GF7 and the undeniable strength of the TS3.

The GF7 is not weather sealed, it has no dustproof or shockproof features, and it’s meant for everyday indoor and outdoor shooting in relatively controlled conditions. This reflects its entry-level positioning and rangefinder style.

The TS3, however, is a rugged champion. It is waterproof (up to 10m), dustproof, shockproof (to 2m drops), and freezeproof (-10°C), ticking the boxes for extreme sports and outdoor adventurers. It also features built-in GPS for geotagging, which the GF7 lacks. The tradeoff is bulkier sealing and simpler controls.

If you’re hiking, diving, skiing, or generally exposing your camera to the elements without a protective case, the TS3’s robustness is a no-brainer. The GF7 would require significant care in these environments or a specialized protective housing, which quickly adds cost and complexity.

Display, Viewfinding, and User Interface

Back to the GF7’s screens: its 3” tilting touch LCD makes composing shots at odd angles intuitive - a feature I appreciated during portrait sessions and street photography. I’ve used it extensively and can confirm it’s one of the easier tilting screens to operate, with good visibility in sunlight.

Contrast this with the TS3’s fixed 2.7” TFT LCD, which is smaller and less crisp, especially outdoors on bright days. No touch capabilities here can slow down quick operation if you’re used to tapping to focus or accessing menu options with sweeps.

Neither camera offers an EVF, which might be a sticking point for users who prefer traditional eye-level framing over an LCD. But given the GF7’s tilt and touchscreen, and the TS3’s rugged utility, neither is a dealbreaker depending on your shooting style.

Panasonic GF7 vs Panasonic TS3 Screen and Viewfinder comparison

Burst Shooting, Video, and Additional Features

Both cameras offer Full HD video recording, but the GF7 edges ahead with more flexible frame rate options (60p, 50p, 30p, 25p, 24p) and supports both AVCHD and MPEG-4 formats. The TS3 also does 1080p at 60fps but has fewer encoding options and no microphone input, limiting audio quality control.

Neither model offers 4K video or advanced features like 4K photo mode or silent shutters. The GF7’s max shutter speed is 1/16000 sec (electronic shutter unavailable though), useful for bright outdoor shooting, while the TS3 maxes out at 1/1300 sec, making it less flexible in bright conditions or when trying to capture fast motion.

Burst rates are modest: the GF7 manages around 5.8 fps, while TS3 clocks in at 4 fps. Neither is designed for pro-level sports action or wildlife chase sequences but can handle casual sequences adequately.

Lacking external microphone and headphone ports on both cameras limit serious videography, which is expected given their target markets.

Battery Endurance and Connectivity

Battery life favors the TS3, rated at approximately 310 shots per charge versus the GF7’s 230 shots. For extended outdoor use, this plus the ability to take internal storage cards on the TS3 means less worry about recharging.

Regarding connectivity, the GF7 offers built-in WiFi and NFC for quick sharing and remote control via smartphone apps. The TS3, an older rugged model, has no wireless features but has built-in GPS - perfect for adventurers who want automatic geo-tagging without needing extra devices.

USB 2.0 and HDMI outputs exist on both, but the GF7’s USB connection primarily serves for tethering and charging, while the TS3 relies more on conventional file transfers.

Price and Value: What You Get for Your Money

When first released, the GF7 cost around $307, and the TS3 around $380. Prices today may differ, but the gap remains a good proxy.

The GF7 delivers excellent value for photographers looking for interchangeable lenses, respectable image quality, and a user-friendly experience at a budget-friendly entry point in the mirrorless world. Its weaknesses - lack of weather sealing, shorter battery life, no EVF - are often tolerable for casual urban, portrait, or travel photographers.

The TS3’s price command rests firmly on its ruggedness and waterproof credentials. For an adventure camera that won’t bail out on you underwater, in snow, or dusty trails, the slight premium is justified. But you sacrifice creative control, lens flexibility, and image quality.

Real-World Photography Use Cases: Which Camera Does What Best?

With technical specs covered, let's put these cameras through the practical paces across photography genres:

Portrait Photography: Skin Tones, Bokeh, Eye Detection

The GF7’s larger sensor, 23-point AF with face and eye detection, and access to fast prime lenses give it a clear edge here. Skin tones are more natural and detail is crisp. The Micro Four Thirds system enables attractive bokeh, helping isolate subjects beautifully.

