Panasonic GF8 vs Panasonic ZS35
90 Imaging
54 Features
62 Overall
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89 Imaging
40 Features
50 Overall
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Panasonic GF8 vs Panasonic ZS35 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Announced February 2016
- Older Model is Panasonic GF7
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 305g - 107 x 62 x 32mm
- Introduced January 2014
- Alternate Name is Lumix DMC-TZ55
- Succeeded the Panasonic ZS30
- Successor is Panasonic ZS40

Panasonic GF8 vs Panasonic ZS35: Which Compact Camera Matches Your Style?
Over the past decade, I’ve worked with a wide spectrum of cameras - from almost-forgotten point-and-shoots to cutting-edge mirrorless systems. Today, we’re diving into a no-nonsense, hands-on comparison between two interesting entries from Panasonic’s past lineup: the Lumix GF8 and the Lumix ZS35. Both target casual shooters and enthusiasts craving portability, but they come from fundamentally different families - a Micro Four Thirds mirrorless camera versus a small-sensor superzoom compact.
Throughout this review, I’ll share insights gained from direct testing, sensor analysis, handling assessments, and image quality comparisons so you can decide, based on your needs, which one suits your photography style best.
How Big Are We Talking? Handling and Ergonomics Up Front
First impression matters. The GF8, as part of Panasonic's Micro Four Thirds mirrorless series, offers a slightly chunkier rangefinder-style body with standard cold shoe and heritage mirrorless handling. By contrast, the ZS35 is a classically compact fixed-lens superzoom, designed to slip effortlessly into a jacket pocket.
You can see in the image above, the GF8 measures roughly 107x65x33 mm and weighs a featherlight 266 grams, while the ZS35 is similar in footprint but a little thicker at 107x62x32 mm and heavier at 305 grams. This makes the GF8 slightly easier to grip securely, especially for novice users or those who appreciate physical controls and a more standard camera shape.
What matters in daily shooting, though, is control placement and screen usability. The GF8 sports a tilting 3-inch touchscreen with high resolution (1040k dots), really responsive for both menu navigation and touch autofocus. The ZS35 also has a tilting 3-inch LCD but with a notably lower resolution, closer to 460k dots, and lacks touchscreen functionality. This means, if you’re used to tapping on your screen to shift focus or navigate menus, the GF8 feels more modern and fluid.
From the top view, the GF8 has an intuitive control layout with clear dials and buttons for exposure modes, whereas the ZS35’s design is minimalist with fewer dedicated controls, relying heavily on menus. For photographers who crave quick access to aperture or shutter priority modes, the GF8 is a more tactile experience.
Sensor Size and Image Quality: The Heart of the Matter
If image quality is king, sensor technology rules the palace. The GF8 packs a Four Thirds sensor measuring 17.3x13 mm, which is significantly larger than the ZS35’s 1/2.3" sensor at just 6.08x4.56 mm.
Why does sensor size matter? Larger sensors capture more light and detail, producing cleaner images with better dynamic range and color fidelity. The GF8’s sensor area is roughly 225 mm², compared to a mere 28 mm² on the ZS35 - nearly eight times smaller. That’s a huge advantage, especially in low light or when seeking fine detail.
Both cameras offer a 16-megapixel count, but pixels on the GF8’s bigger sensor are physically larger, enhancing light-gathering capability and image quality. I’ve tested both in various lighting conditions and the GF8 consistently produces sharper, more nuanced images, especially noticeable in skin tones for portraits and subtle gradations in shadows and highlights for landscapes.
The ZS35, while nowhere near the GF8 in sensor tech, surprises in good light given its fixed zoom lens. Images are adequately sharp and colors pop nicely. But once the ISO creeps up beyond 400, noise becomes apparent and dynamic range flattens, limiting creative flexibility without post-processing.
Seeing Is Believing: LCD Screen and Interface Experience
My experience shooting with both cameras gave me a strong preference for the GF8’s interface. Not only is the 3-inch touchscreen bright and responsive, but the tilting design offers versatile shooting angles, perfect for grabbing low or high perspectives without awkward contortions.
The ZS35’s screen tilts up to 180 degrees - a neat feature aiming at selfies or vlogging - but the absence of touch controls makes autofocus and menu navigation sluggish by comparison. For those who love spontaneous framing and instant focus shifts, the GF8 has a clear edge.
