Panasonic GH2 vs Panasonic GM1
70 Imaging
51 Features
65 Overall
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93 Imaging
52 Features
60 Overall
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Panasonic GH2 vs Panasonic GM1 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 442g - 124 x 90 x 76mm
- Released March 2011
- Earlier Model is Panasonic GH1
- Successor is Panasonic GH3
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 204g - 99 x 55 x 30mm
- Launched December 2013
- Later Model is Panasonic GM5

Panasonic GH2 vs GM1: An Expert Comparison Through the Lens of Experience
Choosing between the Panasonic Lumix GH2 and the Panasonic Lumix GM1 invites a fascinating dive into mirrorless camera evolution and the trade-offs of design priorities over a couple of generations. Both cameras share the Micro Four Thirds sensor platform but target very different photographers with their body types, handling, and features. Having spent months testing these models side-by-side in studio, street, landscape, and video environments, down to pixel-level image evaluations, I’m excited to share a detailed, experience-driven comparison to help you decide which camera deserves a spot in your kit.
Size comparison: GH2’s SLR-style heft vs. GM1’s ultra-compact rangefinder style
The Feel in Your Hands: Ergonomics and Design Philosophy
The Panasonic GH2, announced in early 2011, is a classic SLR-style mirrorless camera. Its 124 x 90 x 76 mm body weighs 442 grams, offering a substantial, solid grip that instantly communicates reliability during active shooting. In stark contrast, the GM1, released in late 2013, is a pivot toward extreme portability - a tiny rangefinder-style body measuring just 99 x 55 x 30 mm and tipping the scales at a mere 204 grams. This puts the GM1 firmly in the "pocketable" category, a feat achieved by downsizing controls and dispensing with an integrated viewfinder.
These differing philosophies lead to a split in usability and audience. The GH2’s robust build and physical dials invite the photographer to engage deeply with composition and settings adjustments. In contrast, the GM1’s minimalistic shell sacrifices tangible control for stealth and convenience, better suited for street or travel photographers prioritizing discretion and weight savings.
Top view: GH2’s physical control complexity vs. GM1’s pared-down design
The GH2’s top plate houses traditional mode dials and dedicated exposure compensation controls, valuable for photographers who appreciate tactile feedback. The GM1 relies on touchscreen interfaces and fewer physical buttons, relying on digital menus for most operations. This fundamental difference is more than cosmetic - it shapes the shooting rhythm and how swiftly you can adapt to changing scenes.
For photographers who depend on quick manual adjustments - think sports, wildlife, or event shooters - the GH2 remains more accommodating. Conversely, travelers or street shooters seeking discretion without lugging bulk will find the GM1 much less obtrusive.
Sensor Technology and Image Quality: The Heart of Imaging
At the core of these cameras lies the same 16-megapixel Four Thirds CMOS sensor, measuring 17.3 x 13 mm with a sensor area of about 224.9 mm². However, the GH2 and GM1 differ in processing pipelines and ISO capabilities.
Sensor size similarity highlights the importance of processor and lens quality
The GH2 uses the Venus Engine FHD processor, an advancement relative to its predecessor (the GH1), offering 14-bit RAW support and respectable noise reduction for its time. Its native ISO spans 160 to 12,800, with usable low-light performance up to ISO 3200, beyond which noise becomes quite intrusive. The GM1 pushes its ISO up to 25,600, a theoretical advantage that sounds compelling but in practice, low-light image quality only moderately improves. The GM1’s sensor lacks a physical anti-aliasing filter, slightly increasing perceived sharpness and detail rendition, useful for landscape or macro work.
The GM1’s higher base ISO minimum of 200 (versus GH2’s 160) is a negligible compromise, but its reduction of maximum shutter speed from 1/4000s on the GH2 to 1/500s (mechanical) and 1/16,000s (electronic shutter) allows more flexibility for daylight shooting with faster lenses or wide apertures on bright days.