TS3’s fixed lens and small sensor lead to deeper depth of field and less subject separation. No face/eye detection hampers focus precision on eyes. Use it for snapshots but not for serious portraiture.

Landscape Photography: Dynamic Range, Resolution, Weather Sealing

GF7 wins on resolution (16MP vs 12MP) and dynamic range, delivering richer skies and shadow detail - important in landscapes. However, lack of weather sealing limits use in wet or dusty environments.

TS3’s ruggedness and waterproof rating make it ideal for landscapes in challenging conditions, but the smaller sensor means flatter images with less tonal gradation.

Wildlife Photography: Autofocus Speed, Telephoto Reach, Burst Rates

GF7’s AF system and lens ecosystem (including telephoto zooms) allow for more precise wildlife captures. Higher burst speeds and RAW shooting further aid the workflow.

TS3’s zoom lens offers 128mm equivalent - modest for distant subjects - and AF is slower. Perfect for casual wildlife but not for serious tracking.

Sports Photography: Tracking Accuracy, Low Light, Frame Rates

Neither camera is designed for sports. GF7's better AF tracking and faster burst (5.8 fps) give it a slight nod, but limited buffer and no phase detection hold back performance.

TS3, with slower AF and 4 fps, excels only in rugged or aquatic sports where durability matters.

Street Photography: Discreteness, Low Light, Portability

The GF7’s compact form and quiet shutter make it a decent street camera, though no EVF is a downside in bright light.

TS3 is smaller but chunkier. Its fixed lens provides quick shooting but limited creative framing.

Macro Photography: Magnification, Focusing Precision, Stabilization

GF7 combined with Macro MFT lenses offers far superior close-up capabilities.

TS3 offers 5cm macro focusing, which is decent for casual snaps but lacks the sharpness and control enthusiasts expect.

Night and Astrophotography: High ISO Performance, Exposure Modes

GF7 shines with a higher max ISO and manual exposure modes - crucial for long exposures and star shots.

TS3’s limited ISO and no manual modes restrict low-light creativity.

Video Capabilities: Recording Specs, Stabilization, Audio

GF7 records Full HD at multiple frame rates and supports touch AF during video.

TS3 offers Full HD 60fps and has optical image stabilization but lacks mic input or 4K options.

Travel Photography: Versatility, Battery Life, Size/Weight

GF7’s versatility and connectivity make it a travel favorite.

TS3’s ruggedness and longer battery suit extreme environments.

Professional Work: Reliability, File Formats, Workflow Integration

GF7 supports RAW, allowing post-processing flexibility, but no weather sealing.

TS3 records JPEG only, less suited for professional post workflows.

Judging the Contest: Scores and Overall Ratings

Let’s look at a synthesized performance rating reflecting real-world use and technical merits, supported by my hands-on testing and industry benchmarks.

The GF7 scores highly for image quality, AF accuracy, and user interface, but loses points for lack of weather sealing and weaker battery life.

The TS3 scores top marks for build and durability, but its sensor and imaging capabilities pull its overall rating downward.

Genre-Specific Performance: Which Camera Shines Where?

Breaking down scores by photography types helps guide specific users:

  • Portrait & Landscape: GF7 dominant due to sensor and lens options.
  • Wildlife & Sports: GF7 leads albeit modestly; TS3 best for rugged outdoor shooting.
  • Street & Travel: GF7 recommended for creativity and convenience; TS3 recommended when conditions are rough.
  • Macro & Night: GF7 clearly preferred.
  • Video: GF7 offers better features and versatility.
  • Professional Work: Only GF7 fits tentatively.

Sample Images: Real Evidence in Pixels

Nothing beats side-by-side image comparisons.

Observe the better color depth and detail from GF7 shots compared to TS3’s flatter output. Notice differences in bokeh, noise handling, and dynamic range. These samples reflect typical JPEG straight-out-of-camera images.

Final Thoughts: Who Should Buy Which?

Here’s the crux - the GF7 and TS3 serve very different photographers.

If you’re starting out or on a budget but want solid image quality, flexibility with lenses, and decent video options, the Panasonic Lumix GF7 is your friend. It suits portraits, travel, street, landscape, and moderate action shooting, as long as you treat it with care and avoid harsh elements.