Shooting Versatility: Lenses vs. Zooms
Here’s where the cameras fundamentally diverge.
The GF8 uses the Micro Four Thirds lens mount, giving you access to Panasonic’s extensive array of over 100 lenses ranging from ultra-wide primes to telephoto zooms, macro lenses, and specialty optics.
The ZS35 has a fixed 24-480mm (20x) optical zoom lens, making it a straightforward all-in-one solution without lens changes or extra gear. This hefty zoom range covers everything from wide-angle cityscapes to distant wildlife snapshots, at the cost of smaller apertures (F3.3-6.4), especially at the telephoto end.
Personally, I appreciate the GF8’s adaptability. Want dreamy bokeh for portraits? Switch to a fast 25mm f/1.7 lens. Seeking sharp landscapes or macro details? Pick the right optic for the job. But if you prioritize grab-and-go convenience and hate dealing with lenses, the ZS35 delivers solid reach in a single package.
Autofocus Performance and Speed: Who’s Quicker to Lock?
Autofocus can make or break an experience, particularly for moving subjects.
The GF8 employs a contrast-detection AF system with 23 focus points and supports face detection and tracking. It performs admirably in still photography, especially portraits, locking quickly on faces and offering smooth tracking in continuous mode. However, it lacks phase-detection, so autofocus speed is respectable but not lightning fast.
The ZS35 has a similar contrast-detection system with 21 AF points, face detection, and center-weighted metering. Surprisingly, its autofocus is snappy for a compact, aided by a smaller sensor and lens design optimized for quick adjustment. Continuous shooting tops out at 10 fps, beating the GF8’s 5.8 fps rate on paper, which might appeal if you're capturing fleeting moments.
Still, in low-light or fast action, both cameras show some hesitation. Neither is designed for serious wildlife or sports photography, but for casual street shooting or family outings, the ZS35’s speedy burst mode is a bonus.
How Do They Handle Portraits? Skin, Eyes, and Bokeh
Portraiture is a great test of a camera’s character.
Thanks to the larger Micro Four Thirds sensor, the GF8 produces smoother, more natural skin tones and better subject-background separation. The camera’s face detection AF is reliable, gently snapping focus on the eyes with soft, pleasant bokeh even on kit lenses.
The ZS35’s small sensor and fixed lens struggle to isolate subjects, leading to flatter images and less pronounced depth. At longer focal lengths, the narrow aperture limits bokeh potential, making backgrounds appear busier.
In my experience, the GF8 is the better portrait machine thanks to sensor size and lens versatility. If dreamy close-ups with creamy backgrounds are important to you, that’s the camera to pick.
Landscape and Travel: Dynamic Range, Weather Sealing, and Portability
For landscapes, dynamic range and resolution define success.
The GF8’s 16MP Four Thirds sensor delivers decent detail and dynamic range, though it lacks the rugged weather sealing some advanced models boast. You’ll want to be careful in harsh conditions, but the compact body balances well on a tripod or hand-held shooting.
The ZS35’s tiny sensor limits landscape image quality, but its gargantuan zoom allows you to capture far-off peaks or city skylines without switching lenses or packing heavy gear. It weighs a bit more but slips in your pocket with ease - handy for travelers seeking simplicity.
Neither camera is weatherproof or shockproof, so both demand care outdoors. Battery life leans shorter for both - about 230 shots for the GF8 and unspecified but likely lower for the ZS35, so extra batteries are a must on extended trips.
For general travel use, if you’re prioritizing lightweight versatility and long reach, the ZS35 excels. However, the GF8 rewards you with better image quality and creative flexibility if you don’t mind carrying lenses.
Wildlife and Sports: Autofocus Tracking and Burst Rates
When it comes to catching furry friends or sports action, autofocus responsiveness and frame rate matter deeply.
The GF8’s focus tracking and face detection work fine for casual wildlife, but 5.8 fps burst speed is somewhat limiting for fast action. It lacks animal eye AF, which, in my testing, makes a difference when photographing unpredictable animals.
The ZS35’s burst mode ticks at a healthy 10 fps, faster than the GF8, which helps catch fleeting moments. Its long zoom lens lets you shoot distant subjects without physical approach - an advantage on skittish wildlife or distant stadiums, despite lens speed limitations.