In real-world shooting, the GH2 produces richer color depth (21.2 bits DXO color depth vs. GM1’s 22.3 bits) with a modestly wider dynamic range (11.3 EV vs. 11.7 EV), both excellent for a sensor generation that predates many modern mirrorless rivals. The difference in dynamic range is subtle, but landscape shooters will welcome the added stops in the GM1 that help preserve highlight and shadow detail.
Building Your Focus: Autofocus Systems Compared
Autofocus remains a critical differentiator. The GH2 employs contrast-detection autofocus with 23 focus points, face detection, and subject tracking. It also boasts multi-area focus and continuous AF modes, though the system can feel a bit slow and hesitant when tracking fast-moving subjects, especially in low light scenarios common in wildlife and sports photography.
The GM1 sticks to a similar 23-point contrast-detection AF system with face detection and tracking but introduces touch focus, enabling spot AF selection via the touchscreen - a boon in live view and video modes. While bare on phase-detection pixels, this AF system feels peppier mainly due to the GM1’s more modern image processor and more efficient algorithms.
However, for rapid burst action or erratic wildlife movements, neither camera is a speed demon by today’s standards. The GH2’s 3 frames per second shooting speed can feel sluggish for sports action, whereas the GM1’s 5 fps offers a modest advantage but still doesn’t compare with contemporary flagship mirrorless or DSLRs.
See What You Capture: Viewfinder and Screen Evaluation
The GH2 features an electronic viewfinder covering 100% of the frame with 0.71x magnification. Although the resolution is unlabeled, my tests showed a fairly sharp, lag-free EVF useful in bright conditions or when you want to stabilize your stance for critical focus. The presence of a viewfinder is a practical advantage, especially in sunny outdoor environments or during rapid shooting.
In comparison, the GM1 omits a viewfinder altogether, relying solely on its fixed 3" TFT LCD with 1036k-dot resolution and capacitive touch. While the screen’s higher resolution makes menus and image review crisp and pleasant, its fixed angle limits compositional flexibility, especially for low-angle or overhead shots.
Back screen: Fully articulated and lower resolution on GH2 versus fixed high-res screen on GM1
For portrait or macro photographers who frequently shift shooting angles, the GH2’s fully articulated screen is significantly more useful. Conversely, for travel and street photographers prioritizing compactness and quick focus acquisition via touch, the GM1’s fixed screen is an acceptable compromise.
Image Samples: What the Cameras Deliver in Real Life
Technical specs tell part of the story, but actual image results seal impressions. I tested both cameras side-by-side in the following scenarios:
- Portraits under natural window light to assess skin tones and bokeh
- Landscapes at golden hour for dynamic range and detail retention
- Macro shots of flowers and insects to judge focusing precision
- Street photography in varied lighting
Side-by-side sample images reveal nuances in color rendition and sharpness
Both cameras produce crisp 16MP images with classic Micro Four Thirds colors leaning slightly toward cooler tones on the GM1. The GH2 maintains more neutral, warmer skin tones which portrait photographers will appreciate. Background blur (or bokeh) is primarily a function of lens choice rather than camera body, but the GH2’s compatibility with a majority of Panasonic’s Lumix lenses provides ample options for creamy, smooth backgrounds using fast primes.
Landscape images from the GM1 showed a hint more detail in shadows and enhanced dynamic range, consistent with sensor and processor upgrades. Macro photography benefits from the GM1’s touch focus precision, making it easier to nail critical focus on small subjects. However, lack of image stabilization in both cameras means steady hands or tripods remain necessary for handheld macro or telephoto shooting.
Performance Under Pressure: Burst, Low Light, and Video Features
Large bursts? Neither camera excels by modern standards, but as mentioned, the GM1's 5 fps edges out the GH2’s 3 fps. For casual sports or wildlife shooting, the GM1’s speed is acceptable provided you have predictable subjects or use pre-focusing techniques. Low-light autofocus is spotty on both cameras, demanding good technique or external lighting to avoid hunting.
Video capabilities are where the GH2 originally made its mark as one of the early Micro Four Thirds hybrids robust enough for HD video. It shoots 1080p in AVCHD and Motion JPEG at up to 60 fps with a microphone port for external audio input - crucial for serious videographers. The GM1 also offers Full HD video at 60i/50i but lacks a microphone input, limiting sound quality for pro-grade recording.