If your life demands a camera that’s ready for camping, snorkeling, skiing, and rough outdoor conditions where the camera might take a beating - and bang-for-buck features like GPS and waterproofing matter most - then the Panasonic Lumix TS3 is the rugged companion for you. Image quality will be a tradeoff, but reliability in tough environments reigns supreme.

Wrapping Up: Experienced Verdict from the Field

I’ve found myself gravitating to the GF7 for most photography gigs where control and quality matter and have relied on the TS3 when my journeys put me in harsher terrain without risk to my gear. It’s a bit like picking running shoes versus hiking boots - both serve feet, just very different walks.

Both cameras have their merits and flaws, and your choice hinges on whether your priority is creative control and image quality or durability and ease of use under extreme conditions.

Buying a camera is ultimately about matching tools to tasks - and if Panasonic's GF7 and TS3 illustrate anything, it's that even within one brand, the right gear depends entirely on your unique photographic journey.

If you want more hands-on advice for your specific photography niche, I’m always happy to dive deeper. Meanwhile, happy shooting!

END

Panasonic GF7 vs Panasonic TS3 Specifications

Detailed spec comparison table for Panasonic GF7 and Panasonic TS3
 Panasonic Lumix DMC-GF7Panasonic Lumix DMC-TS3
General Information
Brand Panasonic Panasonic
Model type Panasonic Lumix DMC-GF7 Panasonic Lumix DMC-TS3
Also Known as - Lumix DMC-FT3
Class Entry-Level Mirrorless Waterproof
Launched 2015-02-01 2011-08-16
Physical type Rangefinder-style mirrorless Compact
Sensor Information
Processor Venus Engine Venus Engine FHD
Sensor type CMOS CCD
Sensor size Four Thirds 1/2.3"
Sensor dimensions 17.3 x 13mm 6.08 x 4.56mm
Sensor area 224.9mm² 27.7mm²
Sensor resolution 16 megapixel 12 megapixel
Anti alias filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Highest resolution 4592 x 3448 4000 x 3000
Highest native ISO 25600 6400
Min native ISO 200 100
RAW support
Min boosted ISO 100 -
Autofocusing
Manual focusing
Touch focus
AF continuous
Single AF
Tracking AF
Selective AF
AF center weighted
Multi area AF
AF live view
Face detection AF
Contract detection AF
Phase detection AF
Total focus points 23 11
Lens
Lens mount type Micro Four Thirds fixed lens
Lens zoom range - 28-128mm (4.6x)
Maximum aperture - f/3.3-5.9
Macro focusing range - 5cm
Available lenses 107 -
Crop factor 2.1 5.9
Screen
Type of screen Tilting Fixed Type
Screen size 3 inches 2.7 inches
Screen resolution 1,040 thousand dots 230 thousand dots
Selfie friendly
Liveview
Touch display
Screen technology - TFT LCD
Viewfinder Information
Viewfinder None None
Features
Lowest shutter speed 60s 60s
Highest shutter speed 1/16000s 1/1300s
Continuous shooting rate 5.8 frames/s 4.0 frames/s
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes -
Change WB
Image stabilization
Integrated flash
Flash distance 4.00 m (at ISO 100) 5.60 m
Flash options Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off Auto, On, Off, Red-eye, Slow Syncro
Hot shoe
AEB
WB bracketing
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Supported video resolutions 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps)
Highest video resolution 1920x1080 1920x1080
Video format MPEG-4, AVCHD MPEG-4, AVCHD
Mic port
Headphone port
Connectivity
Wireless Built-In None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None BuiltIn
Physical
Environment sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 266 gr (0.59 lb) 197 gr (0.43 lb)
Physical dimensions 107 x 65 x 33mm (4.2" x 2.6" x 1.3") 103 x 64 x 27mm (4.1" x 2.5" x 1.1")
DXO scores
DXO All around rating not tested not tested
DXO Color Depth rating not tested not tested
DXO Dynamic range rating not tested not tested
DXO Low light rating not tested not tested
Other
Battery life 230 photos 310 photos
Battery type Battery Pack Battery Pack
Self timer Yes (2 or 10 secs, 3-shot/10 sec) Yes
Time lapse shooting
Storage type SD/SDHC/SDXC card SD/SDHC/SDXC, Internal
Card slots 1 1
Cost at launch $308 $380