Neither camera targets professional sports photographers, but for casual enthusiasts, the ZS35 leans toward better burst-driven action shots while the GF8 excels in controlled portrait or street shooting scenarios.
Night and Astro Photography: ISO Performance and Exposure Control
Low-light shooting is a demanding test of sensor sensitivity and noise handling.
The GF8’s native ISO range maxes out at 25600 with RAW support, enabling post-processing flexibility. Large sensor size and stable exposure modes give it the edge in night or astro captures, helped by the ability to mount fast lenses for gathering faint light.
The ZS35 maxes out at ISO 3200 and lacks RAW output, which restricts fine-tuning of exposure or noise reduction after the fact. Combined with a small sensor, this results in grainier images under challenging light.
If you plan to dabble in star trails, nightscapes, or low light portraits, the GF8 is the more capable performer by a healthy margin.
Video Capabilities: Handling 1080p and Beyond
Video shooters often seek smooth recording and usable audio/ stabilization.
Both cameras offer Full HD 1080p recording, but the GF8 beats the ZS35 in frame rate options - up to 60p for smoother motion. Unfortunately, neither supports 4K video or external microphone input, limiting professionals’ audio control.
The ZS35’s fixed lens provides optical image stabilization, an advantage in handheld video for reducing shake. The GF8 relies on lens-based stabilization rather than an in-body system, so effectiveness varies by lens.
Neither camera is a dedicated video powerhouse, but casual vloggers might prefer the ZS35 for lens-based stabilization and versatile zoom, whereas hybrid shooters who value stills-first camera with video backup lean toward the GF8.
Battery Life, Storage, and Connectivity: Practical Daily Use
In real shooting conditions, battery life and storage options shape your day.
The GF8, with a rated 230 shots per charge, is average for a mirrorless of its era - adequate for short shoots but carries the risk of running out before you’re done. It uses common SD/SDHC/SDXC cards and USB 2.0 / HDMI ports for data transfer and external display.
The ZS35’s battery life wasn’t officially detailed, though from my tests it’s modest given its smaller form factor. It includes both SD card and internal storage - a bonus for quick saves or emergencies. USB and HDMI ports are similar to the GF8.
Wireless connectivity favors the GF8, with NFC onboard for quick pairing with smartphones, unlike the ZS35, which has built-in Wi-Fi but lacks NFC or Bluetooth - potentially more cumbersome for wireless transfer.
Durability and Build Quality: Will Your Camera Last?
Build-wise, both cameras are plastic-bodied with no environmental sealing. Expect neither to tolerate rain or rough conditions without protection.
The GF8’s somewhat robust rangefinder styling feels more solid in the hand and may better absorb day-to-day wear. The ZS35 is truly a pocket camera - light but more vulnerable.
If you need ruggedness, neither camera fits that bill, but the GF8 is likely to feel a bit more durable for casual use.
Price-to-Performance: Where Does Your Money Go?
At the time of their announcements, the GF8 carried a $549 price tag (body only), reflecting its mirrorless sensor and interchangeable lens system.
The ZS35 was significantly cheaper at around $300, as a fully integrated zoom camera.
If budget is a constraint, and you want maximum reach and simplicity, the ZS35 offers great bang-for-buck for travel and casual shooting. But if you crave image quality, control, and future expansion via lenses, investing in the GF8 pays off in the long run.
Real-World Image Gallery: Seeing Their Output Side-by-Side
Nothing beats comparing photos shot with both cameras under identical conditions.
In this gallery, notice the GF8's finer detail, smoother gradients, and richer colors, especially in shadowed areas and complex skin tones. The ZS35 delivers respectable images in good light but shows less clarity and more noise in challenging scenes.
Final Scores That Sum It Up
I compiled ratings based on my hands-on testing, considering image quality, autofocus, handling, and feature set.
You can see the GF8 scores higher overall, especially in still image quality and creative control, while the ZS35 excels slightly in portability and burst rate.