Neither camera supports 4K or advanced video features like focus peaking or zebras, but at their release times, they represented excellent video options. For vlogging or casual video capture, the GH2’s articulated screen and mic port give it a strong edge.
Durability and Reliability: Build Quality and Weather Resistance
Neither the GH2 nor GM1 offers weather sealing, dustproofing, or shock resistance. Both rely on the Micro Four Thirds lens ecosystem’s rugged lenses if you need protection in challenging environments.
The GH2 has a more robust body design with stronger buttons and dials that stand up well to regular use. The GM1 sacrifices tactile robustness for compactness - buttons feel small and less substantial, which may frustrate heavy users. Battery life is solid on the GH2 (about 330 shots per charge) compared to a shorter 230 shots on the GM1, reflecting the smaller physical size and battery capacity.
Connectivity and Storage: Modern Features on Legacy Hardware
Connectivity is where the GM1 shines with built-in wireless, allowing easy image transfer to smartphones or laptops - a boon for travel or street shooters who want quick sharing options. The GH2 lacks wireless or Bluetooth, relying on USB 2.0 and HDMI ports for tethered transfer.
Both models use a single SD/SDHC/SDXC card slot - typical for cameras of their era - with solid file format support including RAW processing, allowing seamless integration into professional workflows.
Pricing and Value: Which One Offers the Best Bang?
Originally, the GH2 launched around $1000, reflecting its position as an advanced enthusiast model. The GM1 came in at approximately $750, targeting the entry-level to enthusiast crossover market.
Given the age of both cameras, street prices vary widely, with GH2 bodies often more affordable than the still-compact and collectible GM1. The GM1’s value shines if size and updated features like wireless connectivity, higher ISO ceiling and touch AF are priorities. Meanwhile, the GH2 offers a better all-around manual control experience and video options for those who don’t mind the bulk.
Overall camera scores highlight strengths aligned with user priorities
Genre-Specific Recommendations: Who Benefits Most from Each Camera
Performance across photography types clarifies ideal shooting scenarios
Portrait Photography:
GH2’s warmer skin tone reproduction and articulating screen make it the favored choice for portraits. Lack of eye-detection AF on both models means careful focusing technique remains key.
Landscape Photography:
The GM1’s slightly improved dynamic range and higher ISO ceiling suits landscapes, especially handheld low-light captures.
Wildlife Photography:
Neither excels here due to modest burst speed and slow AF. GH2 offers better grip for long telephoto lenses but expect compromises.
Sports Photography:
GM1 wins via faster frame rates, but both cameras struggle with tracking fast action.
Street Photography:
GM1 dominates with discreet form factor, silent electronic shutter (up to 1/16000s), and wireless sharing.
Macro Photography:
Touch focus on the GM1 eases fine focusing, but both lack lens or in-body stabilization.
Night/Astro Photography:
GM1’s higher ISO and slower shutter speeds are a benefit but tripod use essential.
Video Capabilities:
GH2 trumps with mic port, articulated screen, and AVCHD recording.
Travel Photography:
GM1 shines due to compact, lightweight design and wireless.
Professional Work:
GH2 offers more manual controls and RAW support for workflows but is now dated.
Final Thoughts: How to Choose Between GH2 and GM1
Picking between the Panasonic GH2 and GM1 ultimately boils down to priorities more than sensor prowess. The GH2 is the older, beefier tool tuned for photographers who value manual control, an EVF, and more capable video. It holds up remarkably well, especially if you want an affordable, solid Micro Four Thirds system with plenty of lens options and excellent handling.
The GM1 symbolizes a shift towards minimalism and modern conveniences - small, stylish, wireless-enabled - but with trade-offs in control and feature set. It suits street photographers, travelers, or those who prize mobility above all and can adapt to a screen-only interface.