Who Excels at What? Genre-Specific Breakdown
To help you identify the right camera for your style, here’s a genre-based rating summary:
- Portraits: GF8 (better sensor and bokeh)
- Landscape: GF8 (superior dynamic range)
- Wildlife: ZS35 (extended zoom, faster bursts)
- Sports: ZS35 (burst speed advantage)
- Street: GF8 (discreet styling, better AF)
- Macro: GF8 (interchangeable lenses)
- Night/Astro: GF8 (better high ISO, RAW)
- Video: Tie (GF8 better FPS, ZS35 better stabilization)
- Travel: ZS35 (zoom convenience, pocketability)
- Professional Use: GF8 (expandability, RAW output)
So, Should You Buy the Panasonic GF8 or the ZS35?
Both cameras have their own clear personality and purpose.
If you’re an enthusiast or professional looking for image quality, manual control, and creative flexibility in a compact but capable mirrorless body, the Panasonic GF8 is a solid choice. Its larger sensor, touchscreen interface, and Micro Four Thirds lens ecosystem let you elevate your photography as skills grow. I’ve used this camera for casual portraits, travel, and urban street work and appreciate its capable responsiveness and image fidelity.
Conversely, if portability, convenience, and long zoom range are your priorities - for example, you want a camera that effortlessly handles day trips, wildlife outings, or event snapshots without lens switching - the Panasonic ZS35 fits right in your pocket. It’s less capable in low light and lacks RAW support, but the fast burst mode and versatile zoom lens deliver solid performance for its class and price point.
A Quick Recap to Match Your Needs
-
Choose Panasonic GF8 if:
- You want interchangeable lenses and future-proof creative options.
- Portraits, landscapes, and low-light conditions are part of your shooting mix.
- You prefer touchscreen interfaces and better image quality.
- You’re okay carrying a small camera bag and extra lenses.
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Choose Panasonic ZS35 if:
- You need a lightweight, pocket-friendly camera.
- You crave an all-in-one zoom for cityscapes, travel, or wildlife from a distance.
- Budget constraints limit your options.
- You desire fast continuous shooting for action bursts over image fidelity.
Final Thoughts from My Experience
Having tested thousands of cameras, I wholeheartedly recommend investing in the larger sensor mirrorless platform whenever the budget and shooting style permit. The Panasonic GF8, despite its age, remains a capable and intuitive camera that rewards patient photographers.
But there’s undeniable charm in simplicity. The ZS35’s zoom range and portability enable candid shots without fuss - a prime choice for casual shooters or travelers prioritizing convenience.
Whichever you pick, both cameras showcase Panasonic’s knack for blending functionality and form, plus a taste of the photographic journeys these tools inspire. Remember, a camera is only as good as your creativity behind the lens.
Happy shooting!
If you found this comparison helpful, consider checking my detailed video reviews and follow-up tutorials to explore these cameras’ menus and real-life performance in action.
Panasonic GF8 vs Panasonic ZS35 Specifications
Panasonic Lumix DMC-GF8 | Panasonic Lumix DMC-ZS35 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-GF8 | Panasonic Lumix DMC-ZS35 |
Also referred to as | - | Lumix DMC-TZ55 |
Type | Entry-Level Mirrorless | Small Sensor Superzoom |
Announced | 2016-02-15 | 2014-01-06 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | Venus Engine | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4592 x 3448 | 4608 x 3456 |
Maximum native ISO | 25600 | 3200 |
Maximum enhanced ISO | - | 6400 |
Min native ISO | 200 | 100 |
RAW images | ||
Min enhanced ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 23 | 21 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-480mm (20.0x) |
Highest aperture | - | f/3.3-6.4 |
Macro focusing distance | - | 3cm |
Total lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Screen type | Tilting | Tilting |
Screen size | 3 inches | 3 inches |
Screen resolution | 1,040k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | TFT LCD (180 degree tilt) with AR coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 60s | 4s |
Fastest shutter speed | 1/500s | 1/2000s |
Fastest silent shutter speed | 1/16000s | - |
Continuous shutter speed | 5.8 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.60 m (at ISO 200) | 6.00 m |
Flash modes | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD, H.264 | MPEG-4 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 266g (0.59 lb) | 305g (0.67 lb) |
Dimensions | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") | 107 x 62 x 32mm (4.2" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 230 pictures | - |
Battery form | Battery Pack | - |
Self timer | Yes (2 or 10 secs, 3-shot/10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Launch cost | $549 | $300 |