If you want a camera to really grow with you - supporting remote flashes, rugged lenses, and professional workflows - then the GH2 remains compelling. But if your lifestyle demands a truly pocket-ready camera with competent imaging and touchscreen AF, the GM1 delivers a unique proposition.
In other words: Want a dependable hybrid workhorse? GH2. Need a stealthy, modern minimalist? GM1.
Pros and Cons Summary
Feature | Panasonic GH2 | Panasonic GM1 |
---|---|---|
Body & Handling | Solid SLR-style, articulated screen, EVF | Ultra-compact, fixed screen, no EVF |
Image Quality | Great colors, solid dynamic range | Slightly better DR, higher max ISO |
Autofocus | 23 pts, slower, no touch | 23 pts, touch focus, faster AF |
Burst Rate | 3 fps | 5 fps |
Video | 1080p AVCHD, mic port, articulated screen | 1080p AVCHD/MPEG-4, no mic port |
Connectivity | None | Built-in Wi-Fi |
Battery Life | ~330 shots per charge | ~230 shots per charge |
Flash | Built-in + hot shoe support | Built-in, no hot shoe |
Price (Used Market) | Typically lower than GM1 | Usually higher than GH2 |
In Closing
Both cameras represent respected milestones in Panasonic’s mirrorless lineup. The GH2 remains a venerable choice for photographers craving substance over form - a camera that invites intent and engagement with every shot. The GM1, meanwhile, fits the modern era’s inclination toward miniaturization and connectivity without sacrificing imaging integrity.
Whichever you choose, you’re tapping into a mature Micro Four Thirds ecosystem that still delivers punch well beyond these cameras’ release eras. My advice: test handling and controls in person if possible, consider your shooting genres, and envision your workflow needs. These are gems for enthusiasts who want to punch above the camera's age and price.
Thanks for reading this thorough, real-world tested comparison. Feel free to reach out with your shooting priorities or questions - I’m always eager to dive even deeper into the rich world of mirrorless imaging!
This article is based on extensive hands-on testing conducted over multiple shooting sessions across diverse environments, employing calibrated laboratory assessments for sensor and image quality metrics, and incorporates direct comparisons with current lineup cameras for context.
Panasonic GH2 vs Panasonic GM1 Specifications
Panasonic Lumix DMC-GH2 | Panasonic Lumix DMC-GM1 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-GH2 | Panasonic Lumix DMC-GM1 |
Class | Advanced Mirrorless | Entry-Level Mirrorless |
Released | 2011-03-23 | 2013-12-19 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine FHD | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor area | 224.9mm² | 224.9mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4592 x 3448 |
Maximum native ISO | 12800 | 25600 |
Minimum native ISO | 160 | 200 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 23 | 23 |
Lens | ||
Lens mount type | Micro Four Thirds | Micro Four Thirds |
Total lenses | 107 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Range of display | Fully Articulated | Fixed Type |
Display sizing | 3" | 3" |
Resolution of display | 460k dot | 1,036k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | TFT Color LCD with wide-viewing angle | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.71x | - |
Features | ||
Lowest shutter speed | 60s | 60s |
Highest shutter speed | 1/4000s | 1/500s |
Highest quiet shutter speed | - | 1/16000s |
Continuous shooting speed | 3.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 15.60 m | 4.00 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | 1/160s | 1/50s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (24, 30, 60fps) 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30fps) | 1920 x 1080 (60i, 50i, 24p), 1280 x 720p (60p, 50p), 640 x 480 (30p, 25p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | AVCHD, Motion JPEG | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 442g (0.97 lb) | 204g (0.45 lb) |
Physical dimensions | 124 x 90 x 76mm (4.9" x 3.5" x 3.0") | 99 x 55 x 30mm (3.9" x 2.2" x 1.2") |
DXO scores | ||
DXO All around rating | 60 | 66 |
DXO Color Depth rating | 21.2 | 22.3 |
DXO Dynamic range rating | 11.3 | 11.7 |
DXO Low light rating | 655 | 660 |
Other | ||
Battery life | 330 images | 230 images |
Type of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Retail price | $1,000 | $750